Edward Russell Norton (1871-1960) and his wife, Lillian (1870-1968) got married in 1904 and immediately began planning their dream home. They purchased a building lot on Powell Street in Brookline, Massachusetts, and hired architect, Robert Coit, to furnish plans for the new home which was completed by the next year. The house blends Arts and Crafts and Tudor Revival styles with a pleasing design and architecturally appropriate paint scheme.
Eclectic houses of the late 19th and early 20th centuries are my favorite as they showcase how architects of the time blend features and break the strict mold of academic styles. This example is found in the Cottage Farm neighborhood of Brookline and dates to 1905. Designed by relatively unknown architect, Alfred Lyman Darrow, who studied at MIT, before opening his own practice. The house was first owned by Hugh G. Brown, who founded the Brown’s News Company and the Hotel & Railroad News Company. The house exhibits half-timbering in the gable ends and decorative corbelled chimneys that derive from the Tudor Revival; the front porch parapet appears to derive from the Spanish Mission style; along with stucco siding and unique windows typical of the Arts and Crafts movement.
In about 1884, Edwin Saxton Wheeler purchased a house lot on the desirable suburban neighborhood on Hillhouse Avenue in New Haven, Connecticut, and began constructing an ornate, brick Queen Anne/Romanesque Revival style home there. In 1887, creditors went after Mr. Wheeler’s assets and the property was sold to Civil War General, Alfred Howe Terry. General Terry died in 1890 and the property remained under the ownership of heis heirs until around 1908 when the property was purchased and fully renovated by Lewis H. English. At this time, the ornate brick and terracotta detailing was largely covered by stucco siding, creating the clean facades we see today. The residence was purchased in 1954 by Yale University, and it now houses the Cowles Foundation for Research in Economics.
The early decades of the 20th century were the golden years for suburban development in the Boston area. With personal automobiles better-connecting the city to lesser developed areas like Milton, Newton and Brookline, middle-upper class residents were able to relocate to the suburbs and build stately homes, typically in one of three architectural styles: Colonial Revival (most common), Tudor Revival, or Arts and Crafts (least common). This large house is located on Randolph Road in the Woodland/Heath area of Southern Brookline, and dates to 1928. The residence was constructed for Dr. Walter C. Miner, an orthopedic dentist, and his wife, Ethel and designed by the firm of Strickland, Blodgett & Law. The large house sits on a double-lot, and is notable for its symmetry, slate tile roof, and rough-faced stucco walls.
Constructed of random-coursed stone, this charming building in Cornwall, Connecticut, exhibits a prominent classical entry, Tuscan pilasters, and modillion eaves. This handsome structure was completed in late 1908 following a substantial donation to the town for it’s first purpose-built library by summer resident John E. Calhoun. Mr. Calhoun had cultivated an interest in architecture and is said to have designed the building, and later designed his own home in the village years later. The high-style architectural building documents the transformation of Cornwall from a sleepy agricultural town into a fashionable residential retreat in the late nineteenth and early twentieth centuries. The building operated as the town’s public library until 2002 when the contemporary library building was completed. This stone structure was converted to the town hall.
A castle can be found in the small town of Cornwall, Connecticut! Set amongst 275 acres of woodland and streams, with several outbuildings on the property, this whimsical castle looks like it was dropped here from Cornwall, England, but it actually dates to the 1920s. Hidden Valley Castle, had its beginnings when socialite Charlotte Bronson Hunnewell Martin envisioned building a unique country retreat for herself and her husband, Dr. Walton Martin, in the Litchfield Hills of Connecticut as a summer retreat. Just before this, Charlotte had bought a group of 20 brownstones in Manhattan on 48th and 49th Streets, between Second and Third Avenues, and converted them into charming townhouses around a central Italian-inspired garden. Called Turtle Bay Gardens, the houses were highly acclaimed and almost immediately attracted prominent and celebrated residents. The Cornwall Castle was designed by architect, Edward Clarence Dean, who also redesigned the Turtle Bay Gardens for the couple. Dr. Martin imported many of the materials as well as the 100 workmen required to build the castle, a project that lasted five years. Charlotte would also have a cottage built on the estate and hired young Italian artist, Vincenzo Rondinone, to be her resident artist on the estate to create unique vases, bowls, and pots to be used at the house and to be given as gifts to visitors and friends. The property was restored in recent years and put up for sale, with the cottage sold as a separate dwelling.
Bayville, is a quiet and picturesque coastal village on Linekin Bay, in the eastern part of Boothbay Harbor, Maine. The small village is comprised of roughly 40 cottages and a small post office. This post office was built around 1920 and has operated here seasonally every summer since. The rustic Craftsman style building features a broad roof with exposed rafter tails, extending to create a sheltered porch off the front.
Sprucewold Lodge, nestled in the picturesque coastal town of Boothbay Harbor, Maine, boasts a rich history that dates back to the early 20th century. Established in 1911 by a group of visionary investors and rusticators, the lodge was designed as a summer retreat for families seeking solace in nature. Like the Spruce Point Inn, the building was developed with modest means, but quickly expanded and grew as the unique and rugged site on Spruce Point drew flocks of visitors every year. Its unique blend of craftsman and Adirondack style architecture and stunning natural surroundings quickly made it a popular destination. The investors hired Portland architect John P. Thomas to design a grand log hotel. The hotel was advertised as the largest log cabin in the world until it burned down just years later in 1930. A 31-room annex, this building, was added in 1927 and assisted to serve the over 60 rental cabins, tennis courts, a swimming pool, recreation hall, and a thirty-car garage. When the original Sprucewold Lodge burned down, this building became the new lodge, and it has remained so nearly 100 years later. This enclave of rustic log cabins on Spruce Point is very evocative of the early days of Maine, and it is easy to see why the state garnered the nickname, Vacationland.
This shingled Craftsman bungalow on Rhode Island Avenue in Newport was built in the 1910s for Maud Howe Elliott (1854-1948), a Pulitzer prize winning author and active member in Newport’s art scene and her artist husband, John Elliott. Maud Howe was born at the Perkins School for the Blind in Boston, founded by her father, Samuel Gridley Howe. Her mother was the author and abolitionist Julia Ward Howe. In 1887, she married English artist John Elliott. John is known for his epic Symbolist murals including working alongside his friend and colleague John Singer Sargent to provide murals for the Boston Public library, and a mural at the Smithsonian Museum of Natural History. In Newport, Maud became a founding member of the Newport Art Association, and served as its secretary from 1912 to 1942. She also took part in the suffrage movement as she was greatly influenced by her mother’s ideas and convictions about women’s role in society and particularly so in terms of women’s suffrage. She fought passionately for women to be liberated from the societal expectations and roles determined to them by male dominated society. This was her home in Newport until her death in 1948.
Another great turn-of-the-century summer cottage in Rockport’s Headlands neighborhood is this c.1910 Craftsman house on Norwood Street. The listed early owner was L. S. Haskins who likely utilized the house as a summer residence. Architecturally, the cottage follows the Craftsman form with a low-sloped roof with broad eaves, shed dormer, exposed rafters, and rubblestone foundation and columns of stones taken from the site and nearby neighborhood.
Buildings of New England 