Old Essex County Superior Courthouse // 1861

Located to the west of the Old Granite Courthouse on Federal Street in Salem, the Old Essex County Superior Courthouse is a visual depiction of the emergence of the Victorian styles from the more Classical Greek mode. Originally built in 1861 from plans by Salem architect, Enoch Fuller, the building was distinctly Italianate in style and built of brick until a major renovation in 1889 gave the building its present Richardsonian Romanesque appearance. The building was enlarged and renovated by architects Holman K. Wheeler and W. Wheelwright Northend which includes: changes to the roof line, creation of dormers, alterations to the window surrounds to create Romanesque arches and more. A three-story projecting pavilion, whose first floor is finished with rusticated brownstone, contains a recessed entry with a large semicircular arch supported on three columns with carved capitals at each end. The central pavilion resolves into a gable with corner pilasters with carved finials centering a blind arch containing the full date span of the complex, “1861-1891” in a field of square rusticated brownstone blocks. The courthouse remained in use until the J Michael Ruane Judicial Center at the end of the block was completed in 2012. The Old Granite Courthouse and adjacent Old Superior Courthouse were both vacated and have been essentially mothballed ever-since under the ownership of the Division of Capital Asset Management and Maintenance as surplus. The fate of the two buildings remains undetermined.

Essex County Old Granite Courthouse // 1841

Aligned in a row on the north side of Federal Street in Salem, the Essex County Court complex is a tour de force of the evolving architectural tastes of three centuries. At the eastern edge of the complex, the Old Granite Courthouse stands as the oldest of the group. The two-story temple-form building is of rectangular plan with gabled roof oriented towards the street. The facade features a recessed porch with paired columns surmounted by Greek Corinthian capitals which are set between broad, squared Doric corner pilasters. The granite building was designed by architect, Richard Bond (1797-1861) of Boston, and the structure is often referred to as one of the finest Greek Revival-style Civic buildings in New England. The courthouse remained in use until the J Michael Ruane Judicial Center at the end of the block was completed in 2012. The Old Granite Courthouse and adjacent Old Superior Courthouse were both vacated and have been essentially mothballed ever-since under the ownership of the Division of Capital Asset Management and Maintenance as surplus. The fate of the two buildings remains undetermined.

Liberty Tree Block // 1850

The Liberty Tree Block is located at one of Boston’s oldest and most important intersections, Boylston and Essex streets. It is said that near this site, the Liberty Tree stood, and where in 1765, Patriots in Boston staged the first act of defiance against the British government under its branches, The Stamp Act protests. The tree became a rallying point for the growing resistance to the rule of Britain over the American colonies. The Liberty Tree was cut down by British Loyalists in 1775, but the tree’s symbolism lives on in the building constructed on the site 75 years later. Nineteenth-century real estate developer David Sears had this commercial block built in 1850, which housed stores at the street with ballrooms on the upper floors. The Liberty Tree Block is best-known and named so due to the wooden relief plaque of the Liberty Tree on the Washington Street elevation. The motif stands 8′ high and 5′ wide and was carved by ship carvers. The bas relief is inscribed with “Liberty–1765” across the top, “Law and Order” at its roots, and at the bottom, “Sons of Liberty, 1765. Independence of their Country, 1776.” The building (and its carving) are protected Landmarks in Boston.

Ancient Landmark Building // 1887

Tucked away on Boylston Place, a dead-end pedestrian way off the bustling Boylston Street in Boston, you will find a collection of 19th century buildings that have miraculously survived over a century of growth, urban renewal, and rebirth. This is the Ancient Landmark Building, constructed in 1887 as a IOOF Lodge. The Independent Order of Odd Fellows (IOOF) is a non-political, non-sectarian international fraternal order established in the United States 1819. The four-story Ancient Landmark Building blends Queen Anne and Romanesque Revival styles effectively with its two arched openings, arched windows in the top floor and two-story metal projecting bays. In the 1970s, the building was listed as “substandard” by the infamous Boston Redevelopment Authority, and luckily did not get demolished as part of its Urban Renewal push. The property was eventually acquired by Emerson College, a great steward for historic buildings and cultural institutions, who restored the building and built a new dormitory above and alongside the Ancient Landmark Building. The project preserves the important streetscape of Boylston Place, while providing needed dormitories for the school.

Basilica of St. Stanislaus // 1908

The Basilica of St. Stanislaus is a landmark church building in Chicopee, Massachusetts, with strong ties to the city’s industrial and immigrant past as well as a landmark of the city’s rebirth and growth. The congregation was founded and financed by Polish immigrants who had arrived in Chicopee, beginning in the 1880’s. The young Poles were determined to establish and finance their own church in which they could worship in their own native language and espouse their Polish customs and traditions with a sense of community. The church was founded at a time where Polish immigrants were settling in Chicopee, finding work at local factories. The Polish population of Chicopee surged in the late 19th into the early 20th centuries from just 200 residents in 1885 to over 9,000 in 1914. The first St. Stanislaus Church was a small frame structure built on this site in 1891. The present church was built in 1908 from the designs of architects Robert J. Reiley and Gustave E. Steinback and is Byzantine Revival in style. Constructed of brownstone with cathedral-like qualities, the facade is dominated by a pair of monumental masonry towers. Its spires are composed of copper drums which are surmounted by graceful belvederes and are pierced by arched openings. In 1991, Pope John Paul II raised the status of the church to a “minor basilica“, a classification that remains to today, one of just a handful in New England.

Hotel Essex – Plymouth Rock Building // 1900

The construction of a new South Station Terminal in 1899, prompted a development boom for the nearby area, which had for the previous decades been almost entirely mercantile and centered around the leather and woolen industries. Due to increased land values and an influx of travelers to the area, developers saw an opportunity to erect this building to serve as a hotel for visitors to Boston via South Station. Boston architect, Arthur H. Bowditch, furnished plans for this building in the Beaux Arts/Renaissance Revival style, with use of brick and limestone construction, ornate finishes at the façade including the fluted pilasters, arches and cartouches in the spandrels. The building was completed in 1900 and known as Hotel Essex and featured a long, storied history as a hotel until it closed in the second half of the 20th century. After years of deteriorating conditions, the building was adapted as the corporate offices for Plymouth Rock Assurance Corporation in 1982. The building was restored and has been known as the Plymouth Rock Building ever since.

South Station // 1899

When the railroads serving Boston were first laid out and built, each line stopped at its own terminal which created a dysfunctional and cumbersome travel experience for those entering or leaving the city. The Boston Terminal Company, established in 1897, was charged with the task of consolidating service from the four terminals at a single terminal, a union station (similar to North Station), for routes south of the city. South Station was designed by architects were Shepley, Rutan and Coolidge of Boston and quickly became New England’s busiest transportation center. The five-story Classical Revival style station built of stone is an architectural landmark with three-story Ionic colonnade crowned by a clock surmounted by an eagle, stands above the triple-arched brick masonry lower level corner entrance. While the station handled 125,000 passengers each day during World War II, post-war passenger rail traffic declined in the US. South Station was sold to the Boston Redevelopment Authority in 1965 and (surprise!) they demolished portions of the building and later developed plans to demolish the rest of the station and replace it with a multi-use development including a new train and bus station with large parking garage. Luckily for everyone, the BRA failed in this endeavor and the building remained to the point where public transportation is again invested in and beloved and the building has since been restored. Recently, a glass “crown”, known as South Station Tower, a 51-story designed by Pelli, Clarke & Partners, with new office space, luxury residences, and a redesigned, arched interior concourse (which in my opinion, is the best part). The redevelopment is a push towards transit-oriented development and blends new and old in an innovative way.

What do you think of it?

West Cornwall Covered Bridge // 1864

The West Cornwall Covered Bridge spans the the Housatonic River in the town of Cornwall, Connecticut and is one of three historic covered bridges in the state. Records indicate that a bridge was in this location as early as 1762, but many were destroyed by floods and storms over the years, and even in the past century, flooding as a result of the 1938 New England hurricane and the flood of 1955, threatened to wash the bridge away, but she survived. The 172-foot bridge has been depicted in paintings, photographs, and movies, including Valley of the Dolls a 1967 film. The charm of a historic New England covered bridge is so enchanting and has been a draw for tourists to stop by this amazing town for decades.

Old Goshen Town Hall – Goshen Players // 1895

The first purpose-built official town building of Goshen, Connecticut, was this wood-frame structure at the main junction in the central village as the town’s first town hall. Built in 1895, the structure originally housed offices for the selectmen and town clerk, a fireproof vault for records, and a large audience-room with stage for town meetings and ceremonies. The building employs a more traditional form similar to the old Greek Revival meetinghouses built in New England in the first half of the 19th century, but with a shingled, Victorian entry tower with bell roof. When the Town of Goshen moved into its present town hall building, this structure became the home to the Goshen Players, a community theatre established in 1949, and is the second oldest continuously performing theatre group in the state.

Rockland Security Trust Building // 1912

The Rockland Security Trust Building is a significant Colonial Revival style bank structure located on Main Street in Downtown Rockland, Maine. Built in 1912 from plans by Boston architect Richard Clipston Sturgis, the brick building is trimmed in marble, to provide a visual representation to the financial wealth and stability the bank could provide its clients. The bank closed and the building is presently occupied by an art gallery. Sadly, the rooftop deck railing takes away so much from the building’s presence.

Custom House Block // 1853

This stately commercial block is found on Main Street in Rockland, Maine. The block originally housed the local custom house (before a larger, purpose-built custom house was erected nearby in 1873) with other retail and commercial spaces at the ground floor with offices and meeting space above. The block is a great example of the Italianate style with an intricate brick corbeled cornice and cast iron and marble storefronts. The commercial space occupied by the First National Bank also exhibits a stone medallion with deer set within a wreath over the entrance. The detail that stood out to me most was the cast iron lintels over the windows, with the second floor lintels including a man’s face! The building is well preserved and is today occupied by local businesses.

Colby Hall – Andover Newton Theological School // 1866

Colby Hall sits perched atop a hill overlooking Newton Centre, Newton, and is located in the Andover Newton Theological School campus. The building was constructed in 1886 for the Newton Theological Institution, which was founded on this site in 1825, and used for the a Baptist seminary, educating young students in theology. By the 1860s, the school had outgrown its space and following a donation from benefactor,  Gardner Colby (1810–1879), who was treasurer of the school (and was also the benefactor and namesake of Colby College in Maine) plans were drawn up for the new lecture spaces and chapel building. The unique building was designed by Alexander Rice Esty, a prominent architect at the time, and it blends Second Empire and Romanesque Revival styles under one roof. The three-story structure is of a light buff, rough cut stone with sandstone trim and features an imposing four-story tower at the eastern end. In November 2015, the school announced that it would sell its campus and become part of Yale Divinity School in New Haven, Connecticut. The Newton campus was purchased by the Windsor Park School with Colby Hall now occupied by the Boston Psychoanalytic Society & Institute.

Maine State Building // 1893

The Maine State Building is a one-of-a-kind landmark located in the Poland Springs Historic District of Poland, Maine, though it was not originally built in this location! The Victorian structure was built in 1893 at the Columbian Exposition in Chicago (aka the Chicago World’s Fair) as one of the State Buildings constructed by each U.S. state to highlight their history. Designed by Chicago architect Charles Sumner Frost, a Lewiston, Maine native and MIT graduate, the building was constructed of granite with a slate roof. After the close of the fair, the Ricker family of Poland Spring, purchased the building from the state. They had it dismantled, moved to Maine, and rebuilt on their resort, which brought even more visitors to their property. In Maine, it reopened in 1895 as a library and art gallery for their hotel guests. Along with the Norway Building in Norway, The Dutch House in Brookline (a personal favorite), the Palace of Fine Arts (now the Museum of Science and Industry) and World Congress Auxiliary Building (now the Art Institute of Chicago) in Chicago, the Maine State Building is one of the few remaining buildings from the 1893 World’s Fair, and the only State Building remaining. It has been lovingly preserved and operated by the Poland Spring Historical Society, who operate the building as a museum.

Ashby Public Library // 1902

The Ashby Public Library in Ashby, Massachusetts, was built in 1902, completely funded by a donation from Edwin Chapman (1841-1915) who lived across the street from the new library. Mr. Chapman was raised in Ashby and became a wealthy Boston-area merchant in the meat trade by the late 19th century. Before this library was built, the town’s library collection was housed in the Wyman Tavern. The building was designed by architect Henry M. Francis in the Neoclassical style with Romanesque detail in brick and brownstone to make the building fireproof. The library was added onto in the rear in 2006 by The Galante Architecture Studio, which is recessed and mostly visible from the rear parking area. The addition is Modern in style to distinguish itself from the main library building.

Boston Flatiron – The Boxer Hotel // 1900

The interesting street-layout of the Bulfinch Triangle area of Boston created some oddly shaped triangular building lots which for decades, saw only small, modest wood-frame structures built upon them. By 1900, Boston’s own Flatiron Building (built two years before New York’s more iconic example) was constructed on this site and it has been an icon ever since. The structure was built by ownerCharles Pelham Curtis III (1860-1948), who was born in Boston and graduated from Harvard Law School and became a police commissioner and attorney in the city before moving into real estate development. He hired architect Stephen Codman to design this commercial block, which was rented out to local businesses and professional offices. The building has been home to a hotel for a number of decades, with a major renovation undertaken beginning in 2000, 100 years after the building was constructed. Three floors were added to the top of the original six-story, which are Modernistic in design with large expanses of windows within three center bays that align with the bays of the original building and which are defined by brick piers. The hotel today, The Boxer Hotel, perfectly blends the history of the building with modernity and style. What a gem of a building!