Cogswell Tower // 1904

The crown jewel of the nearly one square mile city of Central Falls, Rhode Island, is Jenks Park, the only large park in one of the densest cities in America. The land was a gift of Alvin Jenks, a descendant of the family which had been among the town’s earliest settlers and one of its leading industrial families, and provided a much-needed recreational/open space for the dense industrial city. In 1890, planning began on the park with consists of hilly terrain cut through by paved paths, rocky outcroppings, and large metal gazebos which were fabricated at the nearby Fales and Jenks machinery works. At the crest of the park’s hill is Cogswell Tower, a clock and observation tower given by a former resident, Caroline E. Richards Cogswell. The stone tower was designed by architect Albert Humes, who ironically, was serving as mayor of Central Falls at the time, which may represent somewhat of a conflict of interest to gain the commission… The Cogswell Tower stands 70-feet-tall and is constructed of rough stone with a pyramidal roof that was once surmounted by an eagle. Its most remarkable aspect, a circular, iron structure which surrounds the base appearing from below as a sort of Hula-Hoop to the tower. Jenks Park and the iconic Cogswell Tower remain as a source of pride for the City of Central Falls.

Former Cornwall Public Library // 1908

Constructed of random-coursed stone, this charming building in Cornwall, Connecticut, exhibits a prominent classical entry, Tuscan pilasters, and modillion eaves. This handsome structure was completed in late 1908 following a substantial donation to the town for it’s first purpose-built library by summer resident John E. Calhoun. Mr. Calhoun had cultivated an interest in architecture and is said to have designed the building, and later designed his own home in the village years later. The high-style architectural building documents the transformation of Cornwall from a sleepy agricultural town into a fashionable residential retreat in the late nineteenth and early twentieth centuries. The building operated as the town’s public library until 2002 when the contemporary library building was completed. This stone structure was converted to the town hall.

Rockland Public Library // 1903

The Rockland Public Library in Rockland, Maine, is an architecturally significant civic building that showcases the coastal town’s prosperity at the turn of the 20th century. The library was built in 1903–04, and was funded in part by a $20,000 grant from Andrew Carnegie. It is the city’s only major example of Beaux Arts architecture, a style that is also uncommon in the state. The library was designed by Maine native George Clough, who used granite quarried from nearby Vinalhaven in its construction. The building was later expanded by an addition at the rear, but from the street, the handsome Beaux Arts library looks near-identical as to when it was built over 120 years ago!

Rockland Custom House & Post Office // 1873-1969

Photo included in HABS documentation

It saddens me to see photos and learn about some of the amazing buildings demolished in the name of “progress”; it is even more disappointing when said building is replaced by a surface parking lot (over 50 years later)! This great stone building was built in Rockland, Maine, in 1876 as the town’s post office and custom house by the Federal government. Relatively unknown architect Alfred B. Mullett is credited with the design as he served from 1866 to 1874 as Supervising Architect of the United States Treasury Department. The building can be classified as Italianate-Second Empire in style and is constructed of massive, rough-faced granite block walls with a shallow mansard roof above. The building was offered for sale by the U.S. Government in 1967, likely due to the upkeep costs and a shrinking local population with the dependency on maritime trade diminished. The building was ultimately razed in late 1969, with a new, uninspiring, post office built next door to this site.

Porphyry Hall // 1880

The Jacob E. Spring Mansion, also known as Porphyry Hall, is a high-style estate house located in Danvers, Massachusetts, that is one of the finest and most unique in the state! The house was built in 1880 for Jacob Evans Spring (1825-1905), who was born in Brownfield, Maine, and at the age of twenty, he went to Argentina and amassed a fortune in the wool business in Buenos Aires between 1845 and 1865, when he returned to the United States. Jacob and his wife, Sara Duffy, would purchase a large farm in Danvers and began planning for their family country home. Their residence was built on a high hill over two years and constructed of over 40 types of stones of irregular size and color with door and window sills of Nova Scotia freestone with arches of the doors and windows and corners of brick. The mansion was designed by architect George M. Harding of Boston, and built by several skilled masons over many months. Mr. Spring named his estate, “Porphyry Hall” with Porphyry meaning an igneous rock with large crystals in a fine-grained matrix; suitable for the walls of their mansion. The Spring’s lived lavishly at this home and spent nearly all of their fortune, selling the property after just ten years to the Xaverian Brothers, who opened it as Saint John’s Normal College. In 1907, the compound was re-organized as a Catholic boys prep school. In 1915, a chapel was added to the rear of the building, constructed from gray fieldstone to blend with the main house. Have you ever seen a building like this?

Colby Hall – Andover Newton Theological School // 1866

Colby Hall sits perched atop a hill overlooking Newton Centre, Newton, and is located in the Andover Newton Theological School campus. The building was constructed in 1886 for the Newton Theological Institution, which was founded on this site in 1825, and used for the a Baptist seminary, educating young students in theology. By the 1860s, the school had outgrown its space and following a donation from benefactor,  Gardner Colby (1810–1879), who was treasurer of the school (and was also the benefactor and namesake of Colby College in Maine) plans were drawn up for the new lecture spaces and chapel building. The unique building was designed by Alexander Rice Esty, a prominent architect at the time, and it blends Second Empire and Romanesque Revival styles under one roof. The three-story structure is of a light buff, rough cut stone with sandstone trim and features an imposing four-story tower at the eastern end. In November 2015, the school announced that it would sell its campus and become part of Yale Divinity School in New Haven, Connecticut. The Newton campus was purchased by the Windsor Park School with Colby Hall now occupied by the Boston Psychoanalytic Society & Institute.

All Soul’s Chapel, Poland Springs // 1912

As part of the ever-growing Poland Springs Resort in Poland, Maine, the operators of the Poland Springs Hotel sought to erect a house of worship for guests and local community members. In 1909, fundraising had risen to total of $15,000 and that, along with a matching contribution by the Ricker Family, who owned the Poland Springs Resort, allowed for the hiring of an architect and the project to commence. Boston-area architect George Henri Desmond furnished the plans for the chapel, and were also hired by the Ricker family to complete plans for alterations to the Mt. Kineo House on Moosehead Lake during the same time period. All Souls Chapel is a Neo-Gothic Revival building constructed of irregular granite blocks with a gable roof covered with slate. It has a central tower with a flat parapet roof and a belfry with ornate louvered openings. The tower is square in plan and contains the principal entrance to the chapel. When the chapel was opened in 1912, it was opened as an interdenominational place of worship for use by Catholics and Protestants. Guests contributed much of the interior furnishings and all of the memorial hand-painted windows placed in the chapel were sponsored by guests or relatives of longtime guests. Today, the chapel hosts weddings, baptisms, and other similar events.

St. Paul’s Church Rectory // 1886

Located next door to the St. Paul’s Episcopal Church in Brookline, Massachusetts, the church’s rectory is equally stunning and compliments the 1850s Gothic church. The Rectory was built in 1886 from plans by Boston architects, Peabody & Stearns, in harmony with the architecture of the Church, with masonry walls of Brighton puddingstone with Nova Scotia freestone trimmings. The Rectory’s architectural style, is somewhat Jacobethan/Tudor due to the pitch of the roof, elbows on the parapet wall, diamond panes in the sashes of the windows, and projecting bay window on the second floor.

United Church of Norwood // 1886

Located across from the church-like Norwood Town Hall, the United Church of Norwood is a landmark example of the Victorian Gothic architecture style and an important historical landmark for the town. The cornerstone of this present church was laid in 1885 and was completed and consecrated by December of 1886. Boston architect J. Williams Beal, got his start at the firm of McKim, Mead & White, designed the church here for the local Universalists, who lost their previous church to fire in 1884. In 1934, the town’s Universalist and Methodist congregations merged and they joined together in this, as a Union Church. Built of Milford granite and pressed brick, the United Church of Norwood features a side chapel and clock in its steeple which are unique and add charm to the historic church.

Cornelius Person House // c.1770

The Cornelius Person House is a pre-Revolution stone dwelling built in the Katsbaan village of Saugerties, New York. The residence was constructed around 1770 by Cornelius Person (1744-1827) a merchant who held a store just south of this home. The store was apparently used as a meeting place for Patriots during the Revolutionary War and Cornelius fought in the local militia at the time. After the war, John Jacob Astor was said to have traded with local fur trappers at the store. The Person Stone House was originally a smaller dwelling and was expanded multiple times to give it the center hall appearance and later saltbox rear. Later alterations include the porches, but the house retains so much of its original charm.