Providence Real Estate

William Woodward House // c.1826

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Providence has some of the finest 19th century housing in New England; from the early Colonial and Federal residences to Victorian mansions, you can find hundreds of architect-designed showpieces that tell the full story of American architecture, sometimes on the same street! This is the William Woodward House at 22 James Street in the Fox Point/East Side area of Providence, built sometime between 1826-1828. The Woodward House is a landmark example of the Federal style, likely designed or inspired by local architect, John Holden Greene, which characteristic features including the hip roof with monitor, fanlight transom, and center hall plan. William Woodward Jr. (1791-1861) worked as a grocer, with a market nearby, and clearly did well for himself to afford such a home. 

Walker – Russell House // 1797

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In 1797, housewright Calvin Walker acquired a house lot on Transit Street in Providence’s Fox Point/East Side neighborhood and built this Federal period residence for his family. The three-bay Federal style home was a side-hall form with off-center entry and a monitor roof. In 1824, Calvin sold the residence to his daughter, Mary and her husband, Daniel Russell, a grocer and shoemaker, for $250. By the 20th century, the house was altered with later siding and a new entry, which were later restored by later owners, back to the home’s original grandeur. The blind fan with engaged columns adorned by rounded capitals, really enhances the design. The Walker-Russell House remains as an excellent example of a Federal style residence in Providence built for middle-class residents. 

William Mason House // c.1812

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This oversized brick Federal style house in Providence looks like it belongs more on the iconic Benefit Street rather than a quieter side street like Transit Street, but its history informs us as to why. Located at 136 Transit Street, the Benjamin Mason House stands as one of the finest (and largest) brick houses in the Fox Point neighborhood of Providence. The residence was built around 1812 by William Mason, who appropriately worked as a bricklayer and builder in 19th century that put his talents to work to build his own home seen here. The large brick residence was not only a family home, but marketed his abilities as a mason to area residents who were in need of his services. Benjamin Mason lived here until he moved to a new house down the street with his wife, Ann. Benjamin died by 1828 and the brick residence was purchased at auction and later sold to Reverend William Phillips. The house retains much of its original fabric, and even includes a stunning courtyard garden bounded by – you guessed it – a brick wall. 

Simeon Ingraham House // 1795

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Simeon Ingraham (1749-1840), a housewright (house builder) purchased a corner lot on Wickenden Street in the Fox Point area of Providence in 1795, and constructed this absolutely stunning late-Georgian home that has survived centuries of commercialization and Urban Renewal of the surrounding area. In the early decades, Simeon purchased lots nearby and built houses, selling them for profit, and repeating this until his death in 1840. Simeon left no will, and the property was eventually purchased by his eldest son, Solomon, who bought out all of his other heirs for their shares of the property. Solomon allowed his widowed stepmother to reside in the home until her death in 1851. Solomon operated a store nearby, and it was likely he who jacked up the house, adding the brick ground floor for commercial purposes in the 1850s, coinciding with the increased commercialization of Wickenden Street. When the house was raised, the former center entry (now on the second floor) was turned into a window, with the doorway placed in the new brick level. Changes like these showcase how buildings are vessels of history, informing later generations of the layers of history that our cities and towns experience over time.

Cheapside Block // 1880

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The Cheapside Block on N. Main Street in the East Side district of Providence, Rhode Island, is significant as a remaining Victorian-era commercial block that retains much of its original architectural detailing. Built in 1880 and designed by local architects Stone & Carpenter, the Cheapside Block was named after the early nineteenth century name given to the commercial district running along the west side of Main Street, north from the eighteenth century Market House, after the London commercial district of the same name. The word “cheapside” is derived from the Anglo-Saxon word “to barter.” The block here is an excellent example of the High Victorian Gothic architecture style, with intricate brick and stonework, pointed gables with inlaid tile, quatrefoil motif in the parapet, and the original cast iron storefronts. The building was acquired by the Rhode Island School of Design and renovated in the 1980s. Today, the Cheapside Block is home to the RISD Design Center. 

Joseph Brown House // 1774

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Constructed in 1774 by architect Joseph Brown (1733-1785) of the Brown family of Rhode Island as his personal residence, the John Brown House of Providence, stands as one of the oldest (if not the oldest) house built by an American architect for his own use. Joseph Brown, while a member of the Brown Family, was not as much in the shipping business as others in his family, instead turning his attention to scientific matters, becoming an expert in astronomy, electrification, and architecture. He was an architect in the Thomas Jefferson-gentleman mode, owning English architectural books from which he selected motifs for inclusion in his designs. It is believed that the eccentric curved ogee gable that caps the façade was adapted from the roof design of a garden house published in William Salman’s Palladio Londinensis, owned by Joseph Brown’s builder, Martin Seamans. The same ogee gable was later replicated in the Colonial Revival period in Providence. The residence’s entrance was originally raised above ground and accessed via symmetrical flights of stairs; in the late 18th century, the entrance was moved to street level in the brownstone basement level. Over a decade after Joseph’s death in 1785, the structure was acquired by the Providence Bank, an enterprise founded by Brown’s brothers John and Moses, and used as an office. The bank occupied the structure until 1929, and the Joseph Brown House was subsequently owned by the Counting House Corporation, and still appears to be owned by descendants of the Brown Family.

Amos Beckwith Mansion // 1861

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To conclude this series on Stimson Avenue houses in Providence, I will showcase the grand dame of Stimson Avenue, the Amos Beckwith Mansion. Built in 1861, the large estate was essentially a country villa when built, as this section of Providence was sparsely developed before the Civil War. Amos Beckwith (1822-1890) was the son of Truman Beckwith and, like his father, was a wealthy cotton broker. He hired architect Alpheus C. Morse to design the house, which is an Italianate Villa, with prominent four-story tower. thick moulded trim, projecting eaves and balconies supported by large brackets and corbels, and the rounded arch windows. In 1882, Beckwith subdivided his land in the area to make half the building lots on Stimson Avenue. Amos Beckwith lived in the home with his wife, Clara, until her death in 1879. Unknown to many, Amos would secretly remarry his housekeeper, a fact that came out after his death when discussions about the estate were raised. Maria Sherman, the 35-year-old housekeeper, stated she was in the will. It is not clear if the family fought this claim and who inherited the property, but what an interesting story!

George H. Dart House // 1893

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Arguably the most restrained and modestly detailed residence on Stimson Avenue in Providence is this residence, the George H. Dart House, a late-Queen Anne dwelling built in 1893. The original owner, George H. Dart (1845-1897) worked as the President of the Rhode Island Tool Company before his unexpected death in 1897.  Four years prior to his death, Mr. Dart hired the local architectural firm of Stone, Carpenter & Willson, to design this single-family residence, which employs Shingle and Queen Anne detailing under a two-story gambrel roof with overhanging eaves sheltering recessed porches and bay windows.

Thurston-Gladding House // 1886

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One of the finest Victorian-era houses in the College Hill/East Side area of Providence is this stately residence at 30 Stimson Avenue, known as the Thurston-Gladding House. The house was built for newlyweds, John Russell Gladding and Ellen (Thurston), on land given to the couple by Ellen’s father, attorney and judge, Benjamin Thurston. John Gladding was originally from Connecticut and the couple split their time between their Providence home and a country retreat in Thompson, Connecticut. Architects Thomas J. Gould and Frank W. Angell (Gould & Angell) furnished the plans for the home, which features a ground floor faced with textured brick and walls adorned by continuous wood shingle siding above. A rounded tower, projecting bays and dormers, and a elongated front porch break up the massing into a pleasing composition.

Louis E. Robinson House // 1892

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Built in 1892, at the height of the convergence of tastes of the Queen Anne Victorian and more traditional Colonial Revival architectural styles, the Louis E. Robinson House at 60 Stimson Avenue in Providence, Rhode Island, showcases the intricacies and whimsy that can be designed when a house is a blending of styles. The residence was built for Louis Elmer Robinson (not Robertson like so many sources claim), a cotton dealer and merchant, from plans by architect Frank W. Angell of the firm, Gould & Angell of Providence. The Robinson House is a gambrel-roofed mass, set gable end to the street, leaving only the ground story and side elevations in clapboard. The polygonal half-tower attached to the side elevation and its paneled grouping of windows retains the older medieval allusion of the early Queen Anne style, but with a swans neck pediment topping the stair hall window showcased the Colonial influence. I am imagining the home with a more period-appropriate color palette, but it still shines!