I love a good high-style Colonial Revival home with big proportions and warm red brick! This example on College Hill in Providence is a great example. The 2 1/2-story dwelling is five bays at the facade with a center entrance under a hollow pediment hood with an enframement which reads much in the Palladian-realm. Owners Walter and Kate Hidden hired local architect Wallis Eastburn Howe to design their elaborate Colonial-inspired home in 1901, they moved in within a year. Mr. Hidden worked at his father’s business, and in 1875 became a member of the firm of H. A. Hidden & Sons. He did well for himself and became a member in many social and outdoors groups including the Audubon Society, the Squantum Association, the Hope Club, and for five years was president of the Agawam Hunt Club.
Incredible triple-decker vibes with this beauty on Providence’s College Hill neighborhood. In 1847, this home was built as a single-family, Greek Revival style home for Henry G. Mumford, who worked as a City Marshal for the City of Providence at City Hall. The house was likely originally a one-story or two-story Greek Revival cottage which was upgraded in a BIG way after Mumford’s death! His heirs sold the family house in 1859 it was owned by John A. Brown and his wife, Ellen. It was likely Ellen who had the property converted to a triple-decker with three units in the home. It was modernized with Italianate detailing, including the elaborate window hoods, front portico and side porch, round arched windows, and extra floor for additional rental unit. The property was later owned by Governor and member of the Taft Political familyRoyal C. Taft as an income-producing property.
The College Hill neighborhood of Providence has some of the finest residential architecture in New England, and some really fun stories of those who built these grand homes. In 1859, the house was built with a concave mansard roof punctuated with dormers and a bold bracketed cornice below. The use of round headed windows on the second floor is a really great design detail. The residence was first owned by Eliza Talbot Almy (1808-1886), who held the title to the property. Wives holding the title of properties in this period was fairly common as it would protect their personal property and residence from financial risk if the husband was met with lawsuits or financial hardship. Eliza’s husband was cotton broker and manufacturer Samson Almy (1795-1876), who had already been sued in a case heard before the United States Supreme Court in 1851. After Eliza’s death in 1886, her daughter, Susan Smith (1837-1917) and husband, Amos Denison Smith (1835-1912), a Civil War veteran, occupied the house into the early 20th century.
The Congdon Street Baptist Church on College Hill is extremely significant as part of the rich history of Providence. Its origins began in 1819, when Moses Brown, an abolitionist, industrialist and member of the Brown Family (who profited on the institution of slavery) gave land to “the people of color” of Providence for a schoolhouse and meeting house. The original building stood slightly north of the present structure and it was built in 1821. The structure provided the first schoolhouse for Black children in Providence. In 1869 the building was torn down, without the approval or knowledge of the congregation by white neighbors because “its proximity displeased them”… Eventually the congregation arranged an exchange of lots with one of the church’s neighbors and architects Hartshorn & Wilcox were commissioned to design the new church building. Hartshorn was the successor of Thomas A. Tefft and this church echoes many of his designs in the Italianate style. The new building was completed in 1875 at the cost of $16,000. It was renamed the Congdon Street Baptist Church. The church has since 1875 served as an important landmark and gathering place for many Providence’s Black residents past and present.
In 1820, Joseph Dorr, a trader, purchased this house lot in Providence’s East Side overlooking present-day Downtown. He had this Federal style house built with a symmetrical five-bay facade with fanlight transom over the door. He occupied the house until 1827 when he sold the property to a Charles Hadwin. In 1832, the property was acquired and soon after purchased by Welcome Congdon (1794-1874) who lived there until his death. The house was more recently added onto with a Modern addition on the side, to provide additional, private space for the owners who live directly next to a public park.
Although Benjamin Bliven built this house, he never owned the property, but the name lives on! This house on Angell Street in Providence was originally constructed in 1849 in the Greek Revival style, popular at the time. Bliven, a musician, rented the property to tenants until the deed was transferred to Abby W. Watson, wife of Robert W. Watson (owner of the property next door and featured on this account previously). The first owner-occupants were Grace A. and Eugene H. Greene, who bought the property in 1898. The house was completely remodeled in the early decades of the 20th century with Regency/Colonial Revival detailing. Changes including the former roof with its gable-end facing the street boxed off, a new modillion cornice with parapet above; recessed attic story with balustrade; small wing to the east. The stucco siding and Federal entry is icing on the cake!
No town does Italianate architecture quite like Providence! Case in point, the Watson-Knight Mansion, a relatively overlooked example of the style found on Angell Street in College Hill. In 1854, a house lot here was purchased by an elderly Matthew Watson (1786-1857), who possibly lived in half of the house for a few years until his death. Directories also list his son Robert as living in the home in 1854. The three-story brick mansion has a boxy form with symmetrical facade. Brownstone hoods and sills are located at the windows and add depth to the otherwise blank facade. A projecting wooden door hood with hanging pendants covers the large entry. The home remained in the Watson Family until it came under the possession of Robert Brayton Knight (1826-1912) a businessman and mill owner who became the largest individual owner of cotton mills in the world, with upwards of twenty distinct establishments under his personal control. He co-founded what became the Fruit-of-the-Loom brand with his brother in the 1850s. The building has since been divided into apartment/condominiums.
George Champlin Mason (1820-1894) can be credited as one of the most influential people who helped make Newport what it is today. He was born in the old Colonial town in 1820 and after a brief period working in New York City in dry goods, he traveled to Europe in his twenties to study art in Rome, Paris, and Florence, specializing in landscape paintings. Mason spent the 1840s trying unsuccessfully to make a living as landscape painter and published Newport and Its Environs, a collection of 11 engravings of his landscape views of Newport that is one of the earliest books about Newport to showcase its potential as a vacation destination. In 1851, Mason switched professions and became part owner and editor of the Newport Mercury newspaper. He often wrote on architectural subjects. In around 1858, he took his love for art and architecture and became an architect/developer, just as Newport was seeing early stages of development as a summer colony. He was hired by some early summer residents to design their homes, and did not disappoint, gaining notoriety all over the northeast. His son George C. Mason, Jr. (1849-1924), followed in his father’s footsteps and is said to have been the first professional architectural preservationist in the United States. George Sr., built this house as his primary residence in 1873, a stunning and rare example of Swiss Chalet architecture in New England, notable for the use of pierced bargeboards, board-and-batten sheathing, and cut-out railings. The property also included a charming stone English Revival tower in the rear yard, built in the 21st century as a workshop for the previous owners. How cool!
One of the finest Queen Anne style residences New England is this 1877 summer cottage, named “Snug Harbor”. The mansion was designed by architects William Appleton Potter and Robert Henderson Robertson for Charles H. Baldwin, a prominent admiral in the United States Navy. The design utilizes a brick first floor with shingle siding above, a high cross-gabled roof, panels and half-timbering, asymmetrical form, and a porte cochere at the entry. Later owner Arakel Bozyan, painted the entire exterior a deep red color and renamed the house “Gamir Doon”, Armenian for “Red House”. The house was restored back to a traditional color scheme and sold in 2020. The interiors are STUNNING!
In 1885, a 28-year-old Leroy King (1857-1895) and his wife Ethel Rhinelander King (1857-1925) hired one of the country’s most prominent architects, Stanford White, to design a Newport home for their family. Leroy was the son of Edward King, a prominent local merchant, and upon his fathers death in 1875, inherited some of the $100+million dollar fortune he had amassed in today’s dollars. The corner lot at Bellevue and Berkeley avenues was purchased and work was underway on the new mansion. The house is a really interesting take on the Shingle style, but instead of cedar shingle siding, employs fireproof construction. A central hall, large gabled masses, picturesque window arrangements, and a spectrum of surface textures (here conveyed largely in natural stone and brick with flourishes of shingle and pebble dash work), align this house with McKim, Mead & White’s earlier efforts in this style. The interior has been meticulously preserved and maintained by the owners.
The formal Sitting Room at the Elms in Newport, Rhode Island is one of the many statement-rooms found in the Gilded Age mansion. This room is located directly above the Ballroom and is the first space seen when ascending the main staircase onto the second floor. The sitting room was used by the Berwind Family and their guests as a gathering and socializing space, a little less formal than the ballroom downstairs for more elegant events. The Preservation Society of Newport County has done an amazing job at restoring the building and purchasing furniture and fixtures that were sold off when much of the inside of the property was sold off at auction in the 1960s. The Preservation Society restored the red silk walls fabric in the 1980s, bringing the space back to its original grandeur. I cannot think of a better place to just “sit”.
The Dining Room of the Elms Mansion in Newport, Rhode Island, is represents the Gilded Age in all the best ways. The room sits just off the ballroom and like all of the other rooms in the summer residence of the Berwinds, it was designed by famed interior designer Jules Allard. The dining room was specifically to display a collection of early18th-century Venetian paintings purchased by Mr. Berwind from the Ca’ Corner estate in Venice (the Berwinds were avid collectors of 18th century French and Venetian paintings). The iconic coffered ceiling is not of wood, but of molded plaster, grained and painted to imitate oak. Each coffer is decorated with the winged lion of Saint Mark, the patron saint of Venice. Pour custom-made crystal chandeliers hang in the four corners of the room. At the end of the room is a stunning green marble, agate and onyx fireplace that is framed by a ceiling-high pediment supported by carved Ionic columns. Could you see yourself entertaining in this dining room?
To celebrate, I wanted to feature the library aka the “red room” in the Elms Mansion in Newport, Rhode Island. The library is lined with high wainscoting and walls of inlaid walnut hung with red damask/fabric. The center table, fireplace mantel, and inlaid bookcases were all designed by Jules Allard, and the table in particular displays the exaggerated proportions and classical ornament typical of 16th-century French design. The mantel piece consists of white carved stone with the upper part of richly carved walnut. The room is one of the coziest in the Elms, one of the more refined and “homey” of the Newport Mansions open for tours. From this library, owner Edward Julius Berwind, would keep up with his growing businesses while away for summers in Newport.
Immediately upon entering the main entrance of The Elms, one of the finest Gilded Age mansions in Newport, you are enveloped in the Stair Hall or foyer. The space is stunning, with walls lined in limestone and purple Breccia marble pilasters and columns with bronze capitals and bases. The floors are of white marble bordered in green with stairs in white Italian marble. At the beginning of the stairs, there are two large urns of green marble and pink granite, each with four bronze female figures. The urns bear the name of the decorator, Allard et Fils of Paris, who was responsible for crafting the details of the period rooms for the mansion. At the top of the first set of stairs is the Gallery Hall, a long hall connecting many rooms on the first floor and also serving as a gallery of irreplaceable art including two early 18th-century oil paintings depicting episodes in the history Scipio Africanus, the ancient Roman general who conquered Carthage by Venetian artists Paolo Pagani and Giovanni Antonio Pellegrini. The space is grand, yet cozy and feels more like a home than the larger Breakers mansion.
One of my favorite things to do each holiday season is to explore Newport and the mansions all gussied up with lights, ornaments and holiday cheer. This year, I visited The Elms, one of my absolute favorite buildings in Newport, which is a house museum! Stay tuned for some room features, similar to my series last year on The Breakers mansion.
The Elms was commissioned in 1898 by coal baron Edward Julius Berwind (1848–1936) and his wife Sarah Torrey Berwind (1856-1922) as a summer cottage where the couple could escape the woes of city life for a few weeks of every year. Edward was “new money” (his parents were middle-class German immigrants); and by the 1890s, he was hailed as “one of the 58 men who rule America”, making him one of Newport’s most important summer residents. To live up to his new status, he hired Philadelphia architect Horace Trumbauer, who took inspiration from the 18th century Château d’Asnières in France. The site on the iconic Bellevue Avenue is not directly on the water, so Trumbauer sought to enhance the siting of the mansion by elaborate landscaping (more on that later). The house was built to be fireproof, after the complete loss of the original Breakers mansion in 1892 and is clad with Indiana limestone. The couple held many lavish parties in the Elms until 1922, when Mrs. Berwind died. Mr. Berwind invited his youngest sister, Julia, to become his hostess at his New York and Newport houses. Mr. Berwind died in 1936 and Julia continued to summer at The Elms until her death in 1961. Childless, Julia Berwind willed the estate to a nephew, who did not want it and fruitlessly tried to pass The Elms to someone else in the family. Finally the family auctioned off the contents of the estate and sold the property to a developer who wanted to tear it down. In 1962, just weeks before its date with the wrecking ball, The Elms was purchased by the Preservation Society of Newport County for $116,000. It remains one of the most visited house museums in the nation to this day.
Buildings of New England 