Beneficent Congregational Church // 1809

Located on Weybosset Street in Downtown Providence, the Beneficent Congregational Church, affectionately nicknamed “Round Top” for its striking dome, is significant architecturally and historically as an early Federal/Greek Revival style church and the oldest in Downtown Providence. The congregation was founded in 1743 during the “First Great Awakening” as a separatist spin-off of College Hill’s First Congregational Church (now First Unitarian Church). The offshoot occurred after when Deacon Joseph Snow, Jr. (1690-1773), a fiery preacher who was also a carpenter by trade, began preaching a more evangelical brand of Congregationalism than the more reserved members of the church could tolerate. Eventually, Father Snow, and his ardent followers established a second congregation on the west side of the Providence River in what was then an area of scattered residences and farms. The current church, the congregation’s second on the site, was constructed in 1809 from designs by Barnard Eddy and John Newman, but it was largely reworked into its present form in 1836 by the firm Tallman & Bucklin, who swapped the original Federal-era details for bolder Greek Revival trim, including the chunky Doric columns of the entrance portico, a paneled parapet, and an octagonal drum beneath the dome. That dome, along with the two-story front portico, survived the remodel unchanged in its overall form, and today it is sheathed in durable copper rather than the gold leaf that once covered it.

Former Providence YMCA Building // 1889

Founded in 1853, the Providence YMCA holds the distinction of being the second-oldest YMCA in the United States. The YMCA had been born out of anxieties around industrialization and urbanization when young men arrived to the country and were vulnerable to the temptations and sins of alcohol, so a group of evangelical churches created a space for Christian men to spend their time productively at meetings and lessons and have access to recreational facilities. The Providence YMCA was dispersed into three buildings until 1889, when this building at the corner of Westminster and Jackson streets opened to great fanfare. The Young Men’s Christian Association and architects, the Providence firm of Stone, Carpenter & Willson, featured this new Romanesque Revival building in architectural publications showcasing the original proposal and the final approved design, with prominent oriel bays, spires, arched entrances and intricate roofline punctuated by dormers. The building contained a gymnasium, auditorium, classrooms, libraries, parlors, and reception areas. The 1889 building proved obsolete within a generation, and it was torn down in 1913 to make way for a new office block as the neighborhood commercialized. The YMCA responded by building larger, more purpose-built quarters further west on Broad Street, which was completed in 1915, a structure that still stands today, now repurposed to serve the city’s homeless population through Crossroads Rhode Island.

Former St. Francis Xavier Academy – Xavier Hall // 1894

The Sisters of Mercy was established in 1831 by Mary Francis Xavier Warde, who was born in Ireland and was orphaned in her teens. At sixteen, she moved to Dublin and met Catherine McAuley, a social service worker who established the Sisters of Mercy in 1831 to provide for the education and social needs of poor children, orphans, the sick, and homeless young women. The organization flourished in Ireland before Sister Warde migrated to Pittsburgh in 1843, opening a convent there. Her educational work on behalf of the Irish immigrants in that city prompted Irish-born Bishop Bernard O’Reilly to invite the Sisters of Mercy to Providence in 1851. They started teaching Sunday school and provided food to the poor and took over the school at the Cathedral of Saints Peter and Paul. Also in 1851, the sisters opened the first Catholic orphanage in Rhode Island, the second in New England and St. Xavier’s Academy, a boarding and day school combined. The original 1856 building (extant) on Claverick Street was added onto in 1865 with a mansard wing. Before the turn of the 20th century, it was decided that a more substantial structure be built for the academy. The Providence firm of Martin & Hall architects, was selected to design this building, an E-shaped structure that includes the two earlier wings with a new Neo-Gothic/Tudor Revival style facade on Broad Street. The 1894 school building and attached chapel operated here until it ultimately closed in the 1970s. Since then, the building has been purchased by Johnson & Wales University and operates as a residence hall named after its history, Xavier Hall.

Saints Peter and Paul Cathedral Rectory // c.1878

Built around the time of its neighbor, the Cathedral of Saints Peter & Paul in Downtown Providence, this handsome brick masonry building with mansard roof was constructed as the rectory for the larger cathedral next door. Like the corresponding cathedral, this rectory was likely the work of premier ecclesiastical architect, Patrick C. Keely, who designed the structure in the Victorian/Ruskinian Gothic style with polychromatic stone voussoirs, a brownstone Romanesque style arched entry with floral capitals, and a mansard roof with bracketed cornice. Since its construction around 1878, the building has been added onto and connected to the Cathedral, but still retains its architectural significance. The building is home to the Diocese of Providence offices, a library, and remains the rector’s residence.

Cathedral of Saints Peter & Paul, Providence // 1878

The Cathedral of Saints Peter and Paul rises in Providence’s Cathedral Square, a sub-region of the city’s Downtown that was largely reshaped in the mid-late 20th century period of Urban Renewal. The monumental Romanesque style church is the mother church of the Diocese of Providence and was built on the site of the city’s first Roman Catholic parish, established in 1838. Designed by the prolific church architect Patrick Keely, the Providence cathedral broke ground in 1878 and was consecrated over a decade later in 1889. For this commission the blending of Romanesque and Gothic Revival detailing was likely inspired by both H. H. Richardson’s newly completed Trinity Church in Boston and on German and French medieval precedents. The structure is dominated by the two crenelated towers and displays strength with its bold proportions and use of reddish-brown stone. Inside, the cathedral is even more remarkable than its imposing exterior, distinguished by an overall multicolored, small-scale pattern of gray marble moldings and stained glass, complemented by a large Casavant organ with more than 6,600 pipes. Today, the miraculous cathedral is somewhat diminished in beauty due to the surrounding dead plaza, a scar on the built environment in Providence from Urban Renewal. In the 1960s and 70s, the entire western edge of Downtown had been slotted for redevelopment at a time when federal dollars funded mass demolition and rebuilding across American cities. The plan was designed by Modernist architect, I.M. Pei, who had envisioned a European-inspired courtyard, with a mix of residential and retail uses surrounding the church in the new development. Pei worked with the modernist landscape architects Zion and Breen on Cathedral Square, which was called a “conspicuous failure” within just a few years, a sentiment that has lasted a half-century since. The city has more recently pursued redesign proposals aimed at reconnecting Cathedral Square with the surrounding neighborhood, with the Cathedral of Saints Peter & Paul as the centerpiece.

Fleur-De-Lys Studios // 1885

The Fleur-de-Lys Studios is of the most architecturally significant and unique buildings in New England and can be found on Thomas Street in the College Hill section of Providence. Built in 1885 and a vivid expression of the Queen Anne style and showing the emergence of the Arts and Crafts movement movement in America, the handsome building blending is the result of a partnership between artist, Sydney Richmond Burleigh and architect, Edmund R. Willson as a dedicated creative hub for working artists, a purpose it still serves today under the stewardship of the Providence Art Club, who received the deed of the property in 1939 by Burleigh’s widow. Its design draws heavily on medieval English and Tudor Revival influences, with a striking half-timbered façade, stucco panels, carved heads as hanging pendants, and projecting casement windows that break dramatically from the surrounding colonial streetscape. What truly sets the structure apart, however, is its richly symbolic ornamentation—allegorical figures representing painting, sculpture, and architecture adorn the exterior. More than a century later, the Fleur-de-Lys Studios remains both a National Historic Landmark and a living workspace, preserving its original spirit as a place where art and architecture are inseparably intertwined.

Deacon Edward Taylor House // 1786

The oldest building on the iconic Thomas Street in Providence, Rhode Island, is the Deacon Edward Taylor House, a stunning early Federal residence built into the sloping site. The property was developed in 1786 for Edward Taylor, a chaise maker who had a shop on Main Street, also serving as a Deacon of the nearby church. Edward had bought out his brother’s half of the property and had this home built for his family. With its three-story symmetrical, five-bay facade, the house features a stately pedimented entry and flared lintels all atop a brownstone foundation. The property passed through many hands in the 19th and early 20th centuries until 1961, when it was purchased by the Providence Art Club as part of their multi-building campus.

Seril Dodge House // 1791

Years after Seril Dodge (1759-1802), a silversmith and clockmaker, built a house in 1786 on present-day Thomas Street in Providence’s East Side, he sold the property to the Brown Family and built this stately Federal period home next-door. Built in 1791, this three-story, side-hall brick house features belt courses above the first and second stories, a hipped roof, and flared lintels over the windows and doorway. After less than a decade, Seril Dodge moved back to his hometown of Pomfret, Connecticut, and sold this property to Moses Brown, who gifted the property to his son, Obadiah. Obadiah Brown (1771-1822) was a member of the Quaker faith and was a member of the Society of the Abolition of Slavery providing local jobs for free Blacks and sponsoring them in any legal disputes. Additionally, he helped secure the freedom of enslaved Africans who escaped to the north. This property was leased to the Providence Art Club in 1886 and acquired by the organization in 1906. Under the ownership of the Art Club, the side arcaded carriage entrance was added, likely designed by Stone, Carpenter and Willson, in conjunction with their 1906 renovation to the adjoining Dodge-Brown House. Today the building is known as the “Club House” and is home to the organization’s cafe, with an its intimate bar, and two exhibition spaces that are open to the public.

Waterman Building, RISD // 1892

The Waterman Building located on Waterman Street on Providence’s East Side is architecturally significant as an example of the Romanesque Revival style, as well as historically significant as the first purpose-built building for the Rhode Island School of Design (RISD). The school originally opened in 1877 by Helen Adelia Rowe Metcalf, who sought to increase the accessibility of design education to women, in rented space within the Hoppin Homestead Building in Downtown Providence. As the school grew coinciding with the appreciation of the arts in the late 19th century, the school’s board and president sought to provide a permanent site for the young institution. A site was purchased across from the First Baptist Church and the local firm of Hoppin, Read and Hoppin was hired to furnish designs. The short-lived partnership of Providence-born brothers Howard and Francis L. V. Hoppin and Spencer P. Read, laid out the building with studios on the upper two stories lit by arched windows on the second floor and skylights on the top floor, with a museum and classrooms occupied on the first floor. With an intricate brick facade adorned by terracotta medallions, unique cornice, and lattice brickwork in the spandrels, the building is befitting for an arts institution.

RISD Museum – Chace Center // 2008

The Chace Center, also known as the RISD Museum in Providence, Rhode Island, is a contemporary infill project that serves as both an expansion of one of the region’s premier art museums as well as a front-door to a prestigious world-class college. The college hired the firms of Rafael Moneo Arquitectos of Spain as design architect and Perry Dean Rogers as the architects on record, for the project, which includes an auditorium, student exhibit spaces, museum shop, cafe, and information center as well as being an important connector between various buildings within the block, including Memorial Hall, a significant former church built in the 1850s, and the People’s Savings Bank, a 1913 Neo-Classical building. The $34 million center was built on a former parking lot in one of the few remaining open spaces near RISD, and it was named in honor of the late Beatrice and Malcolm Chace. It is not easy to fit a contemporary museum on a tight site surrounded by historic brick buildings, but the RISD Museum does just that, with the use of contemporary brick to set the building within its context with the contrasting pearl-glass volume at the facade providing a face to the steel and glass towers in Downtown Providence.

Daniel Smith House // c.1750

The Daniel Smith House at 362 Benefit Street in Providence, Rhode Island, stands out in the neighborhood as an uncommon gambrel-roofed Georgian-era residence, but it was not built here! The home was built by about 1750 for Daniel Smith, and may possibly date to around 1725 a year after he was deeded land from his father and the same year he married his wife, Dorcas Harris. If the home does indeed date to around 1725, it would likely be the oldest extant house in Providence! The home was originally located across town on Chalkstone Avenue, and moved to the present site on Benefit Street in 1982 to save it from institutional expansion by Roger Williams Hospital. The hospital set a date to demolish the farmhouse, then covered in asbestos siding, and offered the building for free to someone who could move it off the site. After tense weeks and a nearing deadline, Angela Brown Fischer, a real estate executive, agreed to pay the costs to move the building across town to a site on Benefit Street, where it remains today. The home was put back together and restored by Newport-based architect, Richard Long, who worked as principal architect for the Restoration Foundation of Newport before opening a private architectural practice. What a great preservation success story!

Ives Rowhouses // 1814

The Ives Rowhouses stand at 270-276 Benefit Street in Providence and are an important and intact example of a Federal period row from the early 19th century. These four, three-story brick rowhouses were built between 1814-19 as investment property for Thomas Poynton Ives, a successful local merchant and partner in the firm of Brown & Ives, who lived nearby on Power Street. Each of the houses has a three-bay facade with pedimented fanlight doorways. The one residence was significantly altered in 1948 by the massive archway for vehicular access at the rear. The houses stand out in Providence, as fairly uncommon rowhouses, which never took off quite like they did in Boston and other New England cities. The row is today neighbors with the National Historic Landmark Hopkins House.

Ambrose Burnside House // 1866

What do this unique Victorian house and sideburns have in common? Well, you are about to find out!

The Ambrose Burnside House is sited on an oddly shaped, and sloping corner lot on Benefit Street in Providence’s East Side neighborhood, and is one of the most unique Second Empire style residences in New England. The house was built in 1866 for General Ambrose Burnside (1824-1881), a Union general in the American Civil War, who returned to Providence and was about to begin a term as governor, followed by two terms in the United States Senate. Ambrose Burnside hired local architect, Alfred Stone, to design his new city mansion, which upon completion, was deemed one of the most “modern residences” in Providence. Built of brick with Nova Scotia stone with a concave slate mansard roof and one-of-a-kind rounded corner bay, the Ambrose Burnside House does not disappoint! Ambrose Burnside died in 1881 and the property was occupied by his sister-in-law until the property was sold in 1884 and housed the Providence Children’s Friend Society House for Aged Women and the Providence Association for the Benefit of Colored Children, providing shelter and food for elderly women and children of color without parents or guardians. After WWII, the Burnside House was converted to apartments.

Now, to the sideburns… Ambrose Burnside was noted for his unusual beard, joining strips of hair in front of his ears to his mustache but with the chin clean-shaven; the word burnsides was coined to describe this style. The syllables were later reversed to give sideburns.

Tully Bowen House // 1853

Designed by great architect, Thomas Tefft, this three-bay, three-story brownstone house located at 389 Benefit Street in Providence, was built for Tully D. Bowen, a cotton manufacturer. The house, one of the finest Italianate style mansions in the state, is constructed of brownstone and features a recessed arched entrance surrounded by a flat-headed Doric-pilastered frame, pedimented first-floor windows resting on brackets with the alternation of flat and pedimented heads at the second story, and quoining at the corners. The property also retains its original Tefft-designed brick and brownstone carriage house. Thomas Tefft, who was just 27 at the time of designing this house and corresponding brownstone and iron gate, would become one of America’s finest architects before he died in Florence with a fever in 1859 at just 33 years old. The residence was converted to 12 apartments in 1941 and the carriage house was converted to residential use as well. Even with the subdividing the interior spaces of the residence and carriage house, the Bowen property remains in a great state of preservation and is one of the finest homes in Providence.

Thomas Peckham House // c.1824

The Thomas Peckham House at 395 Benefit Street is a stately, modified Italianate style residence typical of the middle-upper-class residents of Providence’s East Side neighborhood in the middle of the 19th century. The house here was built sometime before 1824, likely around that time for Thomas Peckham (1783-1843), who worked as the Deputy Collector of the port of Providence. The Peckham House was likely built as a brick, two-story Federal style house, that was expanded by his heirs in 1853 in the Italianate style, boxing off the building’s roof. Emblematic of the large Italianate homes on College Hill in Providence, the Peckham House features a boxy form, shallow hip roof with monitor, and bracketed cornice and door hood, which has engaged columns.