Edward Stanwood House // 1880

The Edward Stanwood House at 76 High Street in Brookline, Massachusetts, is one of the finest and exuberant examples of the English Victorian Queen Anne style, notable for its varied wall textures and materials, unique form, and applied ornament. The house was built in 1879-1880 for Edward Stanwood, who was for many years the editor of the Boston Daily Advertiser, and a children’s magazine, The Youth’s Companion. The ornate residence was designed by Clarence Sumner Luce, with interiors by Thomas Dewing. The Stanwood House features a well-preserved exterior and period-appropriate paint scheme, highlighting the bas-relief sunflower ornament and gargoyles. Of particular note is the use of hung tile siding, overlaid to give the appearance of fish scales and the roof cresting.

Frank and Laura Carter House // 1889

Effortlessly blending the Shingle and Queen Anne architectural styles, the Frank and Laura Carter House at 107 Ocean Street in Ashmont, Dorchester, Massachusetts, is one of the finest Victorian residences in the neighborhood. The house was designed by famed local architect Arthur Vinal, who also furnished plans for the Dorchester Temple Baptist Church nearby that same year. The house was built for Frank Carter (1859-1950), treasurer of the Bay State Belting Company, and his new wife, Laura. Special details on the house include the polygonal bay capped by pyramidal roof, belt-course of shingles breaking up the facades, and stunning two-bay eyebrow dormer facing the street with shingled returns.

Dillaway House // 1889

One of the finest and refined examples of the Shingle style in Boston can be found on Alban Street in the Ashmont Hill section of Dorchester, a lovely, walkable neighborhood where you can find timeless examples of just about any Victorian-era architectural style. Built for Charles F. Dillaway, a banker in Boston, this home was designed by local architect, Edwin J. Lewisarchitect for many houses in the Ashmont area.  Lewis’s designs are distinguished by their crisp geometry, often with horizontal lines emphasized and small-paned windows. The house has been slightly modernized by later owners who added new siding within the inset porch and a more moody color scheme. 

Barnard Gordon House // c.1928

Found on Woodland Road in Southern Brookline, Massachusetts, this brick dwelling is one of a dozen-or-so whimsical Tudor cottages built there in the1920s and 1930s. The Barnard Gordon House, built around 1928, utilizes brick and stucco cladding with ornamental half-timbering, diamond pane leaded glass casement windows on the second story, and decorative half-timbering. The main attraction is the round tower with conical roof also serving as the entrance, resembling more of Rapunzel’s tower than a normal suburban home. We need more unique houses today like they built 100 years ago. Everything today feels so sterile and unwelcoming, maximizing interior layout at the loss to street presence.

Arthur B. Bernard House // 1928

A playful interpretation of a medieval English cottage, with its stucco cladding, half-timbering, weatherboards in the gable ends and ornamental well enclosure in the front yard, can be found on Woodland Road in Brookline. The whimsical cottage was built in 1928 for Arthur B. Bernard, the son of the president of the New England Leather Company in Boston’s Leather District. Arthur would follow his father’s footsteps and join the business himself. Architect and builder, Fred S. Wells of Newton designed and constructed the house (and others in the area in the same style). What’s your favorite part of this house?

Emmel Building // 1896

In 1896, architectural sculptor Charles Emmel purchased land in the rapidly developing Forest Hills section of Jamaica Plain, Boston. He hired local architect George Zimmer, to design a massive double-house which would serve as an income-producing investment, and could also be a sort of advertisement for his sculpture work. The result is this massive Colonial Revival style property, perched atop a puddingstone foundation. Architectural ornament has been lovingly preserved, a testament to the owners of the building today and the amazing work of the original owner, Mr. Emmel. I found myself staring at the building for a while when walking by, looking at all the hidden detail and architectural ornament which adds so much to the building.

Chapin-Bodge House // 1829

One of my favorite houses in Boston is this absolutely perfect townhouse on Pinckney Street in Beacon Hill. This house was built on speculation in 1829-1830 for Hollis Chapin by architect John Kutts. Kutts was active as a Boston architect between 1828 and 1838, but he is much less well-known compared to his peers today. I hope someone who is a better researcher than me stumbles upon this article because I would love to learn more about this architect! Kutts (possibly also Kutz) is a unique name for Boston, so it is likely he was a German immigrant who settled in Pennsylvania before moving up here. Back to the house. It was finished and sold in 1830 to Ebenezer T. Pope for four thousand dollars. The home was quickly bought and sold a couple more times as the values on Beacon Hill continued to grow. The property was purchased in the 1870s by Noah Bodge, as a rental property and it remained in the family through the 1920s. The home retains all the original details and provides a needed pop of color with the door and shutters.

John Parry House // 1895

In 1895, Waban Village was in the middle of its massive development period, when half of the homes in the neighborhood were built within 10 years. One of the earliest in this neighborhood was this investment property by John E. Parry, a businessman and major developer. This house appears to have been rented at first, but was listed as vacant for some time in the city directories. Eventually it was purchased and has been lovingly maintained to this day. The design is a regional take on the transitional Shingle and Colonial Revival styles, this one with a really unique cross gambrel roof.

Frederick Collins House // 1847

This house was built in 1847 by Frederick A. Collins on land owned by his father, Mathias Collins III. Frederick Collins (1818-1892) had this house built just after his marriage the same year to Amelia M. Revere, purportedly a grandniece of Paul Revere. Prior to his marriage, Frederick A. Collins lived in Newton Upper Falls and started a glue factory with his brother, which
by 1855, had grown to three three factories and which folded upon the death of his brother Edward Collins in 1879. Collins was active in local affairs, serving in later life on the City Council. The home remains a significant monumental temple-front Greek Revival house in the Boston area. It was designated as a Newton Landmark, meaning it will be preserved for future generations to appreciate.