While Cornwall, Connecticut is known for its 19th century architecture, there are some amazing Mid-Century Modern houses hidden away on forested lots there. This is the Eric and Anne Bohlin House (aka Forest House) designed by architect Peter Bohlin of Bohlin Cywinski Jackson for his parents as a summer retreat. The residence was completed in 1975 and sited between dense evergreens and bright deciduous woodland in a sparsely developed part of town. Camouflaged among the trees, the green-stained exterior hovers above a boulder-strewn landscape, resting on concrete piers, with large windows to take advantage of the glorious forest views. This is a great example of high-quality, site-specific house designs, which are becoming a rarity in recent years.
Located across from the North Cornwall Congregational Church in Cornwall, Connecticut, this vernacular, Greek Revival building was constructed by 1847 as the Adelphic Institute, a private school. The Adelphic Institute was founded by Ambrose Rogers, son of Deacon Noah Rogers of the Congregational Church in the village, on land and adjacent to the house he had inherited from his father. The school would eventually relocate to New Milford, Connecticut, in 1860 and this building was converted to a parsonage and meeting room for the church and village. It is now privately owned on the property of the old Rogers house.
During the nineteenth century several small rural settlements dotted the landscape in Cornwall, Connecticut. In 1782, a group of “strict Congregationalists” seceded from the established Congregational church in town and constructed a “second” church in Cornwall Center. Following this, the town was divided into north and south parishes, with First Church built on the town center and the Second Church, this building, constructed in North Cornwall village in 1826. The North Congregational church is among the town’s finest Federal style buildings in the region and features three entrances with fanlight transoms and the bays of the facade are broken up by two-story fluted pilasters.
One of the most attractive railroad depots in Connecticut, the Cornwall Bridge Railroad Station exists in almost complete originality. Its siding is board and batten and its slate roof with a wide overhang supported by the original brackets, showcases the attention to detail railroad companies paid to design and appoint these important landmarks. Built in 1886, the building can be classified as Stick Style and is one of a few buildings in town of the style, adding to its significance. The station was built by the Housatonic Railroad to replace an earlier station on the site. The Housatonic line was acquired by the New York, New Haven and Hartford Railroad in 1892 and later by the Penn Central Railroad in 1969, which went bankrupt by 1970. This station was subsequently sold to private ownership and listed on the National Register of Historic Places as a tool to bring awareness to its significance and threatened status. Luckily, the building was preserved and has been converted to a private residence.
A castle can be found in the small town of Cornwall, Connecticut! Set amongst 275 acres of woodland and streams, with several outbuildings on the property, this whimsical castle looks like it was dropped here from Cornwall, England, but it actually dates to the 1920s. Hidden Valley Castle, had its beginnings when socialite Charlotte Bronson Hunnewell Martin envisioned building a unique country retreat for herself and her husband, Dr. Walton Martin, in the Litchfield Hills of Connecticut as a summer retreat. Just before this, Charlotte had bought a group of 20 brownstones in Manhattan on 48th and 49th Streets, between Second and Third Avenues, and converted them into charming townhouses around a central Italian-inspired garden. Called Turtle Bay Gardens, the houses were highly acclaimed and almost immediately attracted prominent and celebrated residents. The Cornwall Castle was designed by architect, Edward Clarence Dean, who also redesigned the Turtle Bay Gardens for the couple. Dr. Martin imported many of the materials as well as the 100 workmen required to build the castle, a project that lasted five years. Charlotte would also have a cottage built on the estate and hired young Italian artist, Vincenzo Rondinone, to be her resident artist on the estate to create unique vases, bowls, and pots to be used at the house and to be given as gifts to visitors and friends. The property was restored in recent years and put up for sale, with the cottage sold as a separate dwelling.
One of the few Gothic style buildings in the enchanting town of Cornwall, Connecticut is this large church-turned-residence in West Cornwall village. As West Cornwall developed in the second half of the 19th century into the largest district in town, residents here began to discuss the idea of building their own Congregational church, rather than travel to the central village church to attend services. In the 1870s, West Cornwall congregationalists raised over $4,000 to acquire a building lot and erect this fine church. Dedicated in January 1878, the wood-frame church is a rare example of the Victorian Gothic/Stick styles with clapboard siding, lancet (pointed arched) windows, a corner tower with belfry, vertical sheathing in the gables, and ornamental applied stickwork. The church closed in the 20th century and was converted to a private residence, and is presently for sale!
This large, Italianate style mansion is located at 417 Sharon-Goshen Turnpike, the main street through West Cornwall Village, Connecticut. The house was built around 1860 for Stephen Foster (c.1816-1863) a merchant and railroad contractor who had constructed a portion of the Housatonic Line railroad near West Cornwall. He and his wife, Helen, previously lived in a Greek Revival style house across the road until they moved into this stately residence. Mr. Foster would not get to enjoy his mansion long as he died in 1863. Helen Foster remained at the home until her death in 1875. The high-style Italianate residence was likely built by master-carpenter C. W. Marsh, and features all the hallmarks of the style: overhanging eaves with decorative brackets, elaborate window and door moulding, two-over-two windows, and a shallow hipped roof with dormer.
This attractive Greek Revival style residence with later porch was likely built in the 1840s and is one of the finest homes in the village of West Cornwall, Connecticut. The house was likely built for Stephen Foster (c.1816-1863), a merchant and railroad contractor who had constructed a portion of the Housatonic Line railroad near West Cornwall, further opening the village up to trade. Stephen and his wife, Helen, lived here for some time until around 1860 when they relocated to a larger, Italianate style mansion nearby. In 1867, this property was purchased by George Beck, a German immigrant and partner of the Vollmiller Shear Shop, who manufactured metal shears and scissors in West Cornwall. It is likely that Beck was owner of the house at the time the wrap-around porch with scroll-sawn columns.
This modest, vernacular frame structure in West Cornwall, Connecticut, perhaps erected as early as 1800, has served a number of commercial purposes in its history, most significantly as a toll house. The structure was a toll booth for the two turnpikes which crossed near the site – the Sharon-Goshen Turnpike, and the Warren Turnpike, which ran along the Housatonic River. Before the days of EZ-Pass and transponders, travellers would pay their tolls to a worker in this building. Eventually the street became free to use, and the building was acquired for commercial use. It now serves as a showroom for a local cabinetmaker, but retains the original charm and historic sign above the door. How charming is that?
The West Cornwall Covered Bridge spans the the Housatonic River in the town of Cornwall, Connecticut and is one of three historic covered bridges in the state. Records indicate that a bridge was in this location as early as 1762, but many were destroyed by floods and storms over the years, and even in the past century, flooding as a result of the 1938 New England hurricane and the flood of 1955, threatened to wash the bridge away, but she survived. The 172-foot bridge has been depicted in paintings, photographs, and movies, including Valley of the Dolls a 1967 film. The charm of a historic New England covered bridge is so enchanting and has been a draw for tourists to stop by this amazing town for decades.