This stately yellow brick Colonial Revival sits on the edge of the College Hill neighborhood of Providence, and I couldn’t help but to take a few photos! This residence was completed in 1904 for Sarah and John Tillinghast in the later years of John’s life (he died less than two years of moving into this home). The house exhibits a large semi-circular portico with balustrade above, the portico is flanked and surmounted by Palladian windows with elliptical reveals. The house was recently proposed to serve as a suboxone clinic, but that was shut down by neighbors. It appears to be divided into residential units now.
The Oliver Walker House in Kennebunkport Village is one of the better examples that shows how overlapping architectural styles can work really well on an old house (when done right)! The original house was constructed around 1809 for Oliver Walker (1788-1851), a sea captain who later accepted the call and became a deacon for the South Congregational Church in Kennebunkport. Walker died in 1851 and the Federal style property was inherited by his only surviving child, daughter Susan, who had married Portland native, Captain John Lowell Little. Under their ownership, the traditionally designed Federal house was modernized with fashionable Italianate style modifications of the decorative brackets and an enclosed round arched window in the side gable. A later Colonial Revival projecting vestibule adds to the complex, yet pleasing design. I have a feeling the interiors of this house are just as spectacular as the exterior.
The village of Kennebunkport in Maine is a well-preserved enclave of Federal period houses built at the heyday of shipbuilding and maritime trade in the late 18th and early 19th centuries. Many sea captains and shipbuilders erected stately homes in the village, with high-quality design and woodworking inside and out. This Federal period home was built for Asa Hutchins (1769-1860) a blacksmith who was born in Portsmouth, New Hampshire and settled in Kennebunkport in the late 1700s. The house exhibits a central chimney a feature more common in Colonial-era homes, with a five bay facade and projecting entrance.
Robert Palmer Jr. (1856-1914) was born in Groton, Connecticut as the son of Robert Sr., a prominent businessman and Deacon in Noank’s seaside village (his house was featured previously). Robert Sr. established the Palmer shipyard, which became the largest business enterprise in Noank. Jr. would later join his father’s business and did well for himself financially, eventually marrying and building this Neo-Classical mansion on Church Street in town. The company, under Sr. and Jr.’s leadership, built many seafaring vessels that were internationally renowned until the company closed in 1914 after the death of Robert Jr. This house is unique in town for the monumental two-story portico, Palladian windows at the first floor, and a projecting entry vestibule.
Noank is a charming seaside village within the town of Groton that is centered on a peninsula at the mouth of the Mystic River where it spills out into the Long Island Sound. Historically, the area was known as Nauyang (meaning “point of land”) and was a summer camping ground of the Pequot people, but they were driven out in 1655 following the Pequot War. White settlement was slow here until the mid-19th century, when the shipbuilding and fishing economy took off here. As a result, houses, stores, churches and industries were built, and an entire village was formed. Most extant homes here were constructed starting in the 1840s as the village (and nearby Mystic) saw economic growth from the maritime trades. This house, the Moses Latham House, was constructed for Mr. Latham in about 1845. The house is Greek Revival in style with flush-board siding, a fan light in the gable which reads as a pediment, and a simple portico supported by fluted Doric columns.
There are always those houses that just stop you in your tracks… For my last post (for the time being) on Providence, I wanted to share this significant property, known as the Woods-Gerry House, perched atop College Hill. Owner Marshall Woods, who married into the Brown family and was active in the affairs of Brown University. Locally he was also involved on the building committee for St. Stephen’s Church where he was a factor in selecting renowned architect Richard Upjohn to design the church. He must have liked Upjohn so much (or got a good deal) that he hired Richard Upjohn to design his new home on Prospect Street. The exterior of the three-story brick building stands out amongst the other Italianate mansions built in the same decade nearby, but is elevated design-wise with a bowed centerpiece on its east elevation with the handsome new front entrance renovated in 1931 by then-owner, Senator Peter Gerry, who was a great-grandson of Elbridge Gerry, the fifth Vice President of the United States (who had given his name to the term gerrymandering). Today, this significant building is owned by the Rhode Island School of Design and houses the Woods Gerry Gallery. The grounds are also very well designed.
Tudor Revivals may just be my favorite style of house. The interesting roof forms and gables, the use of stone, brick or stucco, and the presence of garrisoning and half-timbering in designs are always so charming. This enchanting Tudor Revival home in Providence, Rhode Island, was built in 1900 by local architect Howard K. Hilton (1867-1909) as his personal residence with wife Rose. He first worked in the office of H. W. Colwell and continued his training under Ellis Jackson joining him in partnership (Jackson & Hilton) and under the firm name was identified with the design of several churches, schools, hospitals and various other buildings in his native city before he retired in his final years. This home is very unique for its site on a narrow urban lot with the door at the side, brick first floor with jettying at the second floor of wood construction with half-timbering. While writing this, I noticed that there are also projecting gargoyles which serve as water spouts to send water away from the structure during rainfall events. Tudors are really the best!
Although Benjamin Bliven built this house, he never owned the property, but the name lives on! This house on Angell Street in Providence was originally constructed in 1849 in the Greek Revival style, popular at the time. Bliven, a musician, rented the property to tenants until the deed was transferred to Abby W. Watson, wife of Robert W. Watson (owner of the property next door and featured on this account previously). The first owner-occupants were Grace A. and Eugene H. Greene, who bought the property in 1898. The house was completely remodeled in the early decades of the 20th century with Regency/Colonial Revival detailing. Changes including the former roof with its gable-end facing the street boxed off, a new modillion cornice with parapet above; recessed attic story with balustrade; small wing to the east. The stucco siding and Federal entry is icing on the cake!
I think I found it… My favorite street in Roxbury. Harrishof Street is a surviving streetscape that shows the beauty and potential of the Washington Park district of Roxbury, a surviving span of houses that dodged the wrecking ball during a period of Urban Renewal. This section of the street runs a stone’s throw from the ruins of the 1857 Horatio Harris Villa (featured previously) and was laid out by Horatio’s heirs who developed the former sprawling estate into multi-family housing, to cash in on suburbanization caused at the turn of the 20th century thanks to electric trolley lines in the neighborhood. The development is credited to Alexander Colin Chisholm (1868-1941), a Canadian-born architect and developer who grew up in Roxbury. He specialized in small residential enclaves of similar houses, including these houses on Harrishof Street, and later on Elm Hill Park. The two-family houses blend Queen Anne and Colonial Revival styles in such a fun way that pushes the boundaries of academic architecture. The houses on the street are all slightly different and have had varied alterations over time, but this is a great candidate for a historic district!
Isaac Harris Cary was born in the North End neighborhood of Boston, Massachusetts on November 3, 1803, the seventh child of Jonathan and Mary Cary. In 1824, Isaac and his brother William formed a partnership and ran a fancy goods imports business, Isaac H. Cary & Co. on Washington Street in Boston. The brothers opened a store in New York and William moved there full-time. In 1831, Isaac married Phebe P. Pratt of Roxbury and they would have three children, two of them living to adulthood. After doing business in New York City and later in New Orleans, Isaac and his family settled in the Jamaica Plain section of Boston, purchasing large land holdings and developing real estate. One of the finest lots he owned was developed for his country estate in 1850, an Italianate/Second Empire-style mansion perched atop an outcropping of Roxbury puddingstone. The large home with a rear three-story tower remained in the Cary family under his single daughter Susanna’s ownership until her death in 1913.
The Ashbel Woodward House in Franklin, Connecticut was built in 1835, on land purchased by Doctor Ashbel Woodward, a prominent local physician, a year prior. Woodward, was a graduate of Bowdoin College, and he began practice in Franklin in 1829, serving as the town’s primary medical practitioner until his death in 1885. Though in his 60s at the outbreak of the Civil War, Woodward perhaps lent his greatest service to his country when he served as a battlefield surgeon and medical facilities inspector for the Union army. Besides his work in medicine, Woodward collected literature and numerous artifacts pertaining to Franklin’s past and eventually wrote a book detailing the town’s history. The Ashbel Woodward House is an excellent example of the Greek Revival architectural style in a five-bay form. Interestingly, there are semi-elliptical windows in the pediment gable ends on the side elevations, seemingly a nod to the Federal style that was waning out of style at the time. The property is in use today as a museum, documenting the life of Dr. Woodward and the people of Franklin, Connecticut.
Prairie style architecture is not nearly as common in New England as it is in the Mid-western United States. The style was almost always seen in early 20th century residential designs and is characterized by horizontality, low slope roofs, overhanging eaves, and open interior floor plans. This New England vernacular version of the Prairie style employs some Arts and Crafts influence with Tuscan columned porch and wood frame construction, rather than the more bulky and bold use of brick and stone. This residence sits on a busy state route in the sleepy town of Franklin, Connecticut. This house appears to have been built for Oliver Johnson who was about seventy by the time the house was built. Do you know of any other Prairie Style houses in New England?
Reverend Samuel Nott (1754-1852) was born in Saybrook, Connecticut and did not have an easy beginning. When he was young, the family home burned, destroying all family possessions. Some years later on a business trip, he was beaten and robbed. At twelve years old, he began working for his father, later becoming a blacksmith by 16. For a while, young Nott lived with a Rev. Dr. Welsh of Mansfield. The older man had a profound religious influence on the young lad. At age 23, Nott entered Yale, but the college closed when British troops entered New Haven. In 1782, he married Lucretia Taylor and passed his examination for the ministry. A year before his marriage, he was invited to serve a parish in West Farms, now Franklin. He was apparently anxious to accept the position at the rural village, as the farmers attending the congregational church had fired their previous two pastors, he accepted the call regardless. During his tenure, he prepared more than 40 young men for college and schooled as many as 300 boys and girls in his home, some as boarding students. He was regarded as one of the most successful educators of the day. Education ran in his family as Samuel’s brother, Eliphalet Nott, would become President of Union College in Schenectady, NY for 62 years, from 1804-1866. Towards the end of Samuel’s life, in his 70s, his wife Lucretia, became an invalid, requiring care and finally passed in 1834. Three of his children also died. Nott passed away at 98 years old in this house, as a result of burns sustained from his own fireplace.
In 1885, a 28-year-old Leroy King (1857-1895) and his wife Ethel Rhinelander King (1857-1925) hired one of the country’s most prominent architects, Stanford White, to design a Newport home for their family. Leroy was the son of Edward King, a prominent local merchant, and upon his fathers death in 1875, inherited some of the $100+million dollar fortune he had amassed in today’s dollars. The corner lot at Bellevue and Berkeley avenues was purchased and work was underway on the new mansion. The house is a really interesting take on the Shingle style, but instead of cedar shingle siding, employs fireproof construction. A central hall, large gabled masses, picturesque window arrangements, and a spectrum of surface textures (here conveyed largely in natural stone and brick with flourishes of shingle and pebble dash work), align this house with McKim, Mead & White’s earlier efforts in this style. The interior has been meticulously preserved and maintained by the owners.
The Dining Room of the Elms Mansion in Newport, Rhode Island, is represents the Gilded Age in all the best ways. The room sits just off the ballroom and like all of the other rooms in the summer residence of the Berwinds, it was designed by famed interior designer Jules Allard. The dining room was specifically to display a collection of early18th-century Venetian paintings purchased by Mr. Berwind from the Ca’ Corner estate in Venice (the Berwinds were avid collectors of 18th century French and Venetian paintings). The iconic coffered ceiling is not of wood, but of molded plaster, grained and painted to imitate oak. Each coffer is decorated with the winged lion of Saint Mark, the patron saint of Venice. Pour custom-made crystal chandeliers hang in the four corners of the room. At the end of the room is a stunning green marble, agate and onyx fireplace that is framed by a ceiling-high pediment supported by carved Ionic columns. Could you see yourself entertaining in this dining room?
Buildings of New England 