Greek Revival

Bow Bog Meetinghouse // 1835

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The Bow Bog Meetinghouse in Bow, New Hampshire, was built in 1835 for the First Methodist Episcopal Church and Society in town. Designed in the Greek and Gothic revival styles, the traditional form and paired entries with two stage belfry is adorned by finials and pilasters, showcasing an elegant blending of these two styles. built by George Washington Wheeler for the First Methodist Episcopal Church and Society of Bow in 1835. Mary Baker Eddy, founder of the Christian Science Church, mentioned Reverend Orlando Hinds as a contributor to her early religious teachings. She maintained close ties with this Church, donating funds for the bell in 1903. The Church provided religious instruction and social activities for 116 years and in 1951, the Church was closed and the Bow Bog Meeting House Society acquired the building. In 1970, they restored it to nearly its original condition, and it was acquired by the town in 1985.

Thomas Jones House // 1834

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Thomas Jones of Lancaster married Mary Tweed of Lunenburg, Massachusetts, in June 1834 and immediately began building this house on Main Street in Lancaster for his new family. The Greek Revival style house is a refined example of brick with six-over-six sash double-hung windows and a Classical entry portico supported by Doric columns. The house was later owned by Sewell T. Rugg (1821-1892), a blacksmith who had a shop nearby.

Joseph Andrews House // 1831

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This stately temple-front Greek Revival style house in Lancaster, Massachusetts, faces southward and when originally built, had sweeping views of fields and the Nashua River which abuts the property. The residence was built in 1831 for Joseph Andrews (1806-1873), a renowned 19th century artist who engraved portraits and landscapes, and was also an elder in the local Swedenborgian Church when it still met at residences. The Andrews House was likely a wedding gift to his wife, Thomazine Minot of Brookline, when they married. Tragically, Thomazine died just years later in 1834 at the age of 22. Joseph Andrews remarried soon after and would later move to Waltham. The house, which is listed on the National Register of Historic Places, features a full-length projecting porch with pediment supported by four, two-story fluted Ionic columns and a flush-board facade.

Sherwin-Goldsmith House // 1844

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The Stone Village of Chester, Vermont, is said to be the largest collection of stone buildings in the state. Built around 1844, the Sherwin-Goldsmith House is one of a few dozen “snecked ashlar” buildings in the region, where rubblestone is laid up with mortar using long stones called “snecks” to tie an outer and an inner wall together. The construction method is said to have been brought to the area by masons from Scotland and Ireland which is known there as ‘Celtic Bond’. Oral tradition state that Scottish masons from Canada introduced the technique to local masons while erecting a mill in nearby Cavendish in 1832. Local Chester resident, Dr. Ptolemy Edson became such a fan of the building that in 1834, he had his home, the first stone building in Chester, built in this method. He then would influence the rest of the North Village of Chester, where many of his neighbors, as well as the church and schoolhouse, built their structures in snecked ashlar. The Sherwin House is one of three near-identical houses built around the same time that are colloquially known as the “Three Sisters” because they were built for members of the same family. The Greek Revival form is toned down in this smaller side-hall house, which playfully uses large blocks of schist and mica which read as quoins at the corners. Simeon Sherwin (1813-1874) was a farmer, postmaster, and justice of the peace in Chester. Later owner, Olivia Goldsmith, wrote her bestseller, First Wives Club when she lived here. 

Gideon M. Lee House // c.1836

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The Stone Village of Chester, Vermont, is said to be the largest collection of stone buildings in the state. Built around 1836, the Gideon Lee House is one of a few dozen “snecked ashlar” buildings in the region, where rubblestone is laid up with mortar using small long stones called “snecks” to tie an outer and an inner wall together. The construction method is said to have been brought to the area by masons from Scotland and Ireland which is known there as ‘Celtic Bond’. Oral tradition state that Scottish masons from Canada introduced the technique to local masons while erecting a mill in nearby Cavendish in 1832. Local Chester resident, Dr. Ptolemy Edson became such a fan of the building that in 1834, he had his home, the first stone building in Chester, built in this method. He then would influence the rest of the North Village of Chester, where many of his neighbors, as well as the church and schoolhouse, built their structures in snecked ashlar. The first residence besides Dr. Edson’s home built this way in the village was this home, built nextdoor for Dr. Edson’s friend, Gideon Merrick Lee (1811-1880). Designed in a more vernacular version of the Federal style with emerging Greek Revival side-hall form, the Lee House features a charming entry with sidelights and a blind fan over the door.

Old St. Stephen’s Church – Barker Playhouse // 1840

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The old St. Stephen’s Episcopal Church in Providence’s Fox Point neighborhood is an architecturally distinctive Greek Revival style church building located on charming Benefit Street. The church had its beginnings in 1839, when the newly established congregation called on 29-year-old Francis Vinton to serve as their first pastor. The congregation funded this small church which broke ground in 1840, and before it was completed, Rev. Vinton resigned as Rector. The building, built of stone and covered in stucco, once had a spire and belfry above the main entrance. The congregation grew over the next decade and it was soon realized that a larger and more central church should be built for members, many of whom were wealthy residents with mansions surrounding Brown College. In 1860, the parish purchased a lot on George Street, and hired architect, Richard Upjohn to design the new church in the Gothic style. For reasons of location, and possibly social class, twenty-two men and women remained here at the less fashionable church and formed a new parish, the Church of the Saviour. The smaller, mission church with its stucco walls, remained until the property was sold in 1932 to house the Barker Playhouse, reputed to be the oldest continuously operating little theatre in the United States.


Faunce Schoolhouse // 1844

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This one-story, well-proportioned schoolhouse is located in the town center of Kingston, Massachusetts. The Faunce Schoolhouse showcases all the hallmarks of the Greek Revival style, including the siting of the building with its narrow end facing the street to showcase the gable roof, corner pilasters, and the entablature completing the gable as a pediment. The school was built in 1844, shortly after the nearby Town House was completed, as a center primary school. Up until the early 1900s, one or two teachers taught first through fourth grades at the two-room school. By 1908, overcrowding at the school led to a town meeting that led to the construction of a new school to provide more space conducive to learning. The Center Primary School remained open, and in 1924, the school was renamed in honor of Walter H. Faunce, a former teacher, superintendent of schools, and town selectman. The building was abandoned as a school in 1926 and stood empty until 1934 when it was sold by the town to the Kingston Grange No. 323 for $400. The Grange occupied the building until 1959 when it sold the building back to the town for $4,000. The building was restored in the 1970s and remains a source of pride for the community to this day offering free meeting and event spaces for local non-profits.


Holmes-Stetson House // 1841

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Built the same year as the Old Kingston Town House in Kingston, Massachusetts, this handsome Greek Revival style house sits on the town’s Main Street and has ties to two of the communities oldest and most significant families. The house was constructed in 1841 with matching side porches for Horace Holmes (1809-1855), a merchant and son of Joseph Holmes, a wealthy ship owner and builder. Horace operated a store near his home until his death in 1855. The property was later purchased by Captain Charles Stetson, a master mariner. The couple’s weath soon allowed them to sell this older residence and they built a “modern” Italianate style house at the rear garden (now 20 Green Street) to reside in. After successive ownership, the Greek Revival style house was converted to a store, but has since been reverted back to a residence, retaining much of its original fabric.

Fay House // c.1840

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One of the most spectacular residences in Westborough, Massachusetts, can be found on Church Street, which is a unique blending of two distinct architectural styles. The house here was originally built around 1840 as a Greek Revival style residence, which would have had a gabled roof, and it retains the original corner pilasters and Ionic columned porch. Records state the the house was built for Cyrus Fay (1812-1884), possibly around the time of his marriage in 1837 to Caroline Pope. Caroline passed away in 1852 at the age of 36, and Cyrus remarried in 1855 to Nancy Avery White. It was likely after his second marriage, and after he became the first president of the Westborough Savings Bank in 1869, that the house was modernized with a Mansard roof with belvedere.

Gilman Morse House // c.1850

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As the town of Westborough emerged from rural agricultural community to commercial center, connections to Worcester and Boston via rail service opened the town to prosperity. As businessmen accumulated wealth, these merchants built stately homes to showcase their position in the community. Before the Civil War, the Greek Revival style was ever-popular in Westborough, even though the style was already waning in popularity in larger cities. This is the Gilman Morse House, built around 1850 for Mr. Gilman Wood Morse (1810-1899) on East Main Street. Morse was a merchant in town and clearly did well for himself, building this stately house for his family. The residence is Greek Revival in style with its facade bays broken up by pilasters capped with Corinthian capitals adorned by acanthus leaves. The house also features ornate window and door hoods, showcasing the emerging Italianate style influence.