Victorian Gothic

Riverside Methodist Church, Porter // 1883

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The focal point of the riverside village of Kezar Falls in Porter, Maine, is this large frame church building with prominent siting and grand proportions. This is the Riverside Methodist Church, built in 1883 in the Stick/Eastlake style by Portland architect Charles H. Kimball. The first Methodist services held in the town of Porter were in 1833, when a church was formed in the small town. Soon after 1839, a gable-roofed meetinghouse with tall lancet windows was erected near where the present church stands. The original church still stands, but in a much-altered form and was used as a local fire station. The church remains owned by local Methodists and is well-preserved.

Highgate Springs Union Church // 1877

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Rural parts of Vermont always surprises me with amazing old buildings. This white wood-frame church is known as the Highgate Springs Union Church, an 1877 edifice which effortlessly blends Victorian Gothic and Stick style details. The building became the village’s union church, providing a worship space for members of all denominations who on their own, could not afford the cost of building and maintaining a building. The small congregations eventually moved out and the church appears to now be largely unused beyond small events or weddings/funerals. I am glad to see it is kept up well at least!

Haven Avenue Cottages // c.1877

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When Andrews Point in northern Rockport, Massachusetts, was opened for development by speculators Eben B. Phillips and George Babson, they envisioned the colony, “Ocean View” as a rival to other nearby summer colonies of Beverly Farms, Gloucester, and Magnolia. Roads were laid out and house lots were plotted with larger lots for big summer cottages along the coast and smaller cottage lots at the interior of the development. The rocky coast and more limited access compared to its rivals, caused Ocean View to lack in sales, but there are still some great remaining cottages to be found here. These two early cottages are great surviving examples of the modest, middle-class homes for summer residents. These two charming Victorian cottages sit side-by-side and were owned by an L. Brigham and Benjamin Lewis and both are in a great state of preservation 150 years later.

Eben Phillips Cottage // c.1877

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In the mid-1800s, Rockport, Massachusetts was best-known as one of the main ports for the quarrying and shipping of fine granite up and down the east coast of the United States. While the rocky coastline made granite a prime industry, the natural scenery also made the coastal areas desirable for residential development. While many of the coastal developments here never took-off as they did in nearby Gloucester, Magnolia, and Beverly, there are some notable summer colonies that sprouted up! In 1855, Eben B. Phillips an oil dealer in Boston, purchased undeveloped wooded lots and pastures, and slowly began to lay out roads and survey for developable lots for summer cottages on a peninsula near Pigeon Cove. The development was named “Oceanview” and it was marketed as the extreme point of Cape Ann. Development was very slow to materialize, and started in earnest in the 1870s. Eben Phillips built this summer cottage before 1877 (possibly as early as 1850), where he would spend summers until his death in 1879. The cottage retains much of its original character and is a rare survivor of the rustic style cottages which were built before the phase of larger Shingle and Queen Anne residences were built in later decades.

Channing Memorial Church // 1880

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The Channing Memorial Church of Newport, Rhode Island was named in the memory of William Ellery Channing (1780-1842), an ardent abolitionist and founder of the Unitarian faith in America. In 1835, ten men formed the first Unitarian Society in Newport in October 1835 and met in the home of Channing’s grandfather, William Ellery, one of the 56 signers of the United States Declaration of Independence. In 1879, the congregation’s minister, Rev. M. K. Schermerhorn, conceived the idea of a memorial to William Emery Channing, whose centenary would be the following year. He decided upon the ambitious project of a new church building and planning began immediately. On Rev. Channing’s 100th birthday, the cornerstone laying ceremony occurred in 1880. The Victorian Gothic stone church designed by Elbridge Boyden took a year to be completed and was was built from granite, cut in Lyme, Connecticut. Inside, two stained glass windows, the first ecclesiastical commission of John LaFarge, flood the interior spaces with warm colored light. The church looks much as it did when completed almost 150 years ago, thanks to an active congregation preserving this great landmark.

Old Swedish Lutheran Church, Newport // 1896

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By the end of the 19th century, the summer colony of Newport, Rhode Island continued to see the erection of large summer cottages which required large staffs to maintain them. Scandinavian girls were preferred by the wealthy residents for maids and drivers, and beginning in the 1870s; they joined other ethnic groups, such as the Irish in establishing their own communities in the coastal city. In 1892, organized under the New York Conference of the Augustana Synod, a Lutheran Church for Swedish-speaking residents was established. A small lot on Corne Street was purchased and work began on this small wood-framed church. Completed in 1896, the church was designed by by architect James W. Smith in the Gothic Revival style. It has a central bell tower and a spire and the interior of the church originally had an hourglass pulpit. Gold and white decorations surrounded an oil painting of the risen and ascending Christ. In the 1950s, the congregation purchased land on Broadway in the north end of Newport and built St. Peter’s Lutheran Church. The Corne Street church was sold and is now a private residence.

Hutchings-Pfaff Gatehouse // c.1884

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Once located at the entrance to the Hutchings-Pfaff Mansion, this small stone gatehouse is all that remains of a great Roxbury estate. Built of locally quarried Roxbury Puddingstone decades after the main house was completed, the Victorian Gothic style cottage surprisingly survived the subdividing of the large property and was sold as a private home in the early 20th century. It is uncommon to see these types of outbuildings survive into the 21st century, so I hope to see this charming cottage survive another 150 years!

Abbotsford Mansion // 1872

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The Abbotsford Mansion in the Roxbury neighborhood of Boston was designed in the High Victorian Gothic style and was built of Roxbury puddingstone, which was quarried locally. Abbotsford, originally named “Oakbend”, was built in 1872 as the residence of Aaron Davis Williams, Jr., (1821-1899) an industrialist and son of the founder of the Roxbury Institution for Savings. Roxbury-based architect Alden Frink designed the country estate and it is his most notable work. When Davis lost his fortune, James M. Smith, a brewer who had a passion for Sir Walter Scott, acquired the estate and renamed the house Abbotsford after Sir Walter Scott’s ancestral keep of the same name. The house continued to serve as a private residence until 1924, when the City of Boston acquired it for use as an elementary school and a disciplinary school for boys. The parcel was subdivided and the David A. Ellis School was built on the former grounds. After the building slipped into decline in the 1970s, the National Center for Afro-American Artists purchased the property, filling in the windows to create exhibit space. They have maintained the building to this day.

Card Memorial Chapel // 1898

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Cemetery chapels are fairly uncommon, but always a must-see when exploring a new place. These small charming buildings help bridge the gap between life and death and are often adorned with a permanence not seen in our lifetimes. This is the Card Memorial Chapel in the Spring Brook Cemetery of Mansfield, Massachusetts. The chapel was erected in 1898 as a memorial to 31-year-old Mary Lewis Card, who died in 1896. Mary’s parents, Simon W. Card and Mary J. Card, founded S.W. Card Manufacturing Company in 1874. The Mansfield-based company did very well and manufactured tap and die tools locally, shipping them all over the country. Before her abrupt death, Mary Lewis Card was set to marry architect Charles Eastman, who is credited with designing the memorial to his late-fiance. The chapel borrows from the Romanesque and Victorian Gothic styles, and is constructed of red brick laid with a tinted mortar atop a foundation of Quincy granite. The various roof sections are sheathed in green slate. The building displays a cross plan with a central tower rising forty-two feet from the ground to the apex, topped by a steeply pitched pyramidal roof. The building was restored years ago and still looks great!

Soldier’s Memorial Library of Mansfield // 1901

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Arguably the most beautiful building in Mansfield, Massachusetts is the Soldier’s Memorial Library in the center of town. Constructed in 1901, the Soldiers’ Memorial Library is a well-preserved example of 19th
century High Victorian architecture with Shingle style elements, designed by the prominent Boston architectural firm of Peabody & Stearns. In as early as 1896, the idea of constructing a building as a memorial to the soldiers who died in the Civil War had prominent local members of the community. In 1898, a relatively new resident in town, Mrs. Elizabeth Noble, donated a parcel of land for the building with the stipulation that the first floor was to be used as a library and the second floor as an “audience room”,
banquet room, and kitchen for the use of the G.A.R. The architects created one of their most significant civic buildings with an interesting juxtaposition of Gothic elements with Shingle style details. The Gothic lancet window and door surround blends surprisingly well with the use of rubblestone on the first story with buttresses and shingle siding above which give the building a fortress-like appearance.

Sudbury Aqueduct Waste Weir Control House // 1878

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The Sudbury Aqueduct was constructed between 1875 and 1878 and runs for 16 miles from Framingham, Massachusetts to the Chestnut Hill Reservoir in Boston, and was in use for almost 100 years. It was designed to carry water from the watershed of the Sudbury River to Boston and its surrounding communities, supplying the ever growing metro area with fresh drinking water. Along the route, meter and control houses were built along with the Echo Bridge, to guide the running water to Boston for distribution all over the city. City architect of Boston, George A. Clough designed many of the structures along the route including this waste weir structure in Newton Centre. The weir was known as “Clarks Waste Weir” as it was built on the edge of land owned by Charles P. Clark. The aqueduct was taken out of regular service in 1978 but remains an emergency backup. Much of the aqueduct’s route is open to the public as an unimproved walking trail.

Charles H. Bennett Cottage // c.1868

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Another of the charming gingerbread cottages in Newton Centre built on Charles Davis’ “Mount Pleasant” estate is this charmer. Like the Charles Davis rental cottage on Pleasant Street nearby, this home was rented by Mr. Davis to tenants briefly before it was purchased by George A. Rollins who later sold the property to its longest owner, Charles H. Bennett, a Boston stockbroker. The house is one of four near-identical gingerbread cottages developed by Davis, all retain their decorative bargeboard trim and porch detailing. This one may be my favorite!

Charles S. Davis Cottage // c.1868

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When wealthy Boston manufacturer Charles S. Davis began subdividing his suburban Newton Centre estate, “Mount Pleasant”(last post) in the 1860s he was extremely particular on the dwellings and residents that would be his new neighbors. He sold off some parcels to friends and affluent members of the community and he also built some small gingerbread cottages – like the house seen here – for rent. This Victorian Gothic gingerbread house was rented to provide Mr. Davis with some additional income. It was eventually sold off to a private owner and has been meticulously preserved ever since.

Bunker Hill Baptist Church // 1889

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The Second Baptist Church of Jefferson, Maine, was organized in 1808 and originally rented a schoolhouse for its services. After eighty years of cramped-quarters, the members of the church had enough funds to erect their own purpose-built church, this stunning edifice on Bunker Hill Road, in West Jefferson. The congregation broke ground in 1889 and the church was dedicated in January of 1890. Apparently, the belfry was originally at the center of the roof, but the heavy bell required a new steeple to be built at the corner, in its present configuration. This well-preserved church building was a treat to stumble upon when driving through the town.

St. Mary’s Roman Catholic Church // 1870

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The second oldest Roman Catholic parish in Connecticut can be found in New Haven, at the St. Mary’s Roman Catholic Church. The parish was originally established in 1832, largely by Irish immigrants who settled in the area for work. The current St. Mary’s church building, located on Hillhouse Avenue near Yale University, was designed in 1870 by ecclesiastical architect James Murphy, and it was dedicated in 1874. The construction of a Catholic church on Hillhouse Avenue was strongly opposed by the Protestant elite who lived in the area, but the congregation prevailed. The Victorian Gothic style church is constructed of local blue stone and granite and while plans by Murphy originally included a corner spire for the building, it was not built until 1982 when the building was restored courtesy of the Knights of Columbus. The Knights of Columbus fraternal organization was actually founded in 1882 in New Haven by Father Michael J. McGivney, who originally held meetings in the basement of this church.