New England Architecture Blog

Thomas Hill Standpipe // 1897

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Built in 1897, the Thomas Hill Standpipe is the oldest standpipe in town and has been in constant use since its construction. In 1895, it was discovered that the city pumping station contained faulty equipment, risking the possibility of a city water shortage, so the city councilmen pushed for a new standpipe on one of the highest points in the city to provide a back-up plan. Its purpose is the same today as when it was built; to help regulate Bangor’s water pressure in the downtown area and to provide water storage for emergencies. The New Jersey Steel and Iron Co. assembled the 50-foot high and 75-foot diameter steel tank atop Thomas Hill, with architect Ashley B. Tower of Holyoke, Massachusetts, designing and overseeing construction of the Shingle style wooden structure to cover the metal structure. Originally, the exterior was painted dark gray with the pillars and lattice work painted white. During World War II, the standpipe was painted olive for camouflage purposes, because of its proximity to Dow Army Airfield, and concerns it would be a target when the Germans ultimately crossed the Atlantic. The tower was completely painted white in 1949.

As Stephen King is synonymous with Maine, Bangor specifically, he used the Thomas Hill Standpipe as the inspiration for the Standpipe in the fictional town of Derry, where Stan first encounters Pennywise (It).

Frederick Parkhust House // c.1890

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Frederick Parkhurst (1864-1921) was born in the small Maine town of Unity and attended local schools. He moved to New York to attend Columbia Law School, receiving his degree in 1887. Soon after, he was admitted to the Maine bar. Frederick moved back to Maine and joined his father in a leather goods business in Bangor, of which he later became president. He served on the Bangor City Council and later in the Maine House and State Senate. With his wealth and connections, he purchased a large house lot on West Broadway, then the most exclusive street in town, and hired local architect Wilfred Mansur, to design a Shingle style home for his family. During World War I he led the Liberty Loan effort and in 1920, was elected Governor with the largest margin in Maine history, moving to the State Capitol, Augusta soon after. Parkhurst served less than a month when he died on January 31, 1921.

Smith-Miller House // 1893

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Located on stunning West Broadway in Bangor, Maine, the Smith-Miller House stands out as a beautiful blending of the Shingle and Queen Anne styles. Built in 1893 from the designs of Connecticut architectural firm Cook, Hapgood, and Company, the home was featured in The American Architect and Building News journal for its design success. The home is clad with continuous cedar shingle siding, with a prominent corner tower, wrap-around porch, and porte-cochere, all together provide complexity and intrigue on the street of large homes. What do you think of this home?

Charles P. Brown Mansion // c.1872

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Located next to the famed Stephen King House in Bangor (last post), this stunning Second Empire house was purchased by Stephen and Tabitha King in 2004, creating a small historic house campus in one of the nicest neighborhoods of the city. The Brown Mansion was constructed in the early 1870s for Charles P. Brown, an attorney who became involved in land speculation in the west. During and immediately following the Civil War, Brown purchased large land holdings in the “western frontier” in Minnesota and farther west, and re-sold the land years later at a huge profit when development began. He was thought to be one of the richest men in Maine upon his death in 1892, but it was discovered that many land holdings possibly vanished (or he lied about having much more land to his family), leaving his executors of his will very upset. The man who was estimated of having a net-worth of over $1,000,000 in 1892 (more than $31,000,000 in dollars today), left just $16,000, split between his two daughters, leaving nothing to his sister, whom he had been living with for the final two years in his life.

Joseph C. White House // 1866

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Located a short walk from the Stephen King House in Bangor, this stunning Second Empire style house shines just as bright! This house was built in 1866 for Joseph C. White, a dry goods merchant in town. Just years after it was completed, he sold the mansion, possibly due to upkeep. The two-story mansard-roof house is clad in wood siding, scored to resemble stone rustication, a method to make the home appear more expensive. The corner entrance with later enclosed second-floor porch, massive brackets, and scrolled dormers add a lot of Victorian flair to the home. Would you move in here?

Stephen King House // 1854

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Stephen King, the world-renowned author of some of the most popular horror novels, was born in Maine, and has used the state as the setting for many of his stories. From blood-soaked Carrie, to the haunted hallways in The Shining, to the evil clown Pennywise in “It”, Stephen King has long been one of the leaders in horror, terrifying millions with his books and film adaptations. Instead of living in a larger metropolitan area, he has long resided in Bangor, Maine, in one of the most visually striking homes in the state. The home was built in 1854 for William Arnold, who operated prosperous livery stables in town. The home is a rare example of an Italianate Villa in the state. While Stephen King now spends most of his time at his home in Florida, his Bangor mansion with its iconic wrought-iron gate ornamented with spiders and webs, bat-winged creatures, and a three-headed reptile are much more fitting of the horror author’s essence.

Canterbury Shaker Bee House // 1837

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The original purpose served by this small clapboard building in the Canterbury Shaker Village, built in 1837 and measuring just 12 x 25 feet is subject to some debate, although it was definitely used as a drying house. Early writings indicate it was built as an apple-drying house while others state that the original purpose was to dry lumber. The present off-center gable-roofed cupola on the gable roof served as a ventilator. In 1865, the building became the headquarters of the bee keepers of the local Shakers.

Canterbury Shaker Syrup Shop // c. 1780

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When Benjamin Whitcher donated his farm for the beginnings of a utopian Shaker community, the land and buildings became the catalyst for the next 200 years of Shaker life in the community. It is known that Benjamin Whitcher constructed his farmhouse sometime between 1775 and 1782. With the arrival of the first Shakers in 1783, Whitcher allowed families to reside on the farmland, with the 1790 Census counting 35 people on the Whitcher property. This structure was one of the original structures on the old Whitcher Farm, and is possibly the oldest extant building in the Shaker village today. The building was moved to its present location in 1841 and was used for distilling sarsaparilla syrup for medicinal purposes by members of the community.

St. Saviour’s Rectory // 1898

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Standing adjacent to the beautiful St. Saviour’s Episcopal Church in Bar Harbor (last post), the church’s Rectory building fits very well into the landscape here. Built in 1898, the rectory is a two-and-a-half-story stone and frame home with a projecting entrance porch at the facade framed by a pair of steeply pitched gables. The Rectory was designed by Westray Ladd who grew up in the area, and worked in the office of Wheelwright & Haven in Boston, Massachusetts as well as with William Emerson and Peabody & Stearns before opening up a firm in Pennsylvania.

St. Saviour’s Episcopal Church // 1877

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Initially erected in 1877 and enlarged several times thereafter, the St. Saviour’s Episcopal Church in Bar Harbor is an excellent example of ecclesiastical architecture in the state of Maine. The original church building had been erected in 1877-78 at a cost of about $7,000 from designs by the New York architect Charles C. Haight. Within eight years of its construction, space limitations caused the church to undertake a major expansion. Designed by the Boston architectural firm of Rotch and Tilden, this building campaign – carried out in 1885-86 – dramatically changed the church’s appearance by developing a cross shaped plan that made use of the original structure for transepts and added a larger nave, semi-circular apse, and an imposing crossing tower. The numerous building campaigns designed by both prominent and lesser known architects, have produced a rich eclectic architectural legacy that mirrors the development of Bar Harbor.

Breeze Cottage // 1896

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The marriage of Anna Perkins Pingree to Joseph Peabody in 1866 was a merging of two of the most influential and wealthy families of Salem, Massachusetts. The marriage however did not meet the mark, as the couple eventually had a large falling-out after purchasing a mansion in Boston’s Back Bay neighborhood in 1877. In her time away from her estranged husband, Anna became heavily involved in the arts, collecting hundreds of paintings and decorating her homes in Boston, Ipswich, and her new summer cottage in Bar Harbor. In 1896, she had her Bar Harbor cottage built on West Street, a road of substantial summer homes right next to downtown. The Colonial Revival “cottage” sits on the waterfront of Frenchman Bay and has only 12 bedrooms and 7 bathrooms, in 12,500 square feet.

“The Crossways” // 1901

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Built in 1901, “The Crossways” is one of Bar Harbor’s most stunning summer cottages built in the 20th century. The home was designed by the illustrious Boston architectural firm of Andrews, Jaques and Rantoul, possibly as part of the of the William B. Rice estate. The home appears to have been rented in early years until it was occupied by Edward and Esther Mears. Edward ran a hotel in town during the summer months before getting involved in real estate, where he made much more money. The home blends together the best of architectural styles of the time from Queen Anne to Shingle Style, and remains in an excellent state of preservation.

Sunset Cottage // 1910

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Sunset Cottage was designed by local architect Milton Stratton and cost $20,000. The cottage was constructed for New Yorker Gertrude Stevens Rice, a decade after the death of her husband William. She and her husband formerly resided at The Tides, a home nearby, but she decided to construct a new home to summer at with her sister. The shingled home originally had half-timbering in the gables, but other than that, looks almost identical to when it was built 110 years ago!

St. Sylvia’s Catholic Church // 1881-1909

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Photo in Detroit Publishing Co. Collection.

As wealthy citizens from cities like Boston, Philadelphia and New York, began building summer cottages on Mount Desert Island in Maine, an influx of carpenters and tradespeople from Ireland followed to construct and work on them. Realizing this, cottager DeGrasse Fox along with Brooks White of Philadelphia, donated land for a new Catholic church building. Maine architect, William Ralph Emerson, donated plans for the church. A masterpiece of Shingle style design, the church, which seated 300 people, was deemed too small for the growing village’s summer congregation. A new, stone church was built closer to town (featured previously). The spire and belfry resemble another church Emerson designed in Beverly, MA, St. Margaret’s Catholic Church. Sadly, St. Sylvia’s burned down in 1909.

Thornhedge // 1900

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Located next door to “The Poplars” (last post), another summer cottage Thornhedge, stands out for its architectural splendor and great state of preservation. Similar to “The Poplars”, the home was built in 1900 for Lewis A. Roberts, a retired book publisher from Boston. Roberts ran the publishing house with his brothers, and they published work by authors including Emily Dickinson, Fyodor Dostoyevsky and George Sand, the first American edition of Treasure Island by Robert Louis Stevenson, and had their greatest commercial success with Little Women by Louisa May Alcott. The business was purchased by Little and Brown Publishing in 1898. Lewis Roberts died in 1901, only a year after completing Thornhedge, and the house came under the care of his son, Lewis Niles Roberts. Mr. Roberts kept the house as a summer residence until 1920, then sold it to the family of William F. Frick, a prominent judge from Baltimore. The home became an inn by the 1970s. Thornhedge is a Queen Anne style cottage which was originally organized with the first and second floor serving as the living quarters and the top and bottom floors for the servants. The laundry, servants dining hall, and kitchen were out of sight in the finished basement, with a dumb-waiter to bring hot food to the butler’s pantry. The third floor was the servants’ living quarters.