Victorian Gothic

Porphyry Hall // 1880

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The Jacob E. Spring Mansion, also known as Porphyry Hall, is a high-style estate house located in Danvers, Massachusetts, that is one of the finest and most unique in the state! The house was built in 1880 for Jacob Evans Spring (1825-1905), who was born in Brownfield, Maine, and at the age of twenty, he went to Argentina and amassed a fortune in the wool business in Buenos Aires between 1845 and 1865, when he returned to the United States. Jacob and his wife, Sara Duffy, would purchase a large farm in Danvers and began planning for their family country home. Their residence was built on a high hill over two years and constructed of over 40 types of stones of irregular size and color with door and window sills of Nova Scotia freestone with arches of the doors and windows and corners of brick. The mansion was designed by architect George M. Harding of Boston, and built by several skilled masons over many months. Mr. Spring named his estate, “Porphyry Hall” with Porphyry meaning an igneous rock with large crystals in a fine-grained matrix; suitable for the walls of their mansion. The Spring’s lived lavishly at this home and spent nearly all of their fortune, selling the property after just ten years to the Xaverian Brothers, who opened it as Saint John’s Normal College. In 1907, the compound was re-organized as a Catholic boys prep school. In 1915, a chapel was added to the rear of the building, constructed from gray fieldstone to blend with the main house. Have you ever seen a building like this?

First Congregational Church of Georgetown // 1874

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The First Congregational Church of Georgetown, Massachusetts, is significant both architecturally as a Victorian Gothic/Stick style church designed by a prominent architectural firm, and historically as an important gathering place for the town’s members for 150 years. The congregation however is much older than 1874, as when Georgetown was then a part of Rowley, Massachusetts, members here in 1731 petitioned to create their own parish in Rowley to travel a shorter distance to services. The church, then known as the Second Church of Christ in Rowley, was organized in 1732 with services held in a rustic Meeting House. A second meetinghouse was built in 1769, which was both outgrown and in much need of repairs by the time the congregation decided to build a new building on a new site in the new commercial center of town. The congregation hired the esteemed firm of Peabody & Stearns to design the church which today, is the most high-style and architecturally grand building in the suburban town.

New Ipswich Congregational Church // 1903

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The New Ipswich Congregational Church was built in 1903, replacing the former 1813 Meeting House on the site, the fourth in the town, which stood here until a fire caused by lightning destroyed it in 1902. Interestingly, the design is more Victorian than Colonial Revival, which makes this church stand out amongst the village dominated by Georgian, Federal and Greek Revival style residences. The present building blends the Shingle style with Gothic elements with the tracery at the belfry and lancet windows. The architects were Gay & Proctor of Massachusetts who created a statement building with iconic tower that has been well-preserved by the congregation ever since.

Rosevale // 1876

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“Rosevale” was built in 1876 as a summer residence in Newport, Rhode Island, for couple, Grace Sears Rives and William Cabell Rives. Grace was the daughter of David Sears of Boston, who developed the Longwood neighborhood of Brookline; and William was the son of William C. Rives Sr., a Virginia congressman and Senator. The High Victorian Gothic mansion was designed by the Boston architectural firm of Peabody & Stearns who formed their practice just years earlier. The house was enlarged in 1881 by architect George Champlin Mason, Sr. The stonework of the lancet windows, the large octagonal tower, and the carved moldings give the relatively boxy home a more ecclesiastical feeling. The estate retains its original siting, at the middle of a large lot between Red Cross and Rhode Island avenues, which has thus far resisted infill housing on the estate. For years, Rosevale has been occupied as a funeral home, but it appears to have sold a couple years ago.

United Church of Norwood // 1886

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Located across from the church-like Norwood Town Hall, the United Church of Norwood is a landmark example of the Victorian Gothic architecture style and an important historical landmark for the town. The cornerstone of this present church was laid in 1885 and was completed and consecrated by December of 1886. Boston architect J. Williams Beal, got his start at the firm of McKim, Mead & White, designed the church here for the local Universalists, who lost their previous church to fire in 1884. In 1934, the town’s Universalist and Methodist congregations merged and they joined together in this, as a Union Church. Built of Milford granite and pressed brick, the United Church of Norwood features a side chapel and clock in its steeple which are unique and add charm to the historic church.

Dutch Arms Chapel // 1875

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Tucked away on a side street in Saugerties, New York, this Victorian Gothic chapel has recently been given a new life for the arts. The chapel was constructed in 1875 as part of the Reformed Church of Saugerties (1852), designed by famed architect James Renwick, Jr., the architect of St. Patrick’s Cathedral in Manhattan and the Smithsonian in D.C. The architect of the chapel is not clear, but it retains similar detailing and materials to the main church. The structure was used for smaller religious meetings and a sunday school for decades until it eventually closed. The chapel was recently acquired by Isabel Soffer and Danny Melnick, co-founders of Hudson Valley Live, and has been restored and transformed into The Local: a year-round, multi-arts venue, breathing new life to the building and culture to the artistic town.

St. Alban’s Episcopal Church // 1891

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Tucked away off Broad Street in the Danielson village of Killingly, Connecticut, you will find this charming and eclectic church building, long-occupied by the St. Alban´s Episcopal Church. Episcopalians began congregating in the town in the 1860s, and it would be in 1865, when an old academy building on this site was acquired and converted for use as an Episcopal church. By 1891, the relative prosperity of members of the church made it so a new church building was to be built on the site. Worcester-based architect Stephen C. Earle was hired to furnish plans for the new edifice which is eclectic with Victorian Gothic and Shingle style elements. The congregation appears to have either disbanded or merged with a nearby church as the building does not appear to be occupied. 

St. James Catholic Church, Danielson // 1870

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The St. James Catholic Church in Danielson, Connecticut, is an imposing and architecturally ornate example of a church built in the Victorian Gothic style. Catholics in town had their first Mass conducted by Rev. Michael McCabe, a Franciscan friar from Ireland, and the first service was held in a private home. They met in different halls until 1864 when they purchased the old Second Advent Chapel on Winter street and it became the first St. James Church. The congregation, largely of working-class Irish immigrants, eventually was able to afford a new church, this large brick structure, built in the form of a cross. A parish hall and school were also built next door and the campus serves as an important piece of the town´s immigrant and working-class history. 

Killingly Town Hall // 1876

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The economic center of the town of Killingly, Connecticut is the village of Danielson, which is located at the confluence of the Quinebaug and Five Mile rivers. The area developed as an industrial village and prospered as the town’s center through the late 19th and early 20th centuries. The present-day town hall building was originally constructed in 1876, not as a civic building, but as a multi-purpose music hall and G.A.R. Hall. The Victorian/Ruskinian Gothic style building was constructed of brick with stone trim. The building was later acquired by the town in 1906 and has served as the town offices ever since. Besides the unfortunate replacement windows, the building is well-preserved by the town.

Streeter Cottage // 1882

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In 1881, Gilbert Streeter and his wife Rebecca purchased a small house lot in the Salem Willows for a summer cottage for them to retreat across town to during the warmer months. Gilbert Streeter was an amateur historian, businessman, publisher of the Salem Observer and was able to afford a second residence in his hometown. The Streeter cottage was built by 1882 and stands out not only for its excellent state of preservation, but for its unique architecture. The cross-gabled form cottage is covered in board-and-batten siding with bargeboards lining the eaves.