Commercial Building

Cheapside Block // 1880

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The Cheapside Block on N. Main Street in the East Side district of Providence, Rhode Island, is significant as a remaining Victorian-era commercial block that retains much of its original architectural detailing. Built in 1880 and designed by local architects Stone & Carpenter, the Cheapside Block was named after the early nineteenth century name given to the commercial district running along the west side of Main Street, north from the eighteenth century Market House, after the London commercial district of the same name. The word “cheapside” is derived from the Anglo-Saxon word “to barter.” The block here is an excellent example of the High Victorian Gothic architecture style, with intricate brick and stonework, pointed gables with inlaid tile, quatrefoil motif in the parapet, and the original cast iron storefronts. The building was acquired by the Rhode Island School of Design and renovated in the 1980s. Today, the Cheapside Block is home to the RISD Design Center. 

Jefferson House and Stores // c.1816

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The Jefferson House and Stores on Marcy Street sits near the working port and harbor of Portsmouth, New Hampshire, as a historic Federal style mixed-use building. The structure dates to the early 19th century and consists of a brick first floor and clapboarded upper stories. Likely due to coastal flooding during storms, the brick ground floor with slightly raised granite foundation would provide some relief from floodwaters getting inside the building. The shortened windows at the third floor, fanlight over the main entrance, and form with shallow hipped roof, are all hallmarks of the Federal style. The building is today owned by Strawbery Banke and rented out to the Gundalow Company, a non-profit that seeks to, “protect the Piscataqua Region’s maritime heritage and environment through education and action.”

M. A. Pickett Building // 1902

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The M. A. Pickett Building on Washington Street in Marblehead is a spectacular example of a commercial building of the early 20th century designed in the Colonial Revival style. The building was designed in 1902 by the firm of Peare & Quiner, who worked mostly in the North Shore of Massachusetts and funded by members of the M.A. Pickett Association, a fraternal organization founded in the late 19th century and named after Moses A. Pickett (1780-1853), who left his entire will to: “comfort the widow and the fatherless, the aged, the sick, and the unhappy”, also donating his home to the use and funding for its preservation. In 1866, a hand-drawn fire engine named after M. A. Pickett, was used by a group of volunteer firefighters, who later would create the club named after Mr. Pickett. The building originally held a barber shop and a creamery on the ground floor with a meeting hall and billiards room above for members of the Pickett Association. Today, the building is lovingly maintained, including the three stunning Palladian windows at the third floor.

Cloon Stores // c.1880

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Washington Street in Marblehead is lined with dozens of amazing old homes, civic, and commercial buildings, that serves as the “downtown” spine of the old village. Located at the corner of Washington and State streets, this handsome late-Victorian commercial block serves as an important contributing building to the character of Marblehead. The structure was built around 1880 for a member of the Sparhawk Family, who operated the building as a factory or store for their shoe manufacturing. By the 1890s, the building was owned by Horace Cloon and Samuel G. Cloon, who operated a hardware store from the ground floor and leased the upper floor as apartments. The block retains its original bracketed cornice over the storefronts, but the brackets at the upper cornice are no longer extant. 

Henry Block // 1873

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Mid-late 19th century commercial blocks provide human-scaled density, high quality design, and often contain intimate storefronts providing reasonable rent to local businesses. The Henry Block in Westborough, Massachusetts, is one great example of a historic commercial building that checks all of these boxes. The brick building was constructed in 1873 by its namesake, Samuel Gates Henry (1813-1877), a pharmacist and dentist who rented space in an earlier building on the site. When a fire destroyed the old structure, Samuel Henry had this block erected on the site and leased out spaces in the building to other businesses and tenants in the floors above. The block is Italianate/Italian Renaissance Revival in style with the typical round arched windows and bracketed cornice. The granite storefronts even retain some of the original cast-iron supports.

Westborough Arcade // 1890

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 The Second Meeting House of Westborough, Massachusetts, was built on this important site in the center of the village in 1749. It was a plain, wooden building and was used for both church services and town meetings, since church and state were essentially inseparable at the time. When a new church was built in 1837, this building was purchased and converted to commercial use. The first floor of the building was raised, and another floor was added underneath. The steeple was also removed. The building then became known as “The Arcade Building,” a kind of mall with small shops opening onto the porch. By the end of the 19th century, the old wooden building was nearing 150 years old and owners decided to demolish the structure, and replace it with a more permanent and stately block. The New Arcade was built in 1890 and is more Romanesque in style. The handsome brick block has retail spaces on the ground floor with residences above, a great example of mixed-use.

Peerless-Capitol Theater // 1894

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Located across from the North Abington Depot, this structure was constructed in 1894 as a leather harness and saddle shop by local businessman, Henry Crossley. The expensive building of cut granite and brick seemed to have overextended Mr. Crossley’s means, as he would soon-after file for bankruptcy. The building would remain as commercial use until 1915, when the property was purchased by the Peerless Amusement Company for use as a 300-seat theater. By the 1930s, the building became known as the Capitol Theater, and was listed to seat 230 customers on the main floor and 70 in the balcony. Due to the more rural nature of the cinema, it closed in the mid-20th century, and suffered from neglect for decades until it was restored and is currently housing apartments. 

Liberty Tree Block // 1850

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The Liberty Tree Block is located at one of Boston’s oldest and most important intersections, Boylston and Essex streets. It is said that near this site, the Liberty Tree stood, and where in 1765, Patriots in Boston staged the first act of defiance against the British government under its branches, The Stamp Act protests. The tree became a rallying point for the growing resistance to the rule of Britain over the American colonies. The Liberty Tree was cut down by British Loyalists in 1775, but the tree’s symbolism lives on in the building constructed on the site 75 years later. Nineteenth-century real estate developer David Sears had this commercial block built in 1850, which housed stores at the street with ballrooms on the upper floors. The Liberty Tree Block is best-known and named so due to the wooden relief plaque of the Liberty Tree on the Washington Street elevation. The motif stands 8′ high and 5′ wide and was carved by ship carvers. The bas relief is inscribed with “Liberty–1765” across the top, “Law and Order” at its roots, and at the bottom, “Sons of Liberty, 1765. Independence of their Country, 1776.” The building (and its carving) are protected Landmarks in Boston.

South Street Building // 1899

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One of the larger mercantile buildings in the Leather District of Boston is this turn-of-the-century block, historically known as the South Street Building. Bounded by three streets, this eight-story building was constructed in 1899 from plans by Winslow, Wetherill & Bigelow and is a great example of a Classical Revival style commercial block with Beaux Arts motifs to further decorate the facades. In 1901, as expected, the city directories list many leather and soft goods-related occupants in the building, including: The American Calfskin Leather Company, John F. Moore Co., leather dealer, and Charles D. French, leather remnants dealer. The building was renovated in 1990 and rebranded as Lincoln Plaza, becoming a major space for non-profit offices.

Albany Building // 1899

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One of the last major 19th century buildings erected in Boston’s Leather District is also one of the finest examples of Beaux Arts architecture in the city. This is the Albany Building, built in 1899, and fills an entire city block. The Albany Building was designed by Peabody and Stearns and built by Norcross Brothers as the offices for the United Shoe Machinery Corporation. Its two-story base is adorned with swags and cartouches and its fifth floor is topped with a complex cornice. The use of beveled corners and ornate detailing break up the massing of the building which otherwise, would read like a box. The building today serves as an important visual gateway into the Leather District and its context of late 19th century commercial blocks centered around the leather and shoe manufacturing businesses.