Victorian Church

Church of the Advent // 1878

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The Church of the Advent in Beacon Hill, Boston, is a landmark example of a church designed in the Victorian Gothic style with strong English influence. The congregation, established in 1844, purchased a large corner lot at Brimmer and Mount Vernon streets on the newly made filled land west of Charles Street in Beacon Hill Flat, to construct their new church. In 1875, John Hubbard Sturgis, a Boston architect and parishioner, began designing the red brick with sandstone-trimmed church set on a corner lot with dominant corner tower and octagonal steeple. Construction began in phases beginning in 1878 and took years until the steeple was completed in 1888. Before its completion, John H. Sturgis died and his nephew, Richard Clipston Sturgis, oversaw the completion of the church, which became somewhat of a memorial to his late uncle. Following the completion of the Church of the Advent, Sturgis’ widow, extended family and clients donated a major portion of the interior art, stained glass windows, and furnishings. The polychromatic exterior in red and charred brick mixed with sandstone trim appears to have been inspired by his designs for the original Boston Museum of Fine Arts (1876, demolished in 1911.) The Church of the Advent in Boston is one of the finest ecclesiastical buildings in New England and is the master-work of one of America’s great architects.

Swedenborgian Church of Lancaster // 1881

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Built in 1881, the Swedenborgian Church of the New Jerusalem in Lancaster, Massachusetts, is a handsome Victorian-era chapel that has been well-preserved for nearly 150 years. The Queen Anne/Shingle style church was designed by architect Francis Ward Chandler of the firm, Cabot & Chandler, for the local Swedenborgians in Lancaster, some of which likely spent summers in Lancaster from Boston. The membership of the church dwindled in the early 20th century, and the congregation sold the church to a local women’s social group, the Current Topics Club in 1923. The women’s club met in the old church and maintained the building for nearly a century until the building sold to private owners in about 2007, who converted it to a residence, preserving the unique architecture we still see today.

St. Stephen’s Episcopal Church // 1860

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St. Stephen’s Episcopal Church is a landmark Gothic Revival church in Providence, Rhode Island, built in 1860 from plans by famed architect, Richard Upjohn. Constructed of gray stone with brownstone trim, the church is unique for its siting with the nave/long-side parallel to the street. The church was built for the local congregation, who two decades earlier, constructed the original St. Stephen’s Church on Benefit Street (now home to the Barker Playhouse), but sought to relocate to a more central location and in a more substantial building. With its entrance at one end and tower at the other, the nave is lined with a row of four gabled bays with lancet windows connecting the two. The church was modified over time, with Upjohn’s original intention for a 180-foot stone tower never undertaken, it would be capped by a copper-clad conical spire in 1900 from architects, Hoppin and Ely. The chancel was remodeled in 1882 by Henry Vaughan, and the Tudor Revival style Guild House immediately west of the church was built in the late 1890s Martin & Hall, architects. The congregation continues to this day, and preserves this significant building fitting of an English estate.

Dorchester Temple Baptist Church // 1889

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Located at the corner of Washington Street and Welles Avenue, the Dorchester Temple Baptist Church was designed in 1889 by architect Arthur H. Vinal, as one of the best examples of a church designed in the Shingle Style in New England. The church began in 1886 as a mission church of the Tremont Temple Baptist Church in Boston. At this time, Dorchester was a semi-rural area and would surge in development when the streetcars were electrified in the 1880s. With a rapidly developing neighborhood, the congregation here, purchased lots and hired Vinal to furnish plans for a house of worship. The church’s cornerstone was laid October 3, 1889, with the church membership numbering ninety-nine at that time. Membership would decline in the decades following WWII, and shifting racial and ethnic demographics in the neighborhood brought new members to worship here. The building was renamed as the Global Ministries Christian Church by the current congregation, who with the assistance of preservation grants, worked with Mills Whitaker architects to restore the iconic landmark. Specific details of the building stand out, including the stained glass windows, the belfry with bulbous form, and the arched openings with continuous shingled walls.

Third Congregational Church of Chicopee // 1868

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The Third Congregational Church of Chicopee was built on a prominent lot on Springfield Street in 1868, replacing the congregation’s first church there, which was outgrown. The present building was designed by Charles Edward Parker, a Boston-based architect, who was an expert in Gothic architecture. He would design the Chicopee City Hall just years later. The building is constructed of brick and atop a granite base and features lancet (pointed arch) doors and windows, a corner steeple, and steep gable end with large rose stained glass window. The interior is preserved as well. Due to shifting demographics in Chicopee in the early 20th century, the church merged in 1925 with the Central Methodist Episcopal Church, forming the Federated Church of Chicopee. The congregation eventually closed and the church has sat vacant in recent years, and was briefly listed for sale in 2024, 9,339 square feet for just $200,000.

West Cornwall Congregational Church // 1877

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One of the few Gothic style buildings in the enchanting town of Cornwall, Connecticut is this large church-turned-residence in West Cornwall village. As West Cornwall developed in the second half of the 19th century into the largest district in town, residents here began to discuss the idea of building their own Congregational church, rather than travel to the central village church to attend services. In the 1870s, West Cornwall congregationalists raised over $4,000 to acquire a building lot and erect this fine church. Dedicated in January 1878, the wood-frame church is a rare example of the Victorian Gothic/Stick styles with clapboard siding, lancet (pointed arched) windows, a corner tower with belfry, vertical sheathing in the gables, and ornamental applied stickwork. The church closed in the 20th century and was converted to a private residence, and is presently for sale!

First Congregational Church of Georgetown // 1874

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The First Congregational Church of Georgetown, Massachusetts, is significant both architecturally as a Victorian Gothic/Stick style church designed by a prominent architectural firm, and historically as an important gathering place for the town’s members for 150 years. The congregation however is much older than 1874, as when Georgetown was then a part of Rowley, Massachusetts, members here in 1731 petitioned to create their own parish in Rowley to travel a shorter distance to services. The church, then known as the Second Church of Christ in Rowley, was organized in 1732 with services held in a rustic Meeting House. A second meetinghouse was built in 1769, which was both outgrown and in much need of repairs by the time the congregation decided to build a new building on a new site in the new commercial center of town. The congregation hired the esteemed firm of Peabody & Stearns to design the church which today, is the most high-style and architecturally grand building in the suburban town.

New Ipswich Congregational Church // 1903

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The New Ipswich Congregational Church was built in 1903, replacing the former 1813 Meeting House on the site, the fourth in the town, which stood here until a fire caused by lightning destroyed it in 1902. Interestingly, the design is more Victorian than Colonial Revival, which makes this church stand out amongst the village dominated by Georgian, Federal and Greek Revival style residences. The present building blends the Shingle style with Gothic elements with the tracery at the belfry and lancet windows. The architects were Gay & Proctor of Massachusetts who created a statement building with iconic tower that has been well-preserved by the congregation ever since.

Southport United Methodist Church // 1904

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The Southport United Methodist Church of Southport sits cross the street from the Town Hall of Southport, Maine, and is one of the best examples of a Shingle style church in the state. The modestly sized church was built in 1904, shortly after a fire destroyed the local Methodist congregation’s former church building. Members hired the great Maine architect, John Calvin Stevens, who had just joined in a professional partnership with his son, John Howard Stevens, to design the new church. It remains as one of the more notable architectural landmarks in the town of roughly 600 year-round residents.

United Church of Norwood // 1886

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Located across from the church-like Norwood Town Hall, the United Church of Norwood is a landmark example of the Victorian Gothic architecture style and an important historical landmark for the town. The cornerstone of this present church was laid in 1885 and was completed and consecrated by December of 1886. Boston architect J. Williams Beal, got his start at the firm of McKim, Mead & White, designed the church here for the local Universalists, who lost their previous church to fire in 1884. In 1934, the town’s Universalist and Methodist congregations merged and they joined together in this, as a Union Church. Built of Milford granite and pressed brick, the United Church of Norwood features a side chapel and clock in its steeple which are unique and add charm to the historic church.