Greek Revival

Lavalette Perrin House // c.1844

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The perfect whimsical blending of the Classical Greek Revival and the intricate details of the Carpenter Gothic styles can be found under one roof in Goshen, Connecticut; this is the Lavalette Perrin House. Built c.1844 for Lavalette Perrin (1816-1889), who graduated from Yale in 1840, and became licensed to preach in 1843. Reverend Perrin was in his late 20s when he accepted the call to become the pastor of Goshen’s Congregational Church in 1843. Upon arriving to town, he had this residence built soon after, blending two differing styles in a blissful composition. Perrin remained in Goshen until he was called to New Britain in 1858, where he remained until his death. Unique architectural features of the home include the flushboard siding, pilaster-and-lintel framed doors and windows (very rare in this form), and wave-like bargeboards. What a special home!

Israel Snow House // c.1850

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The Israel Snow House stands at 9 Water Street in the South End of Rockland, Maine, and it is one of the region’s finest examples of late Greek Revival architecture. The residence was built for Captain Israel Snow (1801-1875), a mariner and captain of several vessels, including the schooner Maria (1829), the brig Snow (1835-36), the brig Lucy Ann (1842), and the Barque Star (1848). In 1850, he and his wife Lucy moved from Thomaston to Rockland, and he would build this stately mansion where they raised seven children. Some records put the construction of this house at 1861, but that seems very late for such an example of this style. In 1863, he founded Snow’s Point Shipyard on Mechanic Street in the South End. Rockland was the fourth largest seaport in the United States in terms of production and commerce at the time, and Snow’s shipyard was a large part of that production. This residence is now offices to the U.S. Fish and Wildlife Service’s Maine Coastal Islands National Wildlife Refuge Complex.

Overlook Mansion // 1842

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In about 1842, a Salem merchant, Joseph Adams, built this stately Greek Revival style mansion on Pine Street in Danvers, Massachusetts. Named “Overlook”, the house is a simplified adaptation of the temple-front form with three columns supporting an entablature and closed pediment above. Joseph Adams was an instrumental force who brought an Episcopal church to Danvers, bankrolling the new building there himself. By 1862, the house was owned by Milton P. Braman (1799-1882), who had just retired as pastor for the First Church of Danvers. Of particular note, when news reached Danvers of the assassination of President Lincoln, a gang of men there captured two men who had said unkind words of the late president, and tar and feathered them. A number of the mob were said to have planned to also go to Rev. Braman’s house here to do the same to him, as he was said to have been a “copperhead” a democrat who opposed the American Civil War and wanted an immediate peace settlement with the Confederates. Reverend Braman got wind of the plans of the local mob and had men stationed in the windows with shotguns, with the order to shoot anyone who entered the property. Luckily for all involved, the mob never showed. He would later move to Brookline and Newton. Overlook remains a significant country estate and very well-preserved by the owners.

Adams Hall // c.1828

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According to local histories, this significant Greek Revival style property on Elm Street in Georgetown, Massachusetts, was owned by Josiah Adams (1757-1852), a farmer, a Revolutionary War veteran, and a fourth-generation descendant of the immigrant Robert Adams, who arrived here from Devonshire, England by about 1629. In March 1849, the town’s Congregational Society purchased Adams Hall for eight hundred dollars to house the church vestry, which remained in the building for forty-one months until a new building was built for that purpose next door. Later, Adams Hall was owned by Moses Tenney (1808-1903), operator of a prosperous saw mill in Georgetown, and served at one time in the state senate. The structure retains its significant temple-front with four, two-story Doric columns supporting the portico. Also special on this residence is the use of flush-board siding and the oversized first floor windows.

New Gloucester Universalist Meeting House // 1839

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Constructed in 1839 by local carpenter/builder Jeremiah Cotton, the Universalist Meeting House of New Gloucester, Maine, is a dignified example of the Greek Revival style in a rural context. The First Universalist Society of Christians in New Gloucester was organized in 1805 with members drawn from nearby communities including those of Gray and Poland. In 1830, the congregation reorganized itself into the First Universalist Society of New Gloucester and Pownal. During its early history services were apparently held at various places in the community for it was not until November of 1838 that a meeting was called “…to take such measures for Building a meeting house as a majority of Subscribers or proprietors may think proper.” After World War I, membership began to decline and from the 1930s until the society’s demise in 1957 services were infrequently held. In 1969 the property was acquired by the New Gloucester Historical Society, who maintained and restored the building. The flushboard siding, fully pedimented gable, pilasters, and symmetrical façade containing two entry doors, all work together to display the Greek Revival style in a high-style example, but in a rural setting. The building appears to be opened periodically by the Historical Society.

Boothbay Harbor Memorial Library // 1923

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In 1906, the citizens of Boothbay Harbor voted to establish a free public library for all to enjoy. In 1923, the need for more library space, along with a desire for a World War I Memorial, led to the approval of a bond for the purchase of a 1842 Greek Revival style house on Oak Street. The building was remodelled for use as a library by the Boston architect William Stanley Parker, and was enlarged in 1966 to a design by Parker’s son, Stanley Jr. The temple-front, Neo-Classical entry was added at this time and harkens back to the original classical style Greek Revival home, while clearly showing a grander scale seen in the 20th century.

Former Boston & Maine Railroad Station // c.1845-1893

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Photo courtesy of City of Boston Archives

The Boston & Maine Railroad opened in 1845, and over the years, became the dominant railroad in northern New England with many of its lines terminating at this station for a half-century until the original Union/North Station was built in 1893 consolidating many of these northbound lines under one roof. The Boston & Maine Station was located in Haymarket Square, southeast of the present North Station and the building was a landmark in the Greek Revival style. The brick building with monumental pilasters and pediment at the facade commanded the heavily trafficked site until it was demolished in 1893 when the lines relocated to the newly built Union Station on Causeway Street. The architect for the station was Richard Bond.

Harris and Sabin Sayles Mansion // c.1845

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Located in the Dayville section of Killingly, Connecticut, you can find a row of large mansions built for mill owners and managers from the 19th century. This house dates to the 1840s and by the 1860s, was owned by Harris Sayles (1817-1893) and his brother, Sabin L. Sayles (1827-1891) who together, co-owned and operated a large woolen mill in the town (featured previously). It is not clear if the Sayles brothers lived in the home, but they likely rented it to higher-level employees at the mill as they both had other homes in town. The two-and-a-half story mansion is a great example of the Greek Revival style in the town, with the side gable roof extending over the full-height portico with doric columns. The mansion was built across the street from the village church, also in the same style, but that building was demolished by 2011.

Darius Knight House // c.1830

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Another of the stunning early 19th century homes in the charming town of Chaplin, Connecticut is this transitional Federal/Greek Revival home built around 1830. The house appears to have been built for Darius Knight (1792-1882), a Deacon at the nearby Congregational Church. Of an interesting note, the Knight House is located across the street from the E. W. Day House, thus the intersection was colloquially known as the Knight and Day Corner. The house’s gable-end form with gable reading like a pediment supported by corner pilasters are all clearly Greek Revival style, but the fan lights in said gable and as a transom window are holdouts of the tried-and-true Federal style which dominated up until that point. What a great house!

Ivy Glenn Memorial Hall // 1847

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Methodists established a small congregation in Eastford, Connecticut by 1826, and by 1831, a new meeting house was built in the center of the village. The meeting house was used jointly by Methodists and Universalists, each having the right to occupy it half the time. By 1847, Methodists here were able to erect their own church, this building, in the Greek Revival style. Originally, the building had two doors on either side of a center window in the façade. There was a steeple and, rare in those days, a pipe organ in the sanctuary.  In 1916, the church joined with the nearby Congregational church, requiring them to sell the building ten years later. The town of Eastford bought the structure for $200 in 1926 for use as a town hall. In 1934, the Civil Works Administration provided funds to renovate the building with the town library being installed in a portion of the basement along with town offices and a vault. Town meetings were held in the former sanctuary space upstairs. When the space was outgrown for town offices, a new building was constructed elsewhere and this building transitioned to solely library use. The renovation project was paid for by money bequeathed by Wilmer Glenn, a New York stockbroker who spent summers town. He donated funds in memory of his late wife, Ivy.  The present-day name of the building came to be the Ivy Glenn Memorial and the library moved into its new spacious home in 1972.

Littlefield-Van Zandt House // 1836

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In the late 1830s, Captain Augustus Littlefield (1803-1878) purchased a house lot on Pelham Street in Newport, Rhode Island and commissioned housewright John Ladd to design and build his new residence. Littlefield reportedly asked his Ladd to design an “authentic copy of an Italian Villa” he had seen during a trip in southern Italy. The result is a more traditional Greek Revival, temple-front house with a portico supported by four monumental columns with capitals that combine Corinthian and Egyptian lotus motifs. The minimal Italian Villa detail can be seen in the bracketed cornice and in the pediment. Built around 1836, the house remained in Littlefield’s possession until his death in 1878. The property was purchased by Charles C. Van Zandt, attorney and later the 34th Governor of Rhode Island. Gov. Van Zandt died in 1894 and was interred at Island Cemetery in Newport. The Littlefield-Van Zandt House remains a significant early, high-style Greek Revival house in the state and one with a great state of preservation.

Levi Starbuck House // 1838

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One of the more unique Greek Revival style houses I have yet seen in New England is the Levi Starbuck House on Orange Street on Nantucket. The house was built in 1838 by housewright William M. Andrews who sold the completed property that year to Levi Starbuck, a wealthy sea captain for $5,000. When he bought the house, Levi Starbuck (1769-1849) was 69-years-old. Levi Starbuck is credited by some as inspiration for the character Starbuck in “Moby Dick.” He would spend the last ten years of his life in this opulent new house on Orange Street. Architecturally, the house is clad with flush siding with projecting paneled pilasters with fret patterns on the top and bottom breaking up the bays of the house.

Robinson Homestead // c.1835

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Located in the Head of Tide village of Alna Maine, this large Greek Revival was once the home of prolific poet, Edwin Arlington Robinson. The home was built around 1835, likely by Edwin’s grandfather, Edward Robinson. The home was inherited by Edward’s second-born son, Edward Jr. Edward Jr. and his wife, Mary Elizabeth Palmer had two sons before their third pregnancy. Their third child was Edwin, but his parents did not name him until he was six months old, as it was said that they wished for a daughter. On a vacation, other vacationers decided that their six-month-old son should have a name, and selected the name “Edwin” from a hat containing a random set of boy’s names. The man who drew the name was from Arlington, Massachusetts, so “Arlington” was used for his middle name. Edwin described his childhood as “stark and unhappy” and his young adult years were plagued with tragedy with the death of a brother from a drug overdose and with his older brother marrying the woman that he was in love with. He would defy the odds and was accepted to Harvard. He became engaged in writing, specifically poetry, with his early struggles leading many of his poems to have a dark pessimism and his stories to deal with “an American dream gone awry.” He would go on to be awarded the Pulitzer Prize in Poetry three times in the 1920s. While he would likely not want to ever see this house again, it is significant both architecturally and as the home in his formative years in Alna.

Amos Chase House and Mill // 1836

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The Amos Chase House and Mill are located in Weare, New Hampshire, on the banks of the Piscataquog River. The house is oriented facing the road, while the mill is behind it, on the bank of the river. The mill is the only surviving 19th-century mill building in Weare. The house was built about 1836 by Amos Chase, as was a mill. That mill burned in 1844; the present mill was built by Chase as a replacement a few years later. This mill was the only one in the town to survive the New England Hurricane of 1938, although its waterwheel was washed away. Amos Chase was a tool manufacturer and one of several members of a locally prominent family operating small mills in the town. His son later used the mill in the manufacture of baskets. The large Greek Revival style home has all the hallmarks of the style, from the pediment facing the street, to the pilasters at the entrance and corners.

Elisha T. Loring House // c.1840

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Elisha T. Loring (1804-1889) was born on Cape Cod and began his career in the Chilean tin and copper trades, moving to Boston in 1839. His house at 21 Mill Street in Dorchester’s Harrison Square neighborhood was built in the early 1840s, showcasing his wealth and stature in the community. Based out of this house, Loring made a large fortune in the Lake Superior mines, also known as the Calumet and Hecla mines. By 1862 he was the treasurer to the Pewabic and Franklin Mining Companies, and a decade later is listed as “President, National Dock Company.” Loring’s Dorchester mansion is Greek Revival in style and consists of a three bay by three bay main block and a substantial rear ell. The house’s original clapboards were replaced by wood shingles sometime in the 20th century. The main elevation’s pedimented center pavilion exhibits a small front porch whose Ionic columns support a heavy, cornice-headed entablature. The porch’s roof is set off by an ornate cast iron railing. The side elevation is unusually wide and culminates in broad pedimented attics containing elliptical lunette windows.