rhode island real estate

Nathan S. Horton House // c.1860

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This modest, Italianate style house was built around 1860 by a carpenter and builder as his own residence. Nathan S. Horton (1819-1916) was a busy builder in Central Falls, Rhode Island in the mid-late 19th century as the population boomed along with the industrial growth and wealth that the city saw. For his own residence, Horton built this two-story wood-frame house with side entrances and porches, paired brackets in the eaves, and arched top windows, all commonly found in the Italianate style, popular around the time of the Civil War. Mr. Horton lived to his late 90s and likely remained in this home until his death.

Edward Johnson House // c.1886

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Central Falls, Rhode Island, is not necessarily known for its residential architecture, but like any good industrial city, there are some excellent examples of Victorian houses from the mid-late 19th century to be discovered! This is the Edward L. Johnson House on Cross Street in Central Falls. The house was built around 1886 for Mr. Johnson, a manufacturer, who resided here for some years with his wife, who founded the Pawtucket Women’s Club in 1899 and was an active member of the Daughters of the American Revolution. The house is an excellent example of the Queen Anne architecture style, from the various siding types including clapboard and patterned shingling; its steep cross-gable roof; and its variety of windows, including a shallow bay on the first floor and oval and half-round windows in the 2nd-floor porch. 

Brattle-Thurston House // c.1749

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This early Colonial house with unique, rusticated wood coursing carved, treated, and painted to resemble ashlar stone, can be found on Prospect Hill Street in Newport, Rhode Island. This is the Brattle-Thurston House, a circa 1749 Georgian residence of an appropriate gray color, yet when I stopped by in early 2024, had peeling paint. The house was originally part of the Latham Thurston estate, and was later rented or purchased by Robert Brattle (Brattell), who lived here with his wife, children, and an enslaved person according to the 1790 census. The home would later be owned by William Thurston, a hatter and dyer, who likely inherited the residence from his ancestor. Beyond the unique rusticated wood siding, the design features splayed lintels, the main entrance on the side elevation and a later entrance facing the street with segmental pediment above.

Rose Farm – Ebenezer Knight Dexter House // 1800

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When Ebenezer Dexter built this country retreat in 1800, it stood at the eastern edge of settlement in Providence, Rhode Island. Several of the city’s wealthy residents maintained country seats on the then rural outskirts of the city, but Rose Farm is the only remaining gentleman’s farmhouse from the period in this part of the city, surviving over two centuries of development pressure and economic recessions. The house stands out amongst a neighborhood of mid-to-late 19th century residences, for its refined form and simple symmetry. Rose Farm is a wood-frame dwelling with brick end walls and exceptionally tall chimneys at the hipped roof, which once had two levels of a decorative balustrade. Ebenezer Knight Dexter (1773-1824), was a businessman and philanthropist, who left the bulk of this farmland to establish a home for the poor, Dexter Asylum, on land to the north. John Stimson bought the farmhouse and surrounding land in 1837 and the property directly surrounding the farmhouse was later subdivided with large residential lots, with the neighbrohood filling-in by the late 19th century.

Oakwood/ // 1902

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Oakwood, another massive gambrel-roofed “cottage” in Newport, Rhode Island, is another of the McKim, Mead & White designed residences in the Old Beach Road vicinity of town for wealthy summer residents. Built in 1902 for George Gordon King (1859-1922), Oakwood is a large, elongated two-and-one-half-story structure with a gambrel roof with walls in pebbledash finish. Its off-center main entrance with double-height engaged Corinthian columns supporting a pedimented gable and a blind balustrade set on smaller Ionic capitals. The massive home was later converted to condominiums. It sometimes amazes me that families (but with many servants) would live in these houses just for a season…

“Villino” // 1882

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“Villino” was built in 1882 for $7,553, as a summer residence for Ms. Frances L. Skinner, a widow of the late Reverend Thomas Skinner. “Villino” was the work of the young firm of McKim, Mead & White, and it is one of the firm’s many Shingle style buildings, but one of the most compact. The asymmetrical 2½-story Shingle Style cottage sits atop a granite foundation with continuous shingles above. The entrance porch is tucked into the building mass on the side and its prominent tower with conical roof. The house is sited well into the landscape and unlike many other summer “cottages” the name Villino which is Italian for cottage, actually fits!


Tudor Lodge // c.1850

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A rambling Gothic Revival style house in the mode of the picturesque Gothic estates in England, can be found tucked away in Newport, Rhode Island. This is Tudor Lodge, a stuccoed summer “cottage” notable for its stucco siding, moulding over all the windows, broad crenellated parapets, and a hip-roof porte-cochère in front of the principal entrance. The house was supposedly originally built as a summer residence for Nicholas Redwood Easton around 1850. After his death, the property was purchased by members of the Gibbs (Gibbes) Family, who owned much of the land in this part of town, giving nearby Gibbs Avenue its name. The property was purchased around 1900 by William Rogers Morgan, a New York City banker, who greatly remodeled and named the estate, Tudor Lodge, giving the house its present appearance. The estate was converted to four condominium units in 1980.

Katherine Prescott Wormeley House // 1876

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The Katherine Prescott Wormeley House is an eclectic and eye-catching Queen Anne architectural landmark on Red Cross Avenue in Newport, Rhode Island. Boston-based Katherine P. Wormeley (1830-1908), a native of England, served as a nurse for the Union Army during the Civil War and was one of the best-known translators of French literature into English. She built this double-house at a cost of $7,000 and rented another unit in the home for additional income. The Wormeley House is one of Charles Follen McKim’s early, independent works after working in the office of H. H. Richardson but before forming his own firm with William Rutherford Mead in 1877. Just years after she moved in, Ms. Wormeley in 1882, hired McKim, who was now under the firm, McKim, Mead & White to update and enlarge the home. By 1893, Wormeley had moved to New Hampshire and sold the house to Elizabeth Cabot Hayden and Dr. David Hyslop Hayden. The golden onion dome roof at the tower is a real treat!

Oakwold Cottage // 1883

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Oakwold, a stunning Queen Anne residence on Old Beach Road in Newport, Rhode Island was supposedly built on speculation and purchased by Augustus Jay (1850-1919). Mr. Jay was born in Washington, D. C., the son of Peter Augustus Jay and Josephine Pearson Jay. Augustus Jay graduated from Harvard College in 1871 and from the Columbia Law School in 1876, and worked as a diplomat. His wife was Emily Astor Kane (1854–1932), a daughter of DeLancey Kane and Louisa Dorothea (née Langdon) Kane. Emily was a descendant of John Jacob Astor. The “cottage” was named Oakwold, and was designed by architect Clarence Sumner Luce, who designed many summer residences in Newport, and specialized in the Queen Anne style. Particularly noteworthy in the design of Oakwold are the brick first floor with entrance within a recessed arched opening and pebble-dashed and half-timbered gable ends.

Rosevale // 1876

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“Rosevale” was built in 1876 as a summer residence in Newport, Rhode Island, for couple, Grace Sears Rives and William Cabell Rives. Grace was the daughter of David Sears of Boston, who developed the Longwood neighborhood of Brookline; and William was the son of William C. Rives Sr., a Virginia congressman and Senator. The High Victorian Gothic mansion was designed by the Boston architectural firm of Peabody & Stearns who formed their practice just years earlier. The house was enlarged in 1881 by architect George Champlin Mason, Sr. The stonework of the lancet windows, the large octagonal tower, and the carved moldings give the relatively boxy home a more ecclesiastical feeling. The estate retains its original siting, at the middle of a large lot between Red Cross and Rhode Island avenues, which has thus far resisted infill housing on the estate. For years, Rosevale has been occupied as a funeral home, but it appears to have sold a couple years ago.