This vernacular, Federal period house on Union Street in Deep River, Connecticut, was built around 1825 for (and likely by) John Gladding. John worked in town as a joiner, a historic carpenter/woodworker, who either built houses or ships in the nearby Connecticut River. The Gladding House was likely originally built as a half cape, with a side hall entry and the two window bays to its left. As the family grew, the house was probably added onto to the right of the entry with the irregularly spaced bays. Houses like these that modestly grow and adapt to modernizations over time are what makes many New England villages great.
Samuel H. Mann (1801-1838), a lawyer, acquired the Dr. Ebenezer Ames House on Cochituate Road in 1829, only a month before his marriage to Isabella Ross. At about that time, Mann built this small law office across the road from his home, where he would practice law. It is not clear why, but within a year, Mann sold the house and this law office to Judge Edward Mellen (1802-1875), who was appointed Chief Justice of the Massachusetts Court of Common Pleas in 1855 and practiced law in Wayland until his death in 1875. After his death, the law office sat largely vacant until during World War II, when a newsletter to soldiers, The Village Bugle, was published here. After this, a couple of businesses used the former law office in the 1950s and 1960s until the owner donated the lot to the Town of Wayland in 1971. The diminutive building is a charming, and well-preserved example of a vernacular, Federal period professional office building that mimics the form and materials of the Ames House to which it was long affiliated with.
Built on a hill on Concord Road in Wayland, Massachusetts, the Reeves-Goodell House is a beautiful vernacular Federal period residence owned and occupied by a local builder and architect. The house was constructed by Henry Reeves (1789-1878), a local carpenter and descendant of Jacob Reeves (1720-1794) a tavern-keeper in town. In the 1920s, this property became the home of Edwin B. Goodell, Jr. (1893-1971), a prominent local architect who designed area houses before becoming a partner in the firm Andrews, Jones, Biscoe and Goodell of Boston. It was Goodell who added on the rear, three-bay addition to the residence, which blends in with the 1810s aesthetic. Interestingly, Edwin Goodell lived in this historic, vernacular house but designed some of the earliest International style modernist homes in New England.
This exceptional vernacular example of a brick, Federal period house in Bolton, Massachusetts, sits on the town’s Main Street in the East Bolton village. Built in 1827, this house with attached wooden ell was the home to Abraham Wilder, a local blacksmith who followed his father’s footsteps in his professional pursuits. The house is two-stories with historic six-over-nine sash windows. The main center entry, rather than displaying a common elliptical fanlight for the period, is surrounded by trim boards, four-pane sidelights and a vertical-board door. Abraham’s blacksmith shop was once located next-door but was moved and reassembled in Old Sturbridge Village in 1957.
The Stone Village of Chester, Vermont, is said to be the largest collection of stone buildings in the state. Built around 1839, the Mason C. Richardson House is one of a few dozen “snecked ashlar” buildings in the region, where rubblestone is laid up with mortar using small long stones called “snecks” to tie an outer and an inner wall together. The construction method is said to have been brought to the area by masons from Scotland and Ireland which is known there as ‘Celtic Bond’. Oral tradition state that Scottish masons from Canada introduced the technique to local masons while erecting a mill in nearby Cavendish in 1832. Local Chester resident, Dr. Ptolemy Edson became such a fan of the building that in 1834, he had his home, the first stone building in Chester, built in this method. He then would influence the rest of the North Village of Chester, where many of his neighbors, as well as the church and schoolhouse, built their structures in snecked ashlar. Designed in the Federal style, the Richardson House is a vernacular, five-bay, two-story residence with central entrance and arched fanlight transom over the front door. Mason Richardson (1811-1881) was a merchant who lived here with his family while operating a store nearby.
One-room schoolhouses like this example in the Simonsville area of Andover, Vermont, have been commonplace throughout rural portions of New England where children of most ages would share the classroom and be taught everything from basic spelling to math. The Simonsville schoolhouse was built in 1856 and is a typical example of a vernacular one-room schoolhouse in rural New England, with no frills or ornament, just a house of learning. The Simonsville Schoolhouse was converted to a residence sometime in the latter half of the 20th century and has been renovated, keeping the basic form and interior floorboards from the 1850s. The school-turned-home is currently (2025) listed for sale.
The Pierce-Guild House at 53 Transit Street in the Fox Point neighborhood of Providence, Rhode Island, is one of the most iconic and photographed residences in the state. Known as a “lightning splitter”, the unique name is taken from local folklore that the sharp angle of the gable roof will deflect or split lightning if struck. Whether or not this superstition is true, the unique house form numbers to less than a dozen in Rhode Island. This house, arguably the most well-known for its location off Benefit Street, was originally built in 1781 as a modest 1-1/2-story cottage with a gambrel roof for Daniel Pierce (Pearce), a tailor. In 1844, the property was sold to George Guild, a grocer, who modernized the house by creating the massive gable roof to provide a narrow third floor, which was illuminated by the end windows and a diminutive dormer at the roof. The house retains much of its character, after a restoration by owners in the mid-late 20th century.
The Kingston Powder House is located at 16 Green Street adjacent to the historic Faunce Schoolhouse in Kingston, Massachusetts. The astylistic, 10-foot-square wooden building may seem like a generic structure, but it is significant as a rare, intact example of wooden powder house, and one of only four extant in New England (there are more numerous examples of brick or stone powder houses). The Kingston Powder House was constructed in 1806 to store gunpowder and shot for the town militia. It was likely constructed on footings or directly on the ground, making it relatively easy to move, possibly to keep it away from the growing town in case of explosion. The Powder House has been moved several times in its lifetime and has been settled here in the town center and is awaiting a restoration using Community Preservation Act grants. I can’t wait to see this building preserved!
The Corbett House is a charming Federal-period house in Westborough, Massachusetts, and was the birthplace of Henry W. Corbett, an important figure who helped develop Portland, Oregon in the 19th century. This house was built around 1789, the year that Henry’s parents, Elijah and Malinda Corbett, married. The property was farmed for years until Elijah Corbett began an axe manufacturing company here, becoming the first edge-tool manufacturer in Westborough. The rear ell was likely added in 1815 for this purpose. Elijah retired and the family sold the property in 1831 to Lawson Harrington, who continued the business until around the time of the Civil War. The Corbett family settled in New York, where Henry would engage in business. By the mid-19th century, westward expansion and opportunity took hold, and the Oregon Territory became a U.S. territory, leading Henry to establish business there, followed by many of his siblings. Corbett set sail from New York on the long voyage through the Straits of Magellan around Cape Horn up the Pacific Coast to Portland with $25,000 worth of goods to establish business in this new territory. Henry would become City Treasurer of Portland, member of the city council and chairman of the Republican Oregon State central committee. In 1867, he was elected as a Republican to the United States Senate, serving until 1873. Who would have guessed that this house in Westborough would have connections to the growth of Portland, Oregon!?
The Stonington Opera House in Stonington, Maine, is a historic early 20th century community center and theater in a vernacular style. The theater was built in 1912, on the site of an earlier hall built in 1886, that seated more than 1,000 people and hosted national touring shows that arrive via steamboat from Rockland. The original theater was destroyed by fire in 1910 and was soon-after rebuilt. It continued the practice of the earlier facility, hosting theatrical productions, lectures, and community events. Its floor was covered with removable folding chairs, so that the space could be used for dances and other social events. It was fitted for screening films around 1918, which came to dominate its uses in the mid-20th century. Unlike other early theaters, which were generally incorporated into municipal buildings, this one was specifically built as a profit-making venture, and was designed to accommodate elaborate theatrical productions, and is probably the oldest of this type in the state. After being vacated for much of the later half of the 20th century, the Stonington Opera House was restored and reopened by Opera House Arts, a local nonprofit, in 2000, and is once again used primarily for film screenings and theatrical productions.
Buildings of New England 