Warren W. Dutcher House // c.1860

The finest example of the Second Empire style in the industrial village town of Hopedale, Massachusetts, is this stately residence at the beginning of Adin Street, which has been colloquially known as ‘Millionaire’s Row’ as it is lined with many large mansions owned by factory owners and managers. This is the Warren W. Dutcher House, built around 1860 for its namesake, a wealthy and well-connected manufacturer. Square in form, the house is capped by a concave mansard roof in slate, and features a cornice with paired brackets, round-headed dormer windows, and a central entry with door hood supported by oversized brackets all under the full-length porch. Warren Whitney Dutcher (1812-1880) was originally from North Bennington, Vermont, and in the 1850s, he invented a temple that worked better than one used by the Draper Corporation. are adjustable stretchers used on a loom to maintain the width and improve the edges of the woven fabric. George Draper bought an interest in it, and encouraged Mr. Dutcher to move to Hopedale to expand his operations. He moved to Hopedale in 1856, and built this home after a few years of managing the Dutcher Temple Company. After Warren Dutcher died in 1880, the home was inherited by his son, Frank Dutcher, until he built his own house on a lot behind his childhood home.

Urncrest // c.1875

Located on Adin Street, a street of homes formerly owned by factory owners and managers in Hopedale, Massachusetts, you will find “Urncrest”, a stunning Queen Anne Victorian mansion. This home was originally built around 1875 for William Lapworth (1844-1937) an English-born weaving expert, who worked at Hopedale Elastics Co. and patented certain weaving processes for suspenders, boot webbing, and garters. Hopedale Elastics was absorbed by the Draper Corporation in 1890, and Lapworth “modernized” his home with profits from this sale. His formerly modest home was updated with a corner tower, large additions, wrap-around porch with porte cochere, and applied ornament. The detached carriage house was also expanded, where he added a coachman’s apartment.

Buckingham House // 1903

This unique Queen Anne style house at the corner of Washington and Eddy streets in Warren, Rhode Island, stands out for its use of materials and late Victorian design, a departure from the Federal and mid-19th century architecture the waterfront community is best-known for. The residence was built for Hannah and Erastus Buckingham and today remains essentially as originally built. Its slightly asymmetric massing combining multiple materials of brick and weathered shingles with diamond pane sash windows, illustrate early 20″ century design simplification while retaining the use of materials typical of late 19″ century Queen Anne style. Erastus Buckingham inherited his father’s oyster farming business, which harvested over 200 acres of beds in the bays off Nayatt, Conanicut, Quonset, Rocky Point and Patience Island before packaging and shipping to markets.

Smith-Waterman House // c.1820

One of the many great examples of Federal period houses being “Victorianized” later in the 19th century, the Smith-Waterman House on Broad Street in Warren, Rhode Island, stands out as one of the most elaborate. The residence was originally built by 1820 and possibly owned by Nathaniel P. Smith (1799-1872). After his death, the house was inherited by his son, N. P. Smith Jr., who would later sell the property to John Waterman, the Manager and Treasurer of the Warren Manufacturing Company. It was under Mr. Waterman’s ownership that the once standard Federal style house was enlarged and given Italianate features, including the wrap-around porch, overhanging eaves with brackets, addition and the three-story tower at the rear.

Elizabeth G. Evans – Edward A. Filene House // 1883

This unique brick house at 12 Otis Place in Beacon Hill was built in 1883 by the architect, Carl Fehmer for attorney Glendower Evans and his wife, Elizabeth Gardiner. Mr. Evans died in 1886 of Hodgkin’s Disease at just 30 years of age. His widow, Elizabeth Glendower Evans (1856-1937) was greatly influenced by her husband during their brief marriage, even taking her husband’s first name as her middle name after his death. Elizabeth Glendower Evans became a prominent social activist, studying child labor conditions in the South and took up the cause of women’s suffrage and the associated problems of tenements and factory work arising from disenfranchisement in the late 19th and early 20th centuries. In 1915 Evans served as a delegate to the International Congress of Women at the Hague. She was the first National Organizer of the Woman’s Peace Party. From 1920 until 1937 she served as a national director of the American Civil Liberties Union. In the 1910s, Elizabeth sold the home to Edward Albert Filene (1860-1937), who, together with his younger brother Abraham Lincoln Filene, reorganized his father’s department store into “William Filene’s Sons Company”, which would later become Filene’s. He was a supporter of credit unions to help ordinary American workers to access loans at reasonable rates and allow workers to save their money so that when hard times hit, they were prepared.

Martin-Ware House // 1872

One of the most interesting houses in Beacon Hill is this unique Second Empire style townhouse with towering two-story mansard roof at 3 Otis Place/49 Brimmer Street. When walking around Boston and exploring other cities, it is always fun to delve into research and learn about the built environment and the stories that brought these places to be! This residence was constructed in 1872 on land that was filled here between 1867 and 1869 formerly occupied by the Charles River. Creating the land at and around Otis Place was one of a series of responses to the need for more physical space in Boston and to cover the pollution of the Charles River along the West End and what would become the Back Bay. The houses at 3-4 Otis Place were originally owned and designed by architect, Abel C. Martin, who resided next door to the topic of this post until his death. In the early 20th century, this house was owned by Charles Eliot Ware Jr. a publisher, who in 1929, hired architect, Charles Greely Loring to add the copper-clad oriel window on the north elevation and elevate the mansard roof to create the unique two-story mansard. The old Martin-Ware house has been apartments since at least the 1960s.

Samuel and Emily Eliot Rowhouses // 1871

These three identical three-story houses at 156, 158 & 160 Mt. Vernon Street in Beacon Hill Flat were built in 1871 as income producing properties for Samuel and Emily Otis Eliot who lived next door on the corner of Brimmer Street. The architect is not evident from my research, but they were likely designed by Abel C. Martin, who furnished speculative housing for the Eliot’s elsewhere in the neighborhood. All three residences feature brick facades with off-center recessed entries on raised stoops. The use of brownstone lintels and sills, decorative brick cornice, and second-story hexagonal oriel windows add intrigue to the design, along with the slate mansard roofs. The three houses were sold or rented and all were owned by various families, but notable owners of the central house include the architect George Russell Shaw (1848-1937) of the firm Shaw and Hunnewell through the early 1900s. Later in the 20th century, the house was owned by Kevin White (1929-2012), who served as the mayor of Boston for four terms from 1968 to 1984.
All three residences are well-preserved and look much as they did when constructed over 150 years ago.

Sunflower Castle // 1878

This absolutely unusual and enchanting cottage on Mount Vernon Street in Beacon Hill, Boston, was originally was constructed in the 1840s but completely altered decades later in its distinctive English Queen Anne style. In 1878, Frank Hill Smith, an artist and interior designer, worked with architect, Clarence Luce to renovate what was originally a two-story Greek Revival house into one of the most eclectic and unique residences in New England. The Sunflower Castle, a name reputedly coined by Oliver Wendell Holmes, features a yellow stucco first floor with the upper floors covered with red fish-scale shingles. Further detail includes the half-timbering, decorative panels depicting a gryffin and a sunflower in the gable, and carved wood frieze over the doorway. Clarence Luce was likely so inspired by this project, that he built an even more extravagant example of this house for Edward Stanwood in Brookline soon after. By 1903, the property was sold to the painter, Gertrude Beals Bourne and her husband, architect, Frank A. Bourne, who were both key players in the revival and gentrification of the Beacon Hill Flat neighborhood west of Charles Street in the early 20th century. The Sunflower Castle was used as their home and as an artist’s studio for the couple, with Frank adding the side garden wall with tile-roofed gateway to enclose a private open space. The property remains as a private residence.


William H. Hall House // 1896

Located between his family factory and the memorial church built for his late sister, the William H. Hall House in South Willington, Connecticut, is among the community’s finest Victorian residences built for a wealthy industrialist. William Henry Hall (1867-1922) was the son of industrialist Gardiner Hall Jr., who established the business under his name, which manufactured thread and spools, hiring hundreds of employees. After the death of his father, William Hall became the head of the company, but clearly was successful long before this as he had this stately Queen Anne style mansion built in 1896. Beyond his work at his family’s business, William H. Hall served in the Connecticut House of Representatives in 1893–1897 and again in 1905, 1909, and 1911, and he was generous with his money throughout his life and in his will. Hall served on the board of trustees of his alma mater, Wesleyan University, from 1912 until his death, with his estate donating $175,000 to Wesleyan to construct a chemical laboratory named in his honor. Closer to his home, his heirs partially funded the the Hall Memorial School in South Willington in his honor. The property remained in the family after his death, and in the 1980s, it became an assisted living facility, with large additions constructed, but the Hall House remains a great architectural landmark for the mill village.

Charles and Elizabeth Ware Mansion // 1870

Located at the corner of Brimmer and Mount Vernon streets in Beacon Hill, this stately mansion showcases the various architectural styles and methods utilized by architects in the waning decades Victorian-era Boston. Set atop a brownstone base, the floors above are in the “Panel Brick” style, which utilizes brick masonry in a variety of decorative patterns of slight projecting or receding panels. The style was popularized by the Boston architectural firm of Ware & Van Brunt, as noted by architectural historian, Bainbridge Bunting. As expected, this house (and the attached townhouse next door) was designed by William Robert Ware for his uncle, Dr. Charles Eliot Ware (1814-1887) and his wife, Elizabeth Cabot Lee Ware. Dr. Ware was a physician at Massachusetts General Hospital and secretary of the Massachusetts Medical Society. After the death of Dr. Ware and Elizabeth, the property was inherited by their daughter, Mary L. Ware (1858-1937), a naturalist and botanist who was the principal sponsor of the Harvard Museum of Natural History‘s famous Glass Flowers. After the death of Mary, the property sold out of the family to Robert Wales Emmons III, a financier from a yachting family. The mansion remains in a great state of preservation, and is among the great Victorian-era residences in Beacon Hill.