Beacon Hill

Callender-Sedgwick House // 1802

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Built in 1802, this large residence at 14 Walnut Street is among the oldest extant mansions on the South Slope of Beacon Hill and includes a large hidden garden behind a granite block retaining wall. John Callender, Clerk of the Supreme Judicial Court of the Commonwealth, purchased land at the corner of Mount Vemon and Walnut streets for $2,000 and immediately started construction on his requested “small house finished for little money $5,000-$7,000”, but this was anything but modest. The house originally had its primary facade facing Mount Vernon Street, but in 1821, Walnut Street was lowered by city officials, so Callender had the granite retaining wall built for the garden and new entry built on Walnut Street. Mr. Callender lived here until his death in 1833 and the property was purchased by members of the Lyman family and later by Harriot Curtis (1881-1974) an early amateur female skier and golfer who used her fortune as a philanthropist, funding medical facilities in Boston for impoverished immigrants and served as dean of women in Hampton Institute in Virginia, an HBCU from 1927-1931. The most significant owner, Ellery Sedgwick (1872-1960), lived here from 1908 until his death in 1960. Sedgwick worked as editor of the Atlantic Monthly (now known as The Atlantic), and under his ownership, the magazine became one of the most circulated magazines in the world. The Callender-Sedgwick House features unique flushboard siding, providing a seamless surface that resembles a masonry wall when painted earth tones and a 19th century oriel window. The brick end elevation is punctuated with bays of hung windows and the recessed entry with a long, granite garden wall which has been well-preserved by owners.


Lyman-Paine Mansion // 1824

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The Lyman-Paine Mansion at the corner of Joy and Mount Vernon streets in Boston’s Beacon Hill neighborhood is an architecturally significant Federal style house designed by a skilled architect and was owned by members of prominent local families. This four-story mansion was designed in 1824 by architect Alexander Parris for George Williams Lyman (1786-1880), a shipping merchant who became one of the Boston Associates, a group of wealthy Bostonians who funded the expansion of New England textile mills, which helped grow many industrial communities all over the region in the 19th century. This house served as Lyman’s winter estate, his summer mansion was the the Lyman Estate, “The Vale”, in Waltham, which he had inherited from his father. Upon George Lyman’s death in 1880, Lydia Lyman Paine, George’s youngest daughter, inherited this Beacon Hill mansion. Lydia’s husband, Robert Treat Paine, was a graduate of Harvard and a successful local attorney. Mr. Paine retired from law in 1872 to become the treasurer for the new Trinity Church building committee, where he averted a fiscal crisis during the mid-1870s when Henry Hobson Richardson’s cost overruns in designing the new Copley Square church threatened its completion. In addition to his pro bono work with Trinity’s finances, Paine was deeply interested in improving the quality of life of the working class, founding building and loan associations and institutes to allow immigrants to buy homes in the Boston area. In addition to their Joy Street mansion, the Paines had a country estate called Stonehurst, which is adjacent to the Vale in Waltham; it was renovated by Richardson. The mansion was converted to apartments (now condos) in the mid-20th century, and maintains its unique, vernacular Federal character, with asymmetrical facade and oddly placed and shaped windows.

Lyman-Gray House // 1834

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Mount Vernon Place is a short, dead-end street in Boston’s Beacon Hill neighborhood. The street was once an entire block of eight rowhouses, and was developed in the 1830s on land formerly owned by John Hancock and his family. The residences numbered 1-5 Mount Vernon Place were torn down during the 1910s to accommodate the expansion of the landscaped grounds of the State House, leaving just 6, 7, and 8 Mount Vernon Place. The center rowhouse, 7 Mount Vernon Place, was built in 1834 and is believed to have been designed by Alexander Parris, a prominent local architect who designed Quincy Market and mastered the Federal and Greek Revival architectural styles with many notable buildings all over the east coast. The residence has a three bay facade and brownstone sills, lintels, and door surround and has been preserved for nearly two centuries. The house was long-owned by George W. Lyman, an industrialist who lived nearby on Joy Street. The residence was rented for decades until it was purchased by Francis C. Gray a physician, and inherited by his grandson, Ralph Weld Gray, an architect through the 1940s.

Cutler-Paine House // 1834

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Mount Vernon Place is a short, dead-end street in Boston’s Beacon Hill neighborhood. The street was once an entire block of eight rowhouses, and was developed in the 1830s on land formerly owned by John Hancock and his family. The residences numbered 1-5 Mount Vernon Place were torn down during the 1910s to accommodate the expansion of the landscaped grounds of the State House, leaving just 6, 7, and 8 Mount Vernon Place. The easternmost rowhouse, 6 Mount Vernon Place, was built in 1834 and is believed to have been designed by Alexander Parris, a prominent local architect who designed Quincy Market and mastered the Federal and Greek Revival architectural styles with many notable buildings all over the east coast. This house was purchased in 1834, when still unfinished, by William Savage, a merchant, who sold the property to Pliny Cutler, president of the Atlantic National Bank, who appears to have bought it for his son, Dr. William Ward Cutler (1812-1870). The property was owned in the early 20th century by Robert Treat Paine Jr., who likely rented the home to boarders. The residence has a three bay facade and brownstone sills, lintels, and door surround.

Unitarian Universalist Association Headquarters // 1926

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The American Unitarian Association (AUA) opened its first headquarters in Boston in 1865, forty years after the organization was founded. Since its founding in 1825, the AUA occupied several locations but eventually took residence in a Richardsonian Romanesque style building constructed in 1886 at the corner of Beacon and Bowdoin streets. The handsome structure, designed by Robert Swain Peabody of the firm, Peabody and Stearns, served as the headquarters for the association until it was demolished in the 1920s for the expansion of the Hotel Bellevue. In 1926, the AUA purchased an 1840s townhouse and demolished it, replacing the former residence with their new building to serve as a church headquarters office building. The American Unitarian Association hired the Boston architectural firm of Putnam and Cox to design their building, which employed architectural similarities to the adjacent 1820s townhouses designed by Cornelius Coolidge. The six-story building is constructed of red brick with a two-story granite base with piano nobile with a balcony, all under a mansard roof with dormers. The American Unitarian Association sold their Beacon Street building and relocated to a new headquarters on Farnsworth Street in the Seaport/Fort Point area of Boston in 2014. The 1926 building was converted to high-end luxury condominiums.

Tuckerman-Parkman Mansion // 1825

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The Tuckerman-Parkman Mansion at 33 Beacon Street, like its neighbor, was built in 1825 from plans by architect, Cornelius Coolidge, in the Greek Revival style. The residence was originally purchased by Edward Tuckerman, a wealthy merchant and father of Professor Edward Tuckerman, a prominent lichenologist for whom Tuckerman Ravine on Mount Washington was named. Tuckerman Sr. lived here at 33 Beacon Street until his death. The next owners, Mrs. Eliza Parkman and her son, George Francis Parkman (1823-1908) moved here after the brutal murder and following sensational trial of her husband, Dr. George Parkman (1790-1849). The 1849 trial of Parkman’s murderer, Professor John White Webster of the Harvard Medical School, was called the “case of the century”. Professor Webster owed Dr. Parkman a substantial sum of money. The professor lost patience with Parkman’s constant reminders that his payment was long overdue and killed Parkman in a rage, dismembered his tall, lanky frame and concealed the body parts in a wall of a Harvard Medical School laboratory. With the help of a janitor, Dr. Parkman’s body was discovered. A murder trial ensued, and Professor White was found guilty and subsequently hung. The murder trial has been widely cited as one of the earliest uses of forensic evidence to identify a body. Seeking refuge from the attention and pain from the loss of the family patriarch and trial, Ms. Parkman and her son, George, moved to this home in 1853. Widow, Eliza Parkman died in 1877 and George F. Parkman lived in this home until 1908. In his will, Mr. Parkman bequeathed his mansion and over $5 Million to the City of Boston for the maintenance of the Boston Common. The Tuckerman-Parkman Mansion was restored by the City of Boston in 1972 and used almost exclusively as the Mayor’s residence until 1984. The house is now the official reception hall of the Mayor’s office and appears much as it did when built 200 years ago.

Russell-Bradlee Mansion // 1825

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The land at the corner of Beacon and Joy streets in Boston’s Beacon Hill neighborhood was once John Hancock’s west pasture for his grand manor (razed in 1863) until 1819, when subdivision of the Hancock estate began following his death. In 1821, Israel Thorndike, one of the leading land speculators of early nineteenth-century Boston, began buying out the Hancock heirs and house lots overlooking the Boston Common were sold to John Hubbard and George Williams Lyman, who hired architect Cornelius Coolidge, to build some stately Greek Revival townhomes for wealthy Boston elites. The house at the corner of Beacon and Joy streets, 34 Beacon Street, was built in 1825 for Nathaniel Pope Russell, a leading Federal period China Trade merchant. By 1850, James B. Bradlee, a wealthy merchant, had acquired the property. Bradlee’s grandson Ogden Codman Jr., the influential late nineteenth- and early twentieth-century architect and interior decorator, was born in this house in 1863. Codman later collaborated with novelist and tastemaker Edith Wharton on ‘The Decoration of Houses‘, a book that had an enormous impact on the direction of interior design when it was published in the 1890s. Little, Brown and Company, a publishing company founded in 1837, purchased the former residence and moved their headquarters here in 1909. The publishing company sold the property in 1997, and it converted to a single-family home. In 2007, the residence was purchased by Northeastern University and has since been the President’s House.

Brewer & Beebe Townhouses // 1863-1917

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Boston is ever-changing and while change can be good, there have been some major architectural losses. This trend of redevelopment is not new however, as this single site on Beacon Street has seen two major losses, all before 1918! This lot on Beacon Street was originally home to Hancock Manor, a landmark Georgian mansion built between 1734-1737 for the wealthy merchant Thomas Hancock (1703–1764), and later inherited and occupied as the home of United States Founding Father John Hancock, yes, that John Hancock. In 1863, the Hancock Manor was sold at public auction and was purchased for $230. The house was demolished within days. While the building was torn down, souvenirs of it were actively sought as it fell. To replace it, two of the finest homes ever built in Boston were constructed on the site, from plans by elite Boston architect, Gridley James Fox Bryant. The double Second Empire style homes were first occupied by wealthy merchants, James Madison Beebe (the house on the left) and Gardner Brewer (right). In 1916, plans for the extension of the Massachusetts State House necessitated a taking of these (and other nearby) properties. These two houses were razed by 1917.

I wonder if the Hancock Manor would have survived to this time, would preservation prevail to save it?

Joshua Bennett Townhouse // 1834

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Just steps from the iconic Louisburg Square in Boston’s exclusive Beacon Hill neighborhood, a man named Joshua Bennett in 1834, purchased two recently completed townhouses built by housewrights Samuel H. Mitchell and Loring Dunbar. Joshua Holden Bennett (1792-1865) was born in Billerica, Massachusetts and split his time between his hometown and Boston. Bennett and his family owned the two identical bowfront houses until about 1930, likely renting them out to middle-upper class families. The home on the right (pictured) was later purchased by Benjamin B. Gillette an organist at a local church. After WWII, property values in Beacon Hill began to falter and this property and its neighbor became lodging houses of rented rooms to a more wealthy clientele than those on the North Slope of the hill. The home last sold in 1989 for $753,000 and is estimated at a value today at over $4,000,000!

Minot-Herter House // c.1825

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Set along Beacon Street, one of the finest streets in Boston, this townhouse has uninterrupted views of the Boston Common and Public Garden. The house was built around 1825 after a large fire destroyed nearly all the homes on the block. Build it and they will come, and the upper-class Boston elite did! Attorney William Minot (1783-1873) purchased the land here as early as 1817, and is said to have hired Peter Banner, the English architect who designed Park Street Church, to design the first house on this site, which stood less than 10 years. Minot had a new home built in the 1820s and lived there until his death in 1873. By the late 1920s, Christian Archibald Herter lived here. Herter held a number of important offices in state and national government, serving as the Speaker of the Massachusetts House of Representatives, Governor of Massachusetts, and President Eisenhower’s Secretary of State (1959 to 1961). It was Herter who likely added the Federal Revival features on the house, including the porch, dormers and updated door surround.

Chapin-Bodge House // 1829

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One of my favorite houses in Boston is this absolutely perfect townhouse on Pinckney Street in Beacon Hill. This house was built on speculation in 1829-1830 for Hollis Chapin by architect John Kutts. Kutts was active as a Boston architect between 1828 and 1838, but he is much less well-known compared to his peers today. I hope someone who is a better researcher than me stumbles upon this article because I would love to learn more about this architect! Kutts (possibly also Kutz) is a unique name for Boston, so it is likely he was a German immigrant who settled in Pennsylvania before moving up here. Back to the house. It was finished and sold in 1830 to Ebenezer T. Pope for four thousand dollars. The home was quickly bought and sold a couple more times as the values on Beacon Hill continued to grow. The property was purchased in the 1870s by Noah Bodge, as a rental property and it remained in the family through the 1920s. The home retains all the original details and provides a needed pop of color with the door and shutters.

Robert Gould Shaw Memorial // 1897

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Commissioned from the celebrated American sculptor Augustus Saint-Gaudens in the early 1880s and dedicated in 1897, The Shaw 54th Regiment Memorial (aka the Robert Gould Shaw Memorial) has been acclaimed as the greatest American sculpture of the 19th century. The memorial was designed by famed artist Augustus Saint-Gaudens, and it is a stop on the Boston Black Heritage Trail, commemorating the valiant efforts of Colonel Robert Gould Shaw and the men of the 54th Massachusetts, one of the first Civil War regiments of African Americans enlisted in the North. In July 1863, the regiment was sent to South Carolina where an assault was planned on Fort Wagner guarding Charleston harbor. Shaw had asked to have 54th Regiment lead the attack. Of the 600 men in the attack that day, there were 285 casualties, and Col. Shaw was killed, but the men never wavered in the battle and demonstrated great courage and determination. Following this display of valor, other black regiments were formed, and by the end of the war, 10% of the union army was made up of African American soldiers.

The monument in Boston shows the 25-year-old Shaw seated on his horse, with his regiment as it marched down Beacon Street on May 28, 1863 to depart the city to fight in the South. The concept of Shaw on horseback with marching soldiers was inspired, at least in part, from a painting Saint-Gaudens saw in France, Campagne de France 1814, by Jean-Louis Ernest Meissonier, which depicts Napoleon on horseback with rows of infantry in the background.While Shaw is the centerpiece of the monument, the significance of the monument is the Shaw Memorial is the first civic monument to pay homage to the heroism of African American soldiers in the U.S.

Grace Church // 1835-1966

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Grace Church was built in 1835 for a growing congregation in Beacon Hill. The absolutely stunning Gothic style church was designed by William Washburn (1808–1890), an architect and city councilor in Boston. The church was constructed of granite and had massive stained glass windows and soaring towers with decorative embellishments. Inside, a massive central window flooded the interior with natural light, and illuminated paintings from Mario Bragaldi, a Milan artist. In 1865, the building was sold to the Methodist Episcopal Society. 1873, it merged with Hanover Street, and took the name First Methodist. The church was variously referred to as First, Grace, or Temple Street, sometimes all at once! This church was occupied until 1962, when it merged with Copley to form First-Copley, which appears to have then occupied the Old West Church. The building was soon after acquired by Boston University and demolished for the building on the site today, a true loss to one of Boston’s most beautiful buildings.

Glapion-Middleton House Ell // c.1800

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Less than a dozen wood-frame buildings exist on Beacon Hill in Boston, and this curious building is one of them, and also happens to be one of the oldest structures in the neighborhood! Built by 1800, this structure was constructed as an ell/addition to the Glapion-Middleton House at 5 Pinckney Street in Boston. The Glapion-Middleton House (previously featured) was constructed in 1787 after two Black men, George Middleton and Louis Glapion and their wives, built a small double house in the abolitionist center of Boston, Beacon Hill. In recent years, some have speculated that due to this living arrangement and other accounts, that Glapion and Middleton were in-fact gay men, but this is unsubstantiated. After the home was constructed, a two-story, five-bay ell was constructed which connected the home to Joy Street at the corner. The ell served as additional space for the two families and they appear to have had a workshop or store in part of the building. In 1855, owners demolished the center bay of the ell and erected a brick townhouse, similar to others in the neighborhood. The ell in this building was occupied as a store for the majority of its life and became an Italian restaurant and soon after a “Boyer’s Creamery Luncheon”. The property has since been converted to a residence.

Hatch Memorial Shell // 1940

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Located at the Charles River Esplanade in Boston, the Hatch Memorial Shell has long been an iconic landmark and meeting place for Bostonians and tourists alike. Built in 1940, this outdoor amphitheater structure replaced an earlier 1920s shell, envisioned by Arthur Fiedler, the first permanent conductor of the Boston Symphony Orchestra. Construction began on the first shell in 1928 and Arthur Fiedler conducted the first Boston Pops concert there on July 4, 1929, followed by a month of concerts during that first summer, a tradition that has continued to this day. A second temporary shell was constructed of metal in 1934, which was unsatisfactory for the famous orchestra. In 1940, the construction of the new music shell took place, donated by benefactor Maria Hatch, to build a memorial for her late brother, Edward, who it is named after to this day. The permanent shell was designed by Richard J. Shaw, a Boston architect known for designing churches. The Art Deco design, with intricate woodwork adorning the interior and a terrazzo tile roof, was dedicated on July 2, 1940, just in time for Independence Day celebrations.