This home in Acton Center was built in 1806 by Samuel Jones, shortly after he and other esteemed residents laid out house lots just south of the Town Green.Samuel Jones worked as an attorney and he lived here with his family and widowed mother, who operated a dame school, where she taught local children out of the house. The Federal style farmhouse sits upon a brick and stone foundation and is five-bays at the facade. The entry features a panel front door with sidelights flanking it. The entry is surrounded by a traditional Federal style frame with pilasters and entablature. There is something so beautiful about the simplicity and proportions of old Federal style houses.
Another of Acton’s amazing old Queen Anne homes is the Edgar Hall House, an 1889 gem on Windsor Avenue. The house was built for Edgar Henry Hall and his wife Angelina who raised their daughter, Alice, in the home. Edgar and his brother inherited the family business from their father, Enoch Hall, and they produced wooden pails, tubs, clothing racks, and other wooden goods. The company employed over 30 workers in the early 20th century until it closed during the Great Depression. Edgar retired and relaxed from this stunning Victorian home until his death in 1954.
I do not feature enough Queen Anne style buildings on my account, as penance, I present this beautiful example of the style with a painted lady color scheme! Located on Windsor Avenue in West Acton, Massachusetts, this house was built in 1892 and has all the hallmarks of the Queen Anne style. The use of varied siding materials and forms, asymmetrical form, applied ornament, and large five-sided tower capped by a conical slate roof with weathervane. The home was built for Arthur F. Blanchard, a local businessman who operated an apple farm and marketing business opened by his father. Mr. Blanchard was a philanthropist in town and used his wealth to enhance his hometown by funding the Blanchard Auditorium at the Acton High School (1925) and was a benefactor of the West Acton Women’s Club in 1925. He and his son, Webster, also founded the Blanchard Foundation in town in 1946, an organization which funded and sponsored educational projects for the community.
Prominently sited upon a hill on a dead-end street in West Acton, Massachusetts, this Craftsman Bungalow is a very elaborate and well-preserved example of the style. The house was built in 1911 for George Varnum Mead (1861-1940) and his wife Effie Wright Mead (1860-1926) as their summer home when they weren’t living in Somerville. Mr. Mead was born in West Acton to Varnum Balfour Mead, who operated the A. O. W. Mead Company, a produce marketing business in Acton and Boston. Varnum’s brother built an elaborate Second Empire style mansion in town which was featured on here yesterday. George Mead followed his father’s footsteps and worked in the family business, which was in operation starting in the 1840s. The A. O. W. Mead Company gathered produce from farmers all over West Acton, kept the produce in cold storage facilities erected by the family, and sent it to Boston for sale at Quincy Market until George’s death in 1940. The Craftsman style house has a fieldstone base, low, overhanging flared gable roof, and is sheathed in shingle siding. Characteristic features include the multiple dormers, exposed rafter tails, grouped windows, and the large fieldstone chimney.
Marblehead, Massachusetts is better known for its Colonial-era homes, but there are definitely some amazing old Victorians interspersed in the warren of narrow streets and alleys. This Queen Anne style house was built in the 1890s for Thomas D. Hamson, who was listed in directories as a shoe manufacturer. Queen Anne style Victorians typically exhibit asymmetrical plans, varied projecting and receding planes, varied siding materials and forms, turned posts and porches, and towers and turrets. This house has it all!
By the early 1900s, metropolitan Boston’s demands for freshwater began exceed its supply, causing the state legislature to look for other sources of water to supply the metro’s population growth. A 1922 study endorsed the Swift River Valley (Quabbin area) as the best location for a new reservoir that could supply Massachusetts with fresh water, but there was one issue, there were towns and people living there. To create the Quabbin Reservoir, the depressed land would need to be flooded, this required over 80,000 acres of land to be purchased or seized by eminent domain by 1938. Four towns: Dana, Enfield, Greenwich, and Prescott were disincorporated and their excess land not flooded was added to surrounding municipalities. In total, an estimated 2,500 residents lost their homes as part of the flooding. Not all elements of the towns were destroyed, however. Town memorials and cemeteries in the four towns were moved to Quabbin Park Cemetery, in Ware, a short distance from the Quabbin Reservoir. Many other public buildings were moved intact to other locations (like those in Dorset, Vermont featured previously). In the over 80,000 acres that were flooded, the Commonwealth had to relocate an estimated 7,500 burials in over 35 cemeteries in these flooded towns. Bodies were removed from their respective locations, and intered in the new Quabbin Park Cemetery, built by the Commission in 1932 with grounds designed by landscape architect Arthur A. Shurcliff. An area for unknown graves and a memorial area at the entrance to the cemetery also contains public war monuments from the abandoned towns. This service building was added to the cemetery from designs by architect Frederick Kingsbury who died during its construction.
All Saints’ Church in Ware Massachusetts was originally known as St. William’s parish, and was the oldest Roman Catholic Church in the town. Beginning in 1850, regular Catholic services were held in the new industrial village, as large a population of French Canadians moved there for work in the textile mills. A small frame church was built on West Street and a cemetery laid out around it for members of the congregation. As the congregation grew, a larger building was needed. In 1888, work began on the present structure which was to be located in a more central location. The Archdiocese worked with Patrick W. Ford, an architect who designed many Roman Catholic churches built in the eastern part of United States through the latter half of the 19th century. The Victorian Gothic church building remains one of the best examples of the style in central Massachusetts.
The first library in Ware, Massachusetts was organized in 1796. Operating on a subscribers system, books were lent out to those who paid the most at the time. The Society flourished for 26 years until it abruptly disbanded. In 1824, a second library was organized, called the Mechanics and Manufacturers’ Library, which was loosely managed by the manufacturing companies in town. In 1872, an act providing for the formation of library corporations was passed in Massachusetts. The Ware Young Men’s Library Association was the first to incorporate under the new law. They established a location in a commercial space in town until it was outgrown. In 1879, the present lot at the corner of Main and Church streets was donated by a local businessman. Funding was acquired and Springfield-based architect Eugene C. Gardner was hired to design the building. In 1923, an addition was built onto the side by architects Gay & Proctor in the Jacobethan Revival style, which blends well with the original Queen Anne building. The building remains home to the library and is the town’s public library.
I love exploring old industrial towns. In Ware, Massachusetts, the urban decay of some buildings provides opportunity and potential, but also so much negative thoughts for long-time residents as it reminds some of the town’s once thriving past. Just off Ware’s Main Street, I spotted this former chapel and had to learn more. This structure was built in 1881 as the second East Congregational Church chapel. The congregation was largely made up of immigrant laborers who worked in the town’s mills. This chapel replaced a Greek Revival building erected in 1857 on Water (Pulaski) Street that was later remodeled by the town into a fire station. That building was destroyed during the Hurricane of 1938. This Victorian Gothic chapel was designed by architect Eugene C. Gardner of Springfield, who was very busy in central/western Massachusetts. The chapel long was used by church members for spillover events and social gatherings. Later, the building became the office of the Ware River News.
Located on Church Street, the best architectural stretch of buildings in Ware, Massachusetts, you’ll find this absolutely charming mini-Mansard house. The property was built after the Civil War and historic maps show it was owned by a J. Coney. Upon further research, it seems J. Coney is John Coney (1809-1884), a farmer who retired in 1870 and was later referred to as a carpenter in census’. It is likely that Mr. Coney built this mansard cottage around his retirement and relocation to Ware’s industrial village, building it himself. The home features gabled dormers with round-headed sash projecting from the mansard roof. A two-story tower has paired, round-headed windows with oculus windows. Perfection.
This house in Ware, Massachusetts was built after the Civil War by the Otis Company, the major employer in town, for use as an agent’s house. Crazy I know! Historically, it was a common practice for New England textile companies to provide housing for employees (though agents got the nicest dwellings). Many of the agents were brought from Boston and a comfortable residence was a benefit of the job. The first agent to reside in this house was Sylvester Bowen Bond, agent of the company between 1870 and 1877. Mr. Bond sadly would die in the dwelling of typhoid fever, aged 36. The Italianate style property on a large lot continued to be used as an agent’s residence until the Otis Company left Ware. The property was acquired by the nearby St. Mary’s Church as a convent.
One of the later mill buildings constructed in the mid-19th century for the Otis Companyis this brick building which contributes to the rich industrial heritage of the town. Built in at least three stages, this long industrial building probably grew from a middle section dating 1856, expanded in both directions over the next several decades and but was largely completed by 1869. The building was a major manufacturer, supplying thousands of jobs for the town until it closed after WWII. In 1945, the top two stories of this building along with their towers were removed in 1945, which echoes the history of many similar mills all over New England (but hey, at least this one is occupied today!)
After learning a little about some of the buildings in Dorset, Vermont, which were saved and relocated to the town from land flooded for the Quabbin Reservoir, I wanted to visit one of the surviving towns there to see it for myself. I found myself in Ware, Massachusetts, a town with a history that parallels many in central and northern Massachusetts. The town was first settled by white European colonists by 1717, and incorporated in 1775. The town was named after the English town of Ware in Hertfordshire. The Town of Ware began as a sleepy farming town with inns and taverns dotting the landscape until industrial sites were developed on the banks of the Weir River. The post Civil War era (1860s–1900s) brought a new prosperity to the now established textile mill town. “Ware Factory Village” sprang up overnight and formed the basis for new growth and development, to the east of the former town center. From this, a new Town Hall was needed, and where better to locate it, than the economic and population center of town?! The Ware Town Hall was built in 1885-1886 from plans by the prominent Boston firm of Hartwell & Richardson. Sadly, a fire gutted much of the building in 1935, but the shell remains (though needing much repair). The town, like many former industrial centers, has struggled to re-invent itself, but a growing population is a great indicator of good things to come!
Happy Halloween! To celebrate I wanted to feature one of the more creatively decorated houses in the Boston area, which blends spookiness with architecture! This is the Barrows-Goddard House, so named after its first two owners. The house is located in Newton and was built in 1898 as an eclectic Queen Anne/Shingle style home. The original owner was Joseph Barrows, who developed the property and sold it within a year, relocating to a new home on a less busy street. The property was owned next by Christopher Goddard, an insurance agent with offices in Boston. Architecturally, the gable roof of the main block is intersected by an over-scaled gambrel cross-gable clad in patterned cut wood shingles. The focal point of the design is the Syrian-arched entrance porch of coursed, dressed fieldstone which this time of year, eats trick-o-treaters!
Buildings of New England 