Thomas Jones of Lancaster married Mary Tweed of Lunenburg, Massachusetts, in June 1834 and immediately began building this house on Main Street in Lancaster for his new family. The Greek Revival style house is a refined example of brick with six-over-six sash double-hung windows and a Classical entry portico supported by Doric columns. The house was later owned by Sewell T. Rugg (1821-1892), a blacksmith who had a shop nearby.
The oldest residence in the North Village of Lancaster, Massachusetts, the John Bennett House dates to 1717 and evokes the old Colonial days of New England towns. John Bennett settled in Lancaster and built this large First Period house for his family and operated it as a tavern to weary travellers passing through town along the main turnpike. After Bennett’s death, local legend identifies that the property was a stopping place on the Underground Railroad for runaway slaves escaping to Canada. This, however, has never been substantiated. From 1872 to 1874, the house was occupied by the first Adventist missionary, John Nevins Andrews, co-founder of the Seventh-day Adventist Church. The house is well-preserved and remains as one of the oldest in Lancaster and an important landmark of the early days of the community.
Just outside of the village center of Lancaster, Massachusetts, this Georgian style house stands out as one of the town’s finest Colonial residences. The residence was built for John Sprague (1740-1800), who settled in Lancaster and was one of only three lawyers in the county following the departure of his Tory colleagues during the Revolution. Sprague represented Lancaster in the General Court beginning in 1782 and occasionally sat in the Senate. He was first appointed judge in 1784 and in 1798 became chief justice of the Court of Common Pleas for Worcester County. He was active in Shays’ Rebellion, and later, along with John Hancock and Samuel Adams, was one of the antifederalists who converted and helped ratify the U.S. Constitution. Sprague moved to a new house in 1785, and sold this property to Daniel Waldo (1724-1808), a wealthy Boston merchant who started America’s longest-running hardware store, in Worcester (Elwood Adams). Waldo was a great-great-grandson of Anne Hutchinson, America’s first major female religious leader/dissenter. The house has had many other notable owners, all of whom have preserved this stunning five-bay colonial house for nearly 250 years.
The Thayer Family is one of the most prominent and well-connected families of New England, and that stature comes with handsome estates. Nathaniel Thayer (1801-1883) was born in Lancaster as the son of Reverend Nathaniel Thayer (1769–1840), a Unitarian congregational minister. Nathaniel Thayer Jr. made his fortune in businesses and held deep ties to his hometown, despite spending most of his time in Boston. He took down the original Thayer home on this site and developed the estate in the 1850s. After his death, the property was inherited by his son, Nathaniel Thayer III (1851-1911), and the house was enlarged and remodeled in the Georgian Revival style in 1902 by the architect and interior designer Ogden Codman Jr. The mansion served as a summer home to Nathaniel, who too spent much of his time in Boston. After his death, the 46-room mansion was sold out of the Thayer family with many of its furnishings sold at auction. The Nathaniel Thayer Mansion house was sold to Atlantic Union College in 1943 at a cost of $12,500. It was used as the school’s administration building between 1945 and 1951, and then as a dormitory until about 1970. From 1973 to present-day, the estate has been home to Thayer Conservatory, Center for Music and the Arts, who do a great job at preserving this significant landmark.
This stately Federal period mansion in Lancaster, Massachusetts, was originally constructed as a Georgian, two-story, five-bay house for Levi Willard (1727-1775), the son of a major landholder and descendant of one of the earliest settlers in the town. The residence is said to have been built by Levi’s cousin, Aaron Willard around 1760. Sometime after Levi’s death in 1775, the property was acquired by William Stedman (1765-1831), a notable attorney who served as town clerk of Lancaster 1795-1800, later becoming a member of the Massachusetts House of Representatives from 1802-1810. It was during Representative Stedman’s ownership that the house was remodelled into the fashionable Federal style appearance we see today, with the third floor added with shallow hip roof and classical entrance with pilasters and fanlight. In the mid-19th century, the house was operated as different boarding schools, though more information is needed. Today, the residence has been preserved and maintained as a single-family home, contributing to the charming Lancaster Center Village.
This stately temple-front Greek Revival style house in Lancaster, Massachusetts, faces southward and when originally built, had sweeping views of fields and the Nashua River which abuts the property. The residence was built in 1831 for Joseph Andrews (1806-1873), a renowned 19th century artist who engraved portraits and landscapes, and was also an elder in the local Swedenborgian Church when it still met at residences. The Andrews House was likely a wedding gift to his wife, Thomazine Minot of Brookline, when they married. Tragically, Thomazine died just years later in 1834 at the age of 22. Joseph Andrews remarried soon after and would later move to Waltham. The house, which is listed on the National Register of Historic Places, features a full-length projecting porch with pediment supported by four, two-story fluted Ionic columns and a flush-board facade.
On Main Street in the central village of Lancaster, Massachusetts, the Solon Wilder House stands as one of the town’s finest Victorian-era residences. The house dates to 1883 and was built for Solon Wilder (1828-1889) and his wife, Olive. Mr. Wilder ran a store and served as town treasurer, doing well enough financially to build this handsome, and modern house and rear stable for the time. The Stick style house features a porch with cut woodwork, decorative trusses in gables, and wooden wall cladding interrupted by “stickwork” patterns raised from the wall surface that is meant to symbolize the structural skeleton of the home.