Connecticut Historic Preservation

Jesse Lee Memorial Church // 1965

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Believe it or not, this church in Ridgefield Center was built in 1965! To know its full history, we have to go back to 1787, when the Methodist Episcopal Church had its beginnings in Ridgefield, the third in New England. Its first meeting was held – just 21 years after Methodism had been introduced into the U.S. from England. In 1789 Jesse Lee, a native of Virginia, was sent north as a circuit rider. His third sermon in Connecticut was preached at the Independent Schoolhouse on Main Street in Ridgefield. In the 1840s, a second meetinghouse in town was built, and the congregation grew. A third church and rectory were built on Main Street in 1884. When a large Main Street estate was available for a new, stately building, the congregation jumped at the opportunity, and hired ecclesiastical architect Harold Wagoner to design a refined, Colonial Revival style church, which was built in 1965. Executed in brick, the church has great verticality, created by the colossal columns supporting its pedimented portico and the spire that rises over an open belfry to a height of 149 feet. Set back from the street, the church still has a commanding presence.

David Scott House // 1714

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One of the oldest extant houses in Ridgefield, Connecticut is this charmer, which was moved not once, but twice! The house was built for David Scott (1678-1760), an Irish-born resident of the town, who purchased one of the town’s original Main Street house lots which sat undeveloped. Scott had abandoned his wife, Mary in Ireland, and settled in Ridgefield, entering into a new relationship with Elizabeth St. John. A woman scorned, Mary unexpectedly arrived in America and filed suit against her husband, citing Elizabeth as the “pretended wife of David Scott.” A judge awarded Mary three acres of her husband’s land. David Scott and his second wife lived at this 1714 house until they moved in 1740. His property (which included two enslaved Africans) was sold to Vivus Dauchy, a Frenchman. In the 1920s, as the Scott House section of Main Street commercialized, the owners relocated this house to Catoonah Street, building a commercial block in the former location. After numerous other owners, the most recent owner, The Ridgefield Preservation Trust (now the Ridgefield Historical Society) put it to use as a new historical society headquarters, after saving the Colonial-era home from demolition for stores and a parking lot! It was relocated to its current site and has been meticulously restored.

Ridgefield Train Depot // 1870

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In 1870, the Ridgefield Branch branch line of the Danbury and Norwalk Railroad and later the New York, New Haven and Hartford Railroad was built connecting the sleepy village of Ridgefield to Branchville train station via the main line. The line was an early risk, built to offer service to the wealthy New Yorkers who began arriving to spend their summers in Ridgefield. Many of these “summer people” had their own private railroad cars, with chauffeurs meeting them as they arrived, driving horse and buggies to bring them and their luggage to their estates located throughout the town. As travel shifted to personal automobile, ridership dropped in the early 20th century, and the branch was replaced by bus service in 1925. Freight service was scarce, and lasted longer, to 1964. The depot was sold to the Ridgefield Supply Company, who used the 1870 building as storage for decades until it was disassembled, moved and rebuilt by the Ridgefield Supply Company in 2015, as part of their expansion. The historic station today provides an important link to Ridgefield’s past.

Ridgefield Public Library // 1901

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The Ridgefield Public Library is an intriguing Beaux Arts style building from the turn of the 20th century. Built in 1901, the brick structure replaced the Smith Tavern, a 1798 frame structure built by Amos Smith right on Main Street. In 1900 the Smith Family sold the property to James N. Morris who had this library built in memory of his wife, Elizabeth, donating it to the town. Architect Raleigh G. Gildersleeve is credited with the design which is comprised of a one-story building constructed of brick with cast stone trim details and ironwork at the door. The library was given later additions, which are recessive in location and detailing to let the original building shine, as it should!

Berzelius Tomb // 1910

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Yale, like other Ivy League colleges, has a long and complex history of secret societies. The secret societies all are headquartered at their own buildings, called “tombs”. These are massive, very impressive structures without windows or signage and all share an unmistakable message with their architecture: “Private; keep out.” One of the lesser-known tombs at Yale is the Berzelius Tomb, completed by 1910 from plans by architect Donn Barber. The Berzelius was established in 1848 as a secret society and formerly was located in Berzelius Hall, a Romanesque style building. The tomb is sited on an difficult lot at the convergence of three main roads but holds its own architecturally as a highly ornamented box. This austere tomb is built of limestone, with a balustrade and detailed cornice at the roof, but the main attraction is the entrance, which is a double brass door with floral panels, all surrounded by a Classical surround. Above the entrance, a limestone panel showcases the Society’s insignia with fruit and flower swags.

New Haven Museum // 1929

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New Haven, Connecticut is known for its Gothic and Modernist architecture, but as it is located in New England, some good Colonial Revival architecture is not hard to find! The New Haven Museum building on Whitney Avenue was built for the New Haven Colony Historical Society, which was established in 1862 to collect, preserve, and publish historical matter related to the history of the greater New Haven community. The Society was housed in various locations around the city throughout the 19th century until 1929 when it relocated to its present building designed by J. Frederick Kelly, a noted colonial revival architect. The symmetrical building with its eleven-bay facade is notable for its arched recessed portico and rooftop cupola. The building remains occupied by the New Haven Museum to this day.

Yale University – Trumbull Gallery // 1832-1901

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Pre-1869 image of Trumbull Gallery, Yale Archives

Before there was Street Hall or the Old Yale Art Gallery Building, there was the Trumbull Gallery, the first college-connected art museum in the United States. This building was erected in 1832 by artist and collector, John Trumbull (1756-1843), who specialized in Revolutionary-era works, and was known as the “Painter of the Revolution”. In his later years, Trumbull sold 28 paintings and 60 miniature portraits to the Yale College, and helped establish the college-affiliated art museum. He is said to have designed this Classical style building, to house his collections, all with minimal windows to protect his collection from direct sunlight. The gallery also housed a crypt for Trumbull and his wife, hence its tomb-like appearance. When Street Hall was built, the collection and tombs were relocated there, and again in the late 1920s when the Art Gallery was constructed. In 1869, Yale College added windows to the building and operated the school treasury from here until it was demolished in 1901. The Trumbull Gallery stood just in front of the Old Library.

Yale University – Street Hall // 1866

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Closing out this series on Yale’s Old Campus, I present one of the finest Victorian Gothic collegiate buildings in the United States, Street Hall. Street Hall was designed by Peter B. Wight (who had just completed the Venetian Gothic style National Academy of Design in New York City) and opened in 1866. The building opened as the Yale School of the Fine Arts, which was the first art school on an American college campus. The building was named after Augustus Russell Street (1791–1866), a Yale graduate and New Haven businessman who donated the funds for the building’s construction on the condition that all residents of the city could enroll in the school, wanting a bridge between citizens of New Haven (“Town”) and the college “Gown”). Augustus Street and his wife, Caroline Leffingwell had seven daughters together, all of whom predeceased them. It was likely the fact he was around so many women in his life that he also required the Yale School of the Fine Arts to admit both male and female students (Yale would become co-educational and admit women to all programs in 1969.) Street Hall is a landmark example of the Victorian/Venetian Gothic style with lancet arches, polychromatic stone, and trefoil and quatrefoil stone medallions. Street Hall is now connected to, and is a part of the Yale University Art Gallery.

Yale University – Alumni Hall // 1851-1911

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Detroit Publishing Company image

Alumni Hall at Yale was designed and built between 1851-1853, at the northwest corner of Yale’s Old Campus. Its was designed by Gothic specialist architect Alexander Jackson Davis, who completed Dwight Hall (the Old Library) a some years prior. The building had a large, open floorplan on the first floor for large gatherings as well as the entrance examinations, along with the biennial examinations that every student had to take at the end of his sophomore and senior years. As the building turned 50 years old, the campus around it was already looking very different. Shifting priorities for dormitory space in the yard necessitated its demolition for Wright Hall (next post). Alumni Hall was razed in 1911, but its two crenelated towers were salvaged when the building was demolished. They were incorporated into Weir Hall which has been incorporated into Jonathan Edwards College, one of Yale’s residential colleges.

Yale University – Phelps Hall and Gate // 1896

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After Lawrance and Welch halls (previous two posts) were built on the eastern edge of Yale’s Old Campus, there was a small space between the two that needed to be enclosed to provide a true cloister for students, shielding them from the noise and ever-developing Downtown of New Haven. Architect Charles C. Haight designed the new hall to resemble a medieval gatehouse. The simple, tall rectangular mass has octagonal towers at each corner with copper domes on top and a crenelated parapet resembling an old English castle spanning between them. On the ground floor is the Phelps Gate, the main entrance to the Old Campus from the east. Its namesake was the late William Walter Phelps, an 1860 Yale graduate who served as a Congressman and as ambassador to Germany and Austria-Hungary. The building holds an important role in the annual commencement ceremonies, which begin in the New Haven Green and pass through to the Old Campus through this gateway.

Yale University – Welch Hall // 1891

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As Yale University continued to enclose its Old Yard with elongated dormitories in the second half of the 19th century, the proprietors began to experiment with slight deviations to the prototypical Victorian Gothic piles built in the previous decades. Following a financial gift from Pierce N. Welch, an 1862 graduate of Yale College, and his sisters in memory of their late father, Harmanus M. Welch, the college hired architect Bruce Price to furnish plans for the new dormitory. Welch Hall is built of Longmeadow Freestone, the building is more Romanesque in style with arched masonry openings, the rough hewn stone walls, and pointed dormers projecting through the eave lines.

Yale University – Battell Chapel // 1874

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As the Old Campus of Yale was being enclosed at its north and east by Farnam and Durfee halls, architect Russell Sturgis was again tasked to design a new building, but for a corner site; though this time, he would design a college chapel. Built between 1874–76, it was funded primarily with gifts from Joseph Battell. Succeeding two previous chapel buildings on Yale’s Old Campus, it provided space for daily chapel services, which were mandatory for Yale students until 1926, which were all-male and mostly Protestant. The large stone chapel is constructed of New Jersey brownstone with decorative elements in sandstone. The design of the Victorian Gothic chapel is great, but how it sits with the entrance unceremoniously dumping out to the end wall of Durfee Hall leaves much to be desired.

Yale University – Linsly Hall // 1906

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Just 15 years after the Chittenden Memorial Library (last post) was constructed to provide overflow space for Yale’s Old Library, the college overseers sought to expand yet again. Linsly Hall was built in 1906 as an addition to the 1880s Richardsonian Romanesque Chittenden library building, but in the Collegiate Gothic style, which was quickly becoming a preferred architecture style for the campus. Linsly Hall was built as a connector between the two library buildings with a tunnel-like passage between the structures. This was quickly deemed inadequate for a college of this stature, and the 1930s Sterling Library was built outside of the yard decades later. Architect Charles C. Haight designed Linsly Hall following the same design elements as his popular Vanderbilt Hall, built 10 years prior nearby. Today, the Linsly Hall (and the adjoining Chittenden Hall) is classroom space.

Powell Building // 1921-1990

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Even skyscrapers face the wrecking-ball…The Powell Building was among New Haven’s first building recognized as a “skyscraper.” Built in 1921, the commercial building is Neo-Gothic Revival in style with the two bottom stories and the two top stories are detailed in Gothic motifs, with eight more plain floors between. The resulting shaft-like appearance distinguishes the Powell Building from other contemporary commercial structures in the city, which are essentially heightened versions of various historical styles. The architect, Roy W. Foote, was among New Haven’s leading architects in the first half of the 20th century, largely due to his local efforts in high-rise construction. The Powell Building was erected as a speculative venture by Albert H. Powell, whose primary business was a wholesale coal dealership. Early occupants were professional offices and a bank at the first floor. The building historically was located at the New Haven Green, between the Victorian Gothic City Hall and Classical Federal Courthouse. The building was sadly razed by 1990 by the New Haven Redevelopment Authority, who were VERY active in town knocking down neighborhoods in the second half of the 20th century. It was replaced by the Connecticut Financial Center skyscraper, currently New Haven’s tallest building.

Richard C. Lee U. S. Courthouse // 1913

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Image by Brandon Bartoszek

The monumental Richard C. Lee U.S. Courthouse is located on the west side of the Town Green in New Haven, Connecticut, a stone’s throw from the New Haven City Hall. The building is an excellent example of Classical Revival architecture. The building originally served both as a courthouse and post office, although the post office moved to another location in 1979. James Gamble Rogers designed the building, which was constructed between 1913 and 1919. Rogers was also the architect for structures at Yale University, his alma mater (more on some of those later). The building was the last to be designed under the auspices of the Tarsney Act (1890-1912), which allowed the Treasury Department to hire private architects rather than use only designers employed by the federal government. Classical architecture was commonly seen in federal building design during the early twentieth century because officials believed it conveyed the dignity of the federal government. The New Haven courthouse displays several hallmarks of the style, including the colossal portico and pediment with columns capped by Corinthian capitals. The courthouse was slated for demolition in the 1960s as part of an urban renewal plan. However, a coalition of federal judges and local historic preservationists rallied to save it. In 1998, the building was renamed to honor Richard C. Lee, a former New Haven mayor who was a pivotal figure in the building’s preservation as well as the city’s revitalization.