Eben S. Draper Stable // c.1900

Located next to his Tudor Revival style mansion, Eben Sumner Draper’s stable on Adin Street in Hopedale, Massachusetts, is one of the finest examples of the type in New England. It is possibly that the stable was built before the mansion was built in 1926 for Eben Sumner Draper Jr. (1893-1959), the son of Massachusetts Governor and Draper Corporation executive, Eben Sumner Draper. Little is known about this building, which stands at the end of a drive and is accessed over an arched bridgeway. The building has its first floor in stone with half timbering above. Two rounded towers with conical roofs frame the center entry, which may have been used for horses and carriage, or for personal automobiles, of which, Mr. Draper would surely have one of the first in the state. The building has been owned by the Ledges LLC, who operated a community for developmentally disabled adults.

Narragansett Engine Company No. 3 // 1846

The Narragansett Engine Company No. 3 Station is an absolutely charming two-story building tucked away on Baker Street in Warren, Rhode Island, and is one of the oldest extant historic fire stations in New England. Built in 1846, the building features a flushboard-façade, pedimented-gable end oriented to the street, paneled double-leaf engine doors, and a rundbogenstil Palladianesque window centered on the second story. The small fire station was built to house, “Little Button”, a fire engine manufactured in Waterford, New York. This building served as a fire station well into the 20th century, and was restored decades ago by local preservationists. The building is open by appointment and houses the Warren Fire Department Museum.

William and Octavia Apthorp Mansion // 1885

This unique four-story brick townhouse on Otis Place in Beacon Hill, Boston, was built in 1885 by the architectural firm of Rotch & Tilden for Mrs. Octavia L. Apthorp and her husband, William F. Apthorp. Elevated on a tall brick basement, the exterior of the house is richly detailed with masonry decoration in what has become known as the “panel brick” style; with an elaborate brick entrance archway, paneled pilasters at the third floor, and vertical brick lintels above the windows. Over the ground floor windows near the entrance, iron grates with spear-like finials give the design a Medieval/English Queen Anne presence. William F. Apthorp was the only son of Robert Apthorp, a prominent Boston attorney and abolitionist who lived across the street at 2 Otis Place. William was a pianist and teacher at the New England Conservatory of Music and writer who married Octavia (sometimes spelled Octavie) Loir Iasigi in 1876, she was also from a well-connected Beacon Hill family.

Sunflower Castle // 1878

This absolutely unusual and enchanting cottage on Mount Vernon Street in Beacon Hill, Boston, was originally was constructed in the 1840s but completely altered decades later in its distinctive English Queen Anne style. In 1878, Frank Hill Smith, an artist and interior designer, worked with architect, Clarence Luce to renovate what was originally a two-story Greek Revival house into one of the most eclectic and unique residences in New England. The Sunflower Castle, a name reputedly coined by Oliver Wendell Holmes, features a yellow stucco first floor with the upper floors covered with red fish-scale shingles. Further detail includes the half-timbering, decorative panels depicting a gryffin and a sunflower in the gable, and carved wood frieze over the doorway. Clarence Luce was likely so inspired by this project, that he built an even more extravagant example of this house for Edward Stanwood in Brookline soon after. By 1903, the property was sold to the painter, Gertrude Beals Bourne and her husband, architect, Frank A. Bourne, who were both key players in the revival and gentrification of the Beacon Hill Flat neighborhood west of Charles Street in the early 20th century. The Sunflower Castle was used as their home and as an artist’s studio for the couple, with Frank adding the side garden wall with tile-roofed gateway to enclose a private open space. The property remains as a private residence.


Warren Foundry & Manufacturing Co. // c.1895

The Warren Foundry and Manufacturing Company began manufacturing metal goods in the 1870s in Warren, Rhode Island. The company was started by Benjamin Miller Bosworth, and at first, the company only made wrought iron goods, but later expanded into producing iron and brass items. Its location next to the railroad tracks made the site perfect for importing raw material and shipping out finished products to markets all over New England. The original factory and smelting facility burned down in 1892, but Bosworth’s son, Walter, rebuilt the facility with this present building by 1895. The business closed by the 1920s and the unique wood-frame building with unique tower, has been adaptively reused as “The Mill at Warren Junction”, containing office and manufacturing space for small businesses.

Yale Tsai Center for Innovative Thinking // 2020

The Tsai Center for Innovative Thinking at Yale University is a contemporary, 12,200-square-foot center tucked away behind larger buildings that serves as an important nucleus for research-based programs within Yale’s School of Engineering and Applied Science. The center brings together students from diverse disciplines to the new building where collaboration to solve real-world issues can be done. Designed by Weiss/Manfredi, the innovative building’s elliptical form is centrally positioned in a courtyard surrounded by taller, boxy structures, creating a unique juxtaposition. Lined by undulating, transparent glass walls, the design allows visibility inside to see and participate in the work inside. The Tsai Center is one of my favorite new buildings in New England and showcases how high-quality and innovative design can make a big architectural statement, even if the building is just a small pavillion-like structure.

Rhodes Building // 1905

The Rhodes Building in Brookline Village is an exuberant example of a Colonial Revival style commercial block in an playfully eccentric way. Built in 1905, the block feels almost Post-Modern in style, which highlights ironic elements through the use of historical references, like here with the oversized swan’s neck pediment. The structure was designed by architect, William C. Collett, and was rented to Edgar and Leonard Rhodes, dealers in groceries and provisions and housed the Rhodes Brothers grocery store.

Bolton Powder House // 1812

Hidden away in the woods behind the Bolton Town Hall, this small brick structure sits atop a rocky outcropping and showcases a piece of early history we often do not think about. Built in 1812 as a powder house, a storage facility far from homes and businesses to store the town’s supply of gunpowder, musketballs and cannonballs, the structure remains as the town’s oldest extant municipal building. Since the founding of the colonies, the procurement and storage of ammunition had been the responsibility of local governments. Before this structure was built in the forest, Bolton‘s gunpowder and ammunition had been kept under the meetinghouse pulpit, not the best place suitable for highly explosive storage. The structure is a well-preserved example of a typical early 19th-century powder house, built of brick manufactured in town, laid in common bond, measuring just over seven-feet square with a pyramidal wood shingle roof.

South Lancaster Engine House // 1888

The South Lancaster Engine House is located in the village of South Lancaster, Massachusetts, and is one of the town’s three remaining historic fire stations and the oldest that remains in use by the local fire department. At the Town Meeting of June 18, 1887, it was decided that $3, 500 would be expended to build a station for the Fire Department in South Lancaster. Construction began in 1887, and was completed in March of 1888 from plans by architect, C.A. Woodruff. The station housed horse-drawn wagons, including one sleigh, and featured a bell in the belfry to call attention to the public. The station appears much like it did when built in 1888, besides the bright white paint color and the modification of the engine doors for the new, larger fire trucks. 

Stone Village Unitarian Church // 1845

The Stone Village of Chester, Vermont, is said to be the largest collection of stone buildings in the state, and is anchored by its largest building, the Unitarian Church. Built in 1845, the Unitarian Universalist Church is one of a few dozen “snecked ashlar” buildings in the region, where rubblestone is laid up with mortar using small long stones called “snecks” to tie an outer and an inner wall together. The construction method is said to have been brought to the area by masons from Scotland and Ireland which is known there as ‘Celtic Bond’. Oral tradition state that Scottish masons from Canada introduced the technique to local masons while erecting a mill in nearby Cavendish in 1832. Local Chester resident, Dr. Ptolemy Edson became such a fan of the building that in 1834, he had his home, the first stone building in Chester, built in this method. Dr. Edson served on the building committee for the new village church, and likely pushed for a cohesive material and construction method for this church and other buildings soon after. The Stone Village Unitarian Church blends Greek Revival and Gothic Revival styles in a more vernacular way, typical in many rural Vermont communities. The building exhibits stained glass windows that were added sometime in the late 19th or early 20th century.