In 1787, Oliver Druce (1760-1797) married Sarah “Sally” Kollock (1764-1789) and had this large residence built overlooking the Town Common in Wrentham, Massachusetts. The young couple raised one daughter here until Sarah died in 1789 at 25 years old, followed years later by Oliver, who died in 1797 at 37 years old. By the turn of the 19th century, the late-Georgian residence was owned by John Francoeur, a French Huguenot. The Druce-Francoeur House is one of the finest Georgian style residences in Wrentham, which retains its magnificent doorway framed by fluted Ionic pilasters with broken scrolled pediment above.
Wrentham, Massachusetts, was originally known as Wollomonopoag, roughly translating to “place of shells” a name given by the native tribes living here, referencing to area lakes as a food source for the people living here for over 8,000 years before European settlement. The area was settled by colonists in 1635 and became part of Dedham, when it was established in 1636. In 1673, the General Court allowed for the separation of what is now Wrentham, to incorporate as its own town. The community adopted the name Wrentham after the town in Suffolk County, England, a small village of just under 1,000 residents. About 50 years after incorporating, this historic Georgian farmhouse off Cumberland Road, not far from the Rhode Island state line, was built. The Boyden-Clark House is among the few pre-Revolutionary era homes remaining in the suburban community and retains its rural character. The house is said to have been built for Thomas Boyden (1681-1771) and wife, Mary (Clark) Boyden around 1725. The Boyden’s enslaved laborers who worked the farm here for decades. The property was later owned by Stephen Clark who farmed the land and likely added the stone well in the front yard. The house retains its gambrel roof and central chimney, hallmarks of the Colonial era.
The finest example of the Second Empire style in the industrial village town of Hopedale, Massachusetts, is this stately residence at the beginning of Adin Street, which has been colloquially known as ‘Millionaire’s Row’ as it is lined with many large mansions owned by factory owners and managers. This is the Warren W. Dutcher House, built around 1860 for its namesake, a wealthy and well-connected manufacturer. Square in form, the house is capped by a concave mansard roof in slate, and features a cornice with paired brackets, round-headed dormer windows, and a central entry with door hood supported by oversized brackets all under the full-length porch. Warren Whitney Dutcher (1812-1880) was originally from North Bennington, Vermont, and in the 1850s, he invented a temple that worked better than one used by the Draper Corporation. are adjustable stretchers used on a loom to maintain the width and improve the edges of the woven fabric. George Draper bought an interest in it, and encouraged Mr. Dutcher to move to Hopedale to expand his operations. He moved to Hopedale in 1856, and built this home after a few years of managing the Dutcher Temple Company. After Warren Dutcher died in 1880, the home was inherited by his son, Frank Dutcher, until he built his own house on a lot behind his childhood home.
Located on Adin Street, a street of homes formerly owned by factory owners and managers in Hopedale, Massachusetts, you will find “Urncrest”, a stunning Queen Anne Victorian mansion. This home was originally built around 1875 for William Lapworth (1844-1937) an English-born weaving expert, who worked at Hopedale Elastics Co. and patented certain weaving processes for suspenders, boot webbing, and garters. Hopedale Elastics was absorbed by the Draper Corporation in 1890, and Lapworth “modernized” his home with profits from this sale. His formerly modest home was updated with a corner tower, large additions, wrap-around porch with porte cochere, and applied ornament. The detached carriage house was also expanded, where he added a coachman’s apartment.
Another stately old home on Glezen Lane in Wayland is this brick, Federal style country mansion located across from the town Training Field. This residence is said to have been built by a Nathaniel Gleason (Glezen) and later inherited by a family member, Abel Glezen (1803-1890) who farmed the 55 acres of land and was a local politician. In 1900, as Wayland shifted from rural community to a desirable Boston suburb for summer residences, the Gleason House was purchased by Henry W. Patterson, who was in his late 20s when he bought this country house. Henry inherited his father’s estate and married Jane Harrington Adams from Massachusetts. The couple spent only a couple years here until Henry died in 1907 at just 35 years old. Jane, his widow, remained here until her death in 1950. The estate was subsequently subdivided and remains one of the finest homes in the community.
Built in 1805 by Isaac Gleason (Glezen), this Federal style mansion was later expanded in the early 20th century in the Colonial Revival style as Wayland became more of a wealthy Boston suburb. Located on the appropriately named Glezen Lane, this house was constructed for Isaac Glezen (1769-1843), who farmed the land here. Other family members built homes nearby. As Wayland shifted from rural community to a wealthy Boston suburb in the early 20th century, the property was purchased by Charles Ashley Hardy and his wife, Alice. The couple would sell the property in 1918, which comprised of 89-acres of land and a chauffeur’s residence, was purchased by Albert H. Beck, a New York banker. The property was later subdivided and consists of many other large, single-family homes.
Nestled into the forests of Wayland, Massachusetts, one of the most significant examples of early Modernist architecture, the Chamberlain Cottage, represents the European Bauhaus style adapted to the American landscape and New England vernacular. Designed in 1940 and completed in 1941, the house was commissioned by Harvard Economics professor, Henry Chamberlain and his wife, Margareth, as a weekend retreat from Cambridge. Professor Chamberlain commissioned Marcel Breuer and his mentor, Walter Gropius, then Dean of the Harvard Graduate School of Design, to design a home with a specific request for a screened porch similar to Gropius’ residence in nearby Lincoln. For the Chamberlain Cottage, the design responds to the uneven terrain and the potential for river flooding by two distinct parts: a grounded stone base and a cantilevered wooden volume above. The lower stone level functioned as a foundation while providing storage for a canoe and housing a fireplace that extends vertically through the structure; with the upper wooden volume containing living spaces. Despite its compact size for weekend visits, the upper level is well planned and includes a living space, kitchen, a single bedroom, and the porch. Due to its small scale and siting, the one-bedroom cottage was not easily adaptable for modern living. After falling into disrepair in the 1980s and ’90s, the home was purchased by architects Sidney R. Bowen and Angela Watson, who expanded the structure over the course of a decade to its current size of 3,742 square feet. It has been occupied and lovingly maintained by later owners. It remains a private residence.
This First Period Home on in Wayland, Massachusetts, can be found at 184 Glezen Lane and is one of the community’s oldest residences. The Griffin-Malloy Homestead dates to about 1720 and is a large, single-family farmhouse that is just over 300 years old! Records state that the house was built by early settler, Samuel Griffin and possibly expanded later by his son, Deacon Jonathan Griffin. After generations of Griffin Family ownership, the old farmhouse was purchased in 1877 by Timothy Malloy (1839-1909) an Irish immigrant who settled in Wayland and operated a farm here. The house as of the 20th century, retained much of its original wood paneled walls and fireplaces, and has been lovingly preserved by generations of great stewards.
This unique residence in Wayland, Massachusetts, is tucked away on Corman’s Lane, a dead-end street near Snake Brook, a small stream leading into Lake Cochituate. The house was built around 1870 for George William Risley (1836-1913), a shoe manufacturer and Civil War veteran who settled in Cochituate Village and ran a factory there. Risley was active in town affairs and served as Selectman in 1872, the year in which the annual meeting authorized the selectmen to petition the General Court for Cochituate to separate from Wayland. The petition was ultimately never was filed and Cochituate remains a part of Wayland. The Risley House has five bays and a shallow side gable roof with broad, overhanging eaves supported by brackets. A central porch runs along part of the facade and has intricate turned posts and spindlework. The home remains in great shape and is evocative of mid-late 19th century industrial housing built for factory managers.
The Damon-Griffin House at 92 Commonwealth Road in Wayland, Massachusetts, is one of the exemplary buildings constructed in the Cochituate village in town, which prospered in the 19th century and centered around industry. This stately Second Empire style mansion is sited on a rise in the land overlooking Lake Cochituate and was completed in 1869 for George A. Damon (1826-1885), a wealthy businessman. George Damon died in 1885, and the house was sold to Wallace Griffin, one of the Griffin brothers who worked for the Bent Company, a prominent local shoe manufacturer. In 1890, Noble Griffin bought the house from his brother and, as his business prospered, proceeded to fix up the house as the showplace of a successful shoe manufacturer. In the mid-20th century, the Damon-Griffin House became a funeral home, and later was purchased by a developer who subdivided the land to build a suburban-style development of detached homes behind the house, and constructed an addition to the rear with more condominium units.
The Grout-Heard House on Cochituate Road in Wayland, Massachusetts, is one of the oldest extant residences in the community and architecturally significant as it shows the evolution of architectural tastes throughout the centuries. The house was built around 1743 for Jonathan Grout (1701-1748), a grandson of an original settler in the area, by the time of his marriage to Hannah Heard in 1743. Early records suggest that the house was originally just one bay deep and two-stories tall with a central entry. The property was sold in 1744 to Richard Heard, Jonathan’s brother in-law. In 1787, Silas Grout (1755-1820), a blacksmith, purchased the house and likely added rooms on the rear of the house. In 1822, Silas’ descendants added the side ell and the residence became a double-house in the mid-19th century. The house was moved from the site to make room for the 1870s Town Hall, and the rounded two-story side bay was added. After the Town Hall was razed in the 1950s, the Grout-Heard house was moved back to its original site in 1962. Since that date the Grout-Heard House has been the offices, research center, artifact repository and house museum of the Wayland Historical Society, who added a two-story Modern addition at the rear.
This house in Wayland Center was built for Dr. Ebenezer Ames (1788-1861) who had a medical practice treating patients in East Sudbury (later named Wayland) and other surrounding communities. Dr. Ames is believed to have built this house in about 1823, which is a five-bay, two-story Federal style house under a hipped roof. Dr. Ames moved to another home in the village by 1830 and this old residence was purchased by Judge Edward Mellen (1802-1875) who lived in the house from 1831 until his death in 1875. Judge Mellen was appointed Chief Justice of the Massachusetts Court of Common Pleas in 1855, and practiced law in Wayland from a small office that still stands in the center of the village. Mellen’s widow Sophia Mellen remained here after her husband’s death in 1875 until her death in 1893. The front porch was likely added in the early 20th century, but does not at all detract from the architectural significance of the 200 year old residence.
The Warren Gould Roby House at 11 Concord Road in Wayland is located just north of the town’s public library building and is one of the community’s finest examples of the Colonial Revival style. The Roby family occupied this land going back to 1725, when Ebenezer Roby (1701-1772) came to Wayland and built a house on this site. His son, Dr. Ebenezer Roby, Jr. (1732-1786), inherited the large Georgian house which also had an office for his medical practice. The old homestead passed to Dr. Roby’s son, William Roby, and eventually to his grandson Warren Gould Roby who lived in Cambridge and worked as a metal merchant and would spend summers at the family homestead. The old colonial Roby House burned in 1886 which is when Warren Gould Roby (1834-1897) rebuilt a Queen Anne residence on the site. Before his death in 1897, Warren Roby donated a half-acre of his land to the south and $25,000 to the town for the purpose of constructing a library that would be as fireproof as possible, the result is the Wayland Public Library. After his death, the Roby heirs, who lived in Cambridge, sold the family estate to Daniel Brackett, a lawyer who also served as the Wayland Town Clerk and Assessor. It was likely Mr. Brackett who expanded the home in the early 20th century in the Colonial Revival style and form we see today.
After the completion of the Wayland Railroad Depot in 1881, suburban development in Wayland Center increased, where the village saw dozens of large homes built in the late 19th and early 20th century. On Bow Road, the James H. Small House was built around 1898 by and for its namesake, who worked as a carpenter and builder in town. James Henry Small (1847-1913), while not a trained architect, built this home as a late example of the Queen Anne style, as the Colonial Revival style began to proliferate in the village, showing a changing of architectural taste. The James Small House consists of a main gable-front block with a side wing that includes a square tower. The use of clapboards, differing shingles, and diagonal sticks provide variety and texture to the house and serves as a unique contribution to the village which is largely dominated by rigid symmetry and vernacular of Colonial-era homes.
Buildings of New England 