Beacon Hill Flat

Charles and Elizabeth Ware Mansion // 1870

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Located at the corner of Brimmer and Mount Vernon streets in Beacon Hill, this stately mansion showcases the various architectural styles and methods utilized by architects in the waning decades Victorian-era Boston. Set atop a brownstone base, the floors above are in the “Panel Brick” style, which utilizes brick masonry in a variety of decorative patterns of slight projecting or receding panels. The style was popularized by the Boston architectural firm of Ware & Van Brunt, as noted by architectural historian, Bainbridge Bunting. As expected, this house (and the attached townhouse next door) was designed by William Robert Ware for his uncle, Dr. Charles Eliot Ware (1814-1887) and his wife, Elizabeth Cabot Lee Ware. Dr. Ware was a physician at Massachusetts General Hospital and secretary of the Massachusetts Medical Society. After the death of Dr. Ware and Elizabeth, the property was inherited by their daughter, Mary L. Ware (1858-1937), a naturalist and botanist who was the principal sponsor of the Harvard Museum of Natural History‘s famous Glass Flowers. After the death of Mary, the property sold out of the family to Robert Wales Emmons III, a financier from a yachting family. The mansion remains in a great state of preservation, and is among the great Victorian-era residences in Beacon Hill.

Church of the Advent // 1878

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The Church of the Advent in Beacon Hill, Boston, is a landmark example of a church designed in the Victorian Gothic style with strong English influence. The congregation, established in 1844, purchased a large corner lot at Brimmer and Mount Vernon streets on the newly made filled land west of Charles Street in Beacon Hill Flat, to construct their new church. In 1875, John Hubbard Sturgis, a Boston architect and parishioner, began designing the red brick with sandstone-trimmed church set on a corner lot with dominant corner tower and octagonal steeple. Construction began in phases beginning in 1878 and took years until the steeple was completed in 1888. Before its completion, John H. Sturgis died and his nephew, Richard Clipston Sturgis, oversaw the completion of the church, which became somewhat of a memorial to his late uncle. Following the completion of the Church of the Advent, Sturgis’ widow, extended family and clients donated a major portion of the interior art, stained glass windows, and furnishings. The polychromatic exterior in red and charred brick mixed with sandstone trim appears to have been inspired by his designs for the original Boston Museum of Fine Arts (1876, demolished in 1911.) The Church of the Advent in Boston is one of the finest ecclesiastical buildings in New England and is the master-work of one of America’s great architects.

The Whitney Hotel // 2019

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The Whitney Hotel on the iconic Charles Street in Beacon Hill, represents the best of contextual infill construction and good design. Completed in 2019, the hotel was built on an open lot adjacent to the 1909 Eye and Ear Infirmary Nurse’s Residence that sold in 2016. Developers hired Boston architectural design firm of Hacin to construct the new structure as an addition to the 1909 building. As the building is located within the Historic Beacon Hill District, a local commission closely reviewed plans to ensure the new building would blend old and new on the site, while being its own landmark on the prominent corner lot. The scale, massing, materials and rhythm of windows ties the 2019 contemporary wing with the 1909 building, while the brick layering styles, window types and unique rounded corner read clearly contemporary. The hotel is named after Henry Melville Whitney (1839-1923) a Boston politician and businessman who founded the West End Street Railway Company, which preceded the Metropolitan Transit Authority and today’s MBTA. The Whitney Hotel serves as an important visual anchor and entrance into Beacon Hill, enlivening the street and neighborhood through high-quality design.

Eye and Ear Infirmary Nurse’s Residence // 1909

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The Massachusetts Charitable Eye and Ear Infirmary (now Massachusetts Eye and Ear) began in 1824 by doctors, Edward Reynolds and John Jeffries II as a free weekly clinic they operated out of a rented room in Boston’s Scollay Square. At the time, Boston was an immigration destination for laborers arriving from Europe, among whom occupational injuries were common, but affordable medical care was scarce. With an increasing population and increasing medical needs, the clinic expanded rapidly. In 1849, a new clinic was built on Charles Street, just south of the West Boston Bridge (now Longfellow Bridge) from plans by Edward C. Cabot. As demand grew in the late 19th and early 20th centuries, the hospital sought expansion and built a new facility farther north on Charles Street, closer to Massachusetts General Hospital. The 1849 building was deemed excess and demolished, soon to be replaced by the current building on the site, the Nurse’s Dormitory. Built in 1909, this handsome, four-story brick and stone structure was designed by the office of Page and Frothingham in the Colonial Revival style, which contributes to the architectural character of Beacon Hill. The building provided much-needed residential space for nurses and other staff people who worked at the new Eye and Ear Infirmary a few blocks away. The building was later converted into an inn, the John Jeffries House (after one of the founders of the infirmary) until 2016, when the site closed and was converted into a wing of the new Whitney Hotel by Hacin Architects!