Edgerly-Hawthorne House // 1824

The Edgerly-Hawthorne House on Mall Street, near the Salem Common, is one of the most significant residences in Salem, Massachusetts. The Federal style residence was built in 1824 for Peter Edgerly, who ran a teamster/trucker or distribution company in Downtown Salem. After a decade, Peter became insolvent and the property was sold to Joseph Leavitt, a wealthy property owner in Salem. This house is best-known as the place where Salem-born Nathaniel Hawthorne and his family, lived from 1847 to 1850, and where he wrote The Scarlet Letter. It was in the room closest to the street, on the third floor, that Hawthorne sat at his desk and wrote the American masterpiece of fiction. After publishing The Scarlet Letter, Hawthorne moved to the Berkshires and then back to Concord, Massachusetts, never to live in Salem again. In c.1906, the Edgerly-Hawthorne House was photographed by the Detroit Publishing Company highlighting some landmarks in town. The house looks nearly identical from when it was built over 200 years ago!

Chicopee City Hall // 1871

Chicopee, Massachusetts, was first settled in the early 17th century and incorporated as a town in 1848. Originally part of Springfield, Chicopee grew rapidly in the 19th century, fueled by industrialization and following immigrants arriving to the city to work in factories there. Many of these ethnic groups established cultural centers and built churches, creating the diverse and architecturally unique city we see today. Sadly, like many other 19th century industrial cities, many of the factories closed or relocated in the mid-late 20th century. While the loss of industry harmed the local economy, Chicopee is poised for growth and rebirth as the second largest city in Western Massachusetts, and anchored by its great architecture. The Chicopee City Hall, built in 1871, is one of the region’s finest buildings and one of a handful built in the Romanesque Revival style. The present building was constructed on land the City purchased in 1869 from the Ames Manufacturing Company, a major employer in town with mill buildings nearby along the river. Architect, Charles E. Parker of Boston, was hired to design the new building which is said to have been loosely modelled after the Palazzo Vecchio, the historic town hall of Florence, Italy. The City of Chicopee have been great stewards to their historic City Hall, undergoing numerous restoration projects in the past decades.

South Street Diner // c.1947

One of the hidden gems of Boston can be found tucked away in the Leather District, one of the last remaining diner cars in the city, this is South Street Diner. At this site, at the corner of South and Kneeland streets, a diner car has existed since about 1935. In 1947 the present diner car was built by the Worcester Lunch Car Company and moved on this site as the Blue Diner opened, possibly named after its patrons, largely blue-collar workers. The diner would be renamed the South Street diner in 1992, a name that has stuck ever-since. The diner attracts tourists, nearby workers, and drunken college students, serving as a much-needed melting pot for people of different backgrounds to grab a good bite to eat.

John E. Calhoun House // c.1912

This site, in the heart of Cornwall village, was once occupied by an early 19th century Federal style residence, built by the wealthy Pierce family in town. The Pierces’ large home was acquired by John E. Calhoun (1859-1940), a successful New York businessman, who retreated to his father’s hometown for summers away from the city. In 1911, a fire destroyed the home, which was wood-frame construction. This event mobilized Mr. Calhoun, who was untrained but interested in architecture, to begin planning a new summer residence, but of fireproof construction. Calhoun is said to have designed (and funded) the town’s library just years before, and modeled his home in line with the Colonial-era residences in the village, just larger and of brick. From the 1950s through the 1990s, the house was occupied by the headmaster and administration of the local Marvelwood School, but was re-established as a private home, a use that remains today.

Liberty Street School // 1847

The Liberty Street School building in Warren, Rhode Island, was built in 1847 and beyond its clear architectural significance, it is significant as the third high school building constructed in the state, and is the oldest survivor of its type. Architect Thomas Alexander Tefft, one of the nation’s first professionally trained architects, designed the school when he was just 21 years old! The young architect would later take an excursion around Europe in the mid 1850s, but would fall ill with a fever in Florence, Italy and he died there in 1859. He was just 33 years old when he died. The Liberty Street school building was eventually closed and has sat largely vacant for years. A recent proposal to restore the building and add onto the rear for condominium units has been a site of contention for the town in recent years.

Yale University – Yale Art Gallery Building // 1928

One of the most visually stunning and unique buildings in New England is the 1928 Yale Art Gallery building, which is connected to Street Hall (last post) via a skybridge over High Street. Completed in 1928, the Yale Art Gallery was designed by relatively little-known, but significant 20th century architect, Egerton Swartwout. Swartwout graduated from Yale College in 1891 with a B.A. degree and with no formal architecture training, was hired as a draftsman at the illustrious firm of McKim, Mead & White in New York before running his own office, Tracy and Swartwout. Built in a Gothic Renaissance style inspired by Italian buildings such as the Bargello in Florence, the sandstone masonry structure commands the prominent site with a corner tower and facade fronted by five gothic arched windows. Inside, visitors are transported to a historic Italian art museum within the Gallery Wing, with the full-height Gothic windows with walls, floors and ceilings restored and lined in stone.

Yale University – Chittenden Hall // 1889

As Yale’s 1842 Old Library was outgrown by larger class sizes and a growing college library collection, overseers began planning for a new library annex which could support the programming. Architect J. Cleaveland Cady was commissioned to design the Chittenden Memorial Library, this underappreciated structure, which is today hemmed into a cramped space in the yard between a later addition (Linsly Hall) and McClennan Hall. The Chittenden Memorial Library was a gift to the college by U.S. Representative Simeon Baldwin Chittenden in memory of his only daughter, Mary Chittenden Lusk (1840-1871) nearly two decades following her untimely death. The handsome Richardsonian Romanesque style library building also retains its original stained glass window titled, “Education” by Louis Tiffany which today is in the building’s former reading room, now a large classroom. When the library moved to a new building in the 1930s, Chittenden Memorial Library became Chittenden Hall and is classroom space.

Pope-Barron Townhouse // 1871

Merry Christmas to those who celebrate! As there is no snow on the ground in Boston, I wanted to share a house with a prominent pine tree, which resembles an oversized urban Christmas tree on Beacon Street. This house at the corner of Beacon and Fairfield streets was built in 1871 by architect and builder Frederick B. Pope on speculation. It did not sell as quickly as he would have hoped, and it took two years for it to finally sell at public auction in 1873. The relatively modest brick Second Empire style house was bought and sold numerous times until March 1905, when the residence was purchased by Clarence Walker Barron, a prominent publisher and journalist. In 1903, he purchased Dow Jones & Company and from 1912 until his death in 1928, he was its president. During this period, he was also de facto manager of The Wall Street Journal, he expanded its daily circulation, modernized its printing press operations, and deepened its reporting capabilities. In 1921, he founded Barron’s National Financial Weekly, later renamed Barron’s Magazine. Barron pushed for the intense scrutiny of corporate financial records, and for this reason is considered by many to be the founder of modern financial journalism. In 1920, he investigated Charles Ponzi, inventor of the “Ponzi scheme”. His aggressive questioning and common-sense analysis helped lead to Ponzi’s arrest and conviction. For his Boston townhouse, Barron hired the firm of Cram, Goodhue & Ferguson to completely renovate the dwelling with an extra floor, limestone facades, and more bold roof design.

Skinner Mansion // 1886

One of the best early examples of Classical Revival residential architecture in Boston can be found on Beacon Street in the Back Bay, at the Skinner Mansion. Built in 1886 for dry goods merchant Francis Skinner (1840-1905) and his wife, Eliza Blanchard (Gardner) Skinner (1846-1898), the house exhibits a light stone facade with carved detailed panels and fluted pilasters, stone parapet with urns at the corners and a decorative wooden entrance with ironwork. Eliza was the sister-in-law of Isabella Stewart Gardner who herself lived on Beacon Street until erecting what is now the Isabella Stewart Gardner Museum, in the early 1900s. The Skinners hired architects Shaw & Hunnewell to furnish plans for their Boston townhouse, and they did not disappoint! Today, the mansion is occupied by medical offices, but retains the residential charm and character as it is located in a local historic district.

Sturges House // 1855

One of the finest examples of Italianate residential architecture in the state of Connecticut can be found in Fairfield in the Sturges House. This property was built in 1855 for Henry Sturges Thorp a New York City merchant from a Fairfield family and his wife Julia Ann Thorp, likely as a summer home away from the city. Both Henry and Julia died in 1869 and the property was acquired by Frederick Sturges, the son of Jonathan Sturges a wealthy businessman and philanthropist who had a stunning early Gothic Revival mansion nearby. The Sturges House as it is now known, is a landmark example of the Italianate style with broad overhanging eaves, massive belvedere at the roof, round arched windows, and the tripartite blind windows capped by an elaborate cornice.