Lawrence School // 1929

The Lawrence School in Brookline, Massachusetts, is a stunning example of a public school building built in the interwar period in the Colonial Revival architectural style. Constructed in 1929, the building replaced an earlier, Stick/Queen Anne style school designed by the firm of Peabody & Stearns. The school is named after Amos A. Lawrence (1814-1886) a prominent local landowner in Brookline. When the earlier school building was outgrown and deemed obsolete, planning began for a new, modern school building for the community. The new Lawrence School was designed by R. Clipston Sturgis a notable local architect who specialized in the Colonial Revival style, and opened in September 1930. The handsome brick building is in the form of a long rectangular block with two perpendicular wings at each end. At the center of the main block is the principal entrance with its columned portico on a projecting pavilion all in cast stone, a cheaper alternative that resembles limestone.

Former Sharon Public Library // 1914

Built with funds donated by Andrew Carnegie as part of his push to expand access to libraries and books to millions of Americans, the former Sharon Public Library in Sharon, Massachusetts, stands as a great example of an early 20th century library built in the Colonial Revival style. Planning for a public library in the town of Sharon began in the 1870s when the town voted to appropriate money gained from charging dog licenses into a fund for a free public library. Additional funds were later added and a collection was set aside in the old Town Hall where the library occupied two rooms. By the 1910s, the circulation and use grew to a point that a new, purpose-built library was needed for the community, but funding was short and Sharon did not have any major benefactors to fund its library like so many other communities in New England at the time. As a result, an application is made to Andrew Carnegie for assistance. Months later, the sum of $10,000 was offered for the planning and construction of the library, costing the community nothing. Boston architect C. Howard Walker was selected to furnish plans for the Sharon Library, which was such a success that the building would be featured in numerous architectural publications after completion. The former Sharon Public Library remains one of a large number of Carnegie Libraries in New England and was subsequently expanded by rear additions in the late 20th century before a new library nearby was completed in 2025. It is not clear what will become of the 1914 library, but it remains in great condition and a lasting landmark on the town’s Main Street.

Former Fiske Public Library – Old Fiske Museum // 1896

The former Fiske Public Library building in Wrentham, Massachusetts, is an excellent example of a civic building in the Colonial Revival style. The building was funded and dedicated in the memory of the late Josiah Jones Fiske, a Wrentham-born lawyer and businessman, by his heirs. The family selected plans by Boston architect, William York Peters, who designed the building with a symmetrical facade with central projecting portico supported by Corinthian columns, and tall windows set within slightly recessed arches. The library was eventually outgrown, and instead of building an addition, the town decided to build a contemporary library elsewhere. Now, the former library is home to the Wrentham Historical Commission and the Wrentham Arts and Cultural Commission as the Old Fiske Museum, where the commissions feature local artifacts, art, and showcase the town’s ever-changing history and culture.

Warren Industrial Trust Company // 1906

This monumental Georgian Revival bank building on Main Street in Warren, Rhode Island, and is one of the finest buildings of the style in the entire state. The Warren Industrial Trust in 1906 hired Edmund R. Willson of the Providence architectural firm of Stone, Carpenter & Willson to design the bank for the town after it had absorbed the town’s multiple banks, under one roof. It would be one of his final commissions before his death. On the facade, four Corinthian columns support a dentilled pediment over the entrance with the red brick walls enlivened with arched windows, oversized keystones, and pilasters with contrasting capitals and bases. The building shows that Colonial Revival architecture, while often seen as a refined, classical style, can be festive and ornate.

Hall Memorial School, South Willington // 1922

Located in South Willington, Connecticut, this Colonial Revival style school building was built to serve the mill village pupils, many of whom were first- and second-generation Americans who immigrated to the area to work at the local mill. In his will, William Henry Hall (1867-1922), the son of industrialist Gardiner Hall Jr., who established the business under his name, donated funds to the community to erect a new, suitable school building for the village. Beyond his work at his family’s business, William H. Hall served in the Connecticut House of Representatives in 1893–1897 and again in 1905, 1909, and 1911, and he was generous with his money throughout his life and in his will. For the Hall Memorial School, his heirs selected architect, Harry L. Sprague of Springfield, Massachusetts, who designed the one-story school built of brick and limestone trim and a tall, pedimented portico at the entry supported by four tuscan columns. The school has seen additions, but it retains much of its architectural integrity in the over 100 years of use as a public school.

West Hill Place // 1916

West Hill Place is a small development in Beacon Hill that feels like it was transported to Boston from London! The group of 14 four-story brick townhouses that comprise West Hill Place were built on the site of a gas holder in 1916. The Georgian Revival style development was designed by the firm of Coolidge and Carlson, who aligned six of the townhomes to face west on the Charles River Embankment and arranged the remaining eight residences around a circular court. The development was inspired by Charles River Square, located to its south and built six years prior. The driveway extends off what is today Storrow Drive, with a second exit set within an arched passageway that connects through the Charles Street garage, which was built later. The dark brick with cast stone trim works elegantly with the curving facades facing the courtyard, many of which are adorned with arched doorways and the original iron lanterns. The development has been harmed by the creation of Storrow Drive in the 1950s, but it remains one of the most unique and picturesque enclaves in New England. 

Lancaster Town Hall // 1908

The Town Hall of Lancaster, Massachusetts, was built in 1908 and is one of four religious and civic buildings framing the village’s bucolic town green. The Town Hall was built opposite the Charles Bulfinch-designed First Church of Lancaster and replaced an earlier town hall building that was constructed in 1848. The building was largely funded as a gift from wealthy Lancaster-native, Nathaniel Thayer’s sons, following their late-father’s death. Boston architect, Alexander Wadsworth Longfellow, the nephew of poet Henry Wadsworth Longfellow, was hired to furnish plans for the building, which is Colonial Revival in style, a perfect compliment to the historic New England town.

Thayer Bird Museum // 1903

John Eliot Thayer (1862–1933) was an amateur ornithologist and member of the wealthy Thayer Family in Lancaster, Massachusetts. Due to his family’s business dealings, John Thayer was able to turn his passion, studying birds, into one of the largest collections of stuffed birds, eggs and nests for professionals all over the country to study. John began collecting and housed his collections were in several wooden buildings close to his home in Lancaster, but when these became unsafe and crowded he built this beautiful brick building in 1903 in South Lancaster opening it to the public as a museum a year later. The Boston architectural firm of Winslow & Bigelow designed the Colonial Revival style building, with the Guastavino Fireproof Construction Company providing plans for interior spaces and likely engineering inside. Many of the leading ornithologists of the time visited the Thayer Museum and it was estimated that more than ten thousand visitors came to the museum in the first six years.  In 1974, the building was sold to the now defunct Atlantic Union College and reopened as the Mabel Bartlett Art Gallery. Much of the Thayer collection was donated to the Museum of Comparative Zoology at Mr. Thayer’s alma mater, Harvard University. Since the Atlantic Union College closed in 2018, this important building has been closed, hopefully to see reuse in the eventual redevelopment of the campus.

Fullerton Inn // 1921

The Fullerton Inn, overlooking the Town Common in Chester, Vermont, is an imposing Colonial Revival style hotel that has been in operation through many iterations, and contributes to the strong commercial character of the Chester Village streetscape. The inn was first developed here following the arrival of the railroad to Chester, which brought new business and travellers to the formerly agrarian and light industrial community. The original 1862 inn building, known as the Ingraham House, was destroyed following a large fire in the village, and its replacement burned as well in January 1920. Within a year, the present building was built from the ashes in a style typical of the early 20th century, Colonial Revival. Dominated by the large slate-shingled gambrel roof and projecting front veranda, the building’s most iconic feature is said to be inside, a fireplace inside the lobby which contains 27 stone varieties from the area.

Frederic C. Adams Library // 1898

Built in 1898 in the heart of Kingston’s village center, the Frederic C. Adams Library was designed by renowned architect Joseph Everett Chandler and is one of the finest Colonial Revival style libraries in New England. Chandler, famed for his dedication to historic forms, created a one-and-a-half-story masonry gem, complete with a gabled roof, dentilled cornice, and a grand four-column Corinthian portico at the entry. The building’s story began with a bequest from Frederic  C. Adams, a Kingston native whose $5,000 gift in 1874 helped break ground on a dedicated library. Its elegant Colonial Revival look recessed panel windows, stone keystones, and symbolic half-round arches, echoes America’s early architectural traditions with a refined late‑19th‑century flourish. The library was eventually outgrown, and relocated across the street, to a contemporary building. After an award‑winning restoration, the building reopened in 2012 as the Adams Center, now housing Kingston’s Local History Collections in a climate‑controlled room and hosting community events upstairs. The Contemporary addition, paired with the restoration work all by Spencer Preservation Group, blends old with new in a pleasing way.