real estate

Leet-Ely House // c.1787

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One of the finest homes in Chester, Connecticut, can be found on Liberty Street, a short distance to the village green. The Federal style house dates to about 1787 and was built by Gideon Leet, a Revolutionary War veteran and joiner as his own residence. After Gideon’s death, the property was purchased by Dr. Richard Ely (1765-1816), who may have expanded the residence, and worked locally as a town doctor. The property remained in the Ely familyfor generations and minimal changes have occured to the exterior as a result of this. The modillon cornice, corner quoins, and fanlight transom sheltered under a columned portico add to the charm of this great house. 

Pousland House // c.1865

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Built around 1865, this stately residence in Wayland, Massachusetts, was originally owned by sea captain, Edward Pousland who came to Wayland with his family around 1859. Interestingly, Mr. Pousland continued working as a sea captain, travelling to Salem and Beverly, where he would be at sea for months at a time. Likely due to his profession, the house features a ‘widow’s walk’, a common feature of houses by the sea where folklore holds that the wives of ships’ captains looked out for the return of their husbands. Edward, his wife Hannah W. (Langmaid) Pousland lived in this house at least until Edward’s death. After successive ownership, the property was purchased by Jonathan Maynard Parmenter (1831-1921), who gifted the house to the First Parish Church across the street, for use as a parsonage a use that continued until 1984 when the church sold the house back into private ownership. The house, designed in the Italianate style, was “modernized” in the early 20th century with Colonial Revival alterations, which added the portico and likely removed the brackets at the eaves.

Edward Stanwood House // 1880

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The Edward Stanwood House at 76 High Street in Brookline, Massachusetts, is one of the finest and exuberant examples of the English Victorian Queen Anne style, notable for its varied wall textures and materials, unique form, and applied ornament. The house was built in 1879-1880 for Edward Stanwood, who was for many years the editor of the Boston Daily Advertiser, and a children’s magazine, The Youth’s Companion. The ornate residence was designed by Clarence Sumner Luce, with interiors by Thomas Dewing. The Stanwood House features a well-preserved exterior and period-appropriate paint scheme, highlighting the bas-relief sunflower ornament and gargoyles. Of particular note is the use of hung tile siding, overlaid to give the appearance of fish scales and the roof cresting.

Dillaway House // 1889

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One of the finest and refined examples of the Shingle style in Boston can be found on Alban Street in the Ashmont Hill section of Dorchester, a lovely, walkable neighborhood where you can find timeless examples of just about any Victorian-era architectural style. Built for Charles F. Dillaway, a banker in Boston, this home was designed by local architect, Edwin J. Lewis, architect for many houses in the Ashmont area.  Lewis’s designs are distinguished by their crisp geometry, often with horizontal lines emphasized and small-paned windows. The house has been slightly modernized by later owners who added new siding within the inset porch and a more moody color scheme. 

Mumford House // 1877

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Set back behind a manicured lawn on the charming Alban Street in the Ashmont Hill neighborhood of Dorchester, this Victorian era residence was both a family home as well as a finishing school for young ladies. The house at 35 Alban Street was completed in 1877 for the Reverend Thomas James Mumford, pastor of the Third Church of Dorchester and anti-slavery advocate, who died the year his home was completed. His widow, Elizabeth Goodrich Warren Mumford (1834-1897) would inherit the home from her husband and for supplemental income to maintain the home, she opened the Mrs. Mumford’s Finishing School for Young Ladies, a school to educate and teach young girls manners and religion. Elizabeth Mumford would also publish books on how to conduct classes for Sunday School, Kindergarten, and the home. The Mumford House is a great example of a Stick style residence with less exuberance than some other examples. The picket frieze, applied stickwork on the siding, and more ornate porch are all typical of the style. 

Sibley House – Westborough Historical Society Building // 1844

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The Sibley House is a historic house museum as well as the headquarters of the Westborough Historical Society. Located on Parkman Street in the center of Westborough, Massachusetts, the transitional Greek Revival/Italianate style house was built in 1844, by William Sibley, who was a blacksmith and wheelwright. Soon after the house was built, William married Jane Caroline Gibson, and the couple raised five children here. William joined Westborough’s Company K, 13th Massachusetts Regiment during the Civil War and was wounded at Antietam. After the war, William returned home and he and his brother Frank began to manufacture sleighs.  At one point, they produced as many as 300 a year! The Sibley House was purchased by the Westborough Historical Society in 1990, nearly 100 years after the society was established in 1889. The house is open to visitors and provides a glimpse into daily life for Westborough citizens at the time. 

Frederick Sears Cottage // 1851

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The Frederick Sears Cottage in the Cottage Farm neighborhood of Brookline, Massachusetts, is significant as one of the major surviving examples of Gothic Revival domestic architecture in the Boston area. In 1849, wealthy Bostonian, David Sears (1787-1871) laid out parks and squares in the Cottage Farm neighborhood, and built houses for himself and his children. His own house, erected in 1843, was the oldest, soon followed by houses for his four daughters, Ellen d’Hautville, Harriet Crowninshield, Anna Amory, Grace Rives, and son, Frederick. The Frederick Sears Cottage is the only surviving Sears residence in the Cottage Farm neighborhood. Frederick Sears‘ cottage was built in 1851, though he did not occupy the house long, as just three years after he and his wife married in 1852 to move into this home, Marian died. The house was inherited by Frederick Sears Jr. , and was acquired by Boston University in 1960, who began to expand into this neighborhood. They maintain the significant property very well. The Sears Cottage is an excellent example of the Gothic Revival style in stone with scalloped vergeboards, quatrefoil motifs, corner quoins, and projecting entry. The house is constructed of Roxbury Puddingstone and is said to have been designed by George Minot Dexter.

David Nevins House // c.1746

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This house across from the Town Green in Canterbury, Connecticut, is believed to have been built by David Nevins, Sr. (1729-1758), a merchant who settled in Canterbury from Nova Scotia, Canada. Nevins tragically died in 1758 when overseeing the reconstruction of a bridge spanning the nearby Quinebaug River. It is said that while standing on a cross-beam, giving directions to the workmen, David Nevins lost his balance and fell into the river and was swept away and drowned. The property remained in the Nevins Family until 1842, upon which, it served as a parsonage for the Congregational Church, just across the street. The clapboard exterior, small-pane sash, center-chimney plan, and five-bay facade of this house give it architectural significance as a representative example of 18th-century Connecticut architecture. The stately Georgian doorway with swan’s neck pediment was installed by a local house restorer based upon physical evidence uncovered during the house’s restoration (and removal of Victorian-era porch) and while may be conjectural, it enhances the already beautiful old home.

Benjamin F. Greene House // 1868

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Built for Benjamin Franklin Greene, a second-generation mill owner of the Greene and Daniels Thread Company in Central Falls, Rhode Island, this large, Second Empire style house is one of the finest of its style in the entire state. The house is one of only a few high-style residences left from the mid-nineteenth century in Central Falls, when industrialization’s full expansion provided manufacturers such as Greene with fortunes to be expended on their houses. Designed by Providence architect Clifton A. Hall, the ornamentation of the Greene House is extraordinary for its elaboration, relieving the severity of the simple, block-like shape of the house. The central door is set under a flat-roofed porch which is supported by trios of Corinthian columns. Above the porch a trio of round-head windows is set under a “sunbonnet” gabled dormer which caps the central pavilion, is supported by brackets, and encloses a round-head window with a small balcony. What a spectacular home!

Conway-Trumbull House // 1848

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Built in 1848 for Rev. James Conway of Salem, this stunning Greek Revival home on Winter Street blends architectural integrity with a bold pop of color! James Conway was born in Ballinamore, Ireland and moved to the United States and was ordained as a Catholic priest. He was a missionary with the Penobscot Tribe in Maine, before preaching in Lowell and later in Salem, Massachusetts. When he moved to Salem, he had this house on Winter Street built with flush board siding, paneled side-hall entry, and moulded window surrounds with corner blocks. Conway would later sell the property to Edward Trumbull, a Salem merchant and later to Ebenezer Putnam. It was likely Putnam who added the oversized second-story bay window on the facade of the house.