Longwood MA

Second Unitarian Church of Brookline – Temple Sinai // 1916

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An excellent example of an early 20th century church designed in the Colonial Revival style, the former Second Unitarian Church of Brookline (now Temple Sinai), was built when much of the surrounding neighborhood was developed and as a result, is tucked away off main streets, creating a unique viewshed for passersby. Brookline’s second Unitarian Church was formed in 1896, with the congregation holding its first meetings at Sears Chapel in the Longwood neighborhood nearby. Decades later, the Second Unitarian Society was urged to find another place for its congregation as the Longwood church wanted full access of their building. The Unitarians purchased a lot of land adjacent to their Parish House in Coolidge Corner (no longer standing) and gathered funds to hire architect, Edwin J. Lewis Jr., who is said to have designed the new edifice as a contemporary take on Christ Church in Alexandria, Virginia. The church features a monumental portico supported by four Ionic columns, round arched windows, and a center tower that (at the time) was surmounted by a golden dome, visible for miles. Since 1944, the former church has been home to Temple Sinai, a reform synagogue that was established in 1939. The Jewish congregation here has maintained the building making slight changes to meet its needs. 

Mary E. Paul Triple Decker // 1898

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The Triple Decker is a popular housing form that between 1880 and 1930, saw an estimated 15,000 examples built in Boston and surrounding cities. The unique construction of three flats stacked on top of eachother provided density and lowered housing costs for three families and supplying the housing needs of huge numbers of new immigrants and working class families, providing an important path to homeownership. Often, a family could purchase a property, building a triple decker and could live in one unit while renting the others to pay for the mortgage and taxes, providing upward mobility for those who so long were priced out of owning their own home. By the late 19th century however, strong and organized pushback against the housing type occurred, led by groups like the Immigration Restriction League, who were “convinced that Anglo-Saxon traditions, peoples, and culture were being drowned in a flood of racially inferior foreigners from Southern and Eastern Europe,” sound familiar? Led by Prescott Farnsworth Hall, a Brookline resident, the group advocated to limit immigration from areas they deemed “lesser” and locally, fought to ban the construction of triple deckers in Massachusetts, ultimately succeeding in part when in 1912, Massachusetts passed a law allowing cities and towns to ban triple deckers by preventing construction of any ‘wooden tenement’ in which ‘cooking shall be done above the second floor. While major catastrophic fires like the Great Chelsea Fire of 1908 were fresh in people’s minds, a leading cause for the legislation was likely to limit upward mobility of groups of people from owning real estate. The Mary E. Paul Triple Decker, pictured here, was built in 1898 in the Shingle style, contributing to the rich architectural and social character of the surrounding neighborhood.

James H. F. Standish House // 1874

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In 1873, James H. F. Standish (1811-1887) purchased a house lot on the corner of Francis and Toxteth streets in Brookline and set out building his forever home for his wife, Sarah. James and Sarah originally lived in Bath, Maine, where he worked as a builder and mason, constructing many large homes there before relocating to Brookline where he likely remained busy as Boston and its surrounding communities experienced a period of rapid development and suburbanization. James surely built this house and rear stable himself in the interpretation of the Stick and Italianate styles for his family, who moved in by 1874. Sadly, Sarah died unexpectedly in 1876 of heart disease, and James would sell their Brookline home. The Standish Home has been preserved by subsequent owners, including the central cupola, bracketed and dentilled cornice, stickwork and iron cresting. The Standish House was individually listed in the National Register of Historic Places in 1985 as a well-preserved, evocative example of Victorian period styles in a residence.

Sewall Apartments // 1938

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This garden apartment complex at 98-116 Sewall Avenue in Brookline is an excellent example of the Art Deco style which reached its height in popularity in the midst of the Great Depression, so fewer examples of the style are typically found. Here in Brookline, the city was seeing rapid development in the early decades of the 20th century, where large estates were subdivided and commercial areas expanded into once residential neighborhoods. U-shaped in plan and standing three-stories, this complex replaced a large property owned by the Stearns Family, a prominent local family with many properties around present-day Coolidge Corner. The apartments were developed by the G & S Investment Company, a real estate development firm, who hired architect, Saul Moffie, to design the building. Completed in 1938, the complex has richly articulated facades with a variety of geometric brick patterns, including chevrons, diapering, header courses and soldier courses with each entryway identified by a projecting pavilion with a stepped stone parapet above. The doors and sidelights are wood with glass panels in a chevron motif similar to the brickwork and all residential units have steel multi-pane windows. What a gem!

C. D. Hammer House // 1893

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This lovely Queen Anne style residence near the Longwood section of Brookline was built in 1893 for C. D. Hammer, the General Agent for the Provident Life and Trust Company of Philadelphia. The stately suburban dwelling was designed by architect Julius A. Schweinfurth, a noted architect who designed many buildings in the region. While some of the stickwork and applied ornament has been covered by vinyl siding, much of the original detailing and some windows remain. The dropped pendants in the gables with flared bargeboard and highly ornamental corbels are a great touch and remain to this day. I bet all of the original details are still under that vinyl, just waiting to be shown again!

Orlando & Ellen Alford House // 1883

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Orlando Hiram Alford (1840-1908) was an industrious and hardworking Vermonter who settled in the Boston area to make his wealth. He was a member of Bliss, Fabyan & Co., a large drygoods dealer, and would also become a director of the First National Bank, the City Trust Company, and the Franklin Savings Bank. In manufacturing, he serves the role of director of the Bates Manufacturing Company, the Merrimac River Towing Company, the Columbian Manufacturing Company, the Cordis Mills, and the Thorndike Company (among others). From his many positions and roles, he and his wife Ellen, were able to afford a house lot on Kent Street in the neighborhood between Longwood and Brookline Village. The Alford House, a stunning example of the Queen Anne style remained in family until after Ellen’s death in 1929, when it was purchased by the Boston Hospital for Women as a nurse’s residence. It was later used as apartments and was clad with vinyl siding, obscuring much of the original wood trim detailing. In the 2000s, later owners sought to demolish this house, which served as a rallying cry for neighborhood residents who understood the importance of the house and its context with surrounding lots. After the demolition delay process lapsed, they petitioned for a local district designation, effectively preserving the house for more generations to come! The Lawrence Local Historic District has since provided protection for houses in the area, but does not require a homeowner maintains or keeps up a property in a certain condition. Hopefully the Alford House will be restored soon!

Wightman-Pope House // 1910

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In 1910, Ralph Linder Pope (1887-1966) graduated from MIT and later became Chairman of the Board of Directors of the Northwestern Leather Co., Boston. He married Elizabeth S. Wightman two years earlier and her father, George Wightman, purchased a house lot near his own 1902 mansion in the Longwood section of Brookline, Massachusetts and had this brick residence built in 1910 for the new couple. Mr. Wightman commissioned the famed architectural firm of Shepley, Rutan & Coolidge to design his daughter’s home in the Colonial Revival style.

Phinney-Bigelow House // c.1899

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Before the turn of the 20th century, William L. and Elizabeth G. Phinney purchased a narrow house lot at the corner of Hawes and Chatham streets in the desirable Longwood neighborhood of Brookline. They then retained the young architect Thomas Marriott James, to design this massive Federal Revival style mansion. After William died in 1911, Elizabeth remained in the house until 1920, when it sold to C. Willard Bigelow a wool dealer and his wife, Ruth. The Phinney-Bigelow House is an exemplary Federal Revival style house on a narrow lot which takes full advantage of its boxy form. The slightly asymmetrical facade with Palladian window, limestone trimmings, and bold entrance are all great additions to the design.

Benjamin Green House // 1927

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Located on Beech Road overlooking the “village common” of Longwood Mall, this 1920s Georgian Revival mansion showcases the curb appeal and perfect siting of suburban houses of the period . The home was built in 1927 for Benjamin Green, a real estate dealer and his family. The Green’s hired architect Harry Morton Ramsay, a noted area architect who specialized in suburban single-family homes of this period, to design the Georgian Revival style home. The brick residence features a symmetrical facade, half-round portico with Corinthian columns, round arched first floor and dormer windows, and decorative brickwork.

George G. Quincy House // 1909

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If you love Colonial Revival style homes, the Longwood neighborhood in Brookline is a must-visit area to stroll around! This house is tucked away in the neighborhood and was a treat to stumble upon. This large home was designed by the underappreciated architect, James Templeton Kelley for a George G. Quincy. The Colonial Revival style dwelling is actually built of wood with a brick veneer and has an open pedimented entry with fanlight and transom surround. The round-headed windows on the first floor are especially notable.