Victorian Gothic

Cheapside Block // 1880

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The Cheapside Block on N. Main Street in the East Side district of Providence, Rhode Island, is significant as a remaining Victorian-era commercial block that retains much of its original architectural detailing. Built in 1880 and designed by local architects Stone & Carpenter, the Cheapside Block was named after the early nineteenth century name given to the commercial district running along the west side of Main Street, north from the eighteenth century Market House, after the London commercial district of the same name. The word “cheapside” is derived from the Anglo-Saxon word “to barter.” The block here is an excellent example of the High Victorian Gothic architecture style, with intricate brick and stonework, pointed gables with inlaid tile, quatrefoil motif in the parapet, and the original cast iron storefronts. The building was acquired by the Rhode Island School of Design and renovated in the 1980s. Today, the Cheapside Block is home to the RISD Design Center. 

St. Mark’s Orthodox Church // 1882

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Built in 1882 as a Catholic mission church, the St. Mark’s Orthodox Church on Main Street in Kingston, Massachusetts, stands as a lovely example of a Victorian Gothic ecclesiastical building in a great state of preservation. In the waning decades of the 19th century, the Irish and Catholic population of Kingston grew, which led members to petition the Diocese to erect a mission church closer to their homes, rather than attend St. Peter’s in Plymouth. Originally called St. Joseph’s Church, the building served the local Catholic population until after the new, brick St. Joseph’s. Church was built further down Main Street in the 1930s. The local St. Mark Of Ephesus Orthodox Church congregation purchased the chapel in 1995 and restored the building, removing faux-brick shingling and reshingled the exterior.

All Souls Church, Onteora Park // 1894

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Onteora Park is one of many notable summer colonies in the Catskill Mountains that were developed in the late 19th and early 20th century. Onteora Park is located in Hunter, New York, and is comprised of a development of over 100 residential properties along with club buildings and the All Souls Church. The development of Onteora Park is largely credited to Ms. Candace (Thurber) Wheeler, one of America’s first woman interior and textile designers and co-founder of the Society of Decorative Art in New York City. In 1883, she and her wealthy brother, Francis Beattie Thurber, purchased land here with sweeping views of the Catskill Mountains, and built two summer houses for their respective families. By 1887, Candace Wheeler and her sister-in-law, Jeannette (Mrs. Francis B.) Thurber, decided to expand and develop their property as a vacation community of like-minded people dedicated to the arts. Years after the first cottages were built, Candace asked her son, Dunham Walker, an architect, to furnish designs for a community summer chapel. After the site had been secured, Canadian architect (and summer resident of Onteora) George Agnew Reid, was asked to put Mr. Wheeler’s plan into acceptable form and to supervise construction. The original wooden church was changed over to stone, all in a Victorian Gothic style. By 1910, the building was enlarged with the addition of the chancel and addition of transepts and possibly the square bell tower. At this time, the church was also electrified. Today, the church is lovingly maintained and open for the summer season and special ceremonies.

Union Chapel, Twilight Park // 1897

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The Union Chapel in the summer colony of Twilight Park in the Catskill Mountains of New York, is one of the finest late Victorian chapels in the region. The edifice was built in 1897, a year following the erection of the All Angels Episcopal Church, in Twilight Park, and was designed to complement the rustic character of the surrounding cottages. The chapel was built as a non-denominational, or Union church, for summer residents of the colony who preferred an alternative to Episcopal sermons down the dirt road. The church was designed by Alice Hands, of the New York firm Gannon & Hands, the first all-female architectural firm in the United States. The chapel was eventually closed in 1970 and converted to a private residence, with some stained glass windows donated to the Episcopal Church in Twilight Park.

Pine Grove Cemetery Mausoleum & Chapel // c.1875 & 1904

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Mausoleum

The mausoleum and the Jonas A. Stone Memorial Chapel are two historic structures located in the Pine Grove Cemetery of Westborough, Massachusetts. Land here was acquired in 1746 by the Reverend Ebenezer Parkman, and it comprised of a pine lot of sixteen acres on the road to Mendon (now South Street). Nearly 100 years later, in 1844, the lot was deeded to the town as a new cemetery, as the older cemeteries were quickly becoming crowded. It was named Pine Grove after the historic use of the grounds. Due to the rural cemetery movement, which sought to reimagine cemeteries as a beautiful park-like setting, not a simple burial ground, many Westborough families purchased plots here and some even moved their loved ones to the new family plot, in the “new” Pine Grove Cemetery.

Chapel

The Mausoleum was built sometime in the mid-19th century and is a modest, Greek Revival style structure of granite and brick construction. Four Doric columns support the portico and wooden roof which serves as a pediment above. The Jonas A. Stone Memorial Chapel was built in 1904 following a bequest to the town from the will of Jonas Adams Stone (1821-1900), and additional donation by his brother, Nymphas Stone. The Victorian Gothic chapel is built of brick and brownstone with a wooden gable and roof. The structure was damaged during the destructive 1938 New England Hurricane, but restored and is an important local landmark today.

First United Methodist Church of Somerville // 1874

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This handsome Victorian Gothic church sits on Summer Street in Somerville, defining the northern edge of the Union Square area. The church was built for the local Methodist congregation, which was established in 1855. The group would meet in local meeting halls and houses until this building was completed in 1874. The towering brick church was once even taller, but its steeple came down following the Great New England Hurricane of 1938. The church closed in the second half of the 20th century and the building was used by the Somerville Community News for years until it was purchased by a developer and converted to condominiums.

Former Somerville Police Station // 1874

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Somerville, Massachusetts, was long part of Charlestown, until it incorporated as a separate town in 1842. From the 1840s until just after the Civil War, Somerville went from a sleepy farming village to manufacturing center, spurring a sharp influx of immigrants to the city, industry boomed and brick manufacturing became the predominant trade. The town of Somerville incorporated as a city in 1872, and one of the first civic buildings constructed as a new city, was this Victorian Gothic building on Bow Street in Union Square to house the growing Somerville Police Station. Built in 1874 from plans by architect, George Albert Clough, a prominent and busy local designer. The handsome station was in use until the new Police Headquarters further east in Union Square was built in 1932. This building was sold off by the city and became offices and housed meeting spaces for a local boy’s club and an American Legion Post until it was converted into housing in the late 20th century. 

Holy Family Parish Church // 1882

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In 1872, due to industrialization and increased numbers of immigrants settling in the area for work, it was decided that a new Catholic parish should be established in East Abington. Two years later, the village of East Abington incorporated as Rockland. It would be a decade later, in 1882, until the Holy Family Parish would be established, beginning planning of a true house of worship for the growing number of Catholics here. When the Holy Family Church was constructed in 1882, only a quarter of the Rockland’s approximately 4000 residents were Catholic at that time. Most of the original congregation consisted of Irish immigrants who worked in the town’s boot and shoe manufacturing industry. As the industry continued to flourish in the 1890s and 1900s, new shoe factories were built, bringing more workers to Rockland, including: Canadians, Italians, and British to the area. The town’s Catholic community grew as a result. The Victorian Gothic style Catholic church was built in 1882, with no known architect at this time. A complex of other buildings, including a school, rectory, and community center.

Holyhood Cemetery Chapel // 1857

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Holyhood Cemetery in Brookline, Massachusetts, was laid out in 1857 under the direction of Father Joseph M. Finotti, pastor of Assumption Parish , which included Brookline and Brighton. The cemetery reflects the mid-19th century influence of the Rural Cemetery movement and the romantic landscape cemetery planning begun at Cambridge’s Mount Auburn Cemetery in the 1830’s. A plan of the cemetery was drawn up by Shedd & Edson and published in August 1857. It shows curvilinear avenues and paths named after former bishops of Boston and Biblical figures. All were welcome to be buried except those who “died in a state of Drunkenness, Duel, or by self-destruction, unbaptized, non-Catholic, or otherwise opposed to the Catholic Church.” In the 1857 Shedd & Edson plan for Holyhood Catholic Cemetery, a chapel was located at the center on the hill shown in a small drawing on the edge of the plan. Known as St. Joseph’s Chapel, the stone building was designed by Patrick Keely, the successful and influential New York architect of many mid-19th century Catholic churches. The chapel would be dedicated in 1862. Decades later, a cemetery office was planned and built across Heath Street from the cemetery gates, but was demolished sometime in the 20th century. The cemetery grew and it along with the mid-19th century chapel, has been lovingly maintained to this day.  

Boston Young Men’s Christian Union Building // 1875

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The Boston Young Men’s Christian Union was founded in 1851 by a group of Harvard students as a biblical and christian literature discussion group, which incorporated the following year. First located on School Street, the organization’s activities were to provide a focal point for the intellectual, religious, and social life of primarily middle-class, well-educated Christians. The organization grew to the point that a new building was needed, and in 1873, a site on Boylston Street was acquired as a perfect central location for the group. Architect Nathaniel J. Bradlee of Bradlee and Winslow was hired to design the structure, principally because Mr. Bradlee by then a prominent architect and public figure, was also a life member of the Union and the brother of one of its founders. The building was completed in 1875 and included ground floor retail with an auditorium, gymnasium, library, social and game rooms, and offices for the Union above and behind. Designed in the High Victorian/Ruskinian Gothic style, derived from a mixture of English, Italian, French, and some German Gothic precedents, the style emphasized complicated, asymmetrical massing, polychromy, ornate details, and lancet or Gothic arched openings, in this building a sandstone facade was used. The building became a City of Boston Landmark in 1977. In 2016, the building was converted to an affordable housing development by The Architectural Team Inc., and called “The Union”. The development provides 46 units of affordable housing, including 25 targeted to those who have experienced homelessness. What a great rebirth of the building. Historic Preservation and Affordable Housing can work together and create great projects.