This stately and well-preserved Stick style residence is located on High Street in Westborough, Massachusetts. The house was built around 1875 for Mr. William Henry Forbush and his wife, Alice. William was a sleigh manufacturer in town and served in the Civil War, mustering out years after injuring his left hand during the Second Battle of Bull Run. Forbush died in 1881 at the age of 37, and Alice married to Dexter Brigham, a carpenter who also fought in the Civil War. It was possibly Mr. Brigham who added the intricate woodwork on the home.
The Sibley House is a historic house museum as well as the headquarters of the Westborough Historical Society. Located on Parkman Street in the center of Westborough, Massachusetts, the transitional Greek Revival/Italianate style house was built in 1844, by William Sibley, who was a blacksmith and wheelwright. Soon after the house was built, William married Jane Caroline Gibson, and the couple raised five children here. William joined Westborough’s Company K, 13th Massachusetts Regiment during the Civil War and was wounded at Antietam. After the war, William returned home and he and his brother Frank began to manufacture sleighs. At one point, they produced as many as 300 a year! The Sibley House was purchased by the Westborough Historical Society in 1990, nearly 100 years after the society was established in 1889. The house is open to visitors and provides a glimpse into daily life for Westborough citizens at the time.
Edwin Bayard Harvey (1834-1913) was born in Deerfield, New Hampshire, and attended Wesleyan University in Connecticut, pursuing his career as a teacher. He would teach for a few years until he shifted gears and enrolled at Harvard Medical School, graduating in 1866. With the intention of settling in the West, he went to Waukegan, Illinois, but was not satisfied, so he returned to New England, and made his home in Westborough, Massachusetts. Edwin operated a medical office from this house on West Main Street and resided here with his family until his death in 1913. He often made house calls around town travelling by horseback. During his time in Westborough, Dr. Harvey served as President of the Massachusetts Medical Society from 1898-1900, and served on local school and library boards in Westborough. Never giving up on his push for education, as a State Senator in the legislature in 1884, Dr. Harvey introduced and was instrumental to the passage of a bill to provide free textbooks to the children of the state. The Dr. Edwin Harvey House remains in a great state of preservation.
Located next to the colorful Wadleigh-Friend House on Highland Avenue in Somerville, the Dr. Thomas M. Durell House stands as a more academic example of the Colonial Revival style, but leaning more towards Arts and Crafts style than Queen Anne like its neighbor. This residence was built in 1897 for Dr. Thomas M. Durell, a Harvard-educated doctor and surgeon who, at the formation of the Tufts Medical School, was appointed Lecturer on Legal Medicine, and in 1895, was made Professor of that subject. Architects (and brothers) Edwin King Blaikie and William Everett Blaikie designed the residence for Dr. Durell along with a stable at the rear. While the house exhibits Colonial Revival detailing from the Palladian window and proportions, there are some Arts and Crafts style influences including the shed dormers, shingled siding, inset porches, and broad overhanging eaves with exposed rafters.
One of the most beloved houses in Somerville, Massachusetts is this beauty on Highland Avenue, known best for the unique assemblage of colorful found objects in the front yard, as a living museum. The residence was built in 1893 for William Y. Wadleigh, a wholesale grocer who operated markets all over the region. The house is an eclectic blending of Queen Anne and Colonial Revival styles with an asymmetrical plan and rounded corner tower taken from Victorian styles, along with a classical porch and swan’s neck pedimented dormers at the roof, clearly Colonial Revival in style. Today, the Wadleigh House is best-known for its owner, artist Martha Friend, who has preserved the house, and created an enchanting, ever-evolving installation outside and inside the residence. Sapphire City, an installation in the front yard, draws passersby in to see the assemblage of blue bottles and Dance Party, an assortment of animals at the porch roof, make the house a favorite in the neighborhood. It is houses and owners like this that make Somerville such a vibrant and great place to live and explore.
In 1902, Francis Bryden Dana (1865-1917) began construction on his home here in the Cottage Farm neighborhood of Brookline, Massachusetts. Francis was a member of the wealthy Dana Family and as a young man, attended the Boston Latin School and Harvard College. He became the president of the Dana Hardware Company of Boston. For his Brookline residence, Dana hired the exclusive architect, William Gibbons Rantoul to design the house which blends Arts and Crafts and Colonial Revival styles. The use of stucco siding, shed dormers, and portico with low sloped roof revealing exposed rafters falls squarely within the Arts and Crafts style; while the symmetrical facade, gambrel roof, and projecting octagonal bays are reminiscent of the more traditional New England Colonial Revival style.
The Frederick Sears Cottage in the Cottage Farm neighborhood of Brookline, Massachusetts, is significant as one of the major surviving examples of Gothic Revival domestic architecture in the Boston area. In 1849, wealthy Bostonian, David Sears (1787-1871) laid out parks and squares in the Cottage Farm neighborhood, and built houses for himself and his children. His own house, erected in 1843, was the oldest, soon followed by houses for his four daughters, Ellen d’Hautville, Harriet Crowninshield, Anna Amory, Grace Rives, and son, Frederick. The Frederick Sears Cottage is the only surviving Sears residence in the Cottage Farm neighborhood. Frederick Sears‘ cottage was built in 1851, though he did not occupy the house long, as just three years after he and his wife married in 1852 to move into this home, Marian died. The house was inherited by Frederick Sears Jr. , and was acquired by Boston University in 1960, who began to expand into this neighborhood. They maintain the significant property very well. The Sears Cottage is an excellent example of the Gothic Revival style in stone with scalloped vergeboards, quatrefoil motifs, corner quoins, and projecting entry. The house is constructed of Roxbury Puddingstone and is said to have been designed by George Minot Dexter.
The area was developed thanks to Amos A. Lawrence (1814-1886), a wealthy second-generation Bostonian, who provided much of the capital and enthusiasm for the growth of the cotton industry in New England prior to the Civil War. Lawrence’s involvement in the industry aided the development of the Massachusetts mill towns of Lowell and Lawrence, whom the city was named after. In 1851, Amos Lawrence purchased 200 acres of land from David Sears, who himself developed the equally beautiful Longwood neighborhood of Brookline on the other side of Beacon Street. Amos began to subdivide the land, working with the architect George Minot Dexter and landscape architect and surveyor, Alexander Wadsworth, who designed Mount Auburn Cemetery in Cambridge, to create an early picturesque residential suburb. With houses designed in the newly popular Gothic Revival and Mansard styles and several small parks, the area became known as Cottage Farm. This house was built for Amos Lawrence as an early, brick Mansard home, and rented out to Frederick Almy, a wealthy Boston attorney. The property was sold out of the Lawrence Family and later purchased by John Gorham Palfrey (1875-1945) a lawyer, who modified the house by removing the mansard roof and replacing it with a full third story with a brick veneer to match the walls below to give it a more Colonial Revival design.
Cottage Farm area of Brookline is one of the finest neighborhoods in all of New England. The area was developed thanks to Amos A. Lawrence (1814-1886), a wealthy second-generation Bostonian, who provided much of the capital and enthusiasm for the growth of the cotton industry in New England prior to the Civil War. Lawrence’s involvement in the industry aided the development of the Massachusetts mill towns of Lowell and Lawrence, whom the city was named after. In 1851, Amos Lawrence purchased 200 acres of land from David Sears, who himself developed the equally beautiful Longwood neighborhood of Brookline on the other side of Beacon Street. Amos began to subdivide the land, working with the architect George Minot Dexter and landscape architect and surveyor, Alexander Wadsworth, who designed Mount Auburn Cemetery in Cambridge, to create an early picturesque residential suburb. With houses designed in the newly popular Gothic Revival and Mansard styles and several small parks, the area became known as Cottage Farm. This stone house was designed by George M. Dexter and was the country residence of Amos Lawrence, who had other homes built nearby and rented out to wealthy friends and family. By 1888, the property was owned by Amos’ daughter, Hettie S. Cunningham, who later, subdivided the estate into five house lots, and moved this stone house to the corner of Ivy and Carleton streets. Expressive of English architectural traditions over the more ornate Gothic Revival popularized by Andrew Jackson Downing, the Lawrence House is one of the finest residences in the Boston area. Built of granite with limestone trim and set behind landscaping and a perimeter fence, the mansion is surprisingly hard to get decent photos of, but it is a stunner. Today, the house is owned by Boston University and is known as Sloane House.
Constructed in 1821 for Joshua King (1783-1849), this Federal style mansion is one of the last country estates in Abington, Massachusetts. Joshua King was a Deacon of a local church and a well-to-do citizen in town, living nearby until a hurricane blew the roof off of his former house. Seeking to rebuilt a new, more substantial family home, it is said that Joshua required that this house would be built to last centuries, with some residents stating that the roof structure itself had enough timber to build a second home. The Federal style mansion has three chimneys with 12 fireplaces inside, and is set amongst rolling fields bounded by old stone walls, likely giving the property its name, “Highfields”. The property was later converted to a duplex, but retains much of its original design at the exterior.
Buildings of New England 