This charming Shingle/Queen Anne style house is located on Sumner Street in Newton Centre, a street of fine suburban houses built for businessmen who commuted into Boston. This house was built in 1884 for Daniel Tufts Kidder (1852-1941), a glass dealer. Daniel got his start under the employ of Hills, Turner & Harmon, jobbers of plate, window and mirror glass, and manufacturers of mirrors, eventually working his way up to salesman and later as president of the consolidated company, Boston Plate and Window Glass Co. It is believed that Mr. Kidder used antique and imported glass in his home when it was built. The house remains well-preserved and characteristic example of the fanciful Victorian styles.
A significant house and grounds are tucked away, hidden off Dudley Road in Newton, Massachusetts. This is the Kennard Estate. Frederic Hedge Kennard (1865-1937) was born in Brookline and attended Harvard College. He did graduate work for a time at the Bussey Institution and the Lawrence Scientific School, and entered the employ of Frederick Law Olmsted, the noted landscape architect, with his office in Brookline. By 1906, he decided to open his own landscape architecture office, opening locations in Boston and Philadelphia. He would purchase this expansive wooded property, and had this house built by 1907. He laid out the grounds, creating paths and gardens on the property and planted native trees. It is unclear who designed the house, sadly. Mr. Kennard was also a noted ornithologist (an expert on birds) and would host visiting scholars at his home, walking the grounds and studying birds there. After his death in 1937, the property was inherited by his son, Harrison Eisenbrey Kennard, and ultimately willed to the City of Newton upon his death in 1982. Since then, Newton Parks and Recreation have maintained the house (though they could be doing more to preserve it), and opened the grounds as Kennard Park, a free public park comprised of wooded trails and streams.
New buildings in Boston rarely are contextual and so often take no cues from their surroundings, but Lovejoy Wharf, one of my favorite 21st century buildings in the city breaks that mold. Completed in 2017, the contemporary building is clearly modern, but takes important cues in the design and materials to relate it to the surrounding industrial context surrounding the site. The Lovejoy Wharf condominium building was designed by the great Robert A.M. Stern Architects and incorporates red brick facades, stacked bay windows, and a glass curtain wall, which effortlessly blend old with new. A glass tower breaks free from the masonry mass at its corner, which leads into the denser, more modern West End buildings while the eastern side closely follows the old Schraft’s Candy Factory (now Converse Headquarters building) brick industrial style. Additionally, the developer, Related Beal, took a gamble by not including parking in the facility, hoping the unit owners would instead use local public transportation (or walk), it seems to have been a success and promotes healthy urbanism. What do you all think of this contemporary building?
The interesting street-layout of the Bulfinch Triangle area of Boston created some oddly shaped triangular building lots which for decades, saw only small, modest wood-frame structures built upon them. By 1900, Boston’s own Flatiron Building (built two years before New York’s more iconic example) was constructed on this site and it has been an icon ever since. The structure was built by ownerCharles Pelham Curtis III (1860-1948), who was born in Boston and graduated from Harvard Law School and became a police commissioner and attorney in the city before moving into real estate development. He hired architect Stephen Codman to design this commercial block, which was rented out to local businesses and professional offices. The building has been home to a hotel for a number of decades, with a major renovation undertaken beginning in 2000, 100 years after the building was constructed. Three floors were added to the top of the original six-story, which are Modernistic in design with large expanses of windows within three center bays that align with the bays of the original building and which are defined by brick piers. The hotel today, The Boxer Hotel, perfectly blends the history of the building with modernity and style. What a gem of a building!
Who doesn’t love a good flatiron building?! This charming three-story with Mansard roof building is located in the Bulfinch Triangle district of Boston. The triangular-shaped building was built around 1860 as an apothecary shop for Dr. Thomas Leighton Jenks (1829-1899), a doctor who was born in Conway, New Hampshire, but left for Boston while still a teenager. When the Mexican-American War broke out in 1846 he enlisted in the Navy, where he served for three years in the hospital ward of the frigate U.S.S. United States. Upon returning from the war, Jenks attended Harvard Medical School, and wrote his thesis on Syphilis. Dr. Jenks apprenticed in a building on this site under Dr. Samuel Trull. He likely redeveloped or modernized the 1850s building, adding the mansard roof by the 1860s. During the Civil War, Dr. Jenks served as a front line surgeon. After returning home, he grew tired of the medical profession, and got involved with local politics. He was elected as an alderman, Massachusetts state representative, and in later years he earned appointments as Chairman of the Boston Board of Police, and Chairman of the Board of Commissioners of Public Institutions. He tragically collapsed and died in 1899 at a Boston courthouse. As a tribute to his birthplace, Dr. Jenks made a provision in his will for the funds necessary to build a public library in Conway, New Hampshire, which is still in use today. Somehow, the old Dr. Jenks Apothecary Shop has survived all this time as the city grows and changes all around it. The building saw life later as a restaurant and offices.
Originally built in the 1870s, and largely remodeled in the early 1900s, this charming building has been known locally as “The Last Tenement” of the old West End of Boston. Once part of an unbroken a row of 30 brick tenements along the east side of Lowell Street, this building typified much of the West End of Boston, a vibrant and dynamic immigrant neighborhood. Dwarfed by larger, modern apartment towers and highway off-ramps, this stand-alone building is a survivor, and should really be preserved! Here is a little history on The Last Tenement that I found. The building was originally built as a three-story residence just after the Civil War by furniture dealer, George M. Rogers. The building was rented to four families in the 1880 census, showing the diversity of the region with 20 people residing in the building of Irish, English, and German-Jewish backgrounds. At the turn of the century, an elevated rail line was laid out down Lowell Street. After WWII, the neighborhood would see a terrible demise, that has been widely told. City leaders effectively considered the vibrant immigrant neighborhood a slum, and in an effort to redevelop it to bring back middle-class families (and their tax dollars) handed much of the neighborhood to developers to start over, with little more than lip service for the displaced. This building, now with an address of 42 Lomasney Way, was occupied for some time by “Skinny” Kazonis, a low-level Mafia associate of the Angiulo Brothers, which was a leading gang in the North End until the Winter Hill Gang decided to run rackets in the area. The property sold, and residential units have been rented and the building maintained, with the assistance of a billboard for additional income for the owner. The Last Tenement showcases the strength and resilience of the old West End and will hopefully remain as a reminder of the vibrant neighborhood that was razed and replaced with mediocrity.
William W. Potter, a shoe manufacturer and businessman, and his wife, Isabella Abbe Strickland Potter, lived in the Longwood section of Brookline and became active in the surround areas development in the last decades of the 19th century. William bought land off Kent Street and began to lay out house lots, becoming a developer overseeing construction of stately Queen Anne Victorian rental properties marketed to upper-middle-class residents. For this house on Francis Street, he commissioned architects George Rand and Bertram Taylor, who were known for producing stylish residential designs for the middle class in the Boston area. The massive property was a duplex, providing units to two lucky families! The building has just about every hallmark feature of the Queen Anne style including: the conical roof on a rounded corner bay, a complex roofline, asymmetrical plan, varied siding/materials, and applied ornamentation. In the 1920s, the house was owned by Simmons College, and used as a boarding house. Luckily, the property was restored and now is one of the finest residences in the neighborhood.
Orlando Hiram Alford (1840-1908) was an industrious and hardworking Vermonter who settled in the Boston area to make his wealth. He was a member of Bliss, Fabyan & Co., a large drygoods dealer, and would also become a director of the First National Bank, the City Trust Company, and the Franklin Savings Bank. In manufacturing, he serves the role of director of the Bates Manufacturing Company, the Merrimac River Towing Company, the Columbian Manufacturing Company, the Cordis Mills, and the Thorndike Company (among others). From his many positions and roles, he and his wife Ellen, were able to afford a house lot on Kent Street in the neighborhood between Longwood and Brookline Village. The Alford House, a stunning example of the Queen Anne style remained in family until after Ellen’s death in 1929, when it was purchased by the Boston Hospital for Women as a nurse’s residence. It was later used as apartments and was clad with vinyl siding, obscuring much of the original wood trim detailing. In the 2000s, later owners sought to demolish this house, which served as a rallying cry for neighborhood residents who understood the importance of the house and its context with surrounding lots. After the demolition delay process lapsed, they petitioned for a local district designation, effectively preserving the house for more generations to come! The Lawrence Local Historic District has since provided protection for houses in the area, but does not require a homeowner maintains or keeps up a property in a certain condition. Hopefully the Alford House will be restored soon!
Located next door to Ms. Matchett’s house on Chatham Street in the suburban Longwood neighborhood of Brookline, Massachusetts, you will find this very unique example of a Colonial Revival style single-family home. Built by 1901 for lawyer Edwin G. McInnis (sometime spelled McInnes) and his wife, Mabel, the house is high-style Colonial Revival with symmetrical facade, rustication, two-story Corinthian pilasters framing the bays, Palladian window, and Federal style entry with fanlight transom. No records of the architect could be located sadly.
Another of the early homes of the affluent Longwood subdivision of Brookline, Massachusetts is this painted brick house which dates to the 1850s. The house was developed by Amos A. Lawrence, who developed much of the neighborhood, renting out suburban houses to wealthy Boston-area residents. In 1866, Lawrence sold the property to Samuel S. Allen of Roxbury and it would change ownership a half-dozen times in the next century. The property was added onto and modernized a few times, notably during the ownership of Henry A. Christian, MD, the first Chief-of-Medicine at Peter Bent Brigham Hospital over the Muddy River in Boston. The streamlined late-Colonial Revival look with vestibule side entry, windows, and shallow hipped roof are all likely later alterations from the 1850s house.
Buildings of New England 