Massachusetts History

Brown-Battis House // 1851

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Captain Nathaniel Brown (1800-1866), a master mariner in Salem, built this fine brick house on Brown Street in 1851. Captain Brown bought the lot from the heirs of Nathaniel Kinsman in 1850, with an older house already occupying the site. The existing house was razed and construction began on this house, with it completed by 1851. The building is unique as it resembles the Federal period form of the five-bay and three-story residence with shortened third-floor windows under a low hipped roof. Although the Federal period waned in popularity by the 1830s, this house clearly took cues from the earlier homes nearby. Following Nathaniel Brown’s death in 1866, James Herrick Battis, a tobacconist and cigar manufacturer, purchased the home. City records state that Battis was issued a building permit in 1878 for an addition to the dwelling. It is probable that the bay windows and front door hood were also added at this time, giving the residence more of an Italianate style. Battis continued to own the property until his death in 1891. By 1930, the residence was converted into apartments and was known as the Conant Apartments. It remains a six-unit apartment building today.


George Clark Cottage // 1847

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In 1847, George Clark (1815-1890), a Salem carpenter, purchased a house lot on Oliver Street, a block away from the Salem Common. That year he began constructing this cottage for his family. The Clark Family resided here for just a year until 1849, when George got caught up in the California Gold Rush, selling the property and moving west to make his fortune. Since Mr. Clark was back in Salem by 1850 (according to the federal census), he was likely one of the thousands of forty-niners who did not strike it rich. The Greek Revival style house is unique for its more Gothic style gable, brackets, and segmental arched windows.

Essex County Registry of Deeds // 1909

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The Essex County Registry of Deeds and Probate Courthouse on Federal Street in Salem, Massachusetts, was built in 1909 from plans by Boston architect, Clarence Blackall. The Neo-Classical courthouse adds to the rich tapestry of Civic buildings there, showcasing the ever-evolving tastes in architecture as the buildings become more contemporary as you move westward down the street. The two-story granite and cast-stone faced brick masonry building is cross-shaped in plan, consisting of a three-bay wide gable-end entrance with Ionic porch of six fluted columns supporting a dentilled entablature and pediment. The central bay within the entry porch contains a large double-door entrance with elaborate architrave and a scrolling pediment incorporating Classical motifs and a Greek god bust. The building underwent a massive restoration in 2017, and was renamed the Thaddeus Buczko Building after retired First Justice Thaddeus M. Buczko.

Essex County Old Granite Courthouse // 1841

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Aligned in a row on the north side of Federal Street in Salem, the Essex County Court complex is a tour de force of the evolving architectural tastes of three centuries. At the eastern edge of the complex, the Old Granite Courthouse stands as the oldest of the group. The two-story temple-form building is of rectangular plan with gabled roof oriented towards the street. The facade features a recessed porch with paired columns surmounted by Greek Corinthian capitals which are set between broad, squared Doric corner pilasters. The granite building was designed by architect, Richard Bond (1797-1861) of Boston, and the structure is often referred to as one of the finest Greek Revival-style Civic buildings in New England. The courthouse remained in use until the J Michael Ruane Judicial Center at the end of the block was completed in 2012. The Old Granite Courthouse and adjacent Old Superior Courthouse were both vacated and have been essentially mothballed ever-since under the ownership of the Division of Capital Asset Management and Maintenance as surplus. The fate of the two buildings remains undetermined.

Salem Water Company Offices // 1879

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Salem, Massachusetts, was first settled by Europeans in 1626, and it would take 170 years until in 1796, an organization of citizens was established for the purpose of supplying the inhabitants generally of Salem and Danvers with pure spring water. The Salem and Danvers Aqueduct Company was incorporated in 1797  “for the purpose of conveying fresh water by subterraneous pipes into the towns of Salem & Danvers.” As Salem grew, the need for a more central water district and distribution network became a necessity for the health and prosperity of the city. A 1864 law allowed Salem to construct its own water works, and it formed a Board of Water Commissioners who designed and constructed the system. From this, funding was acquired and paid for the laying of tens of thousands of feet of subterranean water distribution pipes connecting the reservoir to buildings and hydrants in Salem. Offices of the Waterworks were scattered and obsolete until 1877, when funds for the construction of this structure at 32-34 Church Street were set aside as the new Water Department Offices. Completed by 1879, the building is a great example of a Romanesque/Italianate style masonry structure with corbelled cornice and arched openings. According to the city directories, this building continued to operate as the Salem Water Works into the late 1930s. By 1945, it was the headquarters of the United States War Price & Rationing Board. In 1964, it held a number of city offices including: Civil Defense headquarters, Fire Department headquarters, Licensing Board, Planning Board, and the City Veterans Service, before being sold by the City of Salem to private ownership in 1976.

Wright Estate Gatehouse // 1907

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Besides the former Wright Carriage House (now the Soule Recreation Center), the only other extant building that was built on the grounds of the former John G. Wright Estate in Brookline, Massachusetts, is this structure, the historic gatehouse to the property. Built in 1907 at the same time as the manor house, the gatehouse was also designed by architects Chapman & Frazer and served as the entry to the expansive grounds with a room for the gatekeeper to sleep in overnight. The Tudor Revival style building is less ornate than the stone mansion, the half timbering and stucco work well to compliment the other buildings. While the formerly dark half timbering has since been painted a white, the building still maintains its character. While the remainder of the Wright Estate was subdivided and sold off by the heirs of next owner, wool merchant, Andrew Adie, the gatehouse remained and survived the destruction that befell the main manor. The old gatehouse was converted to a full-time residence and remains to this day.

Assumption Roman Catholic Church // 1922

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As Chicopee developed into one of the major industrial cities in Western Massachusetts, immigrant groups moved there, finding work at some of the major manufacturing companies. Irish and Polish churches were built and French and French Canadian residents too built their own church, where they could gather and worship in their native language. A wood-frame church was first built in the 1870s and used until it was destroyed by fire in 1912. It took a decade for the congregation to gather enough funds to purchase a new lot and build a new church, but patience was a virtue as their church is a stunner! The cornerstone for the church was laid in 1922 and the building was designed by local architect, George P. Dion, and constructed at the cost of $200,000. The building was dedicated in 1925 and is one of the finest, and most unique churches in the state. Italian Renaissance Revival in style, the church stands out for its 85-foot-tall campanile and cast-stone high-relief in the pediment at the facade. It is believed that within the relief, that depicts the figure of Mary surrounded by Cherubs, depicting the “Assumption of the Virgin,” George P. Dion used the likeness of his granddaughter as a face of one of the cherubs. The congregation moved out of the building but has been recently mortgaged to a new church, Iglesia Cristiana Casa De Paz y Restauración, showcasing the ever-changing demographics that keep our cities vibrant and stewards that do right by our collective history and buildings.

Old Chicopee High School // 1917

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The Old Chicopee High School building is located at 650 Front Street, between the two major population hubs of Chicopee Center and Chicopee Falls and is one of the finest examples of Collegiate Gothic/Neo-Gothic Revival architecture in Massachusetts. The school building was constructed in 1917 from plans by architect, George E. Haynes as a central high school, a single building where pupils from all over the city could be educated. The population growth of Chicopee in the early decades of the 20th century necessitated additions and reworking of the spaces of the building, eventually outgrowing the building after WWII. In 1961, plans for a contemporary high school were completed and this building became a middle school for the City of Chicopee. Architecturally, the building stands out for its siting and high-quality design. The main facade features a central clock tower which contains the main entrance. The use of brick with cast stone trim and the castellated parapet add much dimension to the large building. The City of Chicopee have done a commendable job maintaining this important landmark.

Polish National Home of Chicopee // 1914

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The Polish National Home in Chicopee, Massachusetts, was organized in 1910 as a fraternal service organization catering to the needs of the local Polish immigrant and Polish-American communities. The organization was founded at a time where Polish immigrants were settling in Chicopee, finding work at local factories. The Polish population of Chicopee surged in the late 19th into the early 20th centuries from just 200 residents in 1885 to over 9,000 in 1914, the year this building was completed. One of the other goals for the Polish National Home was to provide class space for new immigrants to take classes in the english language and learn to read and write, to become eligible for U.S. citizenship. The club eventually would build this five-story structure on Cabot Street, architecturally rivaling any other building in town. The building was designed by architect Bruno Wozny, a German-born architect who settled in Springfield and ran his own practice. Spaces inside the building included retail stores, a meeting hall, small meeting rooms, and apartments for some recently arrived immigrants and their families. The adjacent building was designed by local architect George Dion, as a bowling alley and billiard hall. After WWII, the building was converted almost entirely to residential use, which remains today.

Administration Building – Elms College // 1932

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Elms College in Chicopee, Massachusetts began as the Academy of Our Lady of the Elms, a Catholic boarding school for girls established in Pittsfield by the Sisters of Saint Joseph in 1897. The academy was relocated to Springfield Street in Chicopee through the efforts of Bishop Thomas D. Beaven in 1899. The Academy provided elementary and secondary education with a Normal School component that prepared young women for careers in teaching. In 1924, Bishop O’Leary announced the intention to expand the school into higher education, creating a women’s college. The college charter was approved in 1928 and the Academy became the College of Our Lady of the Elms. Planning and construction of the Administration Building (later renamed Berchmans Hall in 1983) began immediately after the incorporation of the College in 1928. Designed by John W. Donahue, the official architect of the Diocese of Springfield at the time, Berchmans Hall is a landmark example of the Collegiate Gothic/Neo-Gothic style that proliferated higher education and ecclesiastical buildings in the early decades of the 20th century. Completed in 1932, the new building included offices, modern classrooms and laboratories. The back section contained a gymnasium in the basement and an auditorium on the main floor. The building remains the main building on the Elms College campus and serves as an important visual anchor to the school.