The Dr. Gridley Thaxter House on Washington Street in Abington, Massachusetts, is one of the most significant properties in the South Shore town, not only for its architecture, but also its owners. The house was built in 1798 for Dr. Gridley Thaxter (1756-1845), a ship’s surgeon in the Navy during the American Revolution. He married Sarah Lincoln (1761-1810), the daughter of Benjamin Lincoln of Hingham, a Major General in the Revolution and served from 1781 to 1783 as the first United States Secretary of War. Dr. Thaxter and his new bride acquired land in Abington, and moved there where he would serve as the town’s doctor. After his death, the property was inherited by Elizabeth Thaxter Hunt, the couple’s daughter, and her husband, Joseph Hunt. It was Elizabeth, who added the Italianate window hoods and a cupola (since removed) at the roof, “modernizing” the family homestead.
In 1905, George H. Cotton and his wife, Cora S. Cotton, purchased a house lot on Amory Street in Brookline and hired famed architect, William Gibbons Rantoul, to design this home for their son and daughter-in-law. George Cotton was a manufacturer of brass tubing and also the founder of the Belmont Springs Water Company and maintained homes in the Back Bay of Boston and in Belmont. His son, Harry W. Cotton, also worked for the American Tube Works and lived in this home with his family. The Cotton House is an architectural blending of Dutch Renaissance Revival and Arts & Crafts styles. The stucco siding and entry portico are in the Craftsman style, while the prominent Flemish gable on the central pavilion and round arched pediments for the dormers are in the Flemish mode.
Edward Russell Norton (1871-1960) and his wife, Lillian (1870-1968) got married in 1904 and immediately began planning their dream home. They purchased a building lot on Powell Street in Brookline, Massachusetts, and hired architect, Robert Coit, to furnish plans for the new home which was completed by the next year. The house blends Arts and Crafts and Tudor Revival styles with a pleasing design and architecturally appropriate paint scheme.
This lovely Colonial Revival style house on Powell Street in Brookline was built in 1904 for Charles H. Owens, Jr., an interior designer who just two years later, built another home next door that he would reside in with his own family. This house was rented to John R. Perry, who was also listed as a “decorator” in city directories and president of Perry, Lewis & Whitney, a design firm. The house (like its neighbor built two years later), was designed by the architectural firm of Loring and Phipps and was oriented southward to face the side yard. The Perry House features small projecting oriel windows, a broad gambrel roof, and an entrance portico supported by Tuscan columns.
The Captain John Clark Housein Canterbury, Connecticut, is one of the finest examples of the Federal style of architecture in New England, and has remained in a fine state of preservation since its construction in the early 19th century. The house was built by 1802 for John Clark (1731-1834), who purchased an earlier home on the site from and had it either taken down or enlarged to its present appearance. The mansion is symmetrical with five bays, central entry and twin chimneys projecting through the hipped roof. The central bay is a showstopper with its triangular pediment at the roofline containing a fanlight, Palladian window at the second floor, and main entrance with its own pediment, sidelights, fanlight transom, all framed by two-story columns. The house’s south facade is equally beautiful with its own Palladian window and entrance.
Built c.1805 for Elisha Payne, this architecturally distinguished Federal style mansion in Canturbury, Connecticut is one of the most significant buildings in the state, not only for its architecture but historical significance. In 1831, a young white woman, Prudence Crandall, was asked to open a boarding school for girls in Canterbury. She purchased this mansion and began operations for the school, which was attended by many wealthy girls in town. In 1832, Ms. Crandall was approached by a young Black girl who worked as a servant in town, named Sarah Harris, asking to attend the school. Encouraged by conversations with both Harris and Maria Davis, a Black woman who worked for Crandall and shared copies of the abolitionist newspaperThe Liberatorwith her, Crandall agreed to admit Harris. Almost immediately, residents protested the school’s admission of a Black girl and parents threatened to withdraw their students, Crandall undeterred, closed her school and reopened in 1833, solely for Black and Brown students. Young girls traveled from several states to attend the school. The legislature of Connecticut responded by passing the “Black Law,” which prevented out-of-state Black and Brown people from attending school in Connecticut towns without local town approval. Crandall was arrested, spent one night in jail, and faced three court trials before the case was dismissed. In September 1834, a nighttime mob of men attacked the house, smashing the windows, leading Crandall to close the school out of fear for her students as no protections were afforded to them. These events made national and international news in the 1830s and galvanized the burgeoning abolitionist movement. Crandall would later marry and left Connecticut, never to return. For her vision and brave actions at this school, Prudence Crandall is Connecticut’s official state heroine and the house was designated a National Historic Landmark in 1991.
This house in Canterbury, Connecticut, is known as the Turnpike House and dates to the early 19th century. A great example of a Federal style residence, the symmetrical, five-bay home exhibits pair chimneys, multi-light double-hung windows, and an elaborate center entry with sidelights and fanlight transom. The house was built along the Windham Turnpike (now Connecticut Route 14), which was an early toll road established in 1795. Behind the main block of the house is a squat gambrel-roofed ell, that is believed to be made from an older house that previously stood on this site, perhaps dating as early as 1745. According to tradition, this early house, which was also at one time supposedly used as a jail, was the home of Rev. Dr. James Coggswell when he ran a school for boys in Canterbury. One of his pupils at that school was Benedict Arnold, the infamous turncoat.
Built for Benjamin Franklin Greene, a second-generation mill owner of the Greene and Daniels Thread Company in Central Falls, Rhode Island, this large, Second Empire style house is one of the finest of its style in the entire state. The house is one of only a few high-style residences left from the mid-nineteenth century in Central Falls, when industrialization’s full expansion provided manufacturers such as Greene with fortunes to be expended on their houses. Designed by Providence architect Clifton A. Hall, the ornamentation of the Greene House is extraordinary for its elaboration, relieving the severity of the simple, block-like shape of the house. The central door is set under a flat-roofed porch which is supported by trios of Corinthian columns. Above the porch a trio of round-head windows is set under a “sunbonnet” gabled dormer which caps the central pavilion, is supported by brackets, and encloses a round-head window with a small balcony. What a spectacular home!
Overlooking the Salem Common, this 1818 Federal style dwelling has served as everything from a single-family home to a boarding house and ultimately an assisted living facility, showcasing that old buildings can always be repurposed into new uses. The home was built for Captain John Forrester, son of Simon Forrester, one of Salem’s most successful merchants. The Forrester House was purchased in the 1830s by George Peabody, who added the one-story ballroom wing. Peabody lived in the house until 1892 and the building later housed the Salem Club, a men’s social organization with over two-hundred well-connected members. In the 1920s, it became the Bertram Home for Aged Men, named after Captain John Bertram, who founded the organization in 1877 as a charitable residence providing housing and socialization space for aged men in Salem. The home had fallen into disrepair when it was closed in 1988, to reopen two years later as the first free-standing assisted living community for men and women in Massachusetts, today known as the Bertram House.
Behold, one of the finest, and well-preserved Greek Revival style homes in Salem. This is the Payson-Fettyplace House on Winter Street, built in 1845 with its gable facing the street to create a pediment, a wide entablature and cornice, and pilasters on the flushboard façade, which together make the building read more like a Greek temple than a residential home. The residence was built for Edward H. Payson, a bank officer, and his wife, Amelia, who lived in the home for only two years before moving into a larger residence across the street just two years after this house was completed. The property was sold to a Carleton Dole of Maine and again sold in 1850 to Thomas J. Fettyplace. The Fettyplace family were based out of Marblehead and many of them relocated to Mobile, Alabama, to make money in the cotton and shipping industry in the South. Thomas purchased this home in Salem for his mother who spent her final years here until 1861. After the Civil War, the Fettyplace brothers would move back north and this home remained in the family until 1912. The house is now a bed & breakfast known as the Amelia Payson House, named after the original owner.
Buildings of New England 