brookline ma homes

Thomas Aspinwall House // 1896

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The Thomas Aspinwall House at 14 Hawthorn Road in Brookline was constructed in 1896 by architects, Ball & Dabney. The stately home was built for Thomas Aspinwall as a near copy of his great-grandfather’s 1803 Federal style house on Aspinwall Hill, the William Aspinwall House. Both residences feature a four-tier central bay with Palladian and lunette windows with a columned portico at the entrance. His grandfather, Dr. William Aspinwall graduated from Harvard in 1764 and studied medicine in Connecticut and in Philadelphia before beginning his medical practice in his hometown. He was one of the Brookline men who marched west and fought British troops as they retreated from Lexington and Concord in April 1775. He was put in charge of a hospital in Jamaica Plain during the Revolutionary War and later ran a hospital for smallpox victims in Brookline. His 1803 Federal style home was demolished in 1900 as the Aspinwall Hill area of Brookline was developed, but luckily, a replica remains on the other side of town, here on Hawthorn Road!

William & Sara Warren House // 1911

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Built in 1911, this Colonial Revival style house rendered in stucco, is located at 28 Hawthorn Road in the Pill Hill neighborhood of Brookline, Massachusetts. The residence was built for William Marshall Warren (1865-1953) and his wife, Sara Shields Warren (1874-1964) from plans by the firm of Gay & Proctor. William M. Warren served on the faculty at Boston University as Professor of Philosophy and later as Dean of the College of Arts and Sciences, promoted by his father, William Fairfield Warren, who was President of the University. The Warren House features a symmetrical five-bay facade with central entrance within a projecting pedimented vestibule framed by four pilasters. The pilasters are replicated in the three dormers at the roof, set below the central chimney.

Charles P. Ware House // 1894

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The Charles P. Ware House at 52 Allerton Street in Brookline, shows us that a house doesn’t have to be a mansion to make a statement! Built in 1894 from plans by architect, Henry Forbes Bigelow, this charming Colonial Revival cottage is notable for its brick construction with gambrel roof and brick endwalls rising as parapets. The home was built for Charles Pickard Ware (1840-1921) and wife, Elizabeth Lawrence (Appleton) Ware, who lived here until their deaths. Charles P. Ware was an educator, music transcriber, and abolitionist, who served as a civilian administrator in the Union Army, where he was a labor superintendent of freedmen on plantations at Port Royal, South Carolina during the Civil War. At one of the freedmen plantations, Seaside Plantation, Ware transcribed many slave songs with music and lyrics, publishing many in Slave Songs of the United States, which was the first published collection of American folk music. After Charles and Elizabeth Ware died in 1921 and 1926, respectively, the property was inherited by their son, Henry Ware, who was an attorney.

Codman-Gillet House // 1928

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Built in 1928 as an accurate reproduction of an 18th-century residence the Codman-Gillet House at 60 High Street in Brookline is significant architecturally in the Colonial Revival style but also as a preserved house by the architectural firm of Howe, Manny and Almy. Lois Lilley Howe and Eleanor Manning were among the first women graduates of the M.I.T. School of Architecture, and the firm was joined in 1926 by Mary Almy. Their firm was the first all-woman architecture practice in Boston and the second in the U.S. Howe was the first woman elected a Fellow of the American Institute of Architects. The house was built for William Coombs Codman, a trustee of various real estate trusts, and was likely rented or sold for investment. The first long-time owner/occupants of the residence were Mr. and Mrs. Fernand Gillet and who both taught at the New England Conservatory of Music. Fernand was the principal oboist of the Boston Symphony Orchestra from 1925 to 1946. The Codman-Gillet House features many traditional Colonial Revival elements including: the corner quoining, window trim, a pedimented projecting entrance, and hipped roof with large central chimney.

Dana House // 1896

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The Dana House at 41 Allerton Street in Brookline, Massachusetts, is one of many stately suburban residences designed in the Colonial Revival style here. Built in 1896 for Ms. Julia Hurd Dana (1825-1914), a widow of James Dana, who was a Mayor of Charlestown between 1858-1860, before it was annexed to Boston. The Dana House was designed by the important architectural firm of Chapman & Frazer, who specialized in higher-end suburban housing at the turn of the 20th century. Julia Hurd Dana was the daughter of William Hurd of Charlestown, and after her husband’s death, moved to Brookline in this new home with her daughter, Mary. The residence is notable for its ample setback from the street, providing a front yard garden, hipped roof of slate with pedimented dormers, and palladian window over the portico which is now covered in crawling ivy.

Russell-Hayes House // 1899

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The Russell-Hayes House at 58 Allerton Street in Brookline, Massachusetts, was built in 1899 in the highly popular Colonial Revival style for Mr. and Mrs. Russell. Francis Henry Russell (1832-1919) was born in Plymouth and married Elizabeth Stevens (1835-1922) of Lawrence, and had one daughter together. Francis attended Harvard College and eventually worked as the Treasurer of the Bates Manufacturing Company, doing well enough to purchase a house lot in the fashionable “Pill Hill” neighborhood of Brookline to build his home here. Mr. Russell hired Plymouth-born architect, Joseph Everett Chandler, to design his suburban residence for himself, his wife, and daughter. After the death’s of Francis (1919), Elizabeth (1922) and their unmarried daughter, Mary (1926), the property was purchased in 1927 by African American musician, Roland Hayes. Just years prior to purchasing this stately home in Brookline, Roland Hayes performed abroad in Europe, even a private performance for King George V and Queen Mary at Buckingham Palace. He returned to the United States of America in 1923 and made his official debut on November 16, 1923, in Boston’s Symphony Hall, which received critical acclaim. He was the first African-American soloist to appear with the Boston Symphony Orchestra, who would later hire him, with a reported salary of $100,000 a year. Roland and his family lived in this house for 50 years until his death in 1977. His legacy lives on here with a plaque in front of the home, and a public school named after him.

Irving-Strauss Mansion // 1906

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This unique Tudor Revival style house in the Cottage Farm neighborhood of Brookline was built in 1906 for Irving J. Sturgis (1873-1924), a banker and broker originally from Michigan. Architect Joseph Everett Chandler, specialized in the Colonial Revival style and historic restorations, but was clearly adept at other styles as evidenced in this stately manor for Mr. Sturgis. After WWI, the property sold to Mr. Leon Strauss, who worked in dry goods. The Irving-Strauss mansion is constructed of brick with cast stone trim and features classic ornamentation seen in the Tudor Revival style. Steeply pitched gable roofs have stone
coping, metal windows are casement or fixed with small pained lights and are framed in cast stone trim. Framing the entranceway is a brick and stone gateway, of which, a garden wall extends around the property, with a stately garden gate surmounted by stone finials displaying the flair of the style.

Frederick P. Fish Mansion – New England Hebrew Academy // 1902

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One of the finest estates in Brookline can be found here in the Cottage Farm neighborhood, just steps from Boston and the Charles River. This brick mansion was built in 1902 for Frederick Perry Fish (1855-1930), a prominent lawyer who also served as president of American Telephone & Telegraph Corporation from 1901 to 1907. One of the leading patent attorneys of his age, representing such clients as Alexander Graham Bell, Thomas Edison, and The Wright Brothers, by the time of his death he was believed to have appeared in more patent cases at the Supreme Court than any other lawyer. For his Brookline residence, Fish purchased an 1867 brick mansard-roofed home on the lot and hired the architectural firm of Winslow & Bigelow to ether modify the earlier home or demolish it and build entirely new. The result is this stately, three-story Neo-Classical mansion. Fish would die at his home in 1930, and the property would eventually be owned by the New England Hebrew Academy as a Jewish day school. While it is an institutional use, the facade is covered with climbing vines that are bad for the masonry and an asphalt paved front yard which detracts from the beauty of this estate. It appears to be near-original though, which is great to see!

Francis B. Dana House // 1902

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In 1902, Francis Bryden Dana (1865-1917) began construction on his home here in the Cottage Farm neighborhood of Brookline, Massachusetts. Francis was a member of the wealthy Dana Family and as a young man, attended the Boston Latin School and Harvard College. He became the president of the Dana Hardware Company of Boston. For his Brookline residence, Dana hired the exclusive architect, William Gibbons Rantoul to design the house which blends Arts and Crafts and Colonial Revival styles. The use of stucco siding, shed dormers, and portico with low sloped roof revealing exposed rafters falls squarely within the Arts and Crafts style; while the symmetrical facade, gambrel roof, and projecting octagonal bays are reminiscent of the more traditional New England Colonial Revival style.

Benjamin and Almira Pitman House // 1900

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Benjamin Franklin Keolaokalani Pitman (1852-1918) was born in Hilo, Hawaii, to parents Benjamin Pitman, a Salem businessman, and Kinoʻoleoliliha, high chiefess in the Kingdom of Hawaii. After the sudden death of Kinoʻoleoliliha, Benjamin Pitman Sr. remarried and sent his children to attend schools in Boston. Benjamin F. K. Pitman would meet and marry Almira Hollander Pitman (1854-1939), a suffragist who was instrumental in working for women’s suffrage in Hawaii. The couple purchased a house lot in the exclusive Cottage Farm neighborhood of Brookline, and hired architect Edwin J. Lewis, to design a home for their family. Early atlas maps and photos show that the house was originally clapboarded on the front and rear elevations with large brick end walls containing the chimneys. The facade was given a brick veneer sometime in the 20th century. After Benjamin died in 1918, Almira had a small gambrel-roofed cottage built in the rear yard for her son to live in. The residence is one of the finest Colonial Revival style homes in the area.

Frederick Sears Cottage // 1851

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The Frederick Sears Cottage in the Cottage Farm neighborhood of Brookline, Massachusetts, is significant as one of the major surviving examples of Gothic Revival domestic architecture in the Boston area. In 1849, wealthy Bostonian, David Sears (1787-1871) laid out parks and squares in the Cottage Farm neighborhood, and built houses for himself and his children. His own house, erected in 1843, was the oldest, soon followed by houses for his four daughters, Ellen d’Hautville, Harriet Crowninshield, Anna Amory, Grace Rives, and son, Frederick. The Frederick Sears Cottage is the only surviving Sears residence in the Cottage Farm neighborhood. Frederick Sears‘ cottage was built in 1851, though he did not occupy the house long, as just three years after he and his wife married in 1852 to move into this home, Marian died. The house was inherited by Frederick Sears Jr. , and was acquired by Boston University in 1960, who began to expand into this neighborhood. They maintain the significant property very well. The Sears Cottage is an excellent example of the Gothic Revival style in stone with scalloped vergeboards, quatrefoil motifs, corner quoins, and projecting entry. The house is constructed of Roxbury Puddingstone and is said to have been designed by George Minot Dexter.

Joseph and Jane Cotton House // c.1905

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As the heirs of Amos A. Lawrence began subdividing and selling off desirable house lots in the Cottage Farm neighborhood of Brookline in the 20th century, we can see a visual representation as to the ever-changing architectural tastes of wealthy residents, from Colonial Revival to Tudor Revival. This residence, the Joseph and Jane Cotton House, was built adjacent to the Amos A. Lawrence Cottage, and is an excellent example of a Colonial Revival style brick home. The property was built for Joseph Hall Cotton (1869-1919), treasurer of the American Tube Works, and his wife, Jane Eaton Cotton. The couple remained in the home for about a decade until they relocated to the Back Bay neighborhood of Boston. The architectural firm of Chapman & Frazer, esteemed suburban architects, designed the house as an elongated rectangle with projecting columned porches on the first floor, pilastered entrance and window above, and hipped roof with overhanging eaves and shed dormers, a nod to the Arts and Crafts style.

John Wales House // c.1885

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In the mid-1880s, John Wales, a wealthy hardware dealer with offices in Downtown Boston, purchased house lots in the Cottage Farm area of Brookline from Amos A. Lawrence, and set out develop the site with two stately Victorian homes. This lovely home was first occupied by John’s son, George Wales and his wife, Mabel, the year of their marriage in 1885. While the architect is unclear, it is probable that the design can be attributed to architect William Whitney Lewis, who was hired by John Wales the year prior to design a stable near his home in an adjacent neighborhood. The house was rented by Wales and subsequent owners for years. The elaborate Queen Anne style house exhibits an asymmetrical plan with recessed entrance set within an arched opening, shinged and brick walls with a prominent chimney at the facade containing a decorative terra cotta panel, and the most unique stucco gables containing what appear to be terracotta balls in geometric forms. This house is a perfect example of what is so special about the Queen Anne style!

Frederick and Erna Gibbs House // 1936

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Built at a time when Colonial Revival and Tudor Revival styles dominated the suburban landscape of the Boston area and elsewhere, the Frederick and Erna Gibbs House on Chilton Street in the Cottage Farm neighborhood of Brookline, Massachusetts stands out. Built in 1936 for Frederic and Erna Gibbs, the house is said to be the first International style single-family home built in the Boston area, predating the famous Gropius House in Lincoln by a couple years. Erna Leonhardt-Gibbs (1904–1987), a German-born pioneer in the development of electroencephalography (EEG) technology, in 1930, married Frederic A. Gibbs, a neurologist, and would soon-after vacation in Germany, seeing the Modern revolution of architecture there in the interwar period. Upon returning the States, the couple hired architect Samuel Glaser, to design their dream home in the Bauhaus style. Set amongst a street of 1930s Tudor houses, the Gibbs residence stands out for its stark white stucco walls, boxy form, with elongated and block windows. While set behind a tall fence and hedge, the house is a landmark example of the style and appears much as it did when built 90 years ago.

Edmund and Eliza Leland House // 1905

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One of the few truly eclectic houses in the Cottage Farm neighborhood of Brookline can be found here at the corner of Prescott and Euston streets. Built in 1905 for Edmund Francis Leland Jr. (1868-1963), a wool merchant, and wife, Eliza Smith Leland (1872-1949), the house exhibits elements of Tudor Revival, Colonial Revival, and Arts & Crafts styles under one roof. The house was designed by the firm of Kilham & Hopkins who incorporated many design features found in early 20th century architecture. The steep gable roof, diamond pane door and half timbering is typical of the Tudor Revival style; the columned entry and large Palladian window on the side elevation are evidence of the Colonial Revival style; and the use of stucco and shingle siding, and the overhanging eaves with brackets and exposed rafters at the roof and second floor, are typical in the Arts & Crafts mode.