Second Unitarian Church of Brookline – Temple Sinai // 1916

An excellent example of an early 20th century church designed in the Colonial Revival style, the former Second Unitarian Church of Brookline (now Temple Sinai), was built when much of the surrounding neighborhood was developed and as a result, is tucked away off main streets, creating a unique viewshed for passersby. Brookline’s second Unitarian Church was formed in 1896, with the congregation holding its first meetings at Sears Chapel in the Longwood neighborhood nearby. Decades later, the Second Unitarian Society was urged to find another place for its congregation as the Longwood church wanted full access of their building. The Unitarians purchased a lot of land adjacent to their Parish House in Coolidge Corner (no longer standing) and gathered funds to hire architect, Edwin J. Lewis Jr., who is said to have designed the new edifice as a contemporary take on Christ Church in Alexandria, Virginia. The church features a monumental portico supported by four Ionic columns, round arched windows, and a center tower that (at the time) was surmounted by a golden dome, visible for miles. Since 1944, the former church has been home to Temple Sinai, a reform synagogue that was established in 1939. The Jewish congregation here has maintained the building making slight changes to meet its needs. 

Mary E. Paul Triple Decker // 1898

The Triple Decker is a popular housing form that between 1880 and 1930, saw an estimated 15,000 examples built in Boston and surrounding cities. The unique construction of three flats stacked on top of eachother provided density and lowered housing costs for three families and supplying the housing needs of huge numbers of new immigrants and working class families, providing an important path to homeownership. Often, a family could purchase a property, building a triple decker and could live in one unit while renting the others to pay for the mortgage and taxes, providing upward mobility for those who so long were priced out of owning their own home. By the late 19th century however, strong and organized pushback against the housing type occurred, led by groups like the Immigration Restriction League, who were “convinced that Anglo-Saxon traditions, peoples, and culture were being drowned in a flood of racially inferior foreigners from Southern and Eastern Europe,” sound familiar? Led by Prescott Farnsworth Hall, a Brookline resident, the group advocated to limit immigration from areas they deemed “lesser” and locally, fought to ban the construction of triple deckers in Massachusetts, ultimately succeeding in part when in 1912, Massachusetts passed a law allowing cities and towns to ban triple deckers by preventing construction of any ‘wooden tenement’ in which ‘cooking shall be done above the second floor. While major catastrophic fires like the Great Chelsea Fire of 1908 were fresh in people’s minds, a leading cause for the legislation was likely to limit upward mobility of groups of people from owning real estate. The Mary E. Paul Triple Decker, pictured here, was built in 1898 in the Shingle style, contributing to the rich architectural and social character of the surrounding neighborhood.

James H. F. Standish House // 1874

In 1873, James H. F. Standish (1811-1887) purchased a house lot on the corner of Francis and Toxteth streets in Brookline and set out building his forever home for his wife, Sarah. James and Sarah originally lived in Bath, Maine, where he worked as a builder and mason, constructing many large homes there before relocating to Brookline where he likely remained busy as Boston and its surrounding communities experienced a period of rapid development and suburbanization. James surely built this house and rear stable himself in the interpretation of the Stick and Italianate styles for his family, who moved in by 1874. Sadly, Sarah died unexpectedly in 1876 of heart disease, and James would sell their Brookline home. The Standish Home has been preserved by subsequent owners, including the central cupola, bracketed and dentilled cornice, stickwork and iron cresting. The Standish House was individually listed in the National Register of Historic Places in 1985 as a well-preserved, evocative example of Victorian period styles in a residence.

Gibson-Dukakis Double-House // 1881

Built in 1881 as an eclectic example of a Second Empire and Queen Anne style Victorian double-house, this charming residence on quiet Perry Street in Brookline, Massachusetts, shows that gentle density like double-houses and three-deckers provides needed housing without disrupting neighborhood character. The property was built for George Gibson and subsequently rented to two families as an investment. In the mid-20th century, half of the double-house was purchased by Michael Dukakis and his wife, Katharine “Kitty” (Dickson) Dukakis. Michael Dukakis would become a prominent politician, first being elected as a Member of the Massachusetts House of Representatives in 1963 later serving two terms as Massachusetts Governor. He was later nominated by the Democratic Party for president in the 1988 election, but ultimately lost to the Republican nominee, George H. W. Bush.

Charles P. Flagg House // 1899

Located on Sewall Avenue in Brookline, Massachusetts, the Charles P. Flagg House exemplifies upper-class single-family housing built in the late 19th century that has been added onto and converted into multi-family housing to serve a growing city. Charles Partridge Flagg (1851-1911) was a real estate developer and head of the D. F. Flagg & Co., a wholesale liquor company his father started in Boston. He purchased the former Dexter property, subdivided the estate, and hired architect Julius A. Schweinfurth to design a home for his family. “Jule” Schweinfurth was long-associated with the firm of Peabody & Stearns of Boston, which in the late 19th century, was one of the premier architectural offices in the United States, but when he was not offered a partnership offer by his bosses, he established a new firm under his name. For the Flagg House, Schweinfurth blended the Shingle, Queen Anne, and Arts and Crafts architectural styles with a unique asymmetrical roofline, wide overhanging eaves with cross brackets and exposed rafter tails, consistent shingle siding, and a two-story polygonal oriel with domed roof at the corner. The Flagg House was moved forward on the lot to facilitate a rear addition and completely renovated in 2011, transforming it into a seven-unit condominium building with garage and elevator. This example of “gentle density” is exactly what communities should allow for, to preserve the character at the streetscape but provide additional housing.

George B. Dexter House // 1885

An expression of the Shingle style in all her beauty, the George B. Dexter House on Sewall Avenue in Brookline was built in 1885 both as a residence and a billboard advertising the owner’s business, really. The residence was built for George B. Dexter (1854-1935) a partner in the Dexter Brothers Company a paint and stain manufacturer that was a favorite of architects in the late 19th and early 20th centuries. For his Brookline residence, George Dexter hired architect S. Edwin Tobey to design this Shingled masterpiece with continuous shingle siding with rounded bays and a shingled piazza to showcase the stain products of his company. According to articles, Dexter also stained and painted the interior a variety of colors to showcase the wide range of options his company had. George Dexter would move to Pill Hill neighborhood in a new home just a decade after having this residence built, likely caused by the development of apartments and commercialization in the Coolidge Corner area by the turn of the century. The Dexter House was converted to a two-family in the 1920s and today has three condominium units, with owners clearly taking great pride in this significant residence.

Steuer Apartments // 1913

In the early 20th century Brookline, Massachusetts, saw an immense increase to its population, spurred by the streetcar system and a suburbanization of greater Boston. As land is finite, developers eyed the large estates near commuter lines and built apartment buildings to supply housing to middle-income residents. Not all residents welcomed the change as density and the destruction of old estates caused concerns for many wealthy and older residents in Brookline who enjoyed the bucolic suburbs to dense city life. As a result, many Brookline developers hired known architects to design apartment buildings with high-quality materials and finishes to contribute to the rich architectural streetscapes and established neighborhoods. This apartment building, one of two at the corner of Longwood Avenue and St. Paul Street, was built in 1913 from plans by Gay & Proctor, an established local architectural firm. The developer, Bernard Steuer (1859-1921), was an Austrian-Jew that emigrated to the United States and worked in real estate and building in Brookline and Boston. The building features a heavy cornice with modillons, three-story polygonal bays that break up the massing, and cast stone detailing with Beaux Arts style entries.

George P. Davis House // 1893

This Colonial Revival style single-family house on Emerson Street in Brookline Village, was built in 1893 on the former Emerson Estate, that was subdivided by the heirs of Elijah Emerson as Brookline Village filled in during the late 19th century. This house was seemingly built for Elijah’s daughter, Sarah C. Emerson Davis, and her husband, George Peabody Davis from plans by Boston architect, Olin Wesley Cutter. Of particular note, the Davis House features a symmetrical facade with round entry portico, Palladian stairhall window with leaded glass, and pedimented dormers, with the center dormer in a swan’s neck pediment. The oddly proportioned pilasters with tiny Ionic capital on the corners of the house were great to see as well!

Charles H. Rutan House // 1889

In 1889, prestigious architect Charles H. Rutan, purchased a house lot from the heirs of Elijah Emerson on the family estate and oversaw construction of his own residence in Brookline Village. Charles Hercules Rutan (1851-1914) was born in New Jersey and moved to Brookline in 1874, where he worked in the office of famed American architect, Henry Hobson Richardson. After Richardson’s death in April 1886, at the height of his career, Rutan and two other senior employees, George Foster Shepley and Charles Allerton Coolidge, took charge of the studio and its uncompleted work. Soon after, the three formed a formal partnership, Shepley, Rutan & Coolidge, to succeed to Richardson’s practice, and in 1887 moved the office to Boston. From his new position as head of a prominent firm, Rutan designed this handsome Queen Anne/Shingle style mansion for his family, where he lived until he suffered from two debilitating strokes in 1912, when he and his wife moved to an apartment on a nearby street. Besides the blue color, the house retains so much of its original architectural integrity and is one of the most significant residences in the Brookline Village neighborhood.

Emerson-Arnold Double-House // c.1875

Elijah Carleton Emerson (1807-1888) was a wealthy Boston merchant, making his fortune as Director of the Second National Bank and President of the Middlesex Horse Railroad. In his late 30s, he purchased land in Brookline Village and established his estate on the land that is now Emerson Park in 1846. The bucolic setting of his estate included a pond, boathouse and adjacent cottage, but as the surrounding area continued to develop with easy access to Downtown Boston, Elijah Emerson began to develop his estate. Emerson began to build residences on his land for supplemental income. This handsome Stick style double-house was built around 1880 and rented by Mr. Emerson and was eventually occupied by his granddaughter, Tirzah and her husband, George Francis Arnold. The residence features a mansard roof, decorative brackets and applied stickwork, and a handsome porch with turned posts.