Church of the Holy Name of Jesus Rectory //1857

In 1857, the same year that the Diocese of Springfield built the Church of the Holy Name of Jesus in Chicopee, they also broke ground on an adjacent rectory, a residence for its priest. Like the church, the brick rectory was possibly designed by Irish-born architect, Patrick Keely. The Italianate style building originally was capped by a shallow hipped roof, but a renovation in 1871 added the mansard roof, two-story bays, and the portico at the entrance. The building served as the church rectory for over a century but eventually closed by 2011, and the future of the site was uncertain. Luckily, the Polish Center of Discovery and Learning have rented and occupied the rectory, serving as an important cultural institution educating and collecting to tell the story of Polish history in Chicopee and beyond. Fitting that many early-arriving Poles in the late 19th century to Chicopee attended this church before establishing their own.

Ames Manufacturing Company Complex // 1847+

Until the early 19th century, Chicopee, Massachusetts, was little more than an agricultural district of Springfield (from which it separated in 1848). Several early mills began to harness the power of a 50-foot drop-off in the Chicopee River, but it was not until the introduction of outside capital from Boston-based industrialists, that Chicopee became an industrial powerhouse. The Dwight textile mills which quickly developed required a wide variety of related manufactures. Edmund Dwight, owner of the Dwight Mills procured brothers Nathan Peabody Ames and James Tyler Ames to relocate their edge tool business from Chelmsford to Chicopee, they did. In 1834, the Ames Manufacturing Company was incorporated with a capital of $30,000 and buildings were erected along the Chicopee River, just east of the Dwight Mills. By 1835, the company was creating works in brass and bronze, and in 1845, an iron foundry was added. The company used the foundries for casting statuary and producing cannons and cannonballs for the US Military. Additionally, the bronze doors of the East Wing of the United States Capitol, Daniel Chester French‘s Minuteman statue at the Lexington-Concord bridge and the large equestrian statue of George Washington at the Boston Public Garden were cast at the Ames Factory. After a period of decay in the latter half of the 20th century, the largest buildings of the complex were restored and converted to housing, today known as Ames Privilege.

Dwight Manufacturing Company Complex // 1841+

The Dwight Manufacturing Company is named for Edmund Dwight (1780-1849) of Boston, an industrialist who envisioned an industrial town on the Chicopee River. Dwight, having a country home in Chicopee, had begun a venture with his brother, Jonathan, at Chicopee Falls creating the Chicopee Manufacturing Company, to produce cotton cloth. Due to the company’s immediate success, the Dwights along with other investors formed the Springfield Canal Company in 1831, with the goal to create the “new Lowell”, an industrial community in what is now Chicopee Center. In 1856, the Dwight Mills purchased some earlier mill complexes, creating the Dwight Manufacturing Company and consolidating all their cotton cloth manufacturing into one organization. In addition to the mills, the Company also built employee housing
along Depot and Dwight Streets, a stone’s throw from the mills. The creation of employee housing allowed the Company to attract new employees in particular women and children, nearly all immigrants, who could be housed together. My favorite part of the complex is the entrance gate, built in 1894, connecting the Office and Cloth Building. It is amazing to think of all of the people who passed through this portal, working long hours for a better life. Overtime as production methods changed and technology evolved, nearly all the original mills would be replaced or retrofitted. Despite the changes, the Company could not remain profitable and shut down production in 1927 and ultimately selling the land and equipment in 1930. Some smaller manufacturing has since occupied some of these buildings, but they remain largely (if not entirely) vacant, awaiting a new life.

Former Chicopee Public Library // 1911

Tucked to the side of the towering City Hall building on Market Square in Chicopee, Massachusetts, this long-vacant former public library is undergoing a major renovation to convert the building to a business incubator and community hub. The library was built in 1911 and was designed by the Springfield architectural firm of Kirkham & Parlett and is a great example of a Classical Revival style civic building with its strict symmetry, Ionic columned and pedimented entrance, and corner quoins. The original town library was organized as early as 1846 under the name “Cabot Institute” a subscription-based library. In 1853, the Cabot Institute donated its collection of nine hundred books to form a public library. The town voted that year to support a public library from tax dollars, making the Chicopee Public Library the first library funded by public funds in Western Massachusetts. The library was located in the City Hall building when it was completed in 1871, and was later moved out of the building to make space for the Board of Aldermen offices. In 1907, Mrs. Sarah Cooley Spaulding bequeathed $20,000 in her will towards a new library building as a memorial to her late husband, Justin Spaulding, and in May 1913, the Chicopee Library opened its first building built solely for the purpose of being a library. The library was expanded in the latter half of the 20th century and ultimately outgrew its space, with the City building a new library in 2004 on Front Street. This library closed at that time and had sat vacant until plans were unveiled to re-imagine this significant building as a community hub. I love to see old buildings repurposed rather than demolished!

Hotel Essex – Plymouth Rock Building // 1900

The construction of a new South Station Terminal in 1899, prompted a development boom for the nearby area, which had for the previous decades been almost entirely mercantile and centered around the leather and woolen industries. Due to increased land values and an influx of travelers to the area, developers saw an opportunity to erect this building to serve as a hotel for visitors to Boston via South Station. Boston architect, Arthur H. Bowditch, furnished plans for this building in the Beaux Arts/Renaissance Revival style, with use of brick and limestone construction, ornate finishes at the façade including the fluted pilasters, arches and cartouches in the spandrels. The building was completed in 1900 and known as Hotel Essex and featured a long, storied history as a hotel until it closed in the second half of the 20th century. After years of deteriorating conditions, the building was adapted as the corporate offices for Plymouth Rock Assurance Corporation in 1982. The building was restored and has been known as the Plymouth Rock Building ever since.

Cornwall Hollow Baptist Church // 1844

During the nineteenth century several small, rural settlements dotted the landscape of Cornwall, Connecticut. The hamlet of Cornwall Hollow this building, the Baptist Church, and contained a tannery, store, gristmill, sawmill and cemetery. The church at Cornwall Hollow was erected following dissolution of the Baptist congregation at nearby Cream Hill in 1843. A new church constitution was adopted in 1844 and this new meetinghouse erected the following year. At its height the congregation included 100 members. The Greek Revival style church once had a belfry, but it was removed sometime in the 20th century, likely due to repair costs. The interior included a curved ceiling, and windows line the side elevations. The congregation saw dwindling numbers and closed in the early 20th century. It is now privately owned, but lovingly preserved.

Cornwall Bridge Railroad Station // 1886

One of the most attractive railroad depots in Connecticut, the Cornwall Bridge Railroad Station exists in almost complete originality. Its siding is board and batten and its slate roof with a wide overhang supported by the original brackets, showcases the attention to detail railroad companies paid to design and appoint these important landmarks. Built in 1886, the building can be classified as Stick Style and is one of a few buildings in town of the style, adding to its significance. The station was built by the Housatonic Railroad to replace an earlier station on the site. The Housatonic line was acquired by the New York, New Haven and Hartford Railroad in 1892 and later by the Penn Central Railroad in 1969, which went bankrupt by 1970. This station was subsequently sold to private ownership and listed on the National Register of Historic Places as a tool to bring awareness to its significance and threatened status. Luckily, the building was preserved and has been converted to a private residence.

West Cornwall Congregational Church // 1877

One of the few Gothic style buildings in the enchanting town of Cornwall, Connecticut is this large church-turned-residence in West Cornwall village. As West Cornwall developed in the second half of the 19th century into the largest district in town, residents here began to discuss the idea of building their own Congregational church, rather than travel to the central village church to attend services. In the 1870s, West Cornwall congregationalists raised over $4,000 to acquire a building lot and erect this fine church. Dedicated in January 1878, the wood-frame church is a rare example of the Victorian Gothic/Stick styles with clapboard siding, lancet (pointed arched) windows, a corner tower with belfry, vertical sheathing in the gables, and ornamental applied stickwork. The church closed in the 20th century and was converted to a private residence, and is presently for sale!

Newport Old Fire Station Hose No. 8 // 1887

One of the charming converted old fire stations of Newport, Rhode Island, can be found tucked away on Prospect Hill Street. This is Hose No. 8 Fire Station, built in 1887 by the City of Newport as a neighborhood station to battle fires in the dense network of streets and homes Downtown. The design blends Romanesque Revival and Victorian Gothic elements into a compact, two-story brick building. The station was closed in 1912 as the structure no-longer was compatible with larger fire apparatus and gasoline-powered trucks. The building would suffer from neglect and was crumbling, before being reconstructed, brick-by-brick, and restored by Hacin Architects of Boston as a private residence. The structure is essentially new on the interior but provides a significant preserved exterior that was long part of the eclectic streetscape of Prospect Hill Street.

Langley-Dudley Cottage // c.1870

This charming mansard-roofed cottage can be found at 54 Prospect Hill Street in Newport, Rhode Island. While presently a residence, the cottage was originally built around 1870 as a stable or carriage house for the former Bowen-Newton-Tobin House at 204 Spring Street. After the Bowen heirs sold the property, this structure was owned by Mr. John S. Langley, an furniture dealer (who also made coffins and caskets) with the firm Langley & Bennett. The building may have been used for the storage of horses or as a workshop until it was purchased by Mary B. and Dudley Newton, a prominent local architect. They appear to have converted the former stable into a cottage, and rented the property out for additional income. In the renovation, Dudley Newton preserved much of the original detailing above the cornice, and altered openings to provide windows and doors convert the formerly utilitarian structure into a cottage.

Old Goshen Academy Building // 1824

The former Goshen Academy building is located in the central village of the rural town of Goshen, Connecticut, and it is an important vestige of early education in the small town. The Goshen Academy building was built in 1824 from funds by shareholders of the institution. The academy featured a lecture room on the second floor with smaller classrooms downstairs. The academy would eventually close, and it has been occupied by the Goshen Historical Society.

George Robert White Health Unit No. 2 // 1923

Originally known as the George Robert White Health Unit Number 2, this Colonial Revival style building is located on North Margin Street in the North End of Boston, and is significant as an early health center providing health and education services for some of Boston’s most underserved residents. The building was constructed in 1923 as one of the neighborhood-based health centers built in Boston in the 1920s and early 1930s from funding by the George Robert White charitable trust. George Robert White (1847-1922), a longtime resident of Boston, worked in the office of the Potter Drug and Chemical Company as a boy, eventually becoming president and an owner of the corporation. He was an investor in real estate and reportedly was known for many years as the largest individual taxpayer in Boston. Upon his death, his will specified that his bequest to the city, about $5 million in 1922 (approximately $93 Million valued today), would be held in a permanent charitable fund “to be used for creating public utility and beauty and for the use and enjoyment of the inhabitants of Boston.” The North End Health Unit was the second built (the first was in the West End), and designed in the Colonial Revival style from plans by Coolidge and Shattuck, later known as Coolidge, Shepley, Bulfinch & Abbott. Since the 1970s, the building was occupied by the Knights of Columbus, a fraternal organization, until 2020, when the building was renovated and converted into housing with 23 units for elderly residents.

Waitt and Bond Building // 1891

One of several late 19th-century industrial buildings in the North End, the Waitt & Bond Building stands on Endicott Street, looking over the scar on the landscape that is I-93. This six-story building was constructed in 1891 and is the oldest extant building in Boston associated with cigar manufacturers Henry Waitt (1842-1902) and Charles H. Bond (1846-1908), who started business in 1870. The business relocated from Saugus to Boston in 1873 and moved into this building upon its completion. Waitt & Bond produced handmade cigars with each employee hand-rolling over 300-a-day. The architect, Ernest N. Boyden, designed the building in the Panel-Brick and Romanesque styles with decorative brick panels, cornice, and arched detailing. Rooftop billboard signage (blight) was first added to the building in 1956, with increased visibility via the elevated John Fitzgerald Expressway (the Central Artery). By the early 1960s, Joseph Castignetti moved his men’s clothing store, Castignetti Brothers, to this location. In 2001, the building was converted into 28 loft-style condos, an early sign of the gentrification to come to the North End.

Vermont Marble Building // 1904

Located across the street from Regina Pizza in Boston’s North End, the Vermont Building stands as one of the most ornate and decorated buildings in the neighborhood. Designed by Boston architects Arthur H. Bowditch and Edward B. Stratton and constructed in 1904, the Vermont Building is a six-story brick commercial building with marble detailing. The building was erected as a personal investment by Redfield Proctor, U. S. Senator from Vermont and partner in his family’s marble company based in Proctor, VT, with the building used for light manufacturing, a warehouse, and storefronts. The building has since been converted to housing as lofts.

Rankin Block // 1853

The Rankin Block is a significant early commercial building in Rockland, Maine. The brick block was built in 1853 by Samuel Rankin, a descendant of one of the area’s first European settlers. Its location was near the center of the city’s shipbuilding industries, and replaced an earlier commercial building destroyed by fire. Its early tenants included a ship chandlery, shipping offices, and a sail loft. The vernacular Greek Revival style building is constructed of brick and granite, showcasing the no-frill architecture that working Maine sailors preferred. The building is now occupied by a senior living facility. Talk about a great adaptive reuse!