Stick Style

William Bates Summer Cottage // 1885

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While Salem is best-known for its First Period and Federal style buildings, the Salem Willows neighborhood features some of the finest Victorian summer cottages in the Boston area. This cottage was built in 1885 by William Marston Bates (1820-1912), a Salem-based dentist, as his summer retreat when not in the office. The Stick style cottage has a steep gable roof with jerkinhead clip at the facade and a wrap-around porch with decorative jigsawn bracketed details. The house is a well-preserved example of the style, examples of which are becoming less-and-less frequent in recent years.

Riverside Methodist Church, Porter // 1883

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The focal point of the riverside village of Kezar Falls in Porter, Maine, is this large frame church building with prominent siting and grand proportions. This is the Riverside Methodist Church, built in 1883 in the Stick/Eastlake style by Portland architect Charles H. Kimball. The first Methodist services held in the town of Porter were in 1833, when a church was formed in the small town. Soon after 1839, a gable-roofed meetinghouse with tall lancet windows was erected near where the present church stands. The original church still stands, but in a much-altered form and was used as a local fire station. The church remains owned by local Methodists and is well-preserved.

George N. Faught Chalet // c. 1890

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The most unique house in Hull, Massachusetts is this stunning (and rare) example of a Swiss Chalet, located on Vautrinot Avenue in the fashionable Hull Hill neighborhood, which is dominated by late-19th century summer cottages. The earliest owner of the house was George N. Faught (1831-1915), an artist and tailor who moved to Boston from Maine. George went into the tailoring business in Boston and did well for himself, eventually building (and possibly designing) this summer home for himself in Hull. Mr. Faught died in 1915 in his bed in Boston, and this property was sold at auction in 1917. After some insensitive alterations in the 20th century, the property was sold in 2011. The later owners restored much of the house, while modernizing it to meet their needs. It is a showstopper!

The house is privately owned and not open for tours.

Captain Ephraim Harkness House // c.1875

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Captain Ephraim H. Harkness was a young sea captain and Civil War veteran who built this large Stick style residence and detached stable in Rockport, Maine by 1875. Sadly, Captain Harkness would die just a few years after completing the home as he died from Yellow Fever while out at sea. The house has remained in an excellent state of preservation 150 years later, even including the stickwork and brackets, which are some of the applied ornament that is removed first in renovations on so many coastal homes.

Highgate Springs Union Church // 1877

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Rural parts of Vermont always surprises me with amazing old buildings. This white wood-frame church is known as the Highgate Springs Union Church, an 1877 edifice which effortlessly blends Victorian Gothic and Stick style details. The building became the village’s union church, providing a worship space for members of all denominations who on their own, could not afford the cost of building and maintaining a building. The small congregations eventually moved out and the church appears to now be largely unused beyond small events or weddings/funerals. I am glad to see it is kept up well at least!

Haven Avenue Cottages // c.1877

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When Andrews Point in northern Rockport, Massachusetts, was opened for development by speculators Eben B. Phillips and George Babson, they envisioned the colony, “Ocean View” as a rival to other nearby summer colonies of Beverly Farms, Gloucester, and Magnolia. Roads were laid out and house lots were plotted with larger lots for big summer cottages along the coast and smaller cottage lots at the interior of the development. The rocky coast and more limited access compared to its rivals, caused Ocean View to lack in sales, but there are still some great remaining cottages to be found here. These two early cottages are great surviving examples of the modest, middle-class homes for summer residents. These two charming Victorian cottages sit side-by-side and were owned by an L. Brigham and Benjamin Lewis and both are in a great state of preservation 150 years later.

Eben Phillips Cottage // c.1877

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In the mid-1800s, Rockport, Massachusetts was best-known as one of the main ports for the quarrying and shipping of fine granite up and down the east coast of the United States. While the rocky coastline made granite a prime industry, the natural scenery also made the coastal areas desirable for residential development. While many of the coastal developments here never took-off as they did in nearby Gloucester, Magnolia, and Beverly, there are some notable summer colonies that sprouted up! In 1855, Eben B. Phillips an oil dealer in Boston, purchased undeveloped wooded lots and pastures, and slowly began to lay out roads and survey for developable lots for summer cottages on a peninsula near Pigeon Cove. The development was named “Oceanview” and it was marketed as the extreme point of Cape Ann. Development was very slow to materialize, and started in earnest in the 1870s. Eben Phillips built this summer cottage before 1877 (possibly as early as 1850), where he would spend summers until his death in 1879. The cottage retains much of its original character and is a rare survivor of the rustic style cottages which were built before the phase of larger Shingle and Queen Anne residences were built in later decades.

“Good Cheer Estate” // c.1820

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Originally built as a Federal period farmhouse, this gorgeous estate is the epitome of what happened to Ridgefield… city money! By the end of the 19th century, wealthy New Yorkers were flocking to small towns every summer for clean air, rest, and relaxation. Ridgefield, Connecticut became an obvious option for its close proximity to New York and bucolic setting of farmlands bounded by old stone and rolling hills. As a result, wealthy summer residents purchased older estates and either demolished or renovated the homes there. Aaron Lockwood Northrop was raised in Ridgefield and was educated in its private schools before moving to New York as a young man, being awarded an apprenticeship as a dentist. Dr. Northrop went on to establish a prominent dental practice and would serve as President of the American Dental Association. As a wealthy adult, he acquired a circa 1820 house on this lot and renovated it, doubling its size and giving the residence its current Victorian flair. The summer house was affectionately named “Good Cheer”. Aaron died unexpectedly in 1908 while overseas in Paris, France. His widow, Caroline, resided at Good Cheer until her own death in 1927.

Ridgefield Train Depot // 1870

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In 1870, the Ridgefield Branch branch line of the Danbury and Norwalk Railroad and later the New York, New Haven and Hartford Railroad was built connecting the sleepy village of Ridgefield to Branchville train station via the main line. The line was an early risk, built to offer service to the wealthy New Yorkers who began arriving to spend their summers in Ridgefield. Many of these “summer people” had their own private railroad cars, with chauffeurs meeting them as they arrived, driving horse and buggies to bring them and their luggage to their estates located throughout the town. As travel shifted to personal automobile, ridership dropped in the early 20th century, and the branch was replaced by bus service in 1925. Freight service was scarce, and lasted longer, to 1964. The depot was sold to the Ridgefield Supply Company, who used the 1870 building as storage for decades until it was disassembled, moved and rebuilt by the Ridgefield Supply Company in 2015, as part of their expansion. The historic station today provides an important link to Ridgefield’s past.

Leatherbee House // c.1870

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Andrew F. Leatherbee (1842-1920), a wealthy lumber dealer in Boston, built this large Stick style victorian house in Newton Center around 1870, likely using his own lumber products! The large frame house is prominently sited on a corner lot on Beacon Street, a short walk to Crystal Lake, a natural pond in the center of town. I could not find information as to who the architect was, but it was likely a notable local firm. As Andrew got older, he downsized and relocated to a smaller apartment in Cambridge. Upon his death in 1920, the property was sold by his heirs to Mae Van Dusen. The house is a high-style example of the Stick style of architecture, with large half-timbers, heavy porch bracing, and a central tower with pyramidal roof. Swoon!!!

Wales House // 1883

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Built in 1883 for a member of the Thomas Wales family, this house in Clam Point, Dorchester, possesses a compact essentially rectangular clapboard and wood shingle-clad form. The architect, John A. Fox, designed the main façade elegantly with an open Stick style porch projecting from the center of the first floor which is enclosed by a steeply-pitched roof. The pitch of the porch roof is echoed in the small and shallow gable-like lintels which are really unique to the area. The treatment makes the facade read somewhat like a face.

Hersey-Noyes Double House // 1879

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Nothing beats a good Victorian-era house! This example in the Clam Point neighborhood of Dorchester does not disappoint. The Stick-style double-house was built for miss Mary E. Noyes and Ms. Hersey replacing an older house on the lot. The women hired architect John A. Fox to design the house which possesses one of the most complex forms and roof configurations in the neighborhood. Clad with clapboards at the first and second stories, its six intersecting gables are sheathed with scalloped shingles. At the main entrance on the façade is an open porch with square posts and railings with turned balusters. The side façade is even more complex with two side gables and a two-tier porch enlivened by Chinese Chippendale and spool work railings. The Herseys, along with Mary E. Noyes, co-owned the house until 1884; thereafter it was owned by Mary E. Noyes until around World War I. The stick style home really pops with that blue color, what do you think?

Charles Gilman House // 1871

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Southport, the coastal village in Fairfield, Connecticut is an old house lover’s dream! Case-in-point, the Charles Gilman House. Charles Gilman, a Bridgeport lawyer, constructed this house on the ridge parallel to Main Street in Southport between 1871-1874. The building is a fine example of the Stick style of architecture, in which the decoration on facades and gable ends reflects the building’s internal structure. Gilman used the services of two New York architects, J. Cleaveland Cady and William H. Beers, to design the house and the later (1900) library addition, respectively. In the 20th century, the house was owned by Richard Joyce Smith, an attorney who was hired to guide the New Haven Railroad through a long and tricky bankruptcy reorganization ending it it being acquired by the Penn Central in 1975.

George Carpenter House // 1885

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While many lots in Brookline village in the final decades of the 19th century were being redeveloped as duplexes, three-deckers, and apartment houses, some property owners still wanted single-family living. In 1885, George Carpenter had this home in the village built from plans by well-known architect Obed F. Smith, who designed many Victorian-era homes in Boston’s Back Bay and around the region. George Carpenter worked in Downtown Boston as an agent for the Massachusetts Mutual Life Insurance Company. The house features some Stick style elements seen in the porch spindles and carved brackets.

Franklin Street Fire Station // 1886

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When your town grows organically without zoning, fire prevention becomes even more important to the preservation and protection of the town. Before paid firemen worked for the town, volunteers would either be stationed or rush to the aid of those in trouble via these neighborhood stations. The Franklin Street Firehouse in Marblehead, Massachusetts, was constructed in 1886 by local contractors Ramsdell Brothers replacing the former on the same site with plans drawn by Nathan P. Sanborn. The station was built to house a horse-drawn handtub and the horses were stabled nearby. The wood-frame structure blends Second Empire and Stick style detailing elegantly and is one of my favorite old buildings in Marblehead.