Greek Revival

Gilmore-Mason House // c.1850

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As the town of Westborough emerged from rural agricultural community to commercial center, connections to Worcester and Boston via rail service opened the town to prosperity. As businessmen accumulated wealth, these merchants built stately homes to showcase their position in the community. Before the Civil War, the Greek Revival style was ever-popular in Westborough, even though the style was already waning in popularity in larger cities. The Gilmore-Mason House on Church Street, is an excellent example of the Greek Revival style in a temple form. The form is seen in this house at the facade, with a portico of four two-story Corinthian columns supporting the pediment above. The house was built for George A. Gilmore and later sold to Alonzo W. Porter, an inventor, who would later move to New York. By the early 20th century, the residence was the home to Joseph S. Mason, a manufacturer who operated a weaving mill in Westborough.

Sibley House – Westborough Historical Society Building // 1844

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The Sibley House is a historic house museum as well as the headquarters of the Westborough Historical Society. Located on Parkman Street in the center of Westborough, Massachusetts, the transitional Greek Revival/Italianate style house was built in 1844, by William Sibley, who was a blacksmith and wheelwright. Soon after the house was built, William married Jane Caroline Gibson, and the couple raised five children here. William joined Westborough’s Company K, 13th Massachusetts Regiment during the Civil War and was wounded at Antietam. After the war, William returned home and he and his brother Frank began to manufacture sleighs.  At one point, they produced as many as 300 a year! The Sibley House was purchased by the Westborough Historical Society in 1990, nearly 100 years after the society was established in 1889. The house is open to visitors and provides a glimpse into daily life for Westborough citizens at the time. 

Dr. Edwin B. Harvey House // c.1830

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Edwin Bayard Harvey (1834-1913) was born in Deerfield, New Hampshire, and attended Wesleyan University in Connecticut, pursuing his career as a teacher. He would teach for a few years until he shifted gears and enrolled at Harvard Medical School, graduating in 1866. With the intention of settling in the West, he went to Waukegan, Illinois, but was not satisfied, so he returned to New England, and made his home in Westborough, Massachusetts. Edwin operated a medical office from this house on West Main Street and resided here with his family until his death in 1913. He often made house calls around town travelling by horseback. During his time in Westborough, Dr. Harvey served as President of the Massachusetts Medical Society from 1898-1900, and served on local school and library boards in Westborough. Never giving up on his push for education, as a State Senator in the legislature in 1884, Dr. Harvey introduced and was instrumental to the passage of a bill to provide free textbooks to the children of the state. The Dr. Edwin Harvey House remains in a great state of preservation.

Westborough Unitarian Universalist Church // 1850

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The Unitarian Universalist Church of Westborough, Massachusetts is architecturally significant as an excellent example of a ecclesiastical building in the Greek Revival style, but it is also significant historically as it tells a richer history of the community and New England as a whole. The Congregational Church has its roots in the first church in Westborough, established in 1724 under Reverend Ebenezer Parkman. The Religious Freedom Act of 1811 and the official separation of church and state in 1825 encouraged a diversity of religious views in Westborough and a branching out from the first church both spiritually and since churches needed new houses of worship. As a result, the local church in Westborough split due to differing beliefs, with the Congregationalists building a church and a few years later, the Unitarians building this church, both in variations of the same architectural style. The UU Church in Westborough was built by 1850 and was expanded as the congregation grew. The building remains nearly identical to when it was built except for the steeple, which in 1921, was in such bad repair that it had to be removed. Less than a decade later in 1930, member Isadore Forbes donated the funds to have the steeple rebuilt and a bell installed. 

Congregational Church of Westborough // 1834

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The Evangelical Congregational Church of Westborough, Massachusetts, has its roots in the first church in Westborough, established on Powder Hill in 1724 under Reverend Ebenezer Parkman. The Religious Freedom Act of 1811 and the official separation of church and state, encouraged a diversity of religious views in Westborough and a branching out from the First Church. As a result the church here split in 1834, with some members forming the Evangelical Society, and those who remained, became the First Congregational Unitarian Society. The newly formed Evangelical Congregation built this church at the corner of West Main and Church streets in 1834 and the building is a typical 1830s Greek Revival style religious building in the state. In 1869, the church was remodeled, where the first floor was jacked up to provide basement meeting rooms.

Lane-Smith-Bailey House // 1848

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The most colorful house in Rockland, Massachusetts can be found on Union Street, the town’s busiest corridor, lined with houses and buildings of all ages and styles. The Lane-Bailey House was built in 1848 for Marshall Lane, a shoe manufacturer in town. The Greek Revival style residence features a gable roof oriented towards the street, which reads as a pediment and a full-length columned porch that wraps around the side of the home. The property was purchased in the early 20th century by William Andrew Grant Smith (1863-1908), a wealthy jeweler, who apparently added a second floor to the house, up from a 1-1/2 story cottage, and likely added the wrap-around porch at this time. Jumping ahead to the turn of the 21st century, the prominent house was owned by Brad and Sam Bailey, who painted the residence bold colors, added a wishing well and birdhouses to the front yard, and replaced the traditional grass lawn with crushed seashells. In an article talking about the house, Brad Bailey stated, “We do it because lots of things in life [that] are dull. Our house shouldn’t have to be.” Despite the polarizing thoughts and opinions from those who walk or drive by, the house is loved and certainly causes people to stop and smile!

First Congregational Church of Abington // 1849

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Abington, Massachusetts was first settled by Europeans in 1668 and was officially incorporated in 1712. Its namesake was is said to have been set by Governor Joseph Dudley as a tribute to Anne Bertie Venables, Countess of Abingdon, wife of the second Earl of Abingdon, who helped Dudley secure the governorship of the Colony of Massachusetts from Queen Anne. Governor Dudley noted in its decree that, “the Town be named Abingdon”. A marginal note on the document gave the spelling as “Abington” with a “t”, which has served as the spelling ever-since. At the center of town, this handsome church is the fourth edifice of the Congregational Church Society in Abington, Massachusetts, and replaced the third church, which was occupied for just thirty years until 1849, when this Greek Revival structure was built. Located a stone’s throw from its former home, this church showcases the increase in membership and relative wealth of the congregation by the middle of the 19th century. The structure with its flushboard siding and bold Doric pilasters, features an arched center entrance and multi-stage tower containing a clock and enclosed belfry.

Westminster Meetinghouse // 1770

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The Westminster Meetinghouse (aka the Westminster Congregational Church) was built in 1770 by Canterbury, Connecticut residents who in the 1760s, created a separate religious jurisdiction, the Westminster Society, due to their reluctance to travel long distances to Canterbury village for required religious services. Local resident John Parks donated land to be used as a public green, as well as a site for a cemetery and this meetinghouse. Sherebiah Butts, captain of the local militia, was engaged as master builder and architect, who along with his sons and other helpers, constructed the church by 1770. The original church, originally a square-plan meetinghouse, initially faced east, but was rotated to face south by around 1840, when the entire structure was remodelled in the prevailing Greek Revival style. The church is said to be one of the oldest continually utilized meetinghouses in Connecticut.

Canterbury Center District School // c.1860

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The Center District Schoolhouse of Canterbury, Connecticut, sits behind the village church and is the town’s best-preserved example of a district schoolhouse. Built c.1860, the vernacular, Greek Revival one-room schoolhouse served the central village through the 19th and into the 20th centuries with its twin entry, double-hung windows to allow light and air into the classroom, and a belfry with bell to notify pupils when class was about to start. Like many similar one-room schools in rural New England, pupils attended class with neighbors and siblings in the small, intimate classroom of varied ages. 

Scotland Universalist Church – Shetucket Grange Hall // 1843

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This charming, Greek Revival style building near the town green in Scotland, Connecticut, was built in 1843 as a Universalist Church for area residents who split off from more Congregationalist beliefs. By the end of the 19th century, populations shifted heavily to industrial centers where work was more plentiful, the church appears to have lost much of its membership and the building became a local grange hall. The Shetucket Grange was organized in June 1887, and was a meeting place for local farmers and their families to promote the economic and political well-being of the community and agricultural pursuits. Today, the building is owned by the town, but it’s use is unclear. Greek Revival in style, the building retains much of its original architecture, from its simple form, facade with two entrances flanking a central hung window, and pilasters framing the bays.