The Benjamin Holmes Jr. House at 395 Pleasant Street in Portsmouth, is a two-story, five-bay, residence with symmetrical facade with a central pedimented entry. In 1795, Benjamin Holmes (1768-1837) married Esther Lewis, and the couple moved into this residence. The late-Georgian house follows the typical form and finishes of many other coastal New England residences of the late 18th century and is in a great state of preservation.
Master mariner Charles E. Blunt Sr. (1768-1823) built this large Federal period home on Pleasant Street in Portsmouth, New Hampshire near the turn of the 19th century for his bride, Abigail Laighton, and their new family. Charles Blunt was a wealthy sea captain who would be out at sea for months at a time, trading in the west indies. On a voyage near Havana Cuba in March, 1823, his vessel was boarded in the night by two piratical boats, with six men each, and Captain Charles Blunt was brutally murdered and thrown overboard. The ship’s cook was stabbed, and fed to the hogs on the brig, with the remainder of the crew maltreated and the goods plundered. The Captain Blunt House follows a symmetrical, five-bay, center entrance form, with cedar shake shingles, three pedimented dormers and large portico over the door.
The Joshua Wentworth House at 27 Hancock Street in Portsmouth, New Hampshire, is a high-style Georgian residence built before the American Revolution, and was almost demolished in the name of “urban renewal.” The house has a side-gable roof with three broken-pediment dormers and a wood paneled door with segmental entablature, pilasters, and a five-light transom. Joshua Wentworth (1742–1809) the namesake of the house, was a grandson of John Wentworth (1671–1730), who had served as an early Lieutenant Governor for the Province of New Hampshire, and was himself, a merchant and State legislator. The house was originally located in the North End of Portsmouth, but in the 1970s, urban renewal and local politicians sought to raze portions of the town to “revitalize” the port town. If only they knew that Portsmouth would be the largest tourist draw in the state just for people to see historic, walkable neighborhoods! Businessman Harry Winebaum acquired the house and sought to preserve it. The solution: move the house by barge to the south side of town near Strawberry Banke. Luckily for us, the house was moved in 1973 and was restored. It is a private residence.
The South Meeting House was built in Portsmouth in 1866 and it is significant as a high-style Italianate building in the coastal town, and as the meeting place for the first African American church congregation in New Hampshire. The present building is the second building on this site. The initial structure was the Old South Meeting House, which was built for the South Church in 1731. The City demolished it in 1863 for the construction of the present building in 1866 as a Ward Hall for the Southern area of the community. The building’s upper level serves as a large public meeting space, and has seen use for political meetings, ward elections, and religious services The structure was the home of the People’s Baptist Church, the first African American church in New Hampshire, which organized in 1873, when the Freewill Baptists congregated on the second floor of this building. The church relocated in 1915 to 45 Pearl Street when the congregation raised money and bought their own building. In the late 19th century and early 20th century, the building continued to serve as a church, school, and community center until at least 1915. After World War II, it was boarded up due to economic circumstances and endured a period of neglect. In 1966, Strawbery Banke leased the building from the city for about fifteen years, during which it returned as a community resource and was renamed the South Meeting House. The city invested around $67,000 for repair work that also exposed further damage issues. In 1982, the city approved a proposal for the building to become a Children’s Museum. The community contributed to the required materials and labor that allowed the Museum to welcome the public from 1983-2008. Today, the city is still permitting restoration projects to preserve the historic building.
The Tredick House is located at 187 Marcy Street in Portsmouth, New Hampshire and was built in 1802 for Captain Jonathan Martin Tredick (1777-1803) and his new wife, Martha Marshall on land gifted to them by Jonathan’s father, William Tredick. In a tragic shift of fortune, Captain Jonathan Tredick never got to live in his new house as he died at sea, with accounts differing, either from fever or being swept overboard. At the time, Jonathan and Martha had two children, 2 year-old Catherine Marshall Tredick (1801-1822) and newborn Jonathan Marshall Tredick (1802-1875). Martha, a sudden widow at the age of 26 with two children, was aided by her family and that of her late husband, and operated a store nearby to supplement her income until her death at home in 1872, she was 96 and never remarried. The late Georgian style house features a hipped roof with central chimney, pedimented dormers and a pedimented entry and 9-over-six sash windows on the house.
The people and buildings of Portsmouth, New Hampshire, have always been closely tied to the sea. Many old houses and commercial buildings here were built for merchants, ship builders, sea captains, and fishermen, who made their living from the charming port town. This historic house at 333 Marcy Street in the Downtown area of Portsmouth, was built around 1812 for Benjamin Damrell (1781-1821) a sea captain, privateer during the War of 1812, and member of the Portsmouth Marine Society and Alert Fire Society of Portsmouth, a volunteer fire fighting group. Captain Damrell died in 1821 while at sea and his property was inherited by his widow, Lucy, who appears to have remained here for some time, raising their daughter.
While New Ipswich, New Hampshire, is best known for its early Georgian and Federal period architecture, the small town is home to Warwick Mills, the site of the oldest textile mill in the state. Originally built circa 1807, the mills here burned down two times and were rebuilt a third time using brick; that third iteration is the building seen today. The brick for the building was forged on site and was finished in 1864, with signatures on the beams by craftsmen as far south as Baltimore. The mill was home to the Columbian Mill Company, who created textiles from cotton and other materials in the building, becoming a leading employer in the region. The building is now known as the Warwick Mill, and is an active manufacturing complex, making many contemporary and high-quality materials for 21st century clothing. The buildings exhibit stunning corbel detailing.
Presently owned and occupied by the New Ipswich Historical Society, this handsome brick building was originally constructed in 1829 as a schoolhouse for young students in town. The structure is located on Main Street and replaced wood-frame school that was located on the other side of the road. Almost immediately after it was built, the building and its location were heavily criticized as early as 1847. There were up to 92 pupils in its two rooms, both of which were accessed by a central entrance, causing those entering and leaving to disrupt both classrooms. Additionally, the closeness to the road caused noise and dust to enter the classrooms. The school closed in 1860 and was used for a time as a blacksmith shop before it was acquired by the New Ipswich Historical Society in 1939.
This large, wood-frame building on Main Street in New Ipswich, New Hampshire, dates to the 1840s and has long served as a meeting place for local social groups and organizations. The building is a vernacular example of the Greek Revival style with corner pilasters, a dentiled entablature and slightly pedimented lintels over the windows and paired doors. The building was used by various groups including the local chapter of the International Order of Odd Fellows (IOOF), the Women’s Relief Corps, and as the Watatic Grange Hall.
The New Ipswich Public Library is a one-story Shingle style building on Main Street in the charming village of New Ipswich, New Hampshire. The library building was likely designed by Ernest M. A. Machado, one of the best, and relatively unknown architects of the late 19th and early 20th century in Salem. The entrance which faces the side, is flanked by two diamond-pane windows, which can also be found on the primary facade. A special ten-light vertical window is recessed within a shingled depression in the gable, which adds some complexity to the design.
The Samuel Tarbell Ames House is a large, gambrel-roofed house located in New Ipswich, New Hampshire. The residence was built in 1890 for its namesake, Samuel Tarbell Ames (1810-1897), who was eighty years old when it was completed. Mr. Ames was a Boston businessman who summered in New Ipswich, as his wife was Mary Hartwell Barr, a daughter of Dr. James Barr, who lived in town. The house then passed to Samuel’s son, James Barr Ames (1846-1910), who was an Assistant Professor and Dean of the Harvard Law School, who took a great interest in Appleton Academy, serving as Trustee, and his widow donated this house to the Academy in 1912, after his death. The Ames House then served as a boarding house for teachers and students until it reverted to private ownership.
Appleton Academy (aka the New Ipswich Academy) was established in New Ipswich, New Hampshire, in 1789, being the second oldest private academy in the state. The school was named after benefactor Samuel Appleton, the largest early donor, who grew up in town at his father, Isaac Appleton’s homestead. This is the fourth Academy building in New Ipswich. The original 1789 frame building was outgrown and in 1816, it was decided that the academy would be shared with the new town hall building, occupying the second floor. Sharing a prestigious academy building with the town functions was deemed insufficient, and a new prominent site near Appleton Common was acquired, with a new brick academy building constructed there in 1853. The Italianate style structure was funded by the Appleton Family, and was designed by Boston architect, William Washburn. In January 1941, the main Academy building was destroyed by fire. The next year it was rebuilt, closely following the design of the earlier brick structure. The school closed in 1974 and was used by a non-profit and schools until it sold in 2018 and appears to be a residence now.
The Preston-King House of New Ipswich, New Hampshire, is a 2 1/2-story wood frame Georgian house and unique for its asymmetrical six-bay facade. John Preston I (1739-1803) built this house in 1764. Preston was a doctor, a profession followed by his son of the same name. As well as being the town’s leading physician, he was a member of the first Board of Selectmen and a member of the Convention for framing the State Constitution, also holding many local offices. Following his death, the house passed to his youngest daughter Anna, and her husband, Seth King, a manufacturer, in 1808. The house has been restored to its Colonial appearance and makes a statement without the frills and detailing of the Victorian style.
Built on a terraced knoll on Main Street in the enchanting village of New Ipswich, New Hampshire, the Charles Barrett House is a stunning late-Georgian residence that was restored in the 20th century. Charles Barrett (1739-1808) moved to the town from Concord, Massachusetts, and did quite well for himself, as just decades later, he would build his son one of the finest homes in the state, the Barrett House, next door. The house’s current appearance reflects a restoration circa 1960. Like many 18th century houses, it was altered in the 19th century with Victorian-era embellishments, including a Mansard roof, 2/2 sash, and a matching carriage house. Under the direction of Historic New England, the house was returned to its more simple, original, Georgian design.
The Barrett House (also known as Forest Hall) is a Federal style mansion located in New Ipswich, New Hampshire and one of the finest buildings in the entire state. The mansion was built around 1800 by Charles Barrett Sr. for his son Charles Jr. and daughter-in-law Martha Minot as a wedding gift. Its grand scale was encouraged by Martha’s father, who promised to furnish the house in as lavish a manner as Barrett Sr. could build it. The interiors are elegantly furnished, and numerous reception rooms were designed for entertaining in a cosmopolitan manner. An elaborate allée was later added to the landscape, with a flight of stone steps flanked by maples rising up the hillside behind the house and leading to an elegant summerhouse. After Charles and Martha died, the estate remained in the family. However, after the railroad bypassed New Ipswich, the town entered into a decline. Charles Barrett’s descendants stayed on, but today Forest Hall remains essentially a relic of the Federal era. After 1887, the family used the house only in the summer-time. It was donated to Historic New England in 1948. Historic New England has ever-since opened up the property to those who want to see one of the best examples of a rural, Federal style estate in New England and its well preserved interior and grounds.
