New England

King-Murdock House // c.1894

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Located on Ashmont Street in the Ashmont Hill neighborhood of Dorchester in Boston, this handsome Colonial Revival style residence was one of many large homes constructed here at the end of the 19th century. This house was built by 1894 for owner Franklin King and rented to tenants for supplemental income. Franklin King was part owner of the E & F King Company, a major paint and stain manufacturer in Boston. Franklin died in 1898 and the property was inherited by his son, Samuel Gelston King, who continued to rent the home. A notable renter of the house was Harold Murdock, a cashier and amateur historian and author who wrote various books of everything from the American Revolution to the Reconstruction of Europe. The architect is said to be Clarence Blackall of Cambridge, which makes sense as this house is clearly the work of a trained architect. Symmetrical in plan, the center-hall residence features a preserved entry portico, hipped roof, and detailed dormers.

Chansonetta Stanley Emmons House // 1893

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Chansonetta Stanley Emmons (1858-1937) was born in Kingfield, Maine, and was one of the great women photographers in the 19th and early 20th century, often depicting domestic life and New England scenes. The young Chansonetta Stanley grew interested in photography after her brothers’ (Francis E. and Freelan O. Stanley) dry-plate printing invention, they also invented the steam-powered automobile known as the Stanley Steamer. She married James Nathaniel Whitman Emmons in 1887 and in 1894, James hired architect Henry McLean, to design a residence for him and Chansonetta, this lovely home on Harley Street on Ashmont Hill. The couple occupied the house until 1898, when James died of blood poisoning at the age of 41. Chansonetta sold the home and moved to Newton, where her two brothers lived and operated their business. The house blends Queen Anne and Colonial Revival styles and originally had a conical roof over the corner rounded bay. The roof was replaced with a flat roof at about the time of the large balcony and extended dormer.

Reed-Loring House // c.1872

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Another of the early houses built in the Ashmont Hill neighborhood by George D. Welles, a young man who inherited and subdivided his family estate in Dorchester, is this mini-Mansard on Harley Street. Like a few others in the neighborhood, this house was built for Welles, likely as a rental property. The house was rented by Charles and Nellie Reed, who had painter, Frank Henry Shapleigh over as a guest. Shapleigh would paint the house in the 1870s, shortly after a stint in Paris. The property would be purchased by Stephen L. Emery, a coal and wood merchant in Boston, and later by Clara Reed, the daughter of Charles and Nellie Reed, who took up permanent residence in this house with her husband Royden Loring, the vice president of the Arnold Roberts Company on Congress Street. Clara Reed Loring lived here until the early 1970s. The Second Empire style house and large, preserved barn at the rear of the lot, provides a glimpse into the early development of Ashmont Hill.

George Derby Welles Rental House // c.1872

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From the 1780s until 1870, almost all of Ashmont Hill (west of the present train station) was a farm, with the large farmhouse dating to about 1720, located at the corner of Washington and Welles streets, now the home to the Codman Square Branch of the Boston Public Library system. The farm was owned for a time by General Henry Knox. Sometime before 1850, the estate and mansion came into the possession of the Honorable John Welles, who died in 1855. The property would eventually be deeded to John Welles’ grandson, George Derby Welles, who was then just 26 years old and living in Paris with his wife, Armandine V. Derby. Welles wasted no time in developing the property through his agent, Boston Attorney Edward Ingersoll Browne. Streets were laid out and house lots were platted and sold, with some early properties built with much of the neighborhood developing by the turn of the century. The old Knox-Welles farmhouse would be razed by 1889, but the remainder of the neighborhood has since become a landmark neighborhood of Victorian-era homes. This mansard double-house at 67-69 Ocean Street dates to around 1872 and is one of the earliest properties in the area. Blending the Second Empire and Stick architectural styles, the handsome double house is said to have been designed by architect Luther Briggs for George D. Welles and rented to tenants.

Dorchester Temple Baptist Church // 1889

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Located at the corner of Washington Street and Welles Avenue, the Dorchester Temple Baptist Church was designed in 1889 by architect Arthur H. Vinal, as one of the best examples of a church designed in the Shingle Style in New England. The church began in 1886 as a mission church of the Tremont Temple Baptist Church in Boston. At this time, Dorchester was a semi-rural area and would surge in development when the streetcars were electrified in the 1880s. With a rapidly developing neighborhood, the congregation here, purchased lots and hired Vinal to furnish plans for a house of worship. The church’s cornerstone was laid October 3, 1889, with the church membership numbering ninety-nine at that time. Membership would decline in the decades following WWII, and shifting racial and ethnic demographics in the neighborhood brought new members to worship here. The building was renamed as the Global Ministries Christian Church by the current congregation, who with the assistance of preservation grants, worked with Mills Whitaker architects to restore the iconic landmark. Specific details of the building stand out, including the stained glass windows, the belfry with bulbous form, and the arched openings with continuous shingled walls.

Captain John Stacey House // 1731

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In 1731, Captain John Stacey, a merchant and shipowner in Marblehead, had this gambrel-roofed house built on family land. Due to its orientation from the main street, a passageway allowed access to the rear of the property where other buildings were constructed by the family. By 1850, the house was jointly owned by Hawkes and Brown, with Mr. Hawkes operating a store in the first floor corner room. Eventually, by 1912, Brown had bought the whole building and moved his meat market into the store in this building. The property was later purchased and restored by Donald Mackenze Stacey (1916-1998), a contractor and descendant of the home’s original owner, John Stacey. Donald was a veteran of the U.S. Navy and served in World War II, before moving back to Marblehead and worked in the building trade. In town, he restored antique clocks, furniture, and buildings, including the Old Town House and Abbott Hall, the current town hall. 

Joseph Lindsey Cottage // 1886

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While Marblehead is best-known for its Georgian and Federal period houses, there are some great examples of later styles, sometimes tucked behind and in side yards of earlier residences. This is the Joseph Lindsey Cottage on Washington Street, a vernacular, Folk Victorian style residence built in 1886 by carpenter and housebuilder, Joseph W. Lindsey (1823-1902). Mr. Lindsey lived nearby on High Street, and purchased an earlier house at 45 Washington Street by 1881, building this cottage five years later and rented both out to boarders. Joseph Lindsey worked his entire life as a carpenter, except for a few years when he and his brother, Philip B. Lindsey, travelled west to seek gold and fortune during the California Gold Rush. The Lindsey Family Papers are part of the collections of the Marblehead Museum. 

Rev. Samuel Dana House // c.1809

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The Reverend Samuel Dana (1778-1864) was appointed the minister of the Old North Congregational Church in Marblehead in 1801, and remained in his position for 36 years. During his rectorship, he started a Sunday School, the congregation built chapel on Pearl Street in 1819 and the Old North Church stone church in 1825. Before all of these accomplishments, he had this stately Federal style mansion built on Washington Street, a short walk to his place of worship. The house appears to have been built shortly after his marriage to Henrietta Bridge in 1808. The house and its design rivals many of the Salem Federal period houses, and stands three stories with five bays and a center entry. A Doric portico shelters the door which is surmounted by a fanlight transom and sidelights. 

Richard Trevett House // 1730

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Richard Trevett Jr. (1690-1749) was a wealthy shipwright and sparmaker (a carpenter who finishes and installs spars, masts, and cargo booms) in Marblehead, and part of a wealthy shipowning family. He would build this house on Washington Street (originally named King Street before the Revolution) and reside here with his family. Trevett lived here for just a few years until the death of his father, and he sold the property, which was later purchased by Joseph Pedrick, a wealthy ship owner, who’s son, John Pedrick, built an even larger mansion down the street. By the turn of the 19th century, this house was owned by Captain Samuel Horton, a commander in the Revolution under General John Glover. After the war, Samuel Horton engaged in mercantile pursuits, importing goods from all over the world. He likely brought home pineapples similar to the pineapple motif over the doorway from plantations in the Caribbean and South America as well.

Pedrick Mansion // c.1756

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One of the great Colonial-era houses of Marblehead is this stately residence, the John Pedrick Mansion on Washington Street. The house dates to about 1756 and was built for John Pedrick (1733-1780), a wealthy shipping merchant. According to ‘The History and Traditions of Marblehead’, Pedrick’s “ships sailed to nearly every port in England, Spain, and the West Indies, and his transactions were with some of the largest mercantile houses of Europe. At one time, it is said, he owned twenty-five vessels engaged in the foreign trade.” The Revolutionary War, which proved so disastrous to the merchants of Marblehead, bore with especial severity upon Major Pedrick, as several of his vessels were destroyed by British cruisers in Massachusetts Bay, and many others rotted in port from blocades and engagements. The property was likely modernized after John Pedrick’s death in 1780 with a more Federal form, possibly adding the third floor and shallow hipped roof. The building’s facade is scored to resemble ashlar masonry, giving it a more stately appearance, but the bright blue really diminishes the feature, which should typically be colored a natural stone.