The former Goshen Academy building is located in the central village of the rural town of Goshen, Connecticut, and it is an important vestige of early education in the small town. The Goshen Academy building was built in 1824 from funds by shareholders of the institution. The academy featured a lecture room on the second floor with smaller classrooms downstairs. The academy would eventually close, and it has been occupied by the Goshen Historical Society.
In 1803, General David Thompson (1766-1827) and his wife, Sybil (Norton) Thompson, moved into this recently completed Federal style residence on North Street, the main road through Goshen Village, Connecticut. David Thompson was a merchant and partner in the firm Wadhams & Thompson, occupying a store nearby the Congregational Church. Business partners David Thompson and David Wadhams built near-identical houses across the street from each other, though the Wadhams house has since been gut renovated and lost much of its original fabric. The Thompson House stands out for its Palladian second-story window, glazed with interlacing arcs. The property was owned at the end of the 19th century by Albert Sperry, a Civil War veteran.
The first purpose-built official town building of Goshen, Connecticut, was this wood-frame structure at the main junction in the central village as the town’s first town hall. Built in 1895, the structure originally housed offices for the selectmen and town clerk, a fireproof vault for records, and a large audience-room with stage for town meetings and ceremonies. The building employs a more traditional form similar to the old Greek Revival meetinghouses built in New England in the first half of the 19th century, but with a shingled, Victorian entry tower with bell roof. When the Town of Goshen moved into its present town hall building, this structure became the home to the Goshen Players, a community theatre established in 1949, and is the second oldest continuously performing theatre group in the state.
The perfect whimsical blending of the Classical Greek Revival and the intricate details of the Carpenter Gothic styles can be found under one roof in Goshen, Connecticut; this is the Lavalette Perrin House. Built c.1844 for Lavalette Perrin (1816-1889), who graduated from Yale in 1840, and became licensed to preach in 1843. Reverend Perrin was in his late 20s when he accepted the call to become the pastor of Goshen’s Congregational Church in 1843. Upon arriving to town, he had this residence built soon after, blending two differing styles in a blissful composition. Perrin remained in Goshen until he was called to New Britain in 1858, where he remained until his death. Unique architectural features of the home include the flushboard siding, pilaster-and-lintel framed doors and windows (very rare in this form), and wave-like bargeboards. What a special home!
The town of Goshen, located in Litchfield County, is located in the northwestern part of Connecticut was first settled by European colonizers in 1738, with the town incorporating a year later. The community was named after the Land of Goshen, a part of ancient Egypt in the Bible. Goshen primarily grew as rural and agricultural in character, with limited industry and commercialization compared to other nearby towns. The town center village was home to the Congregational Church as far back as 1750. In 1832, the present Congregational Church was built from plans by Benjamin E. Palmer, a carpenter-builder who also built the Windham County Courthouse in Brooklyn, Connecticut. The church blends both Federal and Greek Revival styles, and Palmer likely took inspiration from Asher Benjamin’s design guidebooks. The church retains much of its original character even with the altered steeple, porte-cochere, and conversion of three-door facade to a single-entrance in 1894.
To conclude this series on Stimson Avenue houses in Providence, I will showcase the grand dame of Stimson Avenue, the Amos Beckwith Mansion. Built in 1861, the large estate was essentially a country villa when built, as this section of Providence was sparsely developed before the Civil War. Amos Beckwith (1822-1890) was the son of Truman Beckwith and, like his father, was a wealthy cotton broker. He hired architect Alpheus C. Morse to design the house, which is an Italianate Villa, with prominent four-story tower. thick moulded trim, projecting eaves and balconies supported by large brackets and corbels, and the rounded arch windows. In 1882, Beckwith subdivided his land in the area to make half the building lots on Stimson Avenue. Amos Beckwith lived in the home with his wife, Clara, until her death in 1879. Unknown to many, Amos would secretly remarry his housekeeper, a fact that came out after his death when discussions about the estate were raised. Maria Sherman, the 35-year-old housekeeper, stated she was in the will. It is not clear if the family fought this claim and who inherited the property, but what an interesting story!
Arguably the most restrained and modestly detailed residence on Stimson Avenue in Providence is this residence, the George H. Dart House, a late-Queen Anne dwelling built in 1893. The original owner, George H. Dart (1845-1897) worked as the President of the Rhode Island Tool Company before his unexpected death in 1897. Four years prior to his death, Mr. Dart hired the local architectural firm of Stone, Carpenter & Willson, to design this single-family residence, which employs Shingle and Queen Anne detailing under a two-story gambrel roof with overhanging eaves sheltering recessed porches and bay windows.
One of the finest Victorian-era houses in the College Hill/East Side area of Providence is this stately residence at 30 Stimson Avenue, known as the Thurston-Gladding House. The house was built for newlyweds, John Russell Gladding and Ellen (Thurston), on land given to the couple by Ellen’s father, attorney and judge, Benjamin Thurston. John Gladding was originally from Connecticut and the couple split their time between their Providence home and a country retreat in Thompson, Connecticut. Architects Thomas J. Gould and Frank W. Angell (Gould & Angell) furnished the plans for the home, which features a ground floor faced with textured brick and walls adorned by continuous wood shingle siding above. A rounded tower, projecting bays and dormers, and a elongated front porch break up the massing into a pleasing composition.
Built in 1892, at the height of the convergence of tastes of the Queen Anne Victorian and more traditional Colonial Revival architectural styles, the Louis E. Robinson House at 60 Stimson Avenue in Providence, Rhode Island, showcases the intricacies and whimsy that can be designed when a house is a blending of styles. The residence was built for Louis Elmer Robinson (not Robertson like so many sources claim), a cotton dealer and merchant, from plans by architect Frank W. Angell of the firm, Gould & Angell of Providence. The Robinson House is a gambrel-roofed mass, set gable end to the street, leaving only the ground story and side elevations in clapboard. The polygonal half-tower attached to the side elevation and its paneled grouping of windows retains the older medieval allusion of the early Queen Anne style, but with a swans neck pediment topping the stair hall window showcased the Colonial influence. I am imagining the home with a more period-appropriate color palette, but it still shines!
The period of the late 19th through early 20th centuries provided architects the opportunity of blending the two prominent styles, Queen Anne and Colonial Revival into a single composition, and as a result, this period has provided some of the most whimsical yet stately homes in New England. This modestly sized residence sits on Stimson Avenue, one of the finest streets in Providence, and despite its unassuming size, packs an architectural punch with its materials and detailing. The Henry Waldron House was built in 1893 for Henry A. Waldron, a clerk in Providence. From deed research, it appears a member of his family, Nathan Waldron, a wealthy grocer, purchased the site in 1891 and likely funded some or all of the construction of the residence there. The architectural firm of Hoppin, Read & Hoppin is credited with the design of the residence, which employs a Colonial Revival form with the gambrel roof and Columned and ornate entrance porch with fan motif, while the use of varied siding materials and octagonal tower with pyramidal roof veers into the Queen Anne style.
Buildings of New England 