Queen Anne House

Sunflower Castle // 1878

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This absolutely unusual and enchanting cottage on Mount Vernon Street in Beacon Hill, Boston, was originally was constructed in the 1840s but completely altered decades later in its distinctive English Queen Anne style. In 1878, Frank Hill Smith, an artist and interior designer, worked with architect, Clarence Luce to renovate what was originally a two-story Greek Revival house into one of the most eclectic and unique residences in New England. The Sunflower Castle, a name reputedly coined by Oliver Wendell Holmes, features a yellow stucco first floor with the upper floors covered with red fish-scale shingles. Further detail includes the half-timbering, decorative panels depicting a gryffin and a sunflower in the gable, and carved wood frieze over the doorway. Clarence Luce was likely so inspired by this project, that he built an even more extravagant example of this house for Edward Stanwood in Brookline soon after. By 1903, the property was sold to the painter, Gertrude Beals Bourne and her husband, architect, Frank A. Bourne, who were both key players in the revival and gentrification of the Beacon Hill Flat neighborhood west of Charles Street in the early 20th century. The Sunflower Castle was used as their home and as an artist’s studio for the couple, with Frank adding the side garden wall with tile-roofed gateway to enclose a private open space. The property remains as a private residence.


Richard P. Spencer House – Deep River Public Library // 1881

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The finest extant Queen Anne Victorian-era house in the town of Deep River, Connecticut, is located on Main Street and since the 1930s, has been home to the town’s public library! How’s that for adaptive reuse?! This residence was built in 1881 for Richard Pratt Spencer (1820-1910), a local prominent businessman who lived to be 90 years old. Spencer lived here with his second wife, Juliana Selden, who was 32 years his junior, and three children until his death in 1910. When Spencer’s widow died in 1932, the heirs sold the property to the Saybrook Library Association (before the town renamed Deep River in 1947), which then, in turn, sold the building to the town for a small price in order to convert it into a library. Opened to the public in 1931, the Deep River Public Library has been preserved inside and out with historic fireplaces, woodwork, and features. The only notable change occured in 1995 when a children’s room addition was built to resemble an old porch. The library even retains the original pebbledash finish in the gables, a rare detail not commonly found in typical old houses of the period.



Charles H. Rutan House // 1889

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In 1889, prestigious architect Charles H. Rutan, purchased a house lot from the heirs of Elijah Emerson on the family estate and oversaw construction of his own residence in Brookline Village. Charles Hercules Rutan (1851-1914) was born in New Jersey and moved to Brookline in 1874, where he worked in the office of famed American architect, Henry Hobson Richardson. After Richardson’s death in April 1886, at the height of his career, Rutan and two other senior employees, George Foster Shepley and Charles Allerton Coolidge, took charge of the studio and its uncompleted work. Soon after, the three formed a formal partnership, Shepley, Rutan & Coolidge, to succeed to Richardson’s practice, and in 1887 moved the office to Boston. From his new position as head of a prominent firm, Rutan designed this handsome Queen Anne/Shingle style mansion for his family, where he lived until he suffered from two debilitating strokes in 1912, when he and his wife moved to an apartment on a nearby street. Besides the blue color, the house retains so much of its original architectural integrity and is one of the most significant residences in the Brookline Village neighborhood.

Dr. Tappan Eustis Francis House // 1879

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Located on Davis Avenue, a narrow residential street in Brookline Village, the Dr. Tappan Eustis Francis House is an unusual work by an architect that differs from the style they became best-known and sought after. Dr. Tappan Eustis Francis (1823-1909) graduated from Harvard College in 1844 and Harvard Medical School in 1847 and moved to Brookline where he practiced medicine for over 50 years. For his Brookline residence, Dr. Francis hired William Ralph Emerson, who has become best-known for his Shingle style designs and summer cottages that lined the New England coastline and in Boston suburbs, to furnish plans for his suburban residence. For Dr. Francis’ home, Emerson envisioned a brick house in the English Queen Anne style. The tall chimneys with panel brick designs, corbeled brick brackets and terra-cotta decorations in the gable peaks, and the massive slate-roofed entry porch are all stunning features on the house; but the most intriguing has to be the bracketed hood on the corner of the house which originally sheltered a wooden bench, as depicted in an 1879 drawing.

James H. Small House // c.1898

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After the completion of the Wayland Railroad Depot in 1881, suburban development in Wayland Center increased, where the village saw dozens of large homes built in the late 19th and early 20th century. On Bow Road, the James H. Small House was built around 1898 by and for its namesake, who worked as a carpenter and builder in town. James Henry Small (1847-1913), while not a trained architect, built this home as a late example of the Queen Anne style, as the Colonial Revival style began to proliferate in the village, showing a changing of architectural taste. The James Small House consists of a main gable-front block with a side wing that includes a square tower. The use of clapboards, differing shingles, and diagonal sticks provide variety and texture to the house and serves as a unique contribution to the village which is largely dominated by rigid symmetry and vernacular of Colonial-era homes.

John E. Thayer Mansion // 1883

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Photo from real estate listing.

A lesser-known residence built for a member of the wealthy Thayer Family is this stately Queen Anne mansion tucked away in South Lancaster, Massachusetts. The John E. Thayer Mansion was built in the 1880s for its namesake, John Eliot Thayer (1862-1933), who graduated from Harvard College in 1885 and engaged in business before becoming one of the world’s most prominent ornithologists. John began collecting and housed his collections in several wooden buildings close to his home in Lancaster, but when these became unsafe and crowded he built a beautiful brick building in 1903 nearby, opening it to the public as a museum a year later. John Thayer hired esteemed Boston architect, John Hubbard Sturgis, who was then working with his nephew, Richard Clipston Sturgis, to design the English Queen Anne style country mansion. The residence features a stone first floor with wood-frame above that is given half-timbering treatment, suggesting the English design. John Thayer’s country mansion was a short walk away from his twin brother, Bayard Thayer’s mansion, and his other brother, Eugene’s country house, both in Lancaster. The house remained in the Thayer family until the 1960s, and was recently sold to new owners. The interiors are some of the best preserved for a country estate I have seen and worthy of the Thayer name. 

Robbins House // c.1850

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Originally built in the 1840s or 1850s, this stunning house on Main Street in Chester, Vermont, was “Victorianized” in the late 19th century through applied ornament, a tower, and porches. Historic maps show that this house was owned by Cyrus Robbins and his wife, who likely had the residence built in a vernacular example of the Greek Revival style, with a 2 1/2-story form with gable roof oriented towards the street. The corner pilasters remain as do the original facade windows with five on the first floor, three on the second, and a single window in the upper floor. By the late 1800s, the house was modernized with the addition of the wrap-around porch with decorative spindles and ornament and the octagonal turret with wood shingle conical roof. Today, the house is painted colors to highlight the Queen Anne appearance and details.

William Pollard House // 1899

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This high-style and ornamental house in Chester, Vermont, ranks among the state’s best examples of the Queen Anne style. The residence was constructed in 1899 for William Pollard (1854-1941), a local businessman who owned a shirtwaist manufactory in town with his brother, who lived next door. The painted-lady Victorian house features an asymmetrical plan highlighted by a three-story octagonal corner tower that is surrounded by a wrap-around porch with a delicate spindled frieze. The use of accent colors in the paint scheme further highlight the millwork details on the residence, which have all been preserved for well over a century. 

Edward Stanwood House // 1880

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The Edward Stanwood House at 76 High Street in Brookline, Massachusetts, is one of the finest and exuberant examples of the English Victorian Queen Anne style, notable for its varied wall textures and materials, unique form, and applied ornament. The house was built in 1879-1880 for Edward Stanwood, who was for many years the editor of the Boston Daily Advertiser, and a children’s magazine, The Youth’s Companion. The ornate residence was designed by Clarence Sumner Luce, with interiors by Thomas Dewing. The Stanwood House features a well-preserved exterior and period-appropriate paint scheme, highlighting the bas-relief sunflower ornament and gargoyles. Of particular note is the use of hung tile siding, overlaid to give the appearance of fish scales and the roof cresting.

Charles Storrow House // 1884

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Facade

This shingle and brick Queen Anne style house at 112 High Street in Brookline, Massachusetts, was built in 1884 for Charles Storrow and his wife, Martha Cabot Storrow from plans by architect, Edward C. Cabot, Martha’s father. The lot here is said to have been gifted to Charles from his father, Charles Storer Storrow, a prominent civil engineer and industrialist, who is known for designing and building the dam and textile mill complex in Lawrence, Massachusetts. Besides the Victorian main house, the property included a historic stable and a detached house on an adjacent lot, which appears to have been rented by Mr. and Mrs. Storrow. The property was designed by Frederick Law Olmsted’s firm, with rustic rock walls, natural topography, and large, mature plantings. The Storrow House originally had stained glass windows designed by John LaFarge, which were sold in the 1970s. 

Side elevation.