Brewer & Beebe Townhouses // 1863-1917

Boston is ever-changing and while change can be good, there have been some major architectural losses. This trend of redevelopment is not new however, as this single site on Beacon Street has seen two major losses, all before 1918! This lot on Beacon Street was originally home to Hancock Manor, a landmark Georgian mansion built between 1734-1737 for the wealthy merchant Thomas Hancock (1703–1764), and later inherited and occupied as the home of United States Founding Father John Hancock, yes, that John Hancock. In 1863, the Hancock Manor was sold at public auction and was purchased for $230. The house was demolished within days. While the building was torn down, souvenirs of it were actively sought as it fell. To replace it, two of the finest homes ever built in Boston were constructed on the site, from plans by elite Boston architect, Gridley James Fox Bryant. The double Second Empire style homes were first occupied by wealthy merchants, James Madison Beebe (the house on the left) and Gardner Brewer (right). In 1916, plans for the extension of the Massachusetts State House necessitated a taking of these (and other nearby) properties. These two houses were razed by 1917.

I wonder if the Hancock Manor would have survived to this time, would preservation prevail to save it?

Joshua Bennett Townhouse // 1834

Just steps from the iconic Louisburg Square in Boston’s exclusive Beacon Hill neighborhood, a man named Joshua Bennett in 1834, purchased two recently completed townhouses built by housewrights Samuel H. Mitchell and Loring Dunbar. Joshua Holden Bennett (1792-1865) was born in Billerica, Massachusetts and split his time between his hometown and Boston. Bennett and his family owned the two identical bowfront houses until about 1930, likely renting them out to middle-upper class families. The home on the right (pictured) was later purchased by Benjamin B. Gillette an organist at a local church. After WWII, property values in Beacon Hill began to falter and this property and its neighbor became lodging houses of rented rooms to a more wealthy clientele than those on the North Slope of the hill. The home last sold in 1989 for $753,000 and is estimated at a value today at over $4,000,000!

Toy Theatre // 1914-1922

When the Toy Theatre on Lime Street in Beacon Hill (last post) was formed in the early 20th century, the members of the small (but growing) theatre group of well-connected artists and actors had their sights on something with permanence. By 1914, the group had funding and acquired land on Dartmouth street, a block away from Copley Square, and ground was broken to build a large new theatre. The fashionable Colonial Revival style building featured a large rounded bay and was constructed of brick and limestone. The theatre group could not support the building, and it was rebranded as the Copley Theatre within a couple years. Continuing the bad luck, the City of Boston decided to extend Stuart Street by 1921, and this building was along the proposed route. The street was extended and a new “Copley Theatre” was built on Stuart Street, a stone’s throw from this building. And so goes the short-lived history of the Toy Theatre.

Minot-Herter House // c.1825

Set along Beacon Street, one of the finest streets in Boston, this townhouse has uninterrupted views of the Boston Common and Public Garden. The house was built around 1825 after a large fire destroyed nearly all the homes on the block. Build it and they will come, and the upper-class Boston elite did! Attorney William Minot (1783-1873) purchased the land here as early as 1817, and is said to have hired Peter Banner, the English architect who designed Park Street Church, to design the first house on this site, which stood less than 10 years. Minot had a new home built in the 1820s and lived there until his death in 1873. By the late 1920s, Christian Archibald Herter lived here. Herter held a number of important offices in state and national government, serving as the Speaker of the Massachusetts House of Representatives, Governor of Massachusetts, and President Eisenhower’s Secretary of State (1959 to 1961). It was Herter who likely added the Federal Revival features on the house, including the porch, dormers and updated door surround.

Chapin-Bodge House // 1829

One of my favorite houses in Boston is this absolutely perfect townhouse on Pinckney Street in Beacon Hill. This house was built on speculation in 1829-1830 for Hollis Chapin by architect John Kutts. Kutts was active as a Boston architect between 1828 and 1838, but he is much less well-known compared to his peers today. I hope someone who is a better researcher than me stumbles upon this article because I would love to learn more about this architect! Kutts (possibly also Kutz) is a unique name for Boston, so it is likely he was a German immigrant who settled in Pennsylvania before moving up here. Back to the house. It was finished and sold in 1830 to Ebenezer T. Pope for four thousand dollars. The home was quickly bought and sold a couple more times as the values on Beacon Hill continued to grow. The property was purchased in the 1870s by Noah Bodge, as a rental property and it remained in the family through the 1920s. The home retains all the original details and provides a needed pop of color with the door and shutters.

Robert Gould Shaw Memorial // 1897

Commissioned from the celebrated American sculptor Augustus Saint-Gaudens in the early 1880s and dedicated in 1897, The Shaw 54th Regiment Memorial (aka the Robert Gould Shaw Memorial) has been acclaimed as the greatest American sculpture of the 19th century. The memorial was designed by famed artist Augustus Saint-Gaudens, and it is a stop on the Boston Black Heritage Trail, commemorating the valiant efforts of Colonel Robert Gould Shaw and the men of the 54th Massachusetts, one of the first Civil War regiments of African Americans enlisted in the North. In July 1863, the regiment was sent to South Carolina where an assault was planned on Fort Wagner guarding Charleston harbor. Shaw had asked to have 54th Regiment lead the attack. Of the 600 men in the attack that day, there were 285 casualties, and Col. Shaw was killed, but the men never wavered in the battle and demonstrated great courage and determination. Following this display of valor, other black regiments were formed, and by the end of the war, 10% of the union army was made up of African American soldiers.

The monument in Boston shows the 25-year-old Shaw seated on his horse, with his regiment as it marched down Beacon Street on May 28, 1863 to depart the city to fight in the South. The concept of Shaw on horseback with marching soldiers was inspired, at least in part, from a painting Saint-Gaudens saw in France, Campagne de France 1814, by Jean-Louis Ernest Meissonier, which depicts Napoleon on horseback with rows of infantry in the background.While Shaw is the centerpiece of the monument, the significance of the monument is the Shaw Memorial is the first civic monument to pay homage to the heroism of African American soldiers in the U.S.

Glapion-Middleton House Ell // c.1800

Less than a dozen wood-frame buildings exist on Beacon Hill in Boston, and this curious building is one of them, and also happens to be one of the oldest structures in the neighborhood! Built by 1800, this structure was constructed as an ell/addition to the Glapion-Middleton House at 5 Pinckney Street in Boston. The Glapion-Middleton House (previously featured) was constructed in 1787 after two Black men, George Middleton and Louis Glapion and their wives, built a small double house in the abolitionist center of Boston, Beacon Hill. In recent years, some have speculated that due to this living arrangement and other accounts, that Glapion and Middleton were in-fact gay men, but this is unsubstantiated. After the home was constructed, a two-story, five-bay ell was constructed which connected the home to Joy Street at the corner. The ell served as additional space for the two families and they appear to have had a workshop or store in part of the building. In 1855, owners demolished the center bay of the ell and erected a brick townhouse, similar to others in the neighborhood. The ell in this building was occupied as a store for the majority of its life and became an Italian restaurant and soon after a “Boyer’s Creamery Luncheon”. The property has since been converted to a residence.

Beacon Hill Reservoir // 1849-1883

Did you know there was once a massive granite reservoir in Beacon Hill?

Long before the Wachusett and Quabbin Reservoirs that now supply water to Boston, the city’s original municipal water supply was Lake Cochituate, a reservoir in Metro-west. Due to Beacon Hill’s high elevation, the city selected the site behind the recently completed Massachusetts State House, to store and distribute water to the city. The site was too steep, so it had to be graded. Therefore, the top of Beacon Hill, where the beacon had long been standing, needed to be lowered to accommodate the reservoir. The soil was dug by hand and hauled by cart down to fill the old Mill Dam in the Bulfinch Triangle area. The reservoir, which opened in 1849, was unique in its approach. The design of the structure needed to minimize its footprint and reflect well on its surroundings in the prestigious location. In lieu of earthen bermed walls, as was the convention in most period distribution reservoirs, the design chose to create a watertight tank within a masonry structure. This made the structure the first elevated storage tank constructed in New England. Sheet lead was used to make the reservoir watertight (which likely led to a lot of health issues (hindsight is 20/20). By 1870, the poor water pressure made the Boston Waterworks build the Roxbury Standpipe, which relegated the Beacon Hill Reservoir to being an emergency water source for use only in case of fire or accident to the pumping-mains. In 1883, Boston Water Works sold the structure to the Commonwealth, who demolished it for the addition to the State House.

Glapion-Middleton House // 1787

George Middleton and Louis Glapion built this two-family residence in Boston’s Beacon Hill neighborhood in 1787, which is now the oldest extant home on Beacon Hill. This wood structure is a typical example of late 18th century Boston homes built by African Americans. Louis Glapion worked as a hairdresser and may have been from the French West Indies. Glapion lived and ran his business out of 5 Pinckney Street until his death in 1813. His wife Lucy continued to live there until 1832. George Middleton was a “horse breaker” (horse trainer) by trade and was adored in the diverse community of Beacon Hill. Middleton was one of 5,000 African Americans to serve in the military on the Patriot side of the Revolutionary War, leading an all-Black militia called the Bucks of America. The group is believed to have guarded the property of Boston merchants during the Revolution. After the war, he became the third Grand Master of the African Lodge, later known as the Prince Hall Masons. In 1796, Middleton founded the African Benevolent Society, which helped orphans and widows through job placement and financial relief. He died in 1815, outliving his wife and apparently left no children when he died in 1815.

Hampshire House // 1911

Built in 1911 as a single-family home for Bayard and Ruth Thayer, this building on Beacon Street is one of the most visited in the city (I will get to that later). The four-story home replaced two large townhomes across from the Public Garden and was designed by New York based architect, Ogden Codman, Jr., who was born in Boston into the esteemed Codman family. Bayard Thayer died within five years of the completion of the house, and his widow, Ruth, and their children continued to occupy the massive residence into the 1930s. By 1944, the home was being used as a lodging house, a violation, and it was sold two years later to a realty company who operated apartment houses. From this time the house functioned as a residential hotel known as the Hampshire House. In 1969, Thomas Kershaw acquired the property and kept its name, which it retains today. In the same year they opened the Bull & Finch Pub in the basement, which in 1982 became famous world-wide as the locale for the bar in the television sitcom Cheers, one of the most-watched programs in television history. Pictures of the exterior of the building were used in the show’s credits and scene changes, and the interior was faithfully replicated in a set used in Hollywood. The building is now habitually swarmed by locals trying to get to drink in a piece of cultural history.