Yale University – Alpha Delta Phi Hall // 1895

Completed in 1895 for the Alpha Delta Phi fraternity at Yale, this stunning example of the Richardsonian Romanesque style on Hillhouse Avenue was such a treat to see in person. This building was designed by local architect William H. Allen who designed the building to provide student members dining and socialization space, but no dormitories. The group was active as a Junior Society, but disbanded by 1930, and the building was sold to Yale University. Yale has since occupied the building with the Morris Steinert Collection of Musical Instruments and it recently underwent a restoration. The longer I look at the building, the more amazing details I can find. The proportion of the Syrian arch with squat engaged columns is really remarkable.

Yale University – Mason Laboratory // 1911

On Hillhouse Avenue, one of the finest streets in New Haven, you will find a great collection of historic homes and large institutional landmarks. Adjacent to St. Mary’s Roman Catholic Church, the Sheffield Scientific School of Yale College built this structure, the Mason Laboratory between 1910-1911 for Mechanical Engineering and related departments. The building was designed by architect Charles C. Haight, who was responsible for a number of other Neo-Gothic buildings at Yale. The limestone building properly holds the streetedge and blends in well with its surroundings.

St. Mary’s Roman Catholic Church Priory // 1907

Located next to the St. Mary’s Roman Catholic Church on Hillhouse Avenue in New Haven, Connecticut, you will find one of the finest Neo-Gothic style buildings in the city that was not built by Yale University. This structure was constructed in 1907 as the Priory for the Catholic Church next door. Historically, the church had been under the care of the Dominican friars of the Province of St. Joseph, based in New York City, and the church needed a residence for the friars (a Priory). Due to dwindling attendance at churches all over the country, area churches were consolidated under the Hartford Archdiocese, who replaced the friar residents of this building with Dioscesan priests in late 2021.

St. Mary’s Roman Catholic Church // 1870

The second oldest Roman Catholic parish in Connecticut can be found in New Haven, at the St. Mary’s Roman Catholic Church. The parish was originally established in 1832, largely by Irish immigrants who settled in the area for work. The current St. Mary’s church building, located on Hillhouse Avenue near Yale University, was designed in 1870 by ecclesiastical architect James Murphy, and it was dedicated in 1874. The construction of a Catholic church on Hillhouse Avenue was strongly opposed by the Protestant elite who lived in the area, but the congregation prevailed. The Victorian Gothic style church is constructed of local blue stone and granite and while plans by Murphy originally included a corner spire for the building, it was not built until 1982 when the building was restored courtesy of the Knights of Columbus. The Knights of Columbus fraternal organization was actually founded in 1882 in New Haven by Father Michael J. McGivney, who originally held meetings in the basement of this church.

St. Elmo Hall – Rosenfeld Hall // 1912

St. Elmo Society at Yale was founded in 1889 as a chapter of the national fraternity Delta Phi, and it is today one of the “ancient eight consortium” of secret societies at the university. The society’s original building was erected in 1895 and provided housing, meeting spaces, a library, smoking room, and other recreational spaces for the members. Just over a decade later, the group’s increasing wealth and membership necessitated a larger building. This building, named St. Elmo Hall was designed by architect Kenneth MacKenzie Murchison in an Elizabethan style and built in 1912 for the society, replacing its former residence hall. The society saw dwindling funding and during World War II, St. Elmo Hall became a convalescent hospital for soldiers who were out of the hospital but still need observation. After WWII, the group began leasing some rooms out to Yale University, who eventually purchased the building in 1962, renaming it Rosenfeld Hall after Richard Rosenfeld ’63. The L-shaped building is sited opening up to the corner lot and is Neo-Gothic in style, likely drawing inspiration from Yale’s established Gothic stylistic influence.

Town-Sheffield Mansion // c.1836-1957

One of the biggest architectural losses in New Haven was the 1957 demolition of the Town-Sheffield Mansion, formerly on Hillhouse Avenue. The mansion was built around 1836 by esteemed American architect and civil engineer Ithiel Town (1784-1844) as his own home on Hillhouse Avenue in the Greek Revival style; here he kept what was then an extraordinary architectural library, which was said to have been larger than any other personal collection anywhere at the time, including that of Sir John Soane in London. After Town’s death, the house was bought by Joseph Earl Sheffield in 1859, benefactor of the Sheffield Scientific School at Yale, and modified by local architect, Henry Austin in the Italianate Villa style. Alterations included two large asymmetrical towers, a new porch, and symmetrical side wings with large bay windows. After Sheffield’s death in 1889, the building was used for laboratory space for the school. Although the house was one of Austin’s most important works, it was demolished in 1957 by Yale to make way for Dunham Laboratory.

The Colony // 1898-1969

In 1898, before the Berzelius Society at Yale built their present “tomb” in New Haven, the organization funded one of the finest residence halls in town at the time. The building was known as “The Colony” and would house Seniors who were members of the secret society. Located on Hillhouse Avenue, the stately Colonial Revival/Neoclassical building was designed by architects Henry Bacon and James Brite. Bacon is best known for having designed the Lincoln Memorial on the National Mall. Yale purchased the Colony dormitory in 1933 for student housing, later using it for faculty offices before demolishing it in 1969 to facilitate construction of the Yale Health Services Center, one of the least inspiring buildings on the campus.

Berzelius Tomb // 1910

Yale, like other Ivy League colleges, has a long and complex history of secret societies. The secret societies all are headquartered at their own buildings, called “tombs”. These are massive, very impressive structures without windows or signage and all share an unmistakable message with their architecture: “Private; keep out.” One of the lesser-known tombs at Yale is the Berzelius Tomb, completed by 1910 from plans by architect Donn Barber. The Berzelius was established in 1848 as a secret society and formerly was located in Berzelius Hall, a Romanesque style building. The tomb is sited on an difficult lot at the convergence of three main roads but holds its own architecturally as a highly ornamented box. This austere tomb is built of limestone, with a balustrade and detailed cornice at the roof, but the main attraction is the entrance, which is a double brass door with floral panels, all surrounded by a Classical surround. Above the entrance, a limestone panel showcases the Society’s insignia with fruit and flower swags.

New Haven Museum // 1929

New Haven, Connecticut is known for its Gothic and Modernist architecture, but as it is located in New England, some good Colonial Revival architecture is not hard to find! The New Haven Museum building on Whitney Avenue was built for the New Haven Colony Historical Society, which was established in 1862 to collect, preserve, and publish historical matter related to the history of the greater New Haven community. The Society was housed in various locations around the city throughout the 19th century until 1929 when it relocated to its present building designed by J. Frederick Kelly, a noted colonial revival architect. The symmetrical building with its eleven-bay facade is notable for its arched recessed portico and rooftop cupola. The building remains occupied by the New Haven Museum to this day.

Yale University Art Gallery // 1953

Yale University’s School of Architecture was in the midst transition when Louis Kahn joined the faculty in 1947. The post-war years at Yale trended away from the school’s Beaux-Arts lineage towards the avant-garde, and Modernist principles brought over from European architects. When the University called for a new wing for its existing Venetian Gothic style Art Gallery Building (1928), they obviously had no choice but to make a statement for the future of the school. Architecture professor Louis Kahn worked with Anne Tyng, who was both a professional partner and his “muse”, who heavily influenced his works, including here where she designed the concrete tetrahedral slab ceiling at the interior galleries. As a professor and practicing architect, Kahn hoped for students and visitors would engage with the building, even interior spaces often overlooked design-wise, such as the stairwells. While the facades are fairly minimal in design details, because the attention was paid to the interiors, which provide protection from natural light while also allowing for large floor plates for customizable exhibitions. The structure is Yale’s first true Modernist building on a campus which soon after was dominated by some of the country’s most iconic examples of the style.