A late example of Second Empire style architecture, the Laton House in Nashua, New Hampshire, is a 3 ½ -story brick hotel building with a slate-covered mansard roof pierced by regularly spaced dormers. The facade is dominated by a two-story porch with decorative railings and brackets. The hotel was developed between 1878-1881 when Railroad Squareserved as the central square in town. The hotel thrived, allowing visitors cheap rooms while doing business in the manufacturing hub of Nashua. Eventually, the hotel closed and was converted to housing. Today, it houses commercial space on the ground floor with low-income housing above.
Dr. Eugene Forrest McQuesten was born in Litchfield, NH, on October 11, 1843. He enrolled at local schools before graduating from theJefferson Medical College in 1866. He practiced medicine in Lynn, Massachusetts for two years before moving to Nashua, New Hampshire to run a medical office. He worked in Nashua for years, later being nominated President of the New Hampshire Medical Society. In 1886, he purchased a house lot on Nashua’s Concord Street and razed the existing dwelling, building this stunning brick residence a year later.
Inspired by suggestions from books by Andrew Jackson Downing, the Gen. George Stark House is one of the finest dwellings in the Italian villa style in New Hampshire. Located on a triangular plot just north of Downtown Nashua, the house was built in 1856 by a man who, though then only in his early thirties, was one of New Hampshire’s most experienced civil engineers and surveyors, and was the superintendent of the Nashua and Lowell Railroad. General George W. Stark (1823-1892) was born in Manchester, N.H., and as a young man worked on surveys of the canals and factories being built in the late 1830s in his native city. In 1836, during the first days of railroading in northern New England, Stark was employed with the engineers who laid out the route of the Nashua and Lowell Railroad. He climbed the ladder, eventually working as treasurer and assistant superintendent of theHudson River Railroad, subsequently rising to the position of superintendent. He later became superintendent of the Nashua and Lowell Railroad, whose route he had helped to plan, and in 1857, at about the time he saw the completion of his Italianate villa, he became managing agent of the Boston and Lowell line. In the same year, he was commissioned Brigadier General of the Third Brigade of New Hampshire Militia, giving him his title, General. The Stark House was occupied by General Stark and by members of his family until the property was acquired by The First Church of Christ, Scientist, about 1928. Today, it houses offices but retains a distinct residential character regardless.
This Queen Anne Victorian residence sits at 85 Concord Street in Nashua, New Hampshire. Built in 1889-90 for Elijah Shaw, the house is one of a dozen or so well-preserved Victorian-era mansions along the prominent street. Elijah Morrill Shaw (1826-1903) was born in Kensington, NH and spent many of his early years working at woolen mills all over the Northeast until the outbreak of the American Civil War. Obeying his country’s call to arms, at the time of the Rebellion, he entered the army in 1861 and was later promoted to Captain in 1863. After the war, he continued working at mills all over the region until 1888 when he was hired by the Nashua Manufacturing Company. He built this house soon after his arrival and remained there until his death in 1903. The dwelling and rear carriage house are clad in shingles with the house built with a brick first floor.
Charles William Hoitt (1847-1925) was born in Newmarket, New Hampshire, the son of William K. A. and Sarah C. (Swain) Hoitt. His father was a descendant of John Hoyt, one of the original settlers of Salisbury, Massachusetts. On the maternal side he is a descendant of Phineas Swain who served at Bunker Hill on the American side. Charles enrolled at Dartmouth College in 1867, and was graduated in the class of 1871. He moved to Nashua to work as Master of the Mt. Pleasant School and later worked as an usher at the Lincoln Grammar School in Boston. He eventually gave up teaching as a profession and returned to Nashua and worked at a local law office. He was admitted to the Hillsboro bar in 1877, and worked as a City Solicitor and later as Justice to the Nashua Police Court. With his standing, he erected this fine house on Concord Avenue, with a deep lot where he raised rare exotic birds. Judge Hoitt served in the New Hampshire House of Representatives in 1901 and in 1907, was appointed by Theodore Roosevelt to be the United States Attorney for the District of New Hampshire. His residence in Nashua blends Queen Anne, Shingle, and Colonial Revival styles elegantly. The property was purchased in the 1920s by the Unitarian Universalist Church of Nashua as a parsonage, a use it held until it was sold in 1977 to a private homeowner. The shingled porch was removed during the time it was a parsonage, but the house remains in excellent condition today!
The Stephen and Maria Mansfield House is located at 70 Concord Street in Nashua, New Hampshire, and is one of many stunning old houses along the largely residential street. The dwelling was built in 1888 for Stephen Willard Mansfield, a shoe dealer in Nashua, and his wife, Maria. The Mansfield House is a great example of a more modestly sized Queen Anne style house, which is typified by the asymmetrical plan, varied siding types, and intricate carvings and turned posts. This house is dominated by a two-story rounded bay which is capped by a conical roof. She could definitely use a good paint job but it’s a really sturdy old home built from old-growth lumber. She’s here to stay!
This house in West Acton is the last in this batch of Queen Anne style Victorian houses I’ll feature in the village. The dwelling was built in 1891 for a 31-year-old John Sherman Hoar, Jr. (1860-1954) and his new wife Minnie R. Hart. John was a master carpenter and built many of the Queen Anne style homes on Windsor Street and later Colonial Revival and Craftsman homes in the 1890s and 1900s himself. This was his own property which once included a workshop where he cut and manufactured many homes on the street. Today, the Hoar House has a cheery pink color scheme (which while not historically appropriate) brought a smile to my face when strolling by!
I do not feature enough Queen Anne style buildings on my account, as penance, I present this beautiful example of the style with a painted lady color scheme! Located on Windsor Avenue in West Acton, Massachusetts, this house was built in 1892 and has all the hallmarks of the Queen Anne style. The use of varied siding materials and forms, asymmetrical form, applied ornament, and large five-sided tower capped by a conical slate roof with weathervane. The home was built for Arthur F. Blanchard, a local businessman who operated an apple farm and marketing business opened by his father. Mr. Blanchard was a philanthropist in town and used his wealth to enhance his hometown by funding the Blanchard Auditorium at the Acton High School (1925) and was a benefactor of the West Acton Women’s Club in 1925. He and his son, Webster, also founded the Blanchard Foundation in town in 1946, an organization which funded and sponsored educational projects for the community.
Prominently sited upon a hill on a dead-end street in West Acton, Massachusetts, this Craftsman Bungalow is a very elaborate and well-preserved example of the style. The house was built in 1911 for George Varnum Mead (1861-1940) and his wife Effie Wright Mead (1860-1926) as their summer home when they weren’t living in Somerville. Mr. Mead was born in West Acton to Varnum Balfour Mead, who operated the A. O. W. Mead Company, a produce marketing business in Acton and Boston. Varnum’s brother built an elaborate Second Empire style mansion in town which was featured on here yesterday. George Mead followed his father’s footsteps and worked in the family business, which was in operation starting in the 1840s. The A. O. W. Mead Company gathered produce from farmers all over West Acton, kept the produce in cold storage facilities erected by the family, and sent it to Boston for sale at Quincy Market until George’s death in 1940. The Craftsman style house has a fieldstone base, low, overhanging flared gable roof, and is sheathed in shingle siding. Characteristic features include the multiple dormers, exposed rafter tails, grouped windows, and the large fieldstone chimney.
To me, Vermont is synonymous with Vernacular architecture. The state obviously has high-style and architect-designed buildings all over, but the character of the state (to me) is based around local builders, local materials, and local traditions. The patchwork of towns and villages in Vermont all have one thing in common, at least one general store. These buildings serve as an informal meeting place or community center where residents and visitors alike can hear the local gossip and events taking place. The general store in Whitingham, Vermont is located in the middle of the village, perfect for stopping in. The building was constructed in the first decade of the 20th century, replacing a former hotel/tavern on the site. The late-folk Victorian style store exhibits some decorative columns and storefronts, likely produced at one of the working lumber mills in town at the time. The store was originally built by Arthur and Carl Wheeler as the “Wheeler Brothers Store” but after 15 years changed hands and became the “F.W. Jillson & Son Store”. Since then, the Jillson’s opened up an antique store in the building which serves as a multi-use facility (collectively as a country store). Keep it local Vermont!
The only building that survived the wrecking ball of Urban Renewal on the stretch of Boston’s Boylston Street, south of the Public Garden was this six-story commercial building, known as the Garden Building. In 1911, architect Julius Adolphe Schweinfurth furnished plans for the new commercial building which was in the Beaux Arts style. The first floor was originally planned for three stores, with the upper five floors containing offices. A recessed penthouse floor served as studio space for artists and photographers with the large windows and skylights, the unobstructed views of the Public Garden didn’t hurt either! When the bulldozers of urban renewal came in the 1970s and 1980s to the area, this building surprisingly survived, and was reincorporated into the larger Heritage on the Garden condo development.
Marblehead, Massachusetts is better known for its Colonial-era homes, but there are definitely some amazing old Victorians interspersed in the warren of narrow streets and alleys. This Queen Anne style house was built in the 1890s for Thomas D. Hamson, who was listed in directories as a shoe manufacturer. Queen Anne style Victorians typically exhibit asymmetrical plans, varied projecting and receding planes, varied siding materials and forms, turned posts and porches, and towers and turrets. This house has it all!
Commercial districts and Main Streets in historic New England towns are full of amazing architecture that is meant for pedestrians. Strolling through these areas, the varied styles, materials, storefronts, and signage provides a sense of artistry and community that is impossible to achieve in suburban strip-malls and shopping centers. Historic buildings serve not only as visible anchors to communities, but are more often occupied by local, women, and/or minority-owned businesses compared to modern buildings and districts. Marblehead has many historic (sometimes Revolutionary-era) buildings that are commercial and contribute so much to the town’s vibrancy. This building was constructed in 1885 as a high-style Italian Renaissance Revival style commercial block, replacing a late 18th or early 19th century building. The Grader Block features a rounded corner, scored siding to resemble ashlar masonry construction, and Classically inspired design features like pilasters and pediments. Today, the storefronts are occupied by local small businesses.
Another of the stunning gambrel-roofed Georgian homes in Marblehead is this beauty located on High Street in the village. This house was built around 1756 but is best known for its resident from 1766-1779, as the home of the Reverend William Whitwell (1737-1781), who was the fourth minister of the Old North Church, located just a stone’s throw away. Although this Georgian dwelling looks like a single-family house from the outside, it is actually divided into two houses with separate owners, likely since its construction. Later dormers crowd the roof, but its still a pretty amazing Pre-Revolution home in one of the most charming towns in New England!
Walking the warren of tight streets and hidden alleys of Marblehead, Massachusetts, you are taken back centuries to a simple time, and of a town that has largely maintained its pre-automobile urban fabric. Many pre-Revolution homes still stand in town and have survived cycles of the coastal town’s prosperity and economic hardship, and the increased pressure of gentrification in more recent years! The Simon Bradstreet House sits right in the village and is a well-preserved Georgian-period home. The house was built in 1723 (earlier reports said in 1738) and it was later owned by Rev. Simon Bradstreet (1709-1771), who arrived to Marblehead to serve as the second minister of the Second Congregational Church a year prior. Reverend Bradstreet was the great-grandson of the last Bay Colony Governor of the same name. Chance Bradstreet, an enslaved African that was a subject of the “within these walls” exhibit at the National Museum of American History was born in this home in 1762. He was later sold to Abraham Dodge of Ipswich by Isaac Story, the third minister of the Second Congregational Church. Stories like this are necessary for us to remember that slavery was a huge part of New England’s economy historically.
Buildings of New England 
