Queen Anne

Fairlawn Mansion // 1883

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One of the great mansions built for the wealthy Thayer Family, “Fairlawn” stands as one of the finest Gilded Age homes in Lancaster, Massachusetts. This home was built for Eugene Van Renssalear Thayer (1855-1907), a financier and businessman, and his wife, Susan Spring Thayer. The gracious Richardsonianeque Shingle style house was designed by the Boston architectural firm of Andrews & Jacques as one of their first commissions after leaving the office of H. H. Richardson to establish their own practice. After the deaths of Eugene and Susan, the property was inherited by Susan Thayer Bigelow, the youngest daughter of the couple, and her husband, architect, Henry Forbes Bigelow. Under the ownership of Henry and Susan Bigelow, a massive renovation occurred, where Henry F. Bigelow oversaw in 1923, the removal of the south wing of the house, which was relocated to the south and became a detached residence, painted the brown-stained shingles white, and removed the Richardsonian arches to create a 20th century country house more in the Tudor Revival mode. From 1965, the property was owned by the former Atlantic Union College, and was colloquially known as the White House, but has since been sold to private owners. The former south wing, now a detached house, is under separate ownership. 

Detached portion of original house.

South Lancaster Engine House // 1888

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The South Lancaster Engine House is located in the village of South Lancaster, Massachusetts, and is one of the town’s three remaining historic fire stations and the oldest that remains in use by the local fire department. At the Town Meeting of June 18, 1887, it was decided that $3, 500 would be expended to build a station for the Fire Department in South Lancaster. Construction began in 1887, and was completed in March of 1888 from plans by architect, C.A. Woodruff. The station housed horse-drawn wagons, including one sleigh, and featured a bell in the belfry to call attention to the public. The station appears much like it did when built in 1888, besides the bright white paint color and the modification of the engine doors for the new, larger fire trucks. 

Founder’s Hall // 1884

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Completed in 1884, Founder’s Hall is the oldest building on the campus of Atlantic Union College, a now defunct college in Lancaster, Massachusetts. The handsome Queen Anne style building was constructed for the school, originally known as South Lancaster Academy by Stephen N. Haskell, an elder of the Seventh-day Adventist (SDA) church. The building was designed by Worcester-based architects Barker & Nourse, and is the oldest educational SDA facility standing. The institution changed names, first to Lancaster Junior College, and then to Atlantic Union College, before the institution closed in 2018. The building and nearby campus buildings were sold in 2021, but the future is uncertain at this time.

Swedenborgian Church of Lancaster // 1881

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Built in 1881, the Swedenborgian Church of the New Jerusalem in Lancaster, Massachusetts, is a handsome Victorian-era chapel that has been well-preserved for nearly 150 years. The Queen Anne/Shingle style church was designed by architect Francis Ward Chandler of the firm, Cabot & Chandler, for the local Swedenborgians in Lancaster, some of which likely spent summers in Lancaster from Boston. The membership of the church dwindled in the early 20th century, and the congregation sold the church to a local women’s social group, the Current Topics Club in 1923. The women’s club met in the old church and maintained the building for nearly a century until the building sold to private owners in about 2007, who converted it to a residence, preserving the unique architecture we still see today.

Solon Wilder House // 1883

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On Main Street in the central village of Lancaster, Massachusetts, the Solon Wilder House stands as one of the town’s finest Victorian-era residences. The house dates to 1883 and was built for Solon Wilder (1828-1889) and his wife, Olive. Mr. Wilder ran a store and served as town treasurer, doing well enough financially to build this handsome, and modern house and rear stable for the time. The Stick style house features a porch with cut woodwork, decorative trusses in gables, and wooden wall cladding interrupted by “stickwork” patterns raised from the wall surface that is meant to symbolize the structural skeleton of the home.

Robbins House // c.1850

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Originally built in the 1840s or 1850s, this stunning house on Main Street in Chester, Vermont, was “Victorianized” in the late 19th century through applied ornament, a tower, and porches. Historic maps show that this house was owned by Cyrus Robbins and his wife, who likely had the residence built in a vernacular example of the Greek Revival style, with a 2 1/2-story form with gable roof oriented towards the street. The corner pilasters remain as do the original facade windows with five on the first floor, three on the second, and a single window in the upper floor. By the late 1800s, the house was modernized with the addition of the wrap-around porch with decorative spindles and ornament and the octagonal turret with wood shingle conical roof. Today, the house is painted colors to highlight the Queen Anne appearance and details.

Whiting Library // 1891

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The Whiting Library in Chester, Vermont, was designed by architect George H. Guernsey, and is said to be the only building in the village designed by a regionally significant architect. For the design, Guernsey created an eclectic library blending Romanesque and Queen Anne influences that strikingly enhance the library’s relatively modest physical stature. The building was named to honor Chester physician, Laurin G. Whiting and his wife, Abigail, who donated funds for the land and building. The polychromatic brick and granite building features unique gables, corner tower, and arched openings, which were carried over to a lesser scale into an addition a few decades ago.

William Pollard House // 1899

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This high-style and ornamental house in Chester, Vermont, ranks among the state’s best examples of the Queen Anne style. The residence was constructed in 1899 for William Pollard (1854-1941), a local businessman who owned a shirtwaist manufactory in town with his brother, who lived next door. The painted-lady Victorian house features an asymmetrical plan highlighted by a three-story octagonal corner tower that is surrounded by a wrap-around porch with a delicate spindled frieze. The use of accent colors in the paint scheme further highlight the millwork details on the residence, which have all been preserved for well over a century. 

Marie Hill Farmhouse // c.1810

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Located in the charming rural town of Andover, Vermont, the Marie Hill Farmhouse is one of the most interesting and charming residences in the area. Built around 1810, the brick farmhouse was designed in the Federal style, with a symmetrical five-bay facade, brick end chimneys, and a fanlight over the front door. The property was purchased by New Yorkers, Laurence Pfluger and his wife Mary “Marie” Pfluger, who operated the farm, raising dairy cows. Laurence would ship eggs, dairy and meat to his market in New York from this farm, which did quite well financially. The farmhouse was “modernized” by the turn of the 20th century with the addition of the two-story octagonal towers on the facade, front and side porches, along with the decorative slate spelling out “Marie Hill Farm” after his Marie Pflueger. The residence was later converted into a guesthouse, a use that remains to this day, still retaining the iconic name and branding in the southern gable.

Edward Stanwood House // 1880

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The Edward Stanwood House at 76 High Street in Brookline, Massachusetts, is one of the finest and exuberant examples of the English Victorian Queen Anne style, notable for its varied wall textures and materials, unique form, and applied ornament. The house was built in 1879-1880 for Edward Stanwood, who was for many years the editor of the Boston Daily Advertiser, and a children’s magazine, The Youth’s Companion. The ornate residence was designed by Clarence Sumner Luce, with interiors by Thomas Dewing. The Stanwood House features a well-preserved exterior and period-appropriate paint scheme, highlighting the bas-relief sunflower ornament and gargoyles. Of particular note is the use of hung tile siding, overlaid to give the appearance of fish scales and the roof cresting.