Miss Grace Nichols House // 1913

Located at the western end of Chestnut Street in the Flat of Beacon Hill, you will find this stucco residence, one of the finest mansions in Boston. The four-story residence with two entrances is built of brick and covered with stucco and was constructed for Miss Grace Nichols (1874-1944), the daughter of John Howard Nichols, who worked for John Lowell Gardner (the husband of Isabella Stewart Gardner) as a merchant transporting goods between Boston and Chinese markets, before overseeing mills. As a single woman, Grace inherited much of her parents wealth upon their deaths, and in 1913, hired architect, William Chester Chase, to design her Beacon Hill home in the Italian Renaissance Revival style, similar to Isabella Stewart Gardner’s Fenway Court mansion (1903). Grace Nichols married Richard Pearson Strong, a Harvard professor and medical researcher, in 1936 and the couple lived here with servants until their deaths in 1944 and 1948 respectively. After their death, the building was either purchased by or willed to the Boston Society of Natural History and the New England Museum of Natural History, which moved out of their Berkeley Street location in 1946. The Nichols Mansion served as the new Boston Museum of Science until 1951, when the new and current museum was built between Boston and Cambridge. Today, the former Nichols mansion is five condominium units, with owners having one of the most enchanting and unique properties in the exclusive Beacon Hill neighborhood.

Elizabeth G. Evans – Edward A. Filene House // 1883

This unique brick house at 12 Otis Place in Beacon Hill was built in 1883 by the architect, Carl Fehmer for attorney Glendower Evans and his wife, Elizabeth Gardiner. Mr. Evans died in 1886 of Hodgkin’s Disease at just 30 years of age. His widow, Elizabeth Glendower Evans (1856-1937) was greatly influenced by her husband during their brief marriage, even taking her husband’s first name as her middle name after his death. Elizabeth Glendower Evans became a prominent social activist, studying child labor conditions in the South and took up the cause of women’s suffrage and the associated problems of tenements and factory work arising from disenfranchisement in the late 19th and early 20th centuries. In 1915 Evans served as a delegate to the International Congress of Women at the Hague. She was the first National Organizer of the Woman’s Peace Party. From 1920 until 1937 she served as a national director of the American Civil Liberties Union. In the 1910s, Elizabeth sold the home to Edward Albert Filene (1860-1937), who, together with his younger brother Abraham Lincoln Filene, reorganized his father’s department store into “William Filene’s Sons Company”, which would later become Filene’s. He was a supporter of credit unions to help ordinary American workers to access loans at reasonable rates and allow workers to save their money so that when hard times hit, they were prepared.

Mrs. Martin’s School – Jenks & Gaugengigl Studio // 1872

This unique three-story building on Otis Place in Beacon Hill, Boston, was actually constructed in 1872 by owner/architect, Abel C. Martin (1831-1879) as a school run by his wife, Clara Barnes Martin (1838-1886). Clara B. Martin was born in Maine to Phineas Barnes, a prominent publisher in Portland, who educated his daughter at the best schools. She in turn, became a writer and educator herself, writing a book about Mount Desert Island in Maine and publishing articles in national papers, along with operating a school in this building, designed and owned by her husband as they lived next door. After Clara died in 1886, the property was sold by the Martin heirs and in 1895, renovated into artist studios with two floors of large windows to provide natural light for the work inside. The building was owned and operated as artist studios by Ignatz M. Gaugengigl (1855-1932), a Bavarian-born artist who spent most of his professional life in Boston and was a prominent member of The Boston School, and Phoebe Jenks (1847 – 1907), a portrait painter who divided her career between New York and Boston. The building, while heavily altered, showcases the history of the Beacon Hill Flat neighborhood, which, during the late 19th and early 20th centuries, became a popular place for artists and Bohemians, who renovated existing houses and stables in the Arts and Crafts, neo-Federal and other fashionable styles into loft spaces and studios. The 1895 renovation was undertaken by architect, Edgar Allen Poe Newcomb, who was the nephew of sculptor, Thomas Ball, likely providing him insight into the design of artist studios.

Easterbrooks House // 1757

One of the pre-Revolutionary homes in the picturesque town of Warren, Rhode Island, the Easterbrooks House on Church Street is definitely one of the smallest, but oozes charm. This one-and-a-half-story gambrel roofed cottage stands across from the Town Common and adjacent to what may be the tallest building in town, the First Methodist Church of Warren. The home was built by 1757, likely by William Easterbrooks (1731-1772), and by the time of the Revolution, was occupied by Ms. Nellie Easterbrooks (1761-1853). Nellie and her mother rented a room in their home to Warren schoolmaster, John Holland, who earned the nickname “Traitor Holland”, after he had secretly been sharing news to General Pigot, the British General in charge of forces in Rhode Island. Long thought to have supported the local Patriots, it was learned that he was a loyalist, after the British and Hessian soldiers raided Warren and were leaving the town in 1778. It is said that troops stopped at this house and John Holland accompanied them, cheering alongside and leaving with them. He was never seen in Warren again. Soon after this, a young Nellie Easterbrooks, then in her teens, sought revenge against the British who pillaged and assaulted her friends and family. As the troops were leaving, she is said to have gathered a group of other angry Patriot ladies of town and captured a drunken drummer marching through town. Then they dragged their bewildered captive into a nearby hotel and locked him into a closet there. Nellie would later marry Nathaniel Hicks West (1751-1836), a Revolutionary War veteran, and received a widows pension until her death in 1853. The Easterbrooks House is a rare, intact surviving Georgian home that tells a rich history of Colonial New England and the stories during the American Revolution.

Mumford House // 1877

Set back behind a manicured lawn on the charming Alban Street in the Ashmont Hill neighborhood of Dorchester, this Victorian era residence was both a family home as well as a finishing school for young ladies. The house at 35 Alban Street was completed in 1877 for the Reverend Thomas James Mumford, pastor of the Third Church of Dorchester and anti-slavery advocate, who died the year his home was completed. His widow, Elizabeth Goodrich Warren Mumford (1834-1897) would inherit the home from her husband and for supplemental income to maintain the home, she opened the Mrs. Mumford’s Finishing School for Young Ladies, a school to educate and teach young girls manners and religion. Elizabeth Mumford would also publish books on how to conduct classes for Sunday School, Kindergarten, and the home. The Mumford House is a great example of a Stick style residence with less exuberance than some other examples. The picket frieze, applied stickwork on the siding, and more ornate porch are all typical of the style. 

Chansonetta Stanley Emmons House // 1893

Chansonetta Stanley Emmons (1858-1937) was born in Kingfield, Maine, and was one of the great women photographers in the 19th and early 20th century, often depicting domestic life and New England scenes. The young Chansonetta Stanley grew interested in photography after her brothers’ (Francis E. and Freelan O. Stanley) dry-plate printing invention, they also invented the steam-powered automobile known as the Stanley Steamer. She married James Nathaniel Whitman Emmons in 1887 and in 1894, James hired architect Henry McLean, to design a residence for him and Chansonetta, this lovely home on Harley Street on Ashmont Hill. The couple occupied the house until 1898, when James died of blood poisoning at the age of 41. Chansonetta sold the home and moved to Newton, where her two brothers lived and operated their business. The house blends Queen Anne and Colonial Revival styles and originally had a conical roof over the corner rounded bay. The roof was replaced with a flat roof at about the time of the large balcony and extended dormer.

Harriet Bennett House // c.1912

While most houses I have featured in Cornwall date to the early-mid 19th century, there are some great examples of early 20th century Colonial Revival dwellings, built at the time the town became eyed as a wealthy retreat for city-folk. This Colonial Revival residence was built for Ms. Harriet Bennett (1841-1928), an ardent suffragist and an active member of the Connecticut Woman Suffrage Association. Harriet was married to William C. Bennett and after his death in 1898, she devoted the rest of her life to charitable causes and giving back to others. As a widow and in her seventies, Harriet oversaw construction of this house, which was completed by 1912, in that same year, established the Cornwall Equal Suffrage League, hosting many of its events and meetings from this house. The League’s activities mirrored the efforts of suffragists throughout the nation. The house remains a well-preserved example of a house in the Colonial Revival style in town.

Dimock Center – Cheney Surgical Building // 1899

With funds for expansion at the New England Hospital for Women and Children in Roxbury, the hospital’s board commissioned architect Willard T. Sears (also the architect of the earlier Cary Cottage and Zakrzewska Building) to design a new surgical building at the hospital’s growing campus. Construction began on the new Cheney Surgical building in 1899 on the birthday of its namesake, Edna Dow Cheney an original incorporator of the hospital and then President. The Cheney Surgical Building was designed in the Colonial Revival style in brick, with a four-story central block with three-story wings. The central entranceway is accentuated by a classical porte-cochere topped by a Palladian window, in keeping with the Georgian Revival tradition of symmetry and classical vocabulary. The building is one of the first you see when climbing the hill into the campus.


Dimock Center – Zakrzewska Building // 1873

Following the construction of Cary Cottage at the New England Hospital for Women and Children in Roxbury (last post), architects Cummings and Sears turned their attention to designing the most important facility in the complex, the large two-story Zakrzewska Building built in 1873. It is a fine example of polychromatic High Victorian Gothic style with Stick detailing. The building is characterized by its decorative stone and brick string courses, arched window heads, polychrome slate roof, end towers, and a gambrel dormer. The building was named after Dr. Maria Zakrzewska (1829-1902), a Polish-American doctor who moved to the United States in 1853, eventually settling in Boston in 1859, working as a professor of obstetrics at the New England Female Medical College. There, she realized that women in medicine did not have the same opportunity to advance in their field and left, launching her own hospital, the New England Hospital for Women and Children. It was the first in Boston, and the second hospital in America, to be run by women physicians and surgeons. Dr. Zakrzewska knew that the opportunity to work with large numbers of patients was vital if women physicians were to achieve the same levels of training and standards of practice as male physicians. The hospital became a primary training hospital for several generations of women physicians, and also trained nurses. The hospital was extremely successful and remains a medical institution to this day, as the Dimock Health Center.

Laura Richards House // 1810

This stunning Federal style house in Gardiner, Maine, was built about 1810 by Ebenezer Byram, who had purchased the land from Robert Hallowell Gardiner, a descendant of Dr. Sylvester Gardiner, the “founder” of the town. Dr. Gardiner was a resourceful Boston druggist, who was one of the principal owners of the Kennebec Purchase, known as the Plymouth Company, who purchased land on the west side of the Kennebec River in Maine. Dr. Sylvester Gardiner had been attracted to the Gardiner area for a number of reasons, primarily because of the depth of the water of the river to the point of Gardiner as the head of navigation for ships here. This house overlooking that river was purchased in 1878, by Henry and Laura E. Richards. Laura Richards (1850-1943) was the daughter of Samuel Gridley Howe, an abolitionist and the founder of the Perkins Institution and Massachusetts School for the Blind. Her mother, Julia Ward Howe wrote the words to The Battle Hymn of the Republic, a tune that I am sure most of you have heard of, but never knew the name. Henry and Laura moved to Gardiner in 1876 after suffering financial reverses in Boston, where Henry worked at his family’s paper mill, and it was about that time that Laura Richards began her writing career. At this house in Gardiner, Laura wrote more than 90 books including biographies (including one on her mother), poetry, and several children’s books. Even more impressive, Laura was awarded one of the first four ever Pulitzer Prize in 1917 for her biography on her mother, years before women were even afforded the right to vote!