Rockland Security Trust Building // 1912

The Rockland Security Trust Building is a significant Colonial Revival style bank structure located on Main Street in Downtown Rockland, Maine. Built in 1912 from plans by Boston architect Richard Clipston Sturgis, the brick building is trimmed in marble, to provide a visual representation to the financial wealth and stability the bank could provide its clients. The bank closed and the building is presently occupied by an art gallery. Sadly, the rooftop deck railing takes away so much from the building’s presence.

Custom House Block // 1853

This stately commercial block is found on Main Street in Rockland, Maine. The block originally housed the local custom house (before a larger, purpose-built custom house was erected nearby in 1873) with other retail and commercial spaces at the ground floor with offices and meeting space above. The block is a great example of the Italianate style with an intricate brick corbeled cornice and cast iron and marble storefronts. The commercial space occupied by the First National Bank also exhibits a stone medallion with deer set within a wreath over the entrance. The detail that stood out to me most was the cast iron lintels over the windows, with the second floor lintels including a man’s face! The building is well preserved and is today occupied by local businesses.

Norwood Odd Fellows Building // 1912

In the early 20th century, Norwood, Massachusetts, shifted from sleepy rural town to a commercial and population center with a population tripling in size between 1900 and 1930. Located on Washington Street, the town’s main commercial street, the Odd Fellows Building stands as a reminder of the historical importance to charitable and social organizations. Designed by Boston architect Clarence Blackall, the three story building is characterized by a boxy rectangular form, yellow and tan masonry with limestone and granite trimmings, and its somewhat minimal detailing. Built in 1912, the building’s first floor was designed to contain two stores, the second floor housed the club rooms and meeting hall, and third-story containing restrooms and a kitchen. The Classical Revival style building is one of the larger and more significant commercial structures in the town center.

Van Buskirk Block // 1895

Built at the corner of Main and Partition streets in Saugerties, New York, this handsome 19th century commercial building is located next door to the Whitaker Block – featured previously. The Van Buskirk Block was built in 1895 for the Van Buskirk Brothers, who were pharmacists in town. The building has a unique rounded corner, inset brick paneling, and a bold metal cornice at the roof.

Old Brooklyn Savings Bank // 1928

One of the most intact and architecturally significant buildings in Killingly is this stunning example of a bank built in the Georgian Revival style. Located on Main Street in the village of Danielson, the former Brooklyn Savings Bank was designed by the New Haven-based architectural firm of Norton & Townsend for the Brooklyn Savings Bank, which was founded in the adjacent town, Brooklyn, in 1872. The bank relocated to the economic center of the two towns, Danielson, in 1915, later building this landmark bank structure as its primary facility. The two-story bank is covered in red brick with elaborate limestone and marble trim and detailing, showcasing the wealth and stability of the banking institution for potential members. The façade features a two-story pedimented pavilion, round arched windows, and an elaborate swans neck pediment over the door. The structure has been very well-preserved in its nearly 100 year existence and now appears to be the home of a state judicial court.  

Old Head Tide Store // c.1890

Every village needs a general store, and the store in the Head Tide village of Alna was this vernacular building constructed around 1886. The store was operated for years by John Allen Jewett, who’s ancestors settled in Alna generations before. Jewett sold grain from the building to local farmers and residents and lived across the street in the family home. Vernacular “mom and pop” stores like this are becoming more rare, but they are among the most charming in New England. Be sure to shop local and support small businesses when you can!

Grader Block // 1885

Commercial districts and Main Streets in historic New England towns are full of amazing architecture that is meant for pedestrians. Strolling through these areas, the varied styles, materials, storefronts, and signage provides a sense of artistry and community that is impossible to achieve in suburban strip-malls and shopping centers. Historic buildings serve not only as visible anchors to communities, but are more often occupied by local, women, and/or minority-owned businesses compared to modern buildings and districts. Marblehead has many historic (sometimes Revolutionary-era) buildings that are commercial and contribute so much to the town’s vibrancy. This building was constructed in 1885 as a high-style Italian Renaissance Revival style commercial block, replacing a late 18th or early 19th century building. The Grader Block features a rounded corner, scored siding to resemble ashlar masonry construction, and Classically inspired design features like pilasters and pediments. Today, the storefronts are occupied by local small businesses.

Roswell B. Fitch Store // 1851

Roswell Burrows Fitch (1833-1908) was born in the seaside village of Noank to parents Elisha and Mary P. Fitch. At twelve years of age he commenced to be self-supporting, and from then until he was fourteen, occupied a clerkship in a general store in town. In his teens, summers were spent aboard ships fishing for a livelihood, and his winters attending school. Upon completing his education, he became clerk in a store, and was afterwards engaged to assume the management of a union store which was erected for the special purpose of being placed under his charge. This building was constructed as the union store in 1851 with eighteen-year-old Roswell becoming an active partner in the business. In his twenties, he slowly bought out, one-by-one, the twelve other owners, until he possessed absolute control. The eclectic Greek Revival and Italianate style building features classical detailing, but with a bracketed cornice and gambrel roof which is capped by a parapet. Mr. Fitch retired from business in 1890 and got to work “Victorianizing” his nearby home. Stay tuned for the next post which features his home in Noank.

Printer’s Exchange Building // 1866

Why is commercial architecture from the second half of the 19th century so perfect? This structure in Downtown Portland is known as the Printer’s Exchange Building and was built in 1866, amongst the ashes of the buildings lost in the Great Fire of 1866. Charles Quincy Clapp is credited as the designer of the structure, which is Italianate in style with the paired round arched windows set into larger openings. The rounded corners are a really subtle but splendid touch in the design. The building got its name as it was home to the Eastern Argus and the Portland Daily Press, among other newspapers who rented the space from owner, Horatio Nelson Jose. I really like this one!

Thompson Block // 1868

Another of Portland’s stunning mid-19th century commercial blocks is the Thompson Block, built in 1868. The structure is one of the most high-style commercial buildings in Maine and is in a great state of preservation. The building was designed by George M. Harding, a VERY busy architect after the disastrous Great Fire of 1866, which destroyed much of Downtown Portland. The building stands three-stories tall with a polychrome slate mansard roof providing a full fourth floor, a subtle and great way to get extra height without making a building too overbearing. The mansard is broken up at the facade by dormers with round-arch windows and keystoned and eared hoods. If only all cities held off urban renewal, we would have so many more structures like this!

Rackleff Block // 1867

Late 19th century commercial architecture in downtowns all across New England always transport me to the past because they evoke the days of carriages in the streets and the hustle and bustle of post Civil War American cities. After Portland’s Great Fire of 1866, many standing or damaged wooden buildings were replaced with fireproof construction in the event of another conflagration. Five years before the Great Chicago Fire, this was the greatest fire yet seen in an American city. It started in a boat house then spread across the city. Amazingly, only two people died in the fire, but ten thousand people were made homeless and 1,800 buildings were burned to the ground. This is one of the buildings constructed in the rebirth of the downtown/waterfront of Portland. The Rackleff Block was built in 1867 from plans by architect George M. Harding, who designed the building with details reading Italianate and Victorian Gothic. The building retains its original cast iron storefronts and ornate cornice with brackets.

Peru Creamery House // 1895

The Creamery House in Peru, Vermont is perhaps the most “Vermont” building I have ever heard of. The building was constructed in 1895 George Richardson (1852-1920), a local farmer who operated the use as a place where cheese was made from the excess (unsold) milk of the area farmers. Eventually, the building was acquired by the Town of Peru and converted to a town hall, used for meetings, dances, dinners and parties, serving as the true town gathering place. The town relocated its offices to the former Peru Schoolhouse (featured previously) and this building went back to its roots and is presently home to the Peru Historical Society and the Main Street Makery, a community craft workshop and new town gathering place!

Old Peru Schoolhouse // 1864

In 1816, the turnpike to Manchester, Vermont was completed and ran through the small town of Peru. As a result, inns and taverns were built, and the young village of Peru began to grow, with farming and lumber businesses being the most common employment in town. A village school was built here and in the town’s other school districts. By the end of the 19th century, the lure of moving to the Western U.S. and cities for industrial work caused some population decline in Peru, and a larger, consolidated school was built in the town village. This schoolhouse on the hill was constructed in 1864, replacing the former one-room schoolhouse on the lot. The school consolidated again in the mid-20th century when further population decline necessitated a school district encompassing Peru and nearby towns. This building was later converted to town offices, a use that remains to this day.

The good news is that the town’s population is seeing a resurgence, led by both tourism and the Bromley Mountain Ski Resort as an anchor.

Crocker Tavern // c.1754

One of the largest pre-Revolution houses in Barnstable is this stunning Georgian manse, known as the Crocker Tavern. The c.1754 home was built along Main Street in Barnstable Village by Cornelius Crocker (1704-1784), who operated it as a tavern along the Old King’s Highway, the main stagecoach route through Cape Cod. Cornelius died in 1784, and he left the eastern half of his house and land to his grandsons Robert, Uriah, and Joseph Crocker; the western half of land and house went to his daughter Lydia, widow of Captain Samuel Sturgis who died at 25, she never remarried. The house was “to be divided through by the middle of the great chimney“, a feature which was likely removed under separate ownership. Lydia eventually acquired the other half of the house, and continued operation of the tavern as her father did before her, though it was known as Aunt Lydia’s Tavern. The property was passed down through the family until 1925, when the property was left to the Society for the Preservation of New England Antiquities (later renamed Historic New England) as a historic house museum. The Georgian house and property were eventually de-accessioned by Historic New England and the tavern can be rented out on AirBnb!

King Mansion // 1894

After the American Revolution, Lt. Joshua King settled in Ridgefield and built the King Mansion in 1801, a Federal style home that commanded the Main Street lot. King was born in Bridgewater, Massachusetts and fought in the Revolutionary War near the border of Connecticut and New York. After the war, he settled in Ridgefield and married one of the most eligible bachelorettes in town Anne Ingersoll. Anne was the daughter of the Rev. Jonathan Ingersoll, pastor of the Congregational Church of Ridgefield. After a long life running a store and raising a family, Joshua died in 1839, a year after his wife. The mansion was inherited by their son Joshua Jr. until his death in 1887. In 1889, a fire destroyed much of the house. When it burned down, The New York Times described it as “the grandest old mansion in the village.” It was quickly replaced by the current house, modeled after the original but larger, which was placed much farther back from the road in the Colonial Revival style. Fire damaged the house again in the 1990s, and the present structure was restored and enlarged from 2002-2004, its HUGE!